Kismif Volunteers

Total Page:16

File Type:pdf, Size:1020Kb

Kismif Volunteers 1 2 All the content presented in texts are solely the responsibility of the authors. The ideas presented do not necessarily represent the opinion of the editors. Attribution CC BY 4.0. International This book is Licensed under a Creative Commons Attribution 4.0. International License (CC BY 4.0). It is allowed to share, redistribute, adapt, remix, transform and build upon the content of this book. The appropriate credit must be given to the authors and editors. More information: https://creativecommons.org/licenses/by/4.0 3 Keep It Simple, Make It Fast! DIY Cultures and Global Challenges Book of Abstracts Paula Guerra and Andy Bennett (Eds.) Design by Marcelo Baptista Cover design by Dobra Studio Interior photos by Ondina Pires First Published July 2021 by Universidade do Porto. Faculdade de Letras [University of Porto. Faculty of Arts and Humanities] Porto, Portugal ISBN 978-989-8969-39-2 4 www.kismifconference.com [email protected] www.facebook.com/kismif.international.conference 5 KISMIF CONVENORS Andy Bennett Paula Guerra KISMIF → José Machado Pais → Júlio Dolbeth SCIENTIFIC → Lucy Robinson COMMITTEE → Manuel Loff → Alastair Gordon → Mark Percival → Amélia Polónia → Matthew Worley → Andy Bennett → Mike Dines → Anthony Fung → Nick Crossley → Augusto Santos Silva → Paula Abreu → Carles Feixa → Paula Guerra → Catherine Strong → Paula Cristina Pereira → Dick Hebdige → Pauwke Berkers → Fátima Vieira → Pedro Costa → George McKay → Ross Haenfler → Gina Arnold → Samantha Bennett → Guilherme Blanc → Sara Cohen → Heitor Alvelos → Simone Pereira de Sá → Ian Woodward → Teresa Sá Marques → João Queirós → Will Straw 6 KISMIF → Samantha Bennett → Scott Regan ORGANISING → Sofia Sousa COMMITTEE → Susana de Noronha → Ana Oliveira → Susana Januário → Ana Rocha → Susana Serro → Benjamin Duster → Tânia Moreira → Carlos Pinto → Thiago Pereira Alberto → Emília Simão → Acelerado KISMIF → Camille Girouard DISSEMINATION → Catherine Strong → Celeste Reis COMMITTEE → Claire Hodson → Airi-Alina Allaste → Giacomo Botta → André Rottgeri → Gil Fesch → Asya Draganova → Hélder Ferreira → Christina Ballico → Henrique Grimaldi → Cihan Ertan → João Queirós → Cláudia Pereira → Lisa Nikulinsky → Dulce Mazer → Margarida Vales → Evi Sampanikou → Mary Fogarty → Fernán del Val → Matt Worley → Gabriela Gelain → Michael MacDonald → Gina Arnold → Paula Abreu → Hector Fouce → Paula Guerra → Hernando Cepeda Sánchez → Paulo Nunes → Ion Andoni del Amo Castro → Pedro Martins de Menezes → Jonathan Crossley → Pedro Quintela → Katie Rochow → Richard Frenneaux → Loïc Riom → Robin Kuchar → Luiza Bittencourt 7 → Mara Persello → Margarita Kuleva → J. Mark Percival → Martin Husák → Patrick Williams → Peter Webb → Piotr Zańko → Rodrigo N. Almeida → Rylan Kafara → Samuel Lamontagne Simone → Luci Pereira → Sonja Žakula → Voica Puscasiu Zósimo López → Inês Pereira KISMIF → Joana Carvalho VOLUNTEERS → João Paulo → Afonso Castro → Leonor Medon → Ana Maria Maques → Marta Escórcio → Ana Rita Carneiro → Matilde Samagaio → André Granja → Vítor Nóbrega → Ângela Jesus → Yatan Alves → António Carvalho → António Gomes → Bruna Oliveira All the proposals were evaluated under an anonymous process of peer-review. → Carolina Ribeiro The reviewers of KISMIF Conference → Caterina Kuochen 2021 were: Andy Bennett, Anthony Fung, Catherine Strong, Giacomo → Carolina Coutinho Botta, Ian Woodward, Lisa Nikulinsky, → Diogo Pinheiro Mary Fogarty, Matthew Worley, Michael MacDonald, Paula Guerra, Gonçalo Riscado → Pauwke Berkers, Robin Kuchar and → Inês Alexandra Samantha Bennett. 8 Contents 9 ↗ Keynote Speakers 33 ↗ Papers 34 ↗ A 46 ↗ B 67 ↗ C 97 ↗ D 106 ↗ E 110 ↗ F 129 ↗ G 145 ↗ H 155 ↗ J 160 ↗ K 170 ↗ L 185 ↗ M 214 ↗ N 223 ↗ O 230 ↗ P 248 ↗ R 258 ↗ S 282 ↗ T 290 ↗ U 292 ↗ V 297 ↗ W 306 ↗ X 309 ↗ Y 311 ↗ Z 315 ↗ Performances 9 10 About Poly Styrene: I Am a Cliché Celeste BELL, singer, producer, writer and educator, United Kingdom. ↙ Abstract Celeste Bell is the daughter of Poly Styrene, the woman responsible for introdu- cing the world to a new form of rebellion. Poly Styrene made her mark on the music world with her voice and post-modern identity. She was the lead singer of X-Ray Spex and the inspiration for the riot grrrl and afropunk movement. Having become the custodian of her mother’s legacy, Celeste Bell has used a series of never-before-seen artistic archives to create a documentary around her mother’s trajectory, addressing themes such as misogyny, racism and mental illness. In this session, a debate will be created around the film ‘Poly Styrene: I Am A Cliché’, with the intuit of making known a never before seen version of Poly, the mother side. × Keywords: Poly Styrene, family, punk, heritage, archives, documentary. 11 Resistance in the Sky The BIG JOANIE, band, United Kingdom. Stephanie PHILLIPS, Singer and guitarist, United Kingdom. Chardine TAYLOR-STONE, drummer, United Kingdom. Estella ADEYERI, bassist, United Kingdom. ↙ Abstract Stephanie, Chardine and Estella together form the band Big Joanie. These artists will offer us an intimate insight into the impacts of the COVID-19 pandemic on the music industry. They will discuss in detail the consequences but also the new ways of reinventing a sector that was characterised by interaction with the public. Moreover, a reflection will also be made around the future of the music industry, the music venues and the very policies for the sector and the artists, since this pandemic has highlighted even more sharply the precariousness of the sector and its artists, as well as exacerbating the daily difficulties faced by all those who want to establish a career in the world of music and the arts. × Keywords: music-making, resistance, COVID-19, coping strategies. 12 How has DIY helped the Whisper Voice Diva? Cathy CLARET, singer, musician, composer, Spain. ↙ Abstract Cathy Claret é uma artista do mundo e, com esta sessão, vem dar-nos a conhe- cer um pouco da sua viagem. Assim, serão abordados temas como os processos de musick-making e a relação desses mesmos com as vivências de cada artista. Num context como o que vivemos, derivado à imposição de uma pandemia mundial, Cathy Claret aborda com pormenor a importância – e muitas vezes ne- cessidade – da adoção de um ethos e uma praxis DIY, uma vez que em muitos casos, essa assume-se como a única forma de sobrevivências, mas também de resistência. The ‘whisper voice diva’ irá demonstrar e dar a conhecer os momen- tos em que o DIY se assumiu como determinante na sua vida e no seu percurso artístico. × Keywords: DIY, resistance, music-making, identities, artistic narratives. 13 Ripped and Torn: 1976-79 - The loudest punk fanzine in the UK Tony DRAYTON, Ripped & Torn Fanzine, activist, United Kingdom. ↙ Abstract In late 70s Glasgow, punk gigs were banned by Glasgow City Council following the national furore caused by the first popular punk groups like The Sex Pistols. Tony Drayton – aka Tony D – managed to create a fanzine documenting the international scene viewed through this prism and today, Ripped & Torn remains an essential resource for understanding and enjoying the initial explosion of this independent, ferocious and fun music. While nowadays the phrase ‘punk is dead’ is more alive than real punk may be, Tony Drayton knew punk when it was fresh out of rebellious wombs and birthed onto the streets of the UK. It was with this first-hand experience that Tony took pen to paper and conceived the zine that was made by punks for punks about punk. Tal como Tony refere: ‘Ripped & Torn was created after I saw the Damned at the Hope & Anchor in November 1976. At the gig Mark P. who at the time was publishing the fanzine Sniffin’ Glue told me in a good way to create my own fanzine in Glasgow, where I was living, rather than write for him. So back in Glasgow I got down and produced a 10-page fanzine, to show myself I could do it.’ The first issue was created in 1976 up in the land of the Scots in a small town outside of Glasgow. However, despite not being born in the hub of the punk explosion, Tony managed to create a time capsule with each issue that encases the flesh, the blood and the holy spirit of the anarchistic subcultures of the late 1970s. Within the space of three years Tony managed to spread the scripture of Ripped and Torn anti-establishment youths — with 17 issues published before he finally gave up the zine making business. + Source: × https://www.mixcloud.com/gail-thibert/tony-drayton-interviewed-by-gail-thibert-soap- -the-stamps-show-for-hspark-radio/. × Keywords: Ripped and Torn, fanzine, memory, personal archives, punk. 14 Hallo Sausages: The lyrics of Ian Dury Jemima Dury, Independent Writer, United Kingdom. ↙ Abstract Ian Dury was a rock-and-roll poet famous for his funny, provocative, visceral lyrics and a legendary force on the London music scene from 1970 onwards. In the course of his unstoppably creative career, he studied art with Peter Blake, before turning his mind to music. With his band The Blockheads, his music marked a new era in new wave music, as they turned out hits like ‘Sex and Drugs and Rock and Roll’, ‘Hit Me with Your Rhythm Stick’ and ‘Reasons to Be Cheerful’. Hallo Sausages is a collection of Ian’s lyrics - not only material that was released, but also material that was gathered by Jemima from old demos, song fragments and other sources that, until 2012, had remained hidden. The book puts the lyrics together with the original scrawled notes (complete with coffee stains), typewritten songs, and miscellany of scraps that inspired them. Hallo Sausages: The Lyrics of Ian Dury is arranged chronologically: the six chapters cover every phase in Ian’s career from his early days in the seventies right up to his death in 2000. In this session, Jemima will introduce each chapter, who paints a warm, insightful, and humorous portrait of the man behind the outrageous words. In conversation Lucy and Jemima will then, explore the process of curating, collecting, editing and framing Ian’s words and using lyrics, notes and scraps to build a history of an artist’s life.
Recommended publications
  • Music Globally Protected Marks List (GPML) Music Brands & Music Artists
    Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please
    [Show full text]
  • 112 It's Over Now 112 Only You 311 All Mixed up 311 Down
    112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question
    [Show full text]
  • Music Sampling and Copyright Law
    CACPS UNDERGRADUATE THESIS #1, SPRING 1999 MUSIC SAMPLING AND COPYRIGHT LAW by John Lindenbaum April 8, 1999 A Senior Thesis presented to the Faculty of the Woodrow Wilson School of Public and International Affairs in partial fulfillment of the requirements for the degree of Bachelor of Arts. ACKNOWLEDGMENTS My parents and grandparents for their support. My advisor Stan Katz for all the help. My research team: Tyler Doggett, Andy Goldman, Tom Pilla, Arthur Purvis, Abe Crystal, Max Abrams, Saran Chari, Will Jeffrion, Mike Wendschuh, Will DeVries, Mike Akins, Carole Lee, Chuck Monroe, Tommy Carr. Clockwork Orange and my carrelmates for not missing me too much. Don Joyce and Bob Boster for their suggestions. The Woodrow Wilson School Undergraduate Office for everything. All the people I’ve made music with: Yamato Spear, Kesu, CNU, Scott, Russian Smack, Marcus, the Setbacks, Scavacados, Web, Duchamp’s Fountain, and of course, Muffcake. David Lefkowitz and Figurehead Management in San Francisco. Edmund White, Tom Keenan, Bill Little, and Glenn Gass for getting me started. My friends, for being my friends. TABLE OF CONTENTS Introduction.....................................................................................……………………...1 History of Musical Appropriation........................................................…………………6 History of Music Copyright in the United States..................................………………17 Case Studies....................................................................................……………………..32 New Media......................................................................................……………………..50
    [Show full text]
  • Bacheors Thesis Talicja Wozniak
    Saimaa University of Applied Sciences Tourism and Hospitality, Imatra Degree Programme in Tourism and Hospitality Management Bachelor’s Thesis Alicja Wozniak Impacts of an Event on a Small Community Case: Jarocin Festival Thesis 2019 Abstract Alicja Wozniak Impacts of an Event on a Small Community – Case: Jarocin Festival. 32 pages, 2 appendices Saimaa University of Applied Sciences Tourism and Hospitality, Imatra Degree Programme in Tourism and Hospitality Management Thesis 2019 Instructor: Mr. Ilkka Lehtola, Lecturer Saimaa University of Applied Sciences Event tourism is a growing part of tourism industry. Nowadays many cities use events as the promotional tool. Therefore event impacts the municipality and community. Some of the big events are organized in small towns, where tourism is not well developed. The objective of this study was to find out the impacts of the event to a small community, based on Jarocin Festival. The case study is one of the most popular festivals in Poland, which is organized in a small town called Jarocin. Data for this study were collected by primary research method, and information found in secondary sources, including: internet, articles and studies. To com- plete the research, a questionnaire was carried out among event organizers, Jarocin municipality and community. The results of this research show what is the impact of the event on the host community and how Jarocin Festival impacts the town and its residents. Keywords: Impacts of events, Jarocin Town, Event tourism, Stakeholder. 2 Table of contents
    [Show full text]
  • Entertainment Plus Karaoke by Title
    Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J.
    [Show full text]
  • ©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
    ©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression
    [Show full text]
  • Osborn Et Al Buzz Clips
    l Research Article Music & Science Volume 3: 1–14 ª The Author(s) 2020 Content and Correlational Analysis Article reuse guidelines: sagepub.com/journals-permissions of a Corpus of MTV-Promoted Music DOI: 10.1177/2059204320902369 Videos Aired Between 1990 and 1999 journals.sagepub.com/home/mns Brad Osborn , Emily Rossin and Kevin Weingarten Abstract From 1990 to 1999 MTV promoted a series of 288 music videos called “Buzz Clips”, designed to highlight emerging artists and genres. Such promotion had a measurable impact on an artists’ earnings and record sales. To date, the kinds of musical and visual practices MTV promoted have not been quantitatively analyzed. Just what made some videos Buzzworthy, and others not? We applied two phases of content analysis to this corpus to determine the most common sonic and visual signifiers in Buzz Clips, then processed the results of that content analysis using polychoric correlations. Our findings show high degrees of shared variance between certain pairs of musical and visual elements observed in the sample music videos. We interpret a number of these relationships in terms of their relevance to a performer’s perceived ethnicity and gender, showing how certain audiovisual features regularly accompany white men (e.g., electric guitar) while others regularly accompany women and performers of color (e.g. drum machines). Keywords Buzz Clips, content analysis, correlational analysis, MTV, music video Submission date: 18 April 2019; Acceptance date: 7 January 2020 Introduction itself recorded the complete list of such videos on a now- defunct website.3 Table 1 shows the metadata for all videos Recent research in music videos has applied a number of analyzed in our corpus, including artist, video title, month distinct approaches from different academic disciplines, of premiere, and peak position on the Billboard Hot 100 especially popular music,1 film and media studies (Caston, chart (if applicable).
    [Show full text]
  • Zagrożenia Jednostki We Współczesnym Społeczeństwie Ohroźeni Jedince V Soucasne Spolećnosti Threat to the Individual in the Contemporary Society
    Wydawnictwo Naukowe Akademii WSB Zagrożenia jednostki we współczesnym społeczeństwie Ohroźeni jedince v soucasne spolećnosti Threat to the individual in the contemporary society Redakcja naukowa: Marek Walancik Stanislava Hoferkova Dąbrowa Górnicza 2019 Punk subculture in Poland - from rebellion to stylization Mikołaj Brenk Abstract: Contemporary punk in Poland can be characterized as a heterogenous phenom­ enon, undergoing changes, which occur on several levels. This text has briefly characterized the five levels on which the possible activity of people who understand and identify with the punk subculture in a different way can be considered. First of all: contemporary Polish punk takes part in concerts, often organized In the form of large music events, where through the outfit he expresses his passion for the subculture. The second possibility Is to refer to the splendour of the Polish punk through sentimentaljourneysin timeintheform of events, books, films, interviews with musicians playing on the punk stages in the 80s or the participants of these events. The third option is the social activity, undertaken in the spirit of anarchism and freedom, opposition to capitalist rules, where the outfit and the punk-styled external look sometimes move to the background. The fourth option of activity of contemporary punks are informal groups, which spend their free time through their nihilist and anarchist lifestyle and the use of stimulants. Finally, the fifth element of expressingthe punk subculture Is pulling it into the fashion trends in chain stores with clothing, thanks to which it becomes one of the products to choose from and at the same time is devoid of an ideological layer.
    [Show full text]
  • Transformation 19
    TTRANSFORMARANSFORMAT IONT IONS ERIES SERIES 1917 COLLECTCOLLEIONct TRANSFORMAION TRANSFORMATTIONION NEW WORLDS of SOUND Electronics and the Evolution of Music in Canada KATHARINE WRIGHT Transformation Series Collection Transformation “Transformation,” an occasional series of scholarly papers La collection Transformation, publication en série paraissant published by the Collection and Research Division of the irrégulièrement de la Division de la collection et de la recherche Canada Science and Technology Museums Corporation, is de la Société des musées de sciences et technologies du intended to make current research available as quickly and Canada, a pour but de faire connaître, le plus vite possible et inexpensively as possible. The series presents original research au moindre coût, les recherches en cours dans certains secteurs. on science and technology history and issues in Canada Elle prend la forme de monographies ou de recueils de courtes through refereed monographs or collections of shorter études acceptés par un comité d’experts et s’alignant sur le studies, consistent with the corporate framework, “The thème central de la Société, « La transformation du Canada ». Transformation of Canada,” and curatorial subject priorities Elle présente les travaux de recherche originaux en histoire des in agriculture and forestry, communications and space, sciences et de la technologie au Canada et questions connexes transportation, industry, physical sciences and energy. réalisés en fonction des priorités du Musée, dans les secteurs de l’agriculture et des forêts, des communications et de l’espace, des transports, de l’industrie, des sciences physiques et de l’énergie. Disclaimer Responsabilité The publication format of the Transformation series La formule de la collection Transformation ne permet precludes extensive copy-editing.
    [Show full text]
  • 90'S to Today
    90’s to Today 311 Amber A.L.O Lay You Down Adele Rolling in the Deep Aerosmith Cryin’ Aerosmith Pink Afroman Cause I got High Alice in Chains Got me Wrong Alice in Chains No Excuses Alice in Chains Nutshell Alice in Chains Rooster Alice in Chains Would All American Rejects Gives you Hell All Saints Never Ever Amos Lee Keep it Loose Amos Lee Sweet Pea Amy Winehouse Rehab Andy Grammer Honey I’m Good Ataris Boys of Summer Audioslave Doesn’t Remind Me Audioslave Like a Stone Avril Lavigne Sk8ter Boi Awolnation Sail B.A.D. Rush Band of Horses The Funeral Barenaked Ladies Brian Wilson Barenaked Ladies If I had a million dollars Barenaked Ladies The Old Apartment Beck Debra Beck Loser Beck Strange Invitation Beck Where it’s at Ben Harper Burn One Down Ben Harper Steal my Kisses Better than Ezra Desperately Wanting Better than Ezra Good Big Head Todd & The Monsters Bittersweet Big Head Todd & The Monsters Broken Hearted Savior Black Crowes Hard to Handle Black Crowes She talks to Angels Black Eyed Peas Where is the love Blackstreet No Diggity Blind Melon Change 90’s to Today continued Blind Melon No Rain Blink 182 All the Small Things Blink 182 I miss you Blink 182 What’s my age Bloodhound Gang Fire Water Burn Blues Traveler Runaround Blur Song 2 Bob Dylan Spirit on the Water Bob Dylan / Garth Brooks / Billy Joel To make you feel my love Bob Dylan Workingman’s Blues Bodeans Closer to free Britney Spears Hit me Baby one more time Buck Cherry Crazy Bitch Buck Cherry For the movies Buck Cherry Sorry Bush Comedown Bush Glycerine Bush Letting the Cables
    [Show full text]
  • Traditions of Punk and the Politics of Empowerment
    Anyone Can Do It: Traditions of Punk and the Politics of Empowerment By Pete R.W. Dale Re-submission for PhD ICMuS Newcastle University 2010 Blank page ii Anyone Can Do It: Punk, Folk and the Politics of Empowerment Contents Title Page Page i Contents Page Page iii Introduction page vi Chapter One page 1 i. What Is Punk? Style vs. Substance page 2 ii. What Is Folk? Getting the Folk ‘Us’ in Focus page 27 iii. Punk as Folk: Two Sides of the Same Coin? page 57 iv. Chapter Conclusion page 84 Chapter Two page 88 i. Punk, Avant-gardism and Novelty page 90 ii. Marxism, Anarchism and the Issue of Universality page 119 iii. Justice to Come and the Micromatic Recoil page144 iv. Chapter Conclusion page 183 Chapter Three page 189 i. An Original Re-Birth? page 191 ii. There Is No Authority, But… : Anarcho-punk page 195 iii. Indie-Pop Ain’t Noise Pollution: The Cutie Movement page 231 iv. Chapter Conclusion page 269 iii Chapter Four page 275 i. Still Birth? page 277 ii. The Arrival of a New, Renegade, Girl-Boy Hyper-Nation: Riot Grrrl page 284 iii. Delivering the Groceries at 128 Beats per Minute: Math Rock page 326 iv. Chapter Conclusion page 366 Conclusion page 369 Bibliography page 389 iv Blank page v Introduction When the word punk is invoked, a majority of people – in the UK, at least – will think of the Sex Pistols, safety pins through the nose and other such bands and signifiers from the late 1970s. The purpose of this research, in large part, is to show that punk has in fact been a persistent and consistent tradition in the decades since.
    [Show full text]
  • Understanding Popular Music, Second Edition
    Understanding Popular Music Understanding Popular Music is an accessible and comprehensive introduction to the history and meaning of popular music. It begins with a critical assessment of the different ways in which popular music has been studied and examines the difficulties and debates which surround the analysis of popular culture and popular music. Drawing on the recent work of music scholars and the popular music press, Roy Shuker explores key subjects which shape our experience of music, including music production, the music industry, music policy, fans, audiences and subcultures, the musician as ‘star’, music journalism, and the reception and consumption of popular music. This fully revised and updated second edition includes: • case studies and lyrics of artists such as Shania Twain, S Club 7, The Spice Girls and Fat Boy Slim • the impact of technologies including on-line delivery and the debates over MP3 and Napster • the rise of DJ culture and the changing idea of the ‘musician’ • a critique of gender and sexual politics and the discrimination which exists in the music industry • moral panics over popular music, including the controversies surrounding artists such as Marilyn Manson and Eminem • a comprehensive discography, guide to further reading and directory of websites. Roy Shuker is Associate Professor in Media Studies at Massey University, New Zealand. He is the author of Key Concepts in Popular Music (Routledge 1998). LONDON AND NEW YORK Understanding Popular Music Second edition I Roy Shuker First published 1994 now known or hereafter invented, including by Routledge photocopying and recording, or in any 11 New Fetter Lane, London EC4P 4EE information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]