1997, 23. Jahrgang
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ENTREPRENEURSHIP: That Goal Was Achieved
One day, RICOH 129 imagined collaborating with ALUMNI the world’s best MAGAZINE business schools. It imagined that April-June 2013 students from these www.iese.edu schools could access to the right information, in the Jordi Canals Pedro Nueno Josep Tàpies and María Fernández Javier Zamora Building Companies That Maximize Your Board How to Weather the Slings and Big Data: How to Turn right place and at Generate Trust Potential Arrows of Fortune Information Into Value the right time. It imagined an excellent service for the future executives. ENTREPRENEURSHIP: That goal was achieved. TURNING IDEAS INTO ACTION One day RICOH imagined change.dea /ricohspain 900 818 302 BARCELONAIESE GLOBAL ALUMNI REUNI ON S AVE THE DATE: NOVEMBER 8 BARCELONAIESE GLOBAL ALUMNI REUNI ON S AVE THE DATE: NOVEMBER 8 C O N T E N T S COVER STORY ENTREPRENEURSHIP: TURNING IDEAS INTO ACTION 8 IDEAS CROSSROADS U.S. ADVISORY COUNCIL “HIGH-LEVEL LESSONS FROM EXPERIENCE” Building Companies that Generate Trust Jordi Canals 18 DOING GOOD & DOING WELL CORPORATE GOVERNANCE !e Power of Maximize your Board Potential Working Together 36 Pedro Nueno 24 MBA CAREER FORUM FAMILY BUSINESS Searching for New Talent 44 How to Weather the Slings and Arrows of Fortune 8TH BANKING SECTOR MEETING Josep Tàpies y Optimism at Banking Sector Meeting 46 María Fernández Moya 26 SUMMER SCHOOL BIG DATA How to Turn Information Future MBAs Are Already Into Value Studying at IESE 48 Javier Zamora 30 40 AGENDA 52 2 APRIL-JUNE 2013 / No. 129 Alumni Magazine IESE PEOPLE PEOPLE EGGERT GUDMUNDSSON (MBA ’97, AMP ’12) “We’d pay a high price PHILIP MOSCOSO AND PASCUAL BERRONE if we joined the EU” 54 58 TWO NEW ACADEMIC CHAIRS DRIVING BUSINESS RESEARCH AND INNOVATION LUIS I. -
Becoming Global, Staying Local: the Internationalization of Bertelsmann
170 Hartmut Berghoff Becoming Global, Staying Local 171 2) Random House: book publishing; 3) Gruner+ Jahr: magazine publishing; 6. 2002-2010. In this period, Bertelsmann refocused on its core competencies 4) Arvato: media, communication and other services; and 5) Direct Group: and sold or wound down many of its loss-generating Internet activities. book and media clubs and bookstores. In 2009, Random House and Direct It also divested itself of the music business due to the massive challenge Group had by far the highest international orientation with more than four of free music downloads. The club business entered the final stage of its fifths of their revenue coming from outside Germany. RTL, with almost product cycle, and an increasing number of clubs were sold. The most two-thirds, was slightly above the company's average, while Arvato and dynamic divisions up to the present have been RTL and Arvato, which Gruner+ Jahr were below average but still generated more the half of their have pulled the company back into growth and profitability. income abroad. This transformation occurred in six phases. 1. 1950-1961. In 1950, Bertelsmann began its club strategy, founding the book club "Lesering" in Germany. The record club "Schallplat 10.1 KEY QUESTIONS AND THEORETICAL MODELS OF tenring" followed in 1956. Bertelsmann bought licenses for top-selling INTERNATIONALIZATION 'titles and sold them in high volume at low prices. The German law designed to maintain retail sales prices for books did not apply to The Uppsala model of internationalization states that future multinationals book clubs so that Bertelsmann was able to exploit this loophole and develop competitive advantages in domestic markets before they move abroad. -
Geschäftsbericht 2008
Geschäftsbericht 2008 1 2 Studio Babelsberg AG Geschäftsbericht 2008 Annual Report 2008 3 4 Inhalt Content Vorwort des Vorstandes 6 Preamble of the Board of Management 6 Bericht des Aufsichtsrats 11 Report of the Advisory Board 11 Die Babelsberg Story 16 The Babelsberg Story 16 Impressionen 30 Impressions 30 Unternehmensprofil 38 Company Profile 38 Geschäftsfelder 40 Business Fields 40 Marktbericht 42 Market Review 42 Wachstumsstrategie 44 Growth Strategy 44 Die Aktie 45 The Studio Babelsberg Share 45 Vorstand und Aufsichtsrat 48 Board of Directors and Board of Supervisors 48 Organigramm 49 Organization Chart 49 Lagebericht 50 Status Report 50 Konzernjahresabschluss 57 Consolidated Financial Statement 74 · Konzernbilanz 58 · Consolidated Balance Sheet 74 · Konzern-Gewinn- und Verlustrechnung 60 · Consolidated Profit and Loss Statement 76 · Entwicklung des Konzernanlagevermögens 62 · Statement of Changes in Fixed Assets of the Group 78 · Entwicklung des Konzerneigenkapitals 64 · Statement of Changes in Group Equity 80 · Konzern-Kapitalflussrechnung 65 · Consolidated Cash Flow Statement 81 · Konzernanhang 66 · Notes to the Consolidated Financial Statement 82 · Bestätigungsvermerk des Abschlussprüfers (Konzern) 73 · Audit Opinion (Group) 88 Einzelabschluss AG 89 Individual Financial Statement 102 · Bilanz der Studio Babelsberg AG 90 · Balance Sheet of Studio Babelsberg AG 102 · Gewinn- und Verlustrechnung 92 · Profit and Loss Statement 104 · Entwicklung des Anlagevermögens 94 · Statement of Changes in Fixed Assets 106 · Anhang 96 · Notes to the Individual Financial Statement 108 · Bestätigungsvermerk des Abschlussprüfers (AG) 101 · Audit Opinion (AG) 113 Impressum 114 Imprint 114 5 Vorwort Preamble Liebe Aktionärinnen und Aktionäre, Dear Shareholders, Liebe Freunde von Studio Babelsberg, Dear Friends of Studio Babelsberg, seit 1912 wird in Babelsberg Filmgeschichte ge- Film history has been made at Babelsberg many schrieben. -
Der Club of Rome Ist Eine Nichtkommerzielle Organisation, Die Einen Globalen Gedankenaustausch Zu Verschiedenen Internationalen Politischen Fragen Betreibt
Der Club of Rome ist eine nichtkommerzielle Organisation, die einen globalen Gedankenaustausch zu verschiedenen internationalen politischen Fragen betreibt. Das Generalsekretariat befindet sich zur Zeit in Hamburg. Seit Juli 2008 - Club of Rome International Secretariat Lagerhausstrasse 9 CH-8400 Winterthur (Canton Zurich) Switzerland Tel.: 00-41-(0)52-244-0808 Fax: 00-41-(0)52-244-0809 Email: [email protected] Er wurde 1968 gegründet. Die Idee stammt von dem italienischen Industriellen Aurelio Peccei, einem damaligen Mitglied der Firmenleitung von Fiat und Olivetti und Präsident der Unternehmensberatung Italconsult und dem Schotten Alexander King, Direktor für Wissenschaft, Technologie und Erziehung bei der Pariser Organisation für wirtschaftliche Zusammenarbeit und Entwicklung (OECD), die sich am Rande einer Konferenz in der Academia dei Lincei in Rom trafen. Inhaltsverzeichnis [Verbergen] 1 Mitgliederauswahl 2 Mitglieder o 2.1 Einige Mitglieder o 2.2 Frühere Mitglieder 3 Ziel/Anliegen 4 Wirken und Wirkung 5 Kritische Stimmen 6 Deutsche Gesellschaft Club of Rome 7 Literatur 8 Weblinks [Bearbeiten] Mitgliederauswahl der Club soll multinational und multikulturell sein; alle Kulturen, Ideologien, Berufe und Wissenschaftszweige sollen vertreten sein Mitglieder sind handverlesen, also ausgesucht (Ökonome, Industrielle, Wissenschaftler und andere Persönlichkeiten des öffentlichen Lebens); Bewerbungen sind nicht möglich (Vorbild ist das Prinzip der wissenschaftlichen Akademien) ein politisches Amt schließt die Mitgliedschaft aus es sollen -
Smart Country – Connected. Intelligent. Digital. Bertelsmann Stiftung (Ed.)
Bertelsmann Stiftung (ed.) Smart Country – Connected. Intelligent. Digital. Bertelsmann Stiftung (ed.) Smart Country – Connected. Intelligent. Digital. Reinhard Mohn Prize 2017 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available on the internet at http://dnb.dnb.de. © 2017 Verlag Bertelsmann Stiftung, Gütersloh Responsible for content: Petra Klug, Carsten Große Starmann Translation: Barbara Serfozo, Berlin Copy editor: Josh Ward Production editor: Marcel Hellmund Cover design: Elisabeth Menke Cover illustration/photo: iStockphoto/cofotoisme Typesetting and printing: Hans Kock Buch- und Offsetdruck GmbH, Bielefeld ISBN 978-3-86793-785-6 (Print) ISBN 978-3-86793-808-2 (E-Book PDF) ISBN 978-3-86793-809-9 (E-Book EPUB) www.bertelsmann-stiftung.org/publications Contents Foreword . 9 Background and Approach of International Research . 13 International good practice research . 14 Digitization in Germany: Potential Is Being Ignored . 17 Insufficient digital competencies, a skeptical population . 17 A reticent state and private sector with regard to digitization . 18 Challenge: establishing a visionary, comprehensive internet infrastructure . 19 Conditions for a Smart Country Germany . 19 Leveraging Digital Innovations to Ensure Full Social Inclusion . 21 Policy and public administration . 21 Work and the economy . 22 Mobility and logistics . 24 Health and care . 25 Learning and information . 26 Structural elements . 28 National Pathways to a Smart Country . 29 Key indicators of the reference countries . 31 Structural, demographic and digital indicators . 31 Network infrastructure and social penetration of digitization in the reference countries . 34 Estonia: The Political Will to Become a Digital Nation . 37 Comprehensive digital transformation in less than a generation . -
Responsible Entrepreneurship
Bertelsmann Stiftung (ed.) Responsible Entrepreneurship Business and Society: Bridging the Gap Responsible Entrepreneurship Bertelsmann Stiftung (ed.) Responsible Entrepreneurship Business and Society: Bridging the Gap Reinhard Mohn Prize 2016 Bibliographic informa on published by the Deutsche Na onalbibliothek The Deutsche Na onalbibliothek lists this publica on in the Deutsche Na onalbibliografi e; detailed bibliographic data is available on the Internet at h p://dnb.dnb.de. © 2016 Verlag Bertelsmann Stiftung, Gütersloh Responsible: Birgit Riess, Julia Scheerer Copy editor: Barbara Serfozo, Berlin Production editor: Christiane Raffel Cover design: Elisabeth Menke Cover illustration: Katrin Biller, k.zwo, Bielefeld; 4zevar / Shutterstock; vgajic / iStockphoto.com; Roberto Westbrook / Spaces Images RF / Strandperle Typesetting and Printing: Hans Kock Buch- und Offsetdruck GmbH, Bielefeld ISBN 978-3-86793-745-0 (print) ISBN 978-3-86793-754-2 (e-book PDF) ISBN 978-3-86793-755-9 (e-book EPUB) www.bertelsmann-stiftung.org/publications Contents Contents Foreword . 9 Liz Mohn Responsible Entrepreurship in Our Time . 11 Birgit Riess “Learning from the World”: Research on International Examples of Good Practice . 17 Andreas Heimer, Claudia Münch, Lea Eggers Part 1: Business as a Sociopoli cal Agent of Change – Examining Responsible Entrepreneurship . 23 Public Value – the Contribution of Organizations and Companies to the Common Good . 25 Timo Meynhardt Rethinking Innovation – the Opportunity and Challenge of “Social Innovation” for Companies . 36 Jürgen Howaldt Markets for the Good of All – How Businesses and Social Causes Are Converging . 46 Felix Oldenburg Case Studies: Strengthening Intercultural Understanding – the Intercultural Innovation Award (BMW and United Nations Alliance of Civilizations) . 53 5 Contents The “Bank for People Without a Bank” – Promoting Social Inclusion (Zweite Sparkasse) . -
1 ---Omb Approval
1 --------------------------- OMB APPROVAL --------------------------- - -------- OMB Number: 3235-0104 FORM 3 Expires: September 30, 1998 - -------- Estimated average burden hours per response .... 0.5 --------------------------- U.S. SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 INITIAL STATEMENT OF BENEFICIAL OWNERSHIP OF SECURITIES Filed pursuant to Section 16(a) of the Securities Exchange Act of 1934, Section 17(a) of the Public Utility Holding Company Act of 1935 or Section 30(f) of the Investment Company Act of 1940 - ----------------------------------------------------------------------------------------------------------------------------------- 1. Name and Address of Reporting Person 2. Date of Event Requiring 4. Issuer Name and Ticker or 6. If Amendment, Date BMG Music Statement Trading Symbol of Original - ---------------------------------------- (Month/Day/Year) Take-Two Interactive Software, (Month/Day/Year) (Last) (First) (Middle) Inc. -- "TTWO" (NASDAQ) 3/11/98 ------------------------------ 1540 Broadway ---------------------------- 5. Relationship of Reporting 7. Individual or Joint/ - ---------------------------------------- 3. IRS or Social Security Person to Issuer Group Filing (Check (Street) Number of Reporting (Check all applicable) Applicable Line) Person (Voluntary) ___ Director _x_ 10% Owner __ Form filed by One New York, New York 10036-4098 ___ Officer ___ Other Reporting Person - -------------------------------------- ---------------------------- (give title below) (specify below) _x_Form filed by -
Forwards and Don't Forget Beatrice E. Stammer Feminism Is Neither a Style Nor a Movement, but Rather a Value System, a Revolu
Forwards and Don’t Forget Beatrice E. Stammer Feminism is neither a style nor a movement, but rather a value system, a revolutionary strategy, a standard of living. (1) In 2009, twenty years after the fall of the wall, female artists from the GDR are still mostly unknown. Up until today, few are to be found in museums or at art fairs. Their work also seldom appears in contemporary exhibitions and are only sparingly represented even in large exhibitions surveying art in the GDR – “Where have the female visual artists” (2) gone to? Why were the majority (of female artists) regarded much less than their male colleagues already in their own land and with few exceptions completely ignored since the fall of the wall? When in the 1980s a young generation of artists in Berlin (East), Leipzig and Erfurt or Dresden, confidently and subversively protested against every single monopolization and standardization, it was these artists in particular, who let this “ego perspective” stubbornly and unbridled take its course and who were motivated to leave behind the web of stipulated (female) standards of living. The non-conformist art scene of the GDR is characterized by a vehement questioning, a collective retreat and departure in which – due to the walls – however limited alternatives resulted, where life and art flowed together. And female artists played a considerable part in this development. Despite this often radical departure of both young female and male artists in the GDR however, gender relations remained traditionally inscribed and untouched. “Women therefore never seriously threatened the rules of the male dominated society that were embedded in the deep structures of the culture.” (3) Even in so-called avant- garde circles neither the women nor the men questioned the division of gender roles. -
Belphégor, 11-1 | 2013 Transnational Fantômas: the Influence of Feuillade’S Series on International
Belphégor Littérature populaire et culture médiatique 11-1 | 2013 Fantômas dans le siècle Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s Federico Pagello Electronic version URL: http://journals.openedition.org/belphegor/125 DOI: 10.4000/belphegor.125 ISSN: 1499-7185 Publisher LPCM Electronic reference Federico Pagello, « Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s », Belphégor [Online], 11-1 | 2013, Online since 28 April 2013, connection on 23 June 2020. URL : http://journals.openedition.org/belphegor/125 ; DOI : https://doi.org/10.4000/ belphegor.125 This text was automatically generated on 23 June 2020. Belphégor est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Transnational Fantômas: The Influence of Feuillade’s Series on International ... 1 Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s Federico Pagello 1 The influence of Fantômas novels and films on global popular culture is widely acknowledged. From the 1915 Spanish musical Cine-fantomas to the 1960s Italian comic book series Diabolik, Kriminal and Satanik, from Turkish B-movies such as Fantoma Istanbulda Bulusalim (dir. Natuk Baytan, 1967) to Julio Cortazar’s anti-imperialist pamphlet Fantômas contra los vampiros multinacionales (1975), Pierre Souvestre and Marcel Allain’s original literary series have engendered uncountable translations, adaptations, imitations and plagiarisms that have spread the character’s fame worldwide since its first appearance in 1911. This process continues to the present day, an example being the publication of an Italian graphic novel titled Fantomax by Luigi Bernardi and Onofrio Catacchio (Bologna: Coconino Press, 2011). -
Ost-Ampelmännchen and the Memory of The
Crossing Past and Present: Ost-Ampelmännchen and the Memory of the German Democratic Republic By: Kyle Massia A thesis submitted to Saint Mary’s University, Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master of Arts. April, 2014, Halifax, Nova Scotia Copyright by Kyle Massia, 2014 Dr. Kirrily Freeman Associate Professor Dr. Nicole Neatby Associate Professor Dr. John Munro Assistant Professor Dr. John Bingham Assistant Professor Date: 22 April 2014 1 Abstract Crossing Past and Present: Ost-Ampelmännchen and the Memory of the German Democratic Republic By Kyle Massia, 22 April 2014 Abstract: Despite his connection to daily life in East Germany; east Germans began replacing their chubby, hat-wearing pedestrian light figure (the Ost-Ampelmännchen, or Ampelmann) with the non-descript West German one in the euphoria of reunification. By the mid-1990s, however, east Germans began to see their old state differently, bringing back their Ampelmann as a reminder of the safety, security, and equality their old state possessed. Following his resurrection, Ampelmann transformed into a pop-culture icon as shops sprung up selling Ampelmann-branded products. From here, his popularity spread as Ampelmann lights appeared in western Germany and Ampelmann shops opened their doors not only in Berlin, but also in Tokyo and Seoul. East Germans supported this, declaring that his popularity showed that their past and its values could find a place in a globalizing world. In doing so, East Germans have used and rewritten their past to promote a more respectful and equitable alternative to modern life. 2 Introduction: Traffic lights were probably the last thing on the minds of East Germans on 9 November 1989 as the Berlin Wall fell and the borders of their German Democratic Republic (GDR) opened. -
Mupo 2017 ND-Beilage.Indd
Festival Musik und Politik – 1 »Enkel und anderes Folk – Umbrüche in den 70ern« Ausstellung, Gespräch, Liederkino, Konzert – Reinhold Andert, Steffen Mensching, Bernd Rump, Wolfgang Leyn, Elke Schmeckenbecher u.a. »Imagine – Musik statt Krieg« Tino Eisbrenner, Alexandra Arbatskaya, Olga Salesskaja »Liederpodium« FloBêr, Hornberger u.a. Politik »Liederbestenliste präsentiert« Danny Dziuk, Nadine Maria Schmidt, Simon & Jan + PROGRAMM 24.-26.2.2017 Berlin Festival Musik WABE, Jugendtheateretage 2 Festival Musik und Politik – Programm <=> Inhalt Lieder und Zeiten Das Festival Musik und Politik hat jedes Jahr einen historischen, einen retrospektiven Teil. Freitag, 24.2. 2016 beschäftigten uns mit dem Jahr 1966, als unter dem Namen »Hootenanny« ein neues Kapitel in der Liedermacher- und Singebewegungsgeschichte der DDR begann. 2017 blicken 17-22 Uhr Ausstellung, Gespräch, Liederkino, Konzert wir zurück in die 70er Jahre, betrachten die Weltfestspiele, die Krise der Singebewegung, WABE, Jugend- »Enkel und anderes Folk – Umbrüche in den 70ern« Folkmusik und Liederthester und natürlich auch die Biermann-Ausbürgerung und ihre Folgen. Zuweilen wird heute der Eindruck erweckt, als ob nach Biermann allenfalls noch Pannach, theateretage Seite 4-5 aber sonst nichts mehr kam. Es gab jedoch gerade nach 1976 eine äußerst vielfältige Folk-, Chanson- und Liedermacherszene, und für die Mehrzahl der Sänger und Musiker war Fun- 17 Uhr Ausstellungseröffnung damentalopposition im Biermannschen Sinne keine Option. Sie versuchten, sich »mit einer WABE, Jugend- Portion Cleverness durchzusetzen in der Landschaft, die da war« (Wenzel & Mensching) und die Grenzen des politisch Machbaren auszuweiten. Es entwickelten sich, teils gefördert, theateretage teils beargwöhnt, zuweilen auch verboten, neue Szenen und Veranstaltungsformen. Diese Entwicklung wollen wir in dem Projekt »Enkel und anderes Folk – Umbrüche in den 70ern« 18 Uhr Gespräch Reinhold Andert, Elke Förster, mit Ausstellung, Gespräch, Liederkino und Konzert rekonstruieren. -
Pfingsten 2005: Singing in the Rain?
2/05 Juli 2005 Bildlegende siehe Seite 6 Pfingsten 2005: Singing in the rain? estivals, sagte kürzlich ein eines gelungenen „face-lifting“ schlüssig positive Festivalvorzei- FKonzertveranstalter, müssten sein Gesicht gewandelt, ja sogar chen auch für die nächsten Jahre die Fähigkeit zum permanenten erheblich verjüngt. Bei der neuer- erkennen. Wandel besitzen. Und so hat dann lichen Auflage am Pfingstwochen- auch das Lieblingskind der Wal- ende mit rund zwanzig Musikgrup- Und wie man auch unter den deck, das Liederfestival, aufgrund pen und Interpreten liessen sich miserabelsten Wetterbedingungen Pfingsten 2005 noch viel Spaß zusammen haben Boden hatte, um das Publikum Als ob seine Lieder Wunden heilen kann, das war spätestens dann zu während dieses zweitägigen Mara- könnten? Wer seine Vorgeschichte erfahren, als sich Samstagabend thons auch in den Umbau-Pausen kennt, versteht in etwa auch seine das Zelt bis auf den letzten Platz bei Laune zu halten und so vor Texte, wenn er etwa die Sonnensei- füllte und die rund zweihundert starker Unterkühlung zu schützen. te des Lebens beschreibt oder aber Besucher der feuchten und kalten Und er machte seinen Job her- eine balladeske Liebeserklärung an Witterung trotzten und „Singing vorragend: wärmte, tröstete und Lisa „zelebriert“: ungeheuer warm in the rain“ ausschließlich positive verteilte jedemenge „Pausenfüller- und gefühlvoll besingt der italie- Seiten abgewannen. Zückerchen“. nische Liedermacher und Gitarrist * Lupa Covella in seinen Liedern Appetit auf das bevorstehende Intensiv, voller Feinheiten