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Bluegrass Outlet Banjo Tab List Sale
ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On -
2018 CA Banjo Extravaganza Banjo Mini-Camp
The 7th Annual California Banjo Extravaganza Banjo Mini-Camp Featuring 2018 IBMA Banjo Player of the Year Ned Luberecki Toronto clawhammer master Chris Coole & Bill Evans Saturday, November 10, 1 to 4:45 p.m., $70 for two 75-minute workshops of your choice and final all-group Q & A session Freight and Salvage Coffeehouse, 2020 Addison Street, Berkeley Sponsored by Deering Banjos, Peghead Nation, Homespun Tapes, EMG Pickups, Banjo Boy Coffee & Elderly Instruments For Mini-Camp registration, link to: https://www.thefreight.org/event/1773207-7th-annual-california-banjo- berkeley/ And catch the California Banjo Extravaganza in concert at the Freight, Saturday, November 10, 8 p.m.: https://www.thefreight.org/event/1722335-7th- annual-california-banjo-berkeley/ Instruction in both three-finger/bluegrass (Ned Luberecki & Bill Evans) and old- time/clawhammer styles (Chris Coole). For all levels of bluegrass and clawhammer banjo players, Ned Luberecki, Chris Coole & Bill Evans will teach two 75-minute small group sessions from 1 to 3:45 p.m. All participants will come together at 4 p.m. in the main performance hall for a final Q & A session. Your $70 admission is for the entire afternoon of workshop sessions. This is a hands-on, “bring your banjo and let’s pick” afternoon with topics appropriate for all levels of banjo players. Audio and videotaping of workshops are allowed and students can attend any banjo workshop of their choice. Tab examples will be provided at all sessions. Don’t miss this unique opportunity to learn up close from three of the best players and teachers in the world. -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
CONCESSION 23 Opens for the JAMES KING BAND
BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 2—April 2010 Winter Concert Series—February 23—Ottawa hosted by The Ottawa Valley Bluegrass Association CONCESSION 23 opens for THE JAMES KING BAND www.bmacc.ca BMACCPhotos CourtesyNotes—April of Rosemary 2010 Page Davis1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 877-876-3369 1/8 Page (Business Card) $25.00 $ 90.00 Secretary – Leann Chadbourn 1/4 Page 35.00 126.00 705-776-7754 1/2 Page 55.00 198.00 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large WEBSITE Gord deVries 519-668-0418 Quarterly Annual Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 30.00 108.00 Open 400 px X 250 pixels 35.00 180.00 Full Page 50.00 252.00 Bernie Melosh Open COMBO NEWSLETTER + WEBSITE Larry Johnston BEST VALUE 519-576-9768 Quarterly Annual Open 100 px X 250 pixels $35.00 $126.00 200 px X 250 pixels 50.00 180.00 400 px X 250 pixels 75.00 270.00 Full Page 115.00 414.00 Members receive 25% discount off the above rates. Maximize Your Membership WHAT”S INSIDE From the President—Page 3 If there are individual members of BMACC that belong to a band or Leadership Bluegrass 2010—Page 5/6 other organization, you should consider paying an additional $30 to take advantage of what BMACC can offer. -
Ctba Newsletter 0304
REA ONGOING EVENTS AUSTIN AREA Chriesman Community Center CTBA Don Cook 979-567-0573 PARIS •Beginner/Intermed. Jam CLEBURNE • Jam & Stage Show Central Texas A • Show & Jam • 3rd Sat: Jam 5:00, Show 7:00 1st & 3rd Thursday 7-9 pm 3rd Fri Cleburne Civic Center, Chisum HS, Hwy 19 & 24, south Steve Mangold 512-345-6155 1501 W Henderson (Hwy 67)7 pm, of Paris $5-members $6-others • CTBA Jam Session $3 www.geocities.com/ntbbluegrass Brenda Burks 903-784-8859 Sunday at Artz Rib House COPPERAS COVE PEARL Bluegrass 3-5 pm,512-442-8283 • Jam • Jam & Stage Show ARTZ RIB HOUSE Fri-VFW Post 8577 at 1506 1st Sat: Jam 12:00, Show 4:30 Volume 25 • Live Bluegrass Show Veterans Ave 7 pm Hwy 183, 7 mi. south of Purmela 2330 S. Lamar, 6:00 pm Number 4 512-442-8283 254-542-6710 [email protected] Ronald Medart 254-865-6013 AAAMS JAM GARLAND ROCKNE Wed, Anderson Mill Baptist • Bluegrass on the Square • Bluegrass/Country Jam April 2003 Church,10633 Lake Creek Pkwy Sat- March thru October between 1st Sat: 3pm til ..., 8 mi. S. of Dinner 5:30 ($3) 6:30-8:30 pm, Main and State Sts. at 6th, 7:30- Cedar Creek on FM 535 Bulletin 1 am Jim Miller 972-276-3197 TOMBALL 259-7702- call to join for dinner GRANITE SHOALS • Spring Creek Club Jam/Show Tom, Brad & Alice Fredericksburg •AFTM (Austin Friends of • Bluegrass and Gospel Jam 4th Sat: 5pm-jam, 7pm-show Traditional Music)Contra Dance Last Sat: 6:30-10:00 pm Oklahoma Community Center, 3rd Sat., Lutheran church at 3501 706 Phillips Ranch Rd. -
Charley Waller Country Songs, Old and New Mp3, Flac, Wma
Charley Waller Country Songs, Old And New mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Country Songs, Old And New Country: US Released: 1960 Style: Bluegrass MP3 version RAR size: 1599 mb FLAC version RAR size: 1606 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 724 Other Formats: WMA MP1 FLAC MIDI ASF APE DTS Tracklist Hide Credits A1 Roving Gambler 3:07 A2 The Little Sparrow 3:31 A3 Drifting Too Far 3:27 A4 Weeping Willow 2:01 A5 Tomorrow's My Wedding Day 2:09 A6 The Story Of Charlie Lawson 3:03 Turkey Knob A7 2:18 Written-By – Eddie Adcock A8 Paul And Silas 2:26 B1 Ellen Smith 2:13 The Long Black Veil B2 3:35 Written-By – Dill*, Wilkin* Honky Tonk Rag B3 2:26 Written-By – John Duffey B4 Jesse James 2:35 B5 Have Thine Own Way 2:51 A Good Woman's Love B6 3:25 Written-By – Cy Cobin* B7 The Double Eagle 2:54 B8 Darling Alalee 2:04 Credits Arranged By – Charlie Waller (tracks: 15), John Duffey (tracks: 1 to 5, 8, 12, 13, 16) Banjo, Vocals – Eddie Adcock Bass, Vocals – Jim Cox Guitar, Vocals – Charley Waller* Mandolin, Vocals – John Duffey Notes Includes insert from Folkways Records that has bios on the band and its members as well as lyrics. The vinyl label is the original Folkways Blue w/ Silver print. Other versions Category Artist Title (Format) Label Category Country Year Charley Waller*, John Charley Waller*, Duffey, Eddie Adcock John Duffey, And The Country Folkways FA 2409 Eddie Adcock And FA 2409 US 1960 Gentlemen - Country Records The Country Songs, Old And New Gentlemen (LP, Album) Charley -
Exploring the Bluegrass Nation As an Imagined Community
NOTIONS OF NATION: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN L. LANEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2013 Department of Appalachian Studies NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN LANEY May 2013 APPROVED BY: Nancy S. Love Chairperson, Thesis Committee David Haney Member, Thesis Committee Fred Hay Member, Thesis Committee Patricia D. Beaver Director, Center for Appalachian Studies Edelma D. Huntley Dean, Cratis Williams Graduate School Copyright by Jordan L. Laney 2013 All Rights Reserved Abstract NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY Jordan L. Laney B.F.A., Goddard College M.A., Appalachian State University Chairperson: Nancy S. Love While bluegrass music has been a topic of conversation within the discipline of Appalachian Studies, research concerning the emergence of the community in cyberspace is relatively rare. Appalachian music’s role as a transnational facilitator is groundbreaking in areas of social networking, and as a member of the bluegrass community, I am fascinated by the communication that results now that members of that community can connect to friends in Europe, Japan, and France as easily as to next door neighbors. Noting that music is what brings these individuals together, this study addresses ways in which the bluegrass community embodies an imagined community and uses political language to gather in cyberspace. The study is not meant to discredit the direct ties the music has to Appalachia, but rather to applaud and understand the work of enthusiasts in the field who have found ways to mobilize the music through the Internet. -
A Biography of Doc Watson by Dan Miller Edited by Steve Carr
A Biography of Doc Watson by Dan Miller Edited by Steve Carr Introduction Over the past fifty years the guitar has had a very powerful influence on American music. Predominantly a rhythm instrument at the turn of the century, the guitar began to step out of the rhythm section in the 1930’s and 40’s and has maintained a dominant presence in every form of music from rock, to folk, to country, bluegrass, blues, and old- time. While Elvis, the Beatles, Bob Dylan, and other pop icons of the 50’s and 60’s certainly played a large role in bolstering the guitar’s popularity, the man who has had the deepest, most enduring, and most profound influence on the way the acoustic flat top guitar is played as a lead instrument in folk, old-time, and bluegrass music today is Arthel "Doc" Watson. To those of us who have spent hundreds of hours slowing down Doc Watson records in order to learn the tastefully selected notes that he plays and emulate the clear, crisp tone he pulls out of his instrument, Doc is a legend. However, Doc’s influence extends far beyond the small niche of guitar players who try to faithfully reproduce his guitar breaks because Doc Watson is not just a guitar player and singer - he is an American hero. To be recognized as a "national treasure" by President Jimmy Carter, honored with the National Medal of the Arts by President Bill Clinton, and given an honorary doctorate degree from the University of North Carolina calls for being more than a fine musician and entertainer. -
Jim Shumate and the Development of Bluegrass Fiddling
JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs. -
Color Front Cover
COLOR FRONT COVER COLOR CGOTH IS I COLOR CGOTH IS II COLOR CONCERT SERIES Welcome to our 18th Season! In this catalog you will find a year's worth of activities that will enrich your life. Common Ground on the Hill is a traditional, roots-based music and arts organization founded in 1994, offering quality learning experiences with master musicians, artists, dancers, writers, filmmakers and educators while exploring cultural diversity in search of a common ground among ethnic, gender, age, and racial groups. The Baltimore Sun has compared Common Ground on the Hill to the Chautauqua and Lyceum movements, precursors to this exciting program. Our world is one of immense diversity. As we explore and celebrate this diversity, we find that what we have in common with one another far outweighs our differences. Our common ground is our humanity, often best expressed by artistic traditions that have enriched human experience through the ages. We invite you to join us in searching for common ground as we assemble around the belief that we can improve ourselves and our world by searching for the common ground in one another, through our artistic traditions. In a world filled with divisive, negative news, we seek to discover, create and celebrate good news. How we have grown! Common Ground on the Hill is a multifaceted year-round program, including two separate Traditions Weeks of summer classes, concerts and activities, held on the campus of McDaniel College, two separate Music and Arts festivals held at the Carroll County Farm Museum, two seven-event Monthly Concert Series held in Westminster and Baltimore, and a new program this summer at the Lutheran Theological Seminary at Gettysburg, Common Ground on Seminary Ridge. -
Inland Northwest Bluegrass Association Steve Martin at This
Inland Northwest Bluegrass Association Steve Martin at this year‘s IBMA national performs. Others include the convention. Great CD, but I can‘t figure out why Blind Boys of Alabama, the they singled out one of the three instruments in Preservation Hall Junior Jazz the band to use in the band‘s name. ―Sleepy Man Band, Steve Earle, Allen Bluegrass Boys‖ would have made more sense. Toussaint, and Trombone Shorty. Anyway, this CD is a collection of thirteen Way fun. bluegrass standards beautifully performed by Front Porch String Band featuring three young bluegrassers. Claire Lynch, Hills of Cory Platt, Daydreams Alabam (rebelrecords.com). (pxrec.com). You wanna grab Well get a load of this. Back you a CD loaded with great, in the ‗70s and early ‗80s the great, mandolin playing? Oh, band that became Claire Lynch yes, this is it. Cory Platt plays and the Front Porch String mando for the Kenny and Band was just the Front Porch Amanda Smith Band, but this is a String Band–although Lynch was there all along, solo outing. The eleven cuts include eight of course. As such, the band recorded–with instrumentals and three songs, all of which seem various configurations, personnel-wise–albums to be of recent vintage; no standards here. Cory unavailable for a long time now. Hence, this CD is joined by, among others, Jim van Cleve which includes selections from three early LPs. (fiddle), Scott Vestal (banjo), Jake Stargel It‘s a delightful batch of songs that you‘ll enjoy a (guitar), and Mark Schatz (bass). lot.