Earth Day Movies
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
2006 Fall Newsletter
THE ENVIROTECH NEWSLETTER Fall 2006 Volume 6, Number 2 Some Great Envirotech Films By Numerous Generous Envirotech Members Inside this issue: Editor’s Note: Last spring Jeffrey Stine made the good suggestion that it might be useful to begin compiling a list of films on envirotech subjects. The following list is the first install- ment in that project. Perhaps a dozen or so of you were kind enough of send in titles and Vegas Session Report 2 brief descriptions. My thanks to you all! But two Envirotechies—Lindy Biggs and Pat Mun- day—really outdid themselves by contributing long lists of films with richly detailed descrip- ET News 3 tions. Indeed, I did not have space to include all of Lindy’s good suggestions. But again following a suggestion from Jeffrey Stine, I propose to continue to compile and periodically Member news 4 publish further additions to this list in the future. So for those of you who perhaps did not have the time to send in your suggestions this go-around, keep the project in mind for the ASEH Sneak Preview 8 spring. Likewise, whenever you discover a new film of value, please take a few moments to send me an e-mail so I can include it in future editions of the newsletter and add it to the Position Available 9 master list. Note that for convenience and to maintain uniformity I have generally not included the names of individual contributors except where necessary to obtain the film. But I do Conferences & Calls 10 (Continued on page 13) Update on the Envirotech Book Project By Stephen Cutcliffe Important Dates: • December 1: Deadline Several years ago the Envirotech lected essays that would “challenge conven- for nominations for the special interest group began a very interest- tional thinking about the relationship be- Envirotech prize for ing list serve discussion on what constitutes tween technology and nature and about hu- best article—see page our human technological relationship with mankind’s relationship with both” in a way 5 the natural world. -
Cardiovascular and Other Outcomes Postintervention
CARDIOVASCULAR DISEASE AND DIABETES Diabetes Care Volume 39, May 2016 709 Cardiovascular and Other ORIGIN Trial Investigators* Outcomes Postintervention With Insulin Glargine and Omega-3 Fatty Acids (ORIGINALE) Diabetes Care 2016;39:709–716 | DOI: 10.2337/dc15-1676 OBJECTIVE The Outcome Reduction With Initial Glargine Intervention (ORIGIN) trial reported neutral effects of insulin glargine on cardiovascular outcomes and cancers and reduced incident diabetes in high–cardiovascular risk adults with dysglycemia after 6.2 years of active treatment. Omega-3 fatty acids had neutral effects on cardiovascular outcomes. The ORIGIN and Legacy Effects (ORIGINALE) study mea- sured posttrial effects of these interventions during an additional 2.7 years. RESEARCH DESIGN AND METHODS Surviving ORIGIN participants attended up to two additional visits. The hazard of clinical outcomes during the entire follow-up period from randomization was calculated. RESULTS Of 12,537 participants randomized, posttrial data were analyzed for 4,718 originally allocated to insulin glargine (2,351) versus standard care (2,367), and 4,771 originally allocated to omega-3 fatty acid supplements (2,368) versus placebo (2,403). Posttrial, small differences in median HbA1c persisted (glargine 6.6% [49 mmol/mol], standard care 6.7% [50 mmol/mol], P = 0.025). From randomization to the end of posttrial follow-up, no differences were found between the glargine and standard care groups in myocardial infarction, stroke, or cardiovascular death (1,185 vs. 1,165 Corresponding author: Zubin Punthakee, zubin. events; hazard ratio 1.01 [95% CI 0.94–1.10]; P = 0.72); myocardial infarction, stroke, [email protected]. cardiovascular death, revascularization, or hospitalization for heart failure (1,958 vs. -
ED351261.Pdf
DOCUMENT RESUME ED 351 261 SO 022 575 AUTHOR Farnbach, Beth Earley, Ed. TITLE The Bill of Rights Alive! INSTITUTION Temple Univ., Philadelphia, PA. School of Law. SPONS AGENCY Commission on the Bicentennial of the United States Constitution, Washington, DC. PUB DATE 92 CONTRACT 91-CB-CX-0054 NOTE 100p.; Funding also received from the Pennsylvania Trial Lawyers Association. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EARS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Civil Liberties; Constitutional History; *Constitutional Law; Elementary Secondary Education; *Law Related Education; Learning Activities; Social Studies; Teaching Methods; United States History IDENTIFIERS *Bill of Rights; *United States Constitution ABSTRACT This collection of lesson plans presents ideas for educators and persons in the law and justice communityto teach young people about the Bill of Rights. The lesson plansare: "Mindwalk: An Introduction to the Law or How the Bill of Rights AffectsOur Liver"; "Bill of Rights Bingo"; "The Classroom 'ConstitutionalConvention': Writing A Constitution for Your Class"; "Rewriting the Billof Rights in Everyday Language"; "If James Madison Had Been inCharge of the World"; "Ranking Your Rights and Freedoms"; "Photojournalismand the Bill of Rights"; "Freedom Challenge"; "Do God andCountry Mix? The Free Exercise Clause and the Flag Salute"; "Religionand Secular Purpose"; "A Mock Supreme Court Hearing: Lyngv. Northwest Indian Cemettry Protective Association"; "Away with the Manger";"Choose on Choice: Pennsylvania's School Choice Legislationand the Separation of Church and State"; "An Impartial Jury: Voir Direand the Bill of Rights"; "Do You Really Need a Lawyer? The SixthAmendment & the Right to Counsel"; "From Brown to Bakke: The 14thAmendment"; "Drawing on Your Rights"; and "Bill of RightsMock Trial." Each lesson contains the lesson title, an overview, gradelevel, goals, a list of materials, possibleuses of outside resources, procedures/activities, and reflectionson the lesson. -
Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
HUBBARD PREXY, FREEMAN VEEP 113 GARY ENGELL Ifuldeard Had Nearly a 450 Vote Lead Over Hank Ramp Male Represent Ate% E -At Large
California State Library 3acroonto 9, California HUBBARD PREXY, FREEMAN VEEP 113 GARY ENGELL Ifuldeard had nearly a 450 vote lead over Hank Ramp Male Represent ate% e -at Large. Behr, 1339. W. Hs. after the first day of balloting. Ramp ended in second 130.2 Hubbard, outs1.anding track two-miler, cap- Don place. with 860 votes. Feinale K.presentatir-at-Large: on Tillow, l’ - night as he won the student tur cl another laurel Fr:day !:fan Croonquist. chief justice of the. Student Court. land us State College.. body piesidency of Sari ?het the three precincts set up on campus definitely 'Male mor Justice: Ariesela. Bucaria. ur Ray Freeman gain-sel tl..0 vice president's job, defeat- atli-ibuted to the increase in votes cast. They we -re- lo- 'Female sailior Justice: lie.hr. fi- ing Vern Perry on secoild place votes. catoei in the Outer Quad. near the Wanleffli Gym and Senior Representathr: NlePherson. 500. Ritterman no In closest race cf the. election. Al Behr, sopho- :it the corner of 7th and San Antonio streets. 265 ?e. Moil. president. won 6'; r Bob Weiss, sophomorr repre- -I do believe that with the high school music stu- Junior Representatise: Ai ithzton, 335, Ferris, 19.: us sentative, for the positicr of male retire 5..ntative-at-large dent, on campus and with some classes being dismissed. l'ee'.ci t I Is eh by 37 votes. Behr had 1339 and Weiss had 1302. At no that it hurt our vote total, but Pin completels satisfied sophomore Representative: Ryan. 381. -
Gus Van Sant Retrospective Carte B
30.06 — 26.08.2018 English Exhibition An exhibition produced by Gus Van Sant 22.06 — 16.09.2018 Galleries A CONVERSATION LA TERRAZA D and E WITH GUS VAN SANT MAGNÉTICA CARTE BLANCHE PREVIEW OF For Gus Van Sant GUS VAN SANT’S LATEST FILM In the months of July and August, the Terrace of La Casa Encendida will once again transform into La Terraza Magnética. This year the programme will have an early start on Saturday, 30 June, with a double session to kick off the film cycle Carte Blanche for Gus Van Sant, a survey of the films that have most influenced the American director’s creative output, selected by Van Sant himself filmoteca espaÑola: for the exhibition. With this Carte Blanche, the director plunges us into his pecu- GUS VAN SANT liar world through his cinematographic and musical influences. The drowsy, sometimes melancholy, experimental and psychedelic atmospheres of his films will inspire an eclectic soundtrack RETROSPECTIVE that will fill with sound the sunsets at La Terraza Magnética. La Casa Encendida Opening hours facebook.com/lacasaencendida Ronda de Valencia, 2 Tuesday to Sunday twitter.com/lacasaencendida 28012 Madrid from 10 am to 10 pm. instagram.com/lacasaencendida T 902 430 322 The exhibition spaces youtube.com/lacasaencendida close at 9:45 pm vimeo.com/lacasaencendida blog.lacasaencendida.es lacasaencendida.es With the collaboration of Cervezas Alhambra “When I shoot my films, the tension between the story and abstraction is essential. Because I learned cinema through films made by painters. Through their way of reworking cinema and not sticking to the traditional rules that govern it. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Little Big Man
LE RÉALISATEUR DE "BONNIE AND CLYDE" REVISITE LE MYTHE DE LA CONQUÊTE DE L’OUEST DANS UNE FRESQUE GRANDIOSE LITTLE BIG MAN UN FILM D’ARTHUR PENN AVEC DUSTIN HOFFMAN ET FAYE DUNAWAY POUR LA 1RE FOIS EN VERSION RESTAURÉE AU CINÉMA LE 20 JUILLET 2016 Relations presse Programmation Retrouvez toute notre actualité et nos visuels sur CARLOTTA FILMS www.carlottavod.com CARLOTTA FILMS Ines DELVAUX Mathilde GIBAULT Tél. : 01 42 24 87 89 Tél. : 06 03 11 49 26 [email protected] [email protected] Relations presse Internet Distribution Élise BORGOBELLO CARLOTTA FILMS Tél. : 01 42 24 98 12 9, passage de la Boule blanche 75012 Paris [email protected] Tél. : 01 42 24 10 86 – Fax : 01 42 24 16 78 L’ATELIER D’IMAGES « Je crois que Little Big Man se rapproche plus du véritable film picaresque que n’importe quelle autre œuvre de ma connaissance. Ça aurait été bien plus facile de réduire le matériau à une simple histoire d’Indiens, mais le roman de Thomas Berger était trop précieux pour être traité de la sorte, et de toute façon, c’était un défi intéressant. » Arthur Penn n journaliste vient recueillir le témoignage de Jack Crabb, 121 ans, dernier survivant U de la bataille de Little Bighorn qui vit la victoire des Indiens sur les troupes du général Custer. Le vieil homme se met à raconter l’histoire de sa vie : le massacre de ses parents par les Indiens pawnees, son adoption par les Cheyennes où il reçut le surnom de « Grand Petit Homme », puis son retour parmi les Blancs en pleines guerres indiennes… Réalisé en 1970, Little Big Man est la deuxième incursion d’Arthur Penn dans le genre du western après Le Gaucher en 1958. -
WWII Pacific PP.Pdf
Short Documentaries on War in the Pacific • The Pacific: Historical Background Part 1 (HBO) • The Pacific: Anatomy of a War (HBO) Japanese Aggression Builds • In the early 1900s Japan had a severe lack of natural resources. • Their plan was to invade and conquer neighboring lands that had the natural resources that they wanted. • Japanese expansion in East Asia began in 1931 with the invasion of Manchuria and continued in 1937 with a brutal attack on China. • On September 27, 1940, Japan signed a pact with Germany and Italy, thus entering the military alliance known as the “Axis Powers.” • The United States wanted to curb Japan Vs. the Japan’s aggressive actions. • They also wanted to force a United States withdrawal of Japanese forces from Manchuria and China. • So, the United States imposed economic sanctions on Japan. • Japan now faced severe shortages of oil, along with their shortage of other natural resources. • The Japanese were also driven by the ambition to displace the United States as the dominant Pacific power. • To solve these issues, Japan decided to attack the United States and British forces in Asia and seize the resources of Southeast Asia. Japan Attacks Pearl Harbor • However, because America is bigger and more powerful than Japan, a surprise assault is the only realistic way to defeat the U.S. • Japanese planes attacked Pearl Harbor in the Hawaiian Islands on December 7, 1941. • When the first Japanese bombs struck Pearl Harbor shortly before eight in the morning, the American forces were utterly unprepared. • Anchored ships, such as the Nevada, the Utah, and the Arizona, provided easy targets for bombs and torpedoes. -
THE Permanent Crisis of FILM Criticism
mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter film criticism since its origins. net amateurs and the lack of authorita of tive critics, many journalists and acade Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, coeditor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
And the Ship Sails On
And The Ship Sails On by Serge Toubiana at the occasion of the end of his term as Director-General of the Cinémathèque française. Within just a few days, I shall come to the end of my term as Director-General of the Cinémathèque française. As of February 1st, 2016, Frédéric Bonnaud will take up the reins and assume full responsibility for this great institution. We shall have spent a great deal of time in each other's company over the past month, with a view to inducting Frédéric into the way the place works. He has been able to learn the range of our activities, meet the teams and discover all our on-going projects. This friendly transition from one director-general to the next is designed to allow Frédéric to function at full-steam from day one. The handover will have been, both in reality and in the perception, a peaceful moment in the life of the Cinémathèque, perhaps the first easy handover in its long and sometimes turbulent history. That's the way we want it - we being Costa-Gavras, chairman of our board, and the regulatory authority, represented by Fleur Pellerin, Minister of Culture and Communication, and Frédérique Bredin, Chairperson of the CNC, France's National Centre for Cinema and Animation. The peaceful nature of this handover offers further proof that the Cinémathèque has entered into a period of maturity and is now sufficiently grounded and self-confident to start out on the next chapter without trepidation. But let me step back in time. Since moving into the Frank Gehry building at 51 rue de Bercy, at the behest of the Ministry of Culture, the Cinémathèque française has undergone a profound transformation.