2019 Mandolin Camp North Program Guide
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Uncle Earl's Homecoming
EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
Bryan Sutton Reveals New Depth with Fourth Sugar Hill Release, Into My Own
BRYAN SUTTON REVEALS NEW DEPTH WITH FOURTH SUGAR HILL RELEASE, INTO MY OWN Solo Record From Bluegrass Guitar Master Due April 29th Nashville, Tenn. (January 27, 2014) –Bryan Sutton returns to Sugar Hill Records with his fourth solo release, Into My Own, available April 29, 2014. “The goal,” Bryan Sutton says, “was to try to make a record that only I could make.” Indeed, even a cursory listen is enough to establish that Into My Own, his fourth album for Sugar Hill Records, fulfills that goal—and does so in a way that reflects not only the instrumental virtuosity that his admirers have come to expect, but also the spirit and sensibilities of a musician intent on challenging himself to continuously grow in every way. For those who think of him as just one of the best acoustic guitarists around, Into My Own will come as an unexpected revelation, while for those who’ve been following his evolution at least since 2009’s Almost Live, it deserves welcome as the culmination of a remarkable musical growth spurt—rich, varied, and, just as he says, a record that only he could make. For what Into My Own does for the first time is present Bryan Sutton, not so much on his own (though there’s a bit of that too), but as an artist who’s worked his way into a musical place that’s all his own, and not just as a phenomenal guitarist, but as a singer and songwriter. Featured alongside Bryan Sutton are some of the best pickers in the genre, also true friends and collaborators; Bill Frisell joins in for “Frissell’s Rag” while Noam Pikelny, Sam Bush, Ronnie McCoury, Stuart Duncan and more stop in to play a few. -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
Clawhammer Illuminations What Would THESE Guys Do? Five High-Profile Progressive Clawhammer Artists Answer
Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Online banjo forums are filled with all sorts of questions from players interested in instrument choices, banjo set up, personal playing styles, technique, etc. As valuable as these forums might be, they can also be confusing for players trying to navigate advice posted from banjoists who's playing experience might range from a few weeks to literally decades. It was these forum discussions that started me thinking about how nice it would to have access to a collection of banjo related questions that were answered by some of the most respected "progressive" clawhammer banjoists performing today. I am very excited about this project as I don't believe any comprehensive collection of this nature has been published before… Mike Iverson 1 © 2013 by Mikel D. Iverson Background Information: Can you describe what it is about your personal style of play that sets you apart from other clawhammer banjoists? What recording have you made that best showcases this difference? Michael Miles: As musicians, I believe we are the sum of what he have heard. So the more you listen, the richer you get. My personal musical style on the banjo is in great part rooted in Doc Watson and JS Bach. Through Doc Watson, I learned about the phrasing of traditional music. Through Bach, I learned the majesty and reach of all music. -
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • a Legend Ireland Tour…
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • A legend Ireland Tour….......….......…..........….4 of American roots music joins us for a guitar workshop Folk Festival Scenes…………..…....8-9 and concert, with a blues jam in between. Emerging Artist Showcase………....6 Looking Ahead……………….…….…...12 Andy’s Wild Amphibian Show….........……..Page 3 Member Recognition.….................15 Wed, Jul 14 • Tadpoles, a five-gallon pickle jar and silly parental questions are just a few elements of Andy Offutt Irwin’s zany live-streamed program for all ages. Resource List Liars Contest……………....……….………...Page 3 Subscribe to eNews Wed, Jul 14 • Eight tellers of tall tales vie for this year’s Sponsor an Event Liars Contest title in a live-streamed competition emceed by storyteller extraordinaire Andy Offutt Irwin. “Bringing It Home”……….……...……........Page 5 Executive Director Jess Hayden Wed, Aug 11 • Three local practitioners of traditional folk 378 Old York Road art — Narda LeCadre, Julie Smith and Rachita Nambiar — New Cumberland, PA 17070 explore “Beautiful Gestures: Making Meaning by Hand” in [email protected] a virtual conversation with folklorist Amy Skillman. (717) 319-8409 Solo Jazz Dance Class……........................…Page 6 More information at Fri, Aug 13, Mt. Gretna Hall of Philosophy Building • www.sfmsfolk.org Let world-champion swing dancer Carla Crowen help get you in the mood to boogie to the music of Tuba Skinny. Tuba Skinny………………........................…Page 7 Fri, Aug 13, at Mt. Gretna Playhouse • This electrifying ensemble has captivated audiences around the world with its vibrant early jazz and traditional New Orleans sound. Nora Brown……………... Page 10 Sat, Aug 14, at Mt. -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Awards Issue
BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 1—January 2010 Larry See how many times you can find Larry inside this issue. There’s no prize. It’s just for fun. Random Photos from the Awards Show AWARDS ISSUE www.bmacc.caBMACC Notes—January 2010 Page 1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 888-876-3369 Secretary – Leanne Chadbourn 1/8 Page (Business Card) $26.67 $ 96.01 705-776-7754 1/4 Page 33.33 119.99 1/2 Page 53.33 191.99 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large Gord deVries WEBSITE 519-668-0418 Quarterly Annual 905-331-9915 Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 26.67 96.00 400 px X 250 pixels 46.67 168.00 Rory Gardiner Bernie Melosh WHAT”S INSIDE Larry Johnston From the President—Page 3 Cindy deBoer-Winterbottom THE AWARDS – Page 4—9 Wes Lowe Out Among the Stars—Page 10/11 Elliot Lake News—Page 11/12 Birth of Seldom Scene—Page 14 Spirit of Kindness—Page 15 Songwriters Association of Canada—Page 17 Organizational Memberships – Page 19/21 Bluegrass on the Radio—Page 21/22 Letters—Page 23 Winter Concert Series—Page 23 2010 BMACC Board of Directors Larry Johnston, Roland Aucoin, Cindy deBoer-Winterbottom, Gord deVries, Bernie Melosh, Wes Lowe, Karen May, Donald Tarte, Leanne Chadbourn, Rory Gardiner, Denis Chadbourn BMACC Notes—January 2010 Page 2 A MESSAGE FROM THE PRESIDENT I’d like to send a shout out to their heads…but there should be a photo of the new all of the friends, old and board somewhere in this issue. -
The Seldom Scene Dream Scene Mp3, Flac, Wma
The Seldom Scene Dream Scene mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Dream Scene Country: US Style: Bluegrass MP3 version RAR size: 1460 mb FLAC version RAR size: 1881 mb WMA version RAR size: 1528 mb Rating: 4.4 Votes: 405 Other Formats: AHX MP4 MP2 AAC DTS VOC MP1 Tracklist 1 Dry Run Creek 2:34 2 Going Up On The Mountain 3:17 3 Willie Roy 4:40 4 Tulsa Chili Bop 3:09 5 When I Get My Rewards 3:40 6 They're At Rest Together 2:59 7 The Boatman 3:33 8 Love Of The Mountains 2:46 9 The Little Sparrow (Fair And Tender Ladies) 5:21 10 The Shape I'm In 3:45 11 Blue Diamond 5:15 12 Bad Moon Rising 2:21 Companies, etc. Phonographic Copyright (p) – Sugar Hill Records, Inc. Copyright (c) – Sugar Hill Records, Inc. Pressed By – DADC – DIDX-067006 Credits Band [The Seldom Scene], Banjo, Vocals – Ben Eldridge Band [The Seldom Scene], Bass, Vocals – Ronnie Simpkins Band [The Seldom Scene], Dobro, Vocals – Fred Travers Band [The Seldom Scene], Guitar, Vocals – Dudley Connell Band [The Seldom Scene], Mandolin, Vocals – John Duffey Notes ℗ & © 1996 Manufactured in the USA. Barcode and Other Identifiers Barcode: 0 15891 38582 2 Mastering SID Code: IFPI L337 Mould SID Code: IFPI 5100 Matrix / Runout: IFPI L337 DIDX-067006 01 Related Music albums to Dream Scene by The Seldom Scene Various - Top Of The Hill Bluegrass (The Sugar Hill Collection) The Seldom Scene - Act Four The Bishop's Finger - Seldom Sober Various - Génération Scène Lully, Hugo Reyne, La Simphonie Du Marais - Isis Seldom Seen, Often Heard - Hat Down Low (Radio Edit) The Seldom Scene - Baptizing The Seldom Scene - Old Train Various - Rocky Grass (Live Bluegrass From Colorado) Scene Of The Crime - Prelude. -
Rotten Taters Is a Snapshot of Some of the Material Mike Has Begun to Do in His Solo Endeavors
MIKE COMPTON “This recording is pure gold, through and through.” - Glen Herbert, KDHX Rotten Taters is a snapshot of some of the material Mike has begun to do in his solo endeavors. It’s a project which for the first time lets us see something that we’ve only glimpsed in the past Compton playing by himself, unaccompanied and undirected. And it’s simply stellar. For Compton, it’s all about rhythm, with the mandolin serving principally as a rhythmic instrument rather than a melodic one. These days, for this style of playing, he is the player that all others are compared to; if you play old-time or traditional bluegrass mandolin, you want to play like Mike Compton. Here, for the first time, is pure, unadorned Compton. Of the fifteen songs and tunes here, six are from Compton’s own pen. Tracks like “How Do you Want Your Rollin’ Done” and “I’ll Tell you About the Women” seem, in a sense, like portraits of Compton himself, his effervescence and humor laid bare. Of note, the cut “Forever Has Come to and End” is stark and longing, excellently accompanied only by mandolin chords and cross-picking, bringing out the desperation of the lyric. “Jenny Lynn” is a tribute to Monroe, staying close to Monroe’s style, as is the original piece “Wood Butcher’s Walkabout”, which is like a master class in the slides that are a hallmark of Compton’s playing. “Mike has taken a passel of influences -- “old Instruments Used on This Recording: time fiddle tunes, rock salt and nails Paul Duff F5 Mandolin, 2011.