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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
This Book Was First Published in 1951 by Little, Brown and Company
This book was first published in 1951 by Little, Brown and Company. THE CATCHER IN THE RYE By J.D. Salinger © 1951 CHAPTER 1 If you really want to hear about it, the first thing you'll probably want to know is where I was born, an what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all--I'm not saying that--but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour. -
For Immediate Release
‘ICE DREAMS’ CAST BIOS SHELLEY LONG (Harriet Clayton) – Shelley Long is an Emmy® and Golden Globe-winning actress. She began her career after attending Northwestern University by performing in small films and local theater, eventually becoming co-host and associate producer of a critically acclaimed Chicago magazine show “Sorting it Out,” for which she won three local Emmys. She eventually returned to her first passion, acting, and joined Chicago’s famed Second City improvisational comedy troupe. Shortly after, Long landed a role as barmaid Diane Chambers in the long-running NBC comedy “Cheers.” Long entertained audiences for five seasons, garnering an Emmy and two Golden Globes. She returned for the series’ top-rated finale and has reprised her “Cheers” role in guest appearances on NBC’s “Frasier,” one episode garnering an Emmy nomination. Long recently starred in a film short titled “A Couple of White Chicks at the Hairdresser,” and starred in a children’s DVD, “Mr. Vinegar and the Curse.” In 2006, Long starred in “Honeymoon With Mom” on Lifetime, and co-starred in the Hallmark Channel Valentine’s Day movie, “Falling In Love with the Girl Next Door.” She has made a number of guest TV appearances including “Boston Legal,” “Yes, Dear, “Joan of Arcadia,” “Complete Savages” and, most recently, ABC’s hit comedy “Modern Family.” Long was seen in the Robert Altman film “Dr. T and the Women” for Artisan Entertainment. Written by Anne Rapp and executive produced by Cindy Cowan and James McLindon, the film tells the story of a gynecologist, played by Richard Gere, who is battling a mid-life crisis. -
Sydney Program Guide
Page 1 of 37 Sydney Program Guide Sun Jul 1, 2012 06:00 THUNDERBIRDS Repeat WS G Sun Probe Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS WB SUNDAY WS G Hosted by Lauren Phillips and Andrew Faulkner. 07:00 SCOOBY DOO AND THE CYBER CHASE 2001 Repeat G Scooby Doo And The Cyber Chase It's a race to escape when Scooby-Doo and his friends get stuck inside a video game. While sneaking a peek at a laser game based on their own adventures, Scooby and the Mystery Inc. gang are beamed inside the program by a mayhem-causing, menacing monster known as the Phantom Virus. Now, the game must advance successfully through all 10 levels and defeat the virus if Shaggy, Freddy, Daphne and Velma ever plan to see the real world again. 08:30 SCOOBY DOO MYSTERY INCORPORATED Repeat WS G Howl of the Fright Hound When a horrible, mechanized beast begins attacking the town, suspicion points to Scooby. 09:00 THUNDERCATS Repeat WS PG The Forest Of Magi Oar The gang come across a school in an enchanted forest. Cons.Advice: Mild Violence, Supernatural Themes 09:30 YOUNG JUSTICE Repeat WS PG Denial The team volunteers to help track down Kent Nelson, the guardian of the Helm of Fate. They discover that two villainous sorcerers have abducted Nelson and plan to use him to enter the Tower of Fate and steal the Helm. Cons.Advice: Mild Violence, Supernatural Themes 10:00 BATMAN: THE BRAVE AND THE BOLD Repeat WS PG The Criss Cross Conspiracy! The long-retired Batwoman sees an opportunity for revenge against the villain who humiliated her: Riddler. -
Et Tu, Dude? Humor and Philosophy in the Movies of Joel And
ET TU, DUDE? HUMOR AND PHILOSOPHY IN THE MOVIES OF JOEL AND ETHAN COEN A Report of a Senior Study by Geoffrey Bokuniewicz Major: Writing/Communication Maryville College Spring, 2014 Date approved ___________, by _____________________ Faculty Supervisor Date approved ___________, by _____________________ Division Chair Abstract This is a two-part senior thesis revolving around the works of the film writer/directors Joel and Ethan Coen. The first seven chapters deal with the humor and philosophy of the Coens according to formal theories of humor and deep explication of their cross-film themes. Though references are made to most of their films in the study, the five films studied most in-depth are Fargo, The Big Lebowski, No Country for Old Men, Burn After Reading, and A Serious Man. The study looks at common structures across both the Coens’ comedies and dramas and also how certain techniques make people laugh. Above all, this is a study on the production of humor through the lens of two very funny writers. This is also a launching pad for a prospective creative screenplay, and that is the focus of Chapter 8. In that chapter, there is a full treatment of a planned script as well as a significant portion of written script up until the first major plot point. iii TABLE OF CONTENTS Page Chapter - Introduction VII I The Pattern Recognition Theory of Humor in Burn After Reading 1 Explanation and Examples 1 Efficacy and How It Could Help Me 12 II Benign Violation Theory in The Big Lebowski and 16 No Country for Old Men Explanation and Examples -
The Wife Anton Chekhov
The Wife Anton Chekhov I I RECEIVED the following letter: "DEAR SIR, PAVEL ANDREITCH! "Not far from you -- that is to say, in the village of Pestrovo -- very distressing incidents are taking place, concerning which I feel it my duty to write to you. All the peasants of that village sold their cottages and all their belongings, and set off for the province of Tomsk, but did not succeed in getting there, and have come back. Here, of course, they have nothing now; everything belongs to other people. They have settled three or four families in a hut, so that there are no less than fifteen persons of both sexes in each hut, not counting the young children; and the long and the short of it is, there is nothing to eat. There is famine and there is a terrible pestilence of hunger, or spotted, typhus; literally every one is stricken. The doctor's assistant says one goes into a cottage and what does one see? Every one is sick, every one delirious, some laughing, others frantic; the huts are filthy; there is no one to fetch them water, no one to give them a drink, and nothing to eat but frozen potatoes. What can Sobol (our Zemstvo doctor) and his lady assistant do when more than medicine the peasants need bread which they have not? The District Zemstvo refuses to assist them, on the ground that their names have been taken off the register of this district, and that they are now reckoned as inhabitants of Tomsk; and, besides, the Zemstvo has no money. -
This Lively Downtown Neighborhood Has Been a Center of Bohemian Lifestyle Since the Early 1900S
This lively downtown neighborhood has been a center of bohemian lifestyle since the early 1900s. Home to jazz clubs in the 1920s, to 1960s hippy havens and 1980s punk rock clubs, the East Village has always had an edginess that the West Village (a.k.a. Greenwich Village) lacks. During Dutch colonial days, much of the East Village was farmland owned by Dutch colonial Governor Peter Stuyvesant. Its18th century pastoral setting gave way to 19th century wealth followed by 20th century bohemianism and is now a 21st century playland filled to the brim with bars, lounges, cheap restaurants and haute cuisine, boutiques, vintage shops and more. The most special thing about the East Village is free: the authenticity and energy you will feel when you stroll its streets. Be sure to check out our self-guided tour of Greenwich Village (West Village) as well as our full list of self-guided NYC tours. We recommend that you start this tour in Astor Place. Astor Place is located on the western boundary of the East Village. Use this Google map link for directions to Astor Place. If you are considering purchasing a hop-on, hop-off bus ticket, most companies offer stops in or just nearby Astor Place. Read our comparison post on New York bus tours. Click here for a larger interactive East Village Tour Map Stop A - Astor Place This short two block street, running east from Broadway to Lafayette Street is named after John Jacob Astor, who was the richest person in America when he died in 1848. -
Livecarlin 3.24Transcriptqueries 1 a TRIBUTE to GEORGE CARLIN
A TRIBUTE TO GEORGE CARLIN HOSTED BY WHOOPI GOLDBERG March 24, 2010 LIVE from the New York Public Library www.nypl.org/live Celeste Bartos Forum GEORGE CARLIN: To get around a lot of this, I decided to worship the sun, but as I said, I don’t pray to the sun. You know who I pray to? Joe Pesci. (laughter/applause) Joe Pesci. Joe Pesci. Two reasons. First of all, I think he’s a good actor, okay? To me that counts. Second, he looks like a guy who can get things done. (laughter/applause) Joe Pesci doesn’t fuck around. (laughter/applause) Doesn’t fuck around. In fact—in fact, Joe Pesci came through on a couple of things that God was having trouble with. For years I asked God to do something about my noisy neighbor with the barking dog. Joe Pesci straightened that cocksucker out with one visit. (laughter/applause) LIVECarlin_3.24TranscriptQUERIES 1 There is no God. None. Not one. No God, never was. In fact, I’m going to put it this way. If there is a God, if there is a God, may he strike this audience dead. (laughter/applause) See, nothing happened. Nothing happened, everybody’s okay. Tell you what. Tell you what. I’ll raise the stakes, I’ll raise the stakes a little bit. If there is a God, may he strike me dead. See, nothing happened. Wait. I’ve got a little cramp in my leg (laughter) and my balls hurt (laughter), plus, I’m blind. Now I’m okay again. -
The Genesis of Theme in Salinger: a Study of the Early Stories
The genesis of theme in Salinger: a study of the early stories Item Type text; Thesis-Reproduction (electronic) Authors Taiz, Nard Nicholas, 1939- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 05:33:52 Link to Item http://hdl.handle.net/10150/317934 THE GENESIS OF THEME IN SALINGER: A STUDY OF THE EARLY STORIES by Nard Nicholas Taiz A Thesis Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 6 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission? provided that accurate acknowl edgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the inter ests of scholarship« In all other instances9 however, permission must be obtained from the author. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors.