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La Mujer Es Cosa De Hombres-Isabel Coixet
50 años de... - La mujer, cosa de hombres. Isabel Coixet. Corto dirigido por Isabel Coixet en torno al tradicional papel de la mujer en la sociedad española y la repercusión que tienen en los medios los delitos por violencia de género. http://www.rtve.es/alacarta/videos/50-anos-de/50-anos-mujer-cosa- hombres/1491834/ Isabel Coixet nació en Sant Adrià del Besós el 9 de abril de 1960. Estudió Historia Contemporánea en la Universidad de Barcelona, trabajó como periodista en la revista Fotogramas . Su afición a la imagen le hace acercarse al mundo del cine, desempeñando diversas tareas y al mundo de la publicidad en el que, tras un tiempo, creará productora propia. Años más tarde, decidida a filmar su primer largometraje, se traslada a Estados Unidos a rodar Cosas que nunca te dije (1996). Un año después, nace su hija Zoe. Es un peso pesado de la industria publicitaria, y dirigió anuncios por todo el mundo: ha sido directora creativa de la agencia JWT, fundadora y directora creativa de la agencia Target y la productora Eddie Saeta, obteniendo los más prestigiosos premios por sus trabajos en este campo. En el año 2000 creó la productora Miss Wasabi Films desde donde también ha realizado destacados documentales -y vídeo clips a los más variados músicos En 2005 realiza La vida secreta de las palabras cuyos protagonistas son Tim Robbins y Sarah Polley. En 2006 formó, junto a otras cineastas como Inés París, Chus Gutiérrez o Icíar Bollaín, CIMA (Asociación de mujeres cineastas y de medios audiovisuales). Isabel ha contado con Penélope Cruz para el papel protagonista de su película Elegy, estrenada en 2008, y basada en una novela de Philip Roth. -
Marta Díaz De Lope Díaz: a Conversation with the Filmmaker
This work is on a Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license, https://creativecommons.org/licenses/by-nc/4.0/. Access to this work was provided by the University of Maryland, Baltimore County (UMBC) ScholarWorks@UMBC digital repository on the Maryland Shared Open Access (MD-SOAR) platform. Please provide feedback Please support the ScholarWorks@UMBC repository by emailing [email protected] and telling us what having access to this work means to you and why it’s important to you. Thank you. 1 The Passion of Marta Díaz de Lope Díaz: A Conversation with the Filmmaker In her directorial debut, Ronda native Marta Díaz de Lope Díaz takes inspiration from the cartography of her origin for her filmic vision. Her cultural roots anchor her life and filmography, that she has been perfecting over the years of her study and teaching at the ESCAC film school in Barcelona. Her first feature-length film, Mi querida cofradía (Hopelessly Devout), clearly reflects this influence since it drinks and revels in the most traditional celebration of her hometown: Holy Week. Likewise, as can be seen in this interview, the feature establishes an interesting parallel between the passion of the protagonist Carmen (Gloria Muñoz) to realize her dream of leading her Catholic brotherhood and the aspiration of its own Marta Díaz to become a film director. With humor, her cinema masterfully delves into the experiences of women, of their sisterhood, in both the private and public spheres, displaying the obstacles that they encounter when trying to fulfill their goals in a man’s world and exhibiting their skills at overcoming interference. -
Walter Salles
Selenium Films / A Contracorriente films / Altiro Films Original title: “La contadora de películas” A film by Isabel Coixet Screenplay by Walter Salles & Isabel Coixet Based on the novel «La Contadora de Películas» of Hernán Rivera Letelier This is the captivating story of Maria Margarita, The story develops hand in hand with a young girl who lives in a mining town nestled relevant cultural events in the history of in the heart of Chile's Atacama Desert in the the town, like the arrival and success of 60s. She has a very special gift — an almost un- cinema exhibition, followed by its decline canny ability to retell movies. Her talent and as the TV arrives. On a broader passion soon spread beyond her impoverished perspective, ‘The Movie-Teller’ portrays the family circle — five siblings and their disabled decay of the historical salt-peter mining father confined to a wheel-chair, who can only towns in the North of Chile. The film afford a ticket for one at the local movie thea- reveals the untold memories buried deep tre— to reach the whole community. People get in our historical roots; we are taught how together to listen Maria Margarita with delight all the dreams and hopes of ordinary and amusement, so they can forget the harsh people are ultimately subjected to the routines of their day-to-day lives. tyranny of fate. « I was immediately touched « It has all the elements by its profound humanity, that fascinate me and that by the innate capacity to blend make me love cinema humor and drama, and, of course, above all things » by its utter passion for film » _ _ Isabel Coixet Walter Salles Production storytelling. -
Fenton Police Go Live with New Crime-Mapping Website CRIMEMAPPING
Sunday, August 10, 2014 Featured Section tctimes.com More to life after FEATURED SECTION: Get up-to-date SPORTS 15A Text the word FiftyWork for fun as a retiree MORE TO LIFE AFTER FIFTY area garage PG 5 Eye your nutrition GARAGESALE Frederick leaps to for best vision as you age sales sent to PG 8 Work for fun Bond between (all one word, upper case) top of our boys grandparents and grandkids benefits both your phone in PG 10 as a retiree to 810-475-2030 track team Bonus advance! Section ! PAGE 5 $1.00 PAGE 3A: Community Life | Active Living | Healthy Choices SUNDAY EDITION SCUBA DIVING... A TREAT FOR THE SENSES Weekend VOL. 21 NO. XXXII SUNDAY, AUGUST 10, 2014 2012 & 2013 NEWSPAPER OF THE YEAR tctimes.com ONLINE Fenton police go live with new crime-mapping website CRIMEMAPPING. COMMENTS Maps, alerts, reports just a click away for residents COM This Crime- By Sharon Stone other cities in Michigan that show We built the Panama Mapping. [email protected]; 810-433-6786 crimes on this website. Canal. We built an intercon- com screen ‘‘ tinental railroad. Have you ever found yourself In an effort to help reduce We build the peeking through your living room crime and further strengthen lo- shot of Hoover Dam. blinds in an attempt to find out why cal community-oriented policing Fenton City We build coast- police are at your neighbor’s home? efforts, the Fenton Police Depart- Thursday to-coast ex- If you live in Fenton City, a new ment (FPD) decided to go live at morning pressways. -
SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL for More Information Go To
NEWS FROM EGEDA US Phone: 310 246 0531 Fax: 310 246 1343 Email: [email protected] SPANISH MOVIES IN USA – JUNE 2013 LOS ANGELES LOS ANGELES INTERNATIONAL FILM FEST For more information go to http://filmguide.lafilmfest.com/tixSYS/2013/xslguide/eventnote.php?EventNumber=5446 I’m So Excited! Thu, June 13 – 7:30 PM (Opening Night) at Regal Cinemas, 1000 W. Olympic Blvd. Dir. Pedro Almodovar - Spain|2012|90 min. Cast: Antonio de la Torre, Hugo Silva, Miguel Ángel Silvestre, Laya Martí, Javier Cámara, Carlos Areces, Raúl Arévalo, José María Yazpik, Guillermo Toledo, José Luis Torrijo, Lola Dueñas, Cecilia Roth, Blanca Suárez When a passenger jet headed for Mexico--which you are free to take or leave as a metaphor for Spain today--develops dangerous mechanical problems, all hell breaks loose in business class. Here we meet an amazing assortment of Almodóvarian characters, including a psychic, a chic dominatrix, a crooked businessman and a soap star. Tending to their peculiar, increasingly frantic needs are a trio of high camp stewards who react to the crisis in ways only the mischievous director could dream up--like lacing their passengers drinks with mescaline. Fasten your seat belts as this bawdy, pointed farce takes us up, up and away. Opens on Friday june 28th in New York & Los Angeles…!!! SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL For more information go to http://www.siff.net/festival-2013/films-a-to-z?country=Spain Yesterday Never ends Sat, June 1 – 5:30 PM at SIFF Cinema Uptown, 511 Queen Anne Avenue N Dir. Isabel Coixet - Spain|2013|108 min. -
Introduction
Introduction 1 Iciar Bollaín (left) rehearsing Mataharis Iciar Bollaín (Madrid, 1967), actress, scriptwriter, director and producer, is one of the most striking figures currently working in the Spanish cinema, and the first Spanish woman filmmaker to make the Oscars shortlist (2010). She has performed in key films directed by, among others, Víctor Erice, José Luis Borau, Felipe Vega and Ken Loach. Starting out as assistant director and coscriptwriter, she has Santaolalla_Bollain.indd 1 04/04/2012 15:38 2 The cinema of Iciar Bollaín gone on to make four short films and five feature films to date, all but one scripted or coscripted by her. She is also one of the founding members of Producciones La Iguana S. L., a film production company in existence since 1991. Her work raises questions about authorship, female agency and the mediation in film of social issues. It also highlights the tensions between creative and industrial priori ties in the cinema, and national and transnational allegiances, while prompting reflection on the contemporary relevance of cinéma engagé. Bollaín’s contribution to Spanish cinema has been acknowledged both by filmgoers and the industry. Te doy mis ojos (Take My Eyes, 2003) is one of a handful of Spanish films seen by over one million spectators, and was the first film made by a woman ever to receive a Best Film Goya Award (Spanish Goyaequivalent) from the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Film Academy).1 Recognition has also come through her election to the Executive Committee of the College of Directors and Scriptwriters of the SGAE (Sociedad General de Autores y Editores) in July 2007, and to the VicePresidency of the Spanish Film Academy in June 2009.2 The varied range of Bollaín’s contribution to Spanish cinema, and the extent to which she is directly involved in key roles associated with filmmaking, inevitably lead to speculation on the extent to which she may be regarded as an auteur. -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
La Vida Secreta De Las Palabras, Galardonada Con El XI Premio Cinematográfico José María Forqué
EGEDA BOLETIN 42-43 8/6/06 11:44 Página 1 No 42-43. 2006 Entidad autorizada por el Ministerio de Cultura para la representación, protección y defensa de los intereses de los productores audiovisuales, y de sus derechos de propiedad intelectual. (Orden de 29-10-1990 - B.O.E., 2 de Noviembre de 1990) La vida secreta de las palabras, galardonada con el XI Premio Cinematográfico José María Forqué Una historia de soledad e incomunicación, La vida secreta de las palabras, producida por El Deseo y Mediapro y dirigida por Isabel Coixet, ha sido galardonada con el Premio José María Forqué, que este año ha llegado a su undécima edición. En la gala, celebrada en el Teatro Real el 9 de mayo, La vida secreta de las palabras compartió homenaje con el documental El cielo gira, que se llevó el IV Premio Especial EGEDA, y con el productor Andrés Vicente Gómez, galardonado con la Medalla de Oro (Foto: Pipo Fernández) (Foto: de EGEDA por el conjunto de su carrera. La gala tuvo como maestros de ceremo- cida por Maestranza Films, ICAIC y Pyra- vertirán a los creadores españoles en los nias a Concha Velasco y Jorge Sanz, y con- mide Productions, y dirigida por Benito más protegidos de Europa. tó con la actuación musical del Grupo Sil- Zambrano; Obaba, producida por Oria ver Tones, que interpretó temas de rock Films, Pandora Film y Neue Impuls Film, y Por su parte, el presidente de EGEDA, En- and roll de los años 50 y 60. Esto supone dirigida por Montxo Armendáriz, y Prince- rique Cerezo, entregó la Medalla de Oro una novedad en el escenario del Teatro sas, producida por Reposado PC y Media- de la entidad al veterano productor An- Real, pues es la primera vez que acoge este pro, y dirigida por Fernando León de Ara- drés Vicente Gómez en reconocimiento “a género musical. -
Hollywood's Ageing Ensemble Action Hero Series
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wilfrid Laurier University Wilfrid Laurier University Scholars Commons @ Laurier English and Film Studies Faculty Publications English and Film Studies 2017 Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series Philippa Gates Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/engl_faculty Part of the English Language and Literature Commons, and the Film and Media Studies Commons Recommended Citation Gates, Philippa, "Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series" (2017). English and Film Studies Faculty Publications. 13. https://scholars.wlu.ca/engl_faculty/13 This Article is brought to you for free and open access by the English and Film Studies at Scholars Commons @ Laurier. It has been accepted for inclusion in English and Film Studies Faculty Publications by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series By Philippa Gates Note: This is the English language version of a paper published in French as « Vieillir, agir: les héros d’âge mûr dans deux séries de films d’action hollywoodiens.» L’Âge des stars: des images à l’épreuve du vieillissement. Eds. Charles-Antoine Courcoux, Gwénaëlle Le Gras, Raphaëlle Moine. L’Âge d’homme, 2017. pp 130-50. Permission to reprint the paper in English is graciously given by the editors of the collection. Summary This paper explores the treatment of ageing in the ensemble action hero series RED (2010 and 2013) starring Bruce Willis and Helen Mirren and The Expendables (2010, 2012, and 2014) starring Sylvester Stallone and other 1980s action stars. -
CURRICULUM VITAE Name: María Camí-Vela University
CURRICULUM VITAE Name: María Camí-Vela University Address: University of North Carolina-Wilmington 601 S. College Rd. Wilmington, NC 28403-5954 Tel: (910)962-3342 E-mail: [email protected] I. EDUCATION Ph.D. in Spanish Literature Spring 1995 Romance Languages and Literatures University of Florida Dissertation: La búsqueda de la identidad en la obra de Carme Riera (The Search for Identity in Carme Rieras’s Narrative) Summer 1993 Universidad Complutense Madrid, Spain Course title: “Mujeres Creadoras” (“Women Creators”) M.A. in Spanish Fall 1989 Romance Languages and Literatures University of Florida Master’s Thesis: El feminismo en la obra periodística de Emilia Pardo Bazán (Feminism in Emilia Pardo Bazán’s Journalistic Works) B.A. in Spanish Fall 1986, Romance Languages and Literatures University of Florida Other Studies Fall 1975-Fall 1976 Universidad de Murcia, Spain II. TEACHING EXPERIENCE Professor: 2007- Associate Professor: 2003- 2007 Department of Foreign Languages and Literatures, U. of North Carolina -Wilmington. Assistant Professor: 1997-2003 Department of Foreign Languages and Literatures, U. of North Carolina -Wilmington. III.PUBLICATIONS AND ACADEMIC PRESENTATIONS A. Publications Books Mujeres detrás de la cámara: Entrevistas con cineastas españolas 1990-2004. (Women Behind the Camera: Interviews with Spanish Women Filmmakers 1990-2004.) Madrid: Madrid/Ocho y Medio, 2005. Mujeres detrás de la cámara: Entrevistas con cineastas españolas de la década de los 90. (Women Behind the Camera: Interviews with Spanish Women Filmmakers of the 90’s.) Madrid: Festival de Cine Experimental de Madrid/Ocho y Medio, 2001. La búsqueda de la identidad en la obra literaria de Carme Riera. (The Search for Identity in the Narrative Works of Carme Riera.) Madrid: Pliegos, 2000. -
The Birth of Haptic Cinema
The Birth of Haptic Cinema An Interactive Qualifying Project Submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science by Panhavuth Lau Jordan Stoessel Date: May 21, 2020 Advisor: Brian Moriarty IMGD Professor of Practice Abstract This project examines the history of The Tingler (1959), the first motion picture to incorporate haptic (tactile) sensations. It surveys the career of its director, William Castle, a legendary Hollywood huckster famous for his use of gimmicks to attract audiences to his low- budget horror films. Our particular focus is Percepto!, the simple but effective gimmick created for The Tingler to deliver physical “shocks” to viewers. The operation, deployment and promotion of Percepto! are explored in detail, based on recently-discovered documents provided to exhibitors by Columbia Pictures, the film’s distributor. We conclude with a proposal for a method of recreating Percepto! for contemporary audiences using Web technologies and smartphones. i Contents Abstract .......................................................................................................................................... i Contents ........................................................................................................................................ ii 1. Introduction .............................................................................................................................. 1 2. William Castle .......................................................................................................................... -
November 2014 Vol
Weeks Public Library Bulletin November 2014 Vol. 26, No. 11 Put Your Retirement Plan to Work Baby Lap Sit presented by John St. Pierre, Tuesdays Edward Jones Financial Advisor 10:30am Wednesday, November 12 Join us for stories, finger plays 6:30pm and open play Tuesday mornings Retirement can mean different things through November 25th. to different people. Maybe you want Ages 0 to 24 months. No registration needed. to travel, volunteer, start your own No class Tuesday, November 11th, Veteran’s Day. business, or go back to school. Be financially prepared for whatever you Lego Building Day decide! Join us for this informational Wednesday, November 5 session on the importance of saving 222-2---3pm3pm3pm3pm for retirement, how to save through your employer- Come and build with Lego bricks. All builds will be put sponsored plan, and other tax-advantage options for on display until the next Lego day. building your retirement savings. Snacks and drinks are allowed. All bricks will stay at the library. Classic Movie Night Captain Courageous starring Spencer Tracy © Warner Bros. Monday, November 17 6pm6pm6pm In Spencer Tracy’s Academy Award per- formance as a fisherman who saves a Family Story Time drowning boy, the boy learns life- changing lessons about the importance Thursdays of friendship and the dignity of labor in 10am this adventure saga based on a story by The last day this session is November 13. Next ses- Rudyard Kipling. Local film buff, Glenn sion begins December 4. Join us for stories, a craft, Bergeron will introduce the film. This and fun! All ages welcome, no registration required.