BMACC Notes
The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 1—January 2010
Larry
See how many times you can find Larry inside this issue. There’s no prize. It’s just for fun. Random Photos from the Awards Show AWARDS ISSUE
www.bmacc.caBMACC Notes—January 2010 Page 1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 888-876-3369
Secretary – Leanne Chadbourn 1/8 Page (Business Card) $26.67 $ 96.01 705-776-7754 1/4 Page 33.33 119.99 1/2 Page 53.33 191.99 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large
Gord deVries WEBSITE 519-668-0418 Quarterly Annual 905-331-9915
Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 26.67 96.00 400 px X 250 pixels 46.67 168.00 Rory Gardiner
Bernie Melosh WHAT”S INSIDE Larry Johnston From the President—Page 3
Cindy deBoer-Winterbottom THE AWARDS – Page 4—9
Wes Lowe Out Among the Stars—Page 10/11
Elliot Lake News—Page 11/12
Birth of Seldom Scene—Page 14
Spirit of Kindness—Page 15
Songwriters Association of Canada—Page 17
Organizational Memberships – Page 19/21
Bluegrass on the Radio—Page 21/22
Letters—Page 23
Winter Concert Series—Page 23
2010 BMACC Board of Directors Larry Johnston, Roland Aucoin, Cindy deBoer-Winterbottom, Gord deVries, Bernie Melosh, Wes Lowe, Karen May, Donald Tarte, Leanne Chadbourn, Rory Gardiner, Denis Chadbourn
BMACC Notes—January 2010 Page 2
A MESSAGE FROM THE PRESIDENT
I’d like to send a shout out to their heads…but there should be a photo of the new all of the friends, old and board somewhere in this issue. lol new, that I had an opportunity to meet up with Further thanks go out to all of you, who stopped by the again, on my annual BMACC table to join or to renew your memberships… pilgrimage to the bluegrass your support is so very critical to BMACC’s operation. awards in Huntsville. This is Your membership fees help to publish this the the premier event…the newsletter, and maintain the web site. More broadly, Mecca of bluegrass in Central your contributions help us to achieve the goals set out in Canada… and there are no our mission statement…to preserve and promote better people in the world than those who attend. You bluegrass. Now, for those of you who did not get an know who you are…I love you all. opportunity to renew your membership at Deerhurst, or just cant remember when your membership comes due In my capacity as both, the President of BMACC, and a for renewal, we have some good news. Gord Devries, member of The C-Denny Band, I was in a constant state our computer whiz, knowledgeable of all things “tech- of “GO ” at this year’s showcase and awards! Sigh…so y”…is currently implementing a program for the BMACC much bluegrass…so little time. Indeed, I even found it web site, to facilitate online applications and renewals, necessary to forego the all-night jamming forays, that I and will send out automatic reminders. used to be an accomplice to. Well…I probably instigated one or two… The directional focus of the new BMACC board is to find new markets for bluegrass. This may sound simple, but There could be no better place in the world, to hold the exposing non-fans to bluegrass, and breaking down bluegrass awards, than at the Deerhurst Resort. The stereotypical barriers, is a formidable challenge. efficient, courteous service, in which the staff provides, is However, those of you who attended the Annual unparalleled, and the accommodations are way, way General Meeting, already know the details of the above average. The same can be said about the progress we are making, and the vision of the organizer of the Central Canada Bluegrass Awards, Mr. organizations future. So onward and upward we journey Tony deBoer. Tony maintains high standards too; he is into the quickly approaching New Year of 2010. With very accommodating, and is always open to suggestions. diligent efforts, we will persevere, stay the course, and Countless hours go into bringing these awards (and continue to make progress. concerts he organizes) to fruition…so, in recognition of Tony’s passion and dedication to bluegrass music, the Congratulations to all the award winners. Best of the first act of the new BMACC board, was to award him with season… wishing you health, happiness and prosperity in a lifetime membership in BMACC. Tony, thank you for the New Year. being born! Warm regards, I must also express my gratitude to the out-going BMACC Denis Chadbourn board members Wes Lowe, Steve Pritchard, and Brother BMACC President BrianPowley ...who stepped down as directors. Guys… thanks for the time and effort you selflessly dedicated to build this organization. BMACC is a volunteer board…the only reward is seeing bluegrass flourishing. In this regard, I would be remiss not to also acknowledge the returning directors, and new board members…I’m just not going to do that explicitly here, ‘cause it’ll go to
BMACC Notes—January 2010 Page 3
CENTRAL CANADIAN BLUEGRASS AWARDS 2008 AWARD WINNERS
DJ—Ron Moores (Ottawa)
Banjo Player—D’Arcy Campbell (Hard Ryde)
Fiddle Player—Tyler Beckett (Hard Ryde)
Bass Player—Rick Koop (Hard Ryde)
Guitar Player—Marc Roy (Hard Ryde)
Mandolin Player—Will Meadows (Hard Ryde)
Dobro Player—Doug Van Den Kieboom (Bluegrass Edition)
Female Vocalist—Sherry Philp (Concession 23)
Male Vocalist—Thom Gardiner (Northern Sons)
Composer—Melissa Sherman (Hard Ryde)
Promising Group—Canucky Bluegrass Boys
Instrumental Group—Foggy Hogtown Boys
Recording—North to Ontario (Compilation)
Vocal Group—Canucky Bluegrass Boys
Gospel Group—General Store
Overall Group—The Foggy Hogtown Boys
Entertainer—Doug de Boer (Hard Ryde)
Honour Roll Vocal Group—Northern Sons
BMACC Notes—January 2010 Page 4
Bluegrass DJ—Ron Moores—Ottawa Banjo Player—D’Arcy Campbell—Hard Ryde Sponsor: Valley Bluegrass Festival Sponsor: Best of Bluegrass, Brian MacCarthy Presented by Bob Johnston Presented by Eric Gibson
Bass Player—Rich Koop—Hard Ryde Sponsor: Palmer Rapids Twin Festivals Presented by Al Schutt Fiddle Player—Tyler Beckett—Hard Ryde Sponsor: Thames Valley Bluegrass Music Association Presented by Wayne Uncer
BMACC Notes—January 2010 Page 5
Guitar Player—Marc Roy—Hard Ryde Mandolin Player—Will Meadows—Hard Ryde Sponsor: David Tinkhoff Memorial Sponsor: Athlone Studios and Sound Ottawa Valley Bluegrass Association. Presented by Gene Gouthro Presented by Donald Tarte
Male Vocalist—Thom Gardiner—Northern Sons Dobro Player—Doug Van Den Kieboom Sponsor: Essex-Kent Bluegrass & Old Time Music Assoc. Presented by David Blakney Bluegrass Edition Sponsor: The Stringman Presented by Wayne Uncer
BMACC Notes—January 2010 Page 6
Composer—Melissa Sherman—Hard Ryde Sponsor: Skyway Bluegrass Club Female Vocalist—Sherry Philp—Concession 23 Presented by Rolly Aucoin Sponsor: Lois White Memorial Award Presented by Bill White—White Pine
Instrumental Group Foggy Hogtown Boys Recording—North to Ontario 2009 Sponsor: Tottenham Bluegrass Festival Gene Gouthro & Tom McCreight Presented by Peter Deveau Sponsor: Campbell’s Corner Music Sales Accepted by Steve Pritchard Presented by Dan and Shannon Campbell
BMACC Notes—January 2010 Page 7
Instrumental Group—Foggy Hogtown Boys Sponsor: Bluegrass Music Association of Central Canada Entertainer—Doug deBoer Presented by Denis Chadbourn Sponsor: The Pineridge Bluegrass Club Accepted by Steve Pritchard Presented by Gary Meyer
Gospel Group—General Store Sponsor: Willow Park Jamboree—Presented by Marvin Laforme
BMACC Notes—January 2010 Page 8
Promising Group—Canucky Bluegrass Boys Sponsor: Queen’s Bush Bluegrass Club—Presented by Gord Chapman
Vocal Group—Canucky Bluegrass Boys Sponsor: Conestoga Trail Bluegrass & Gospel Festival Presented by Fran and Gerry Morgan
Honour Roll Vocal Group—Northern Sons Presented by Tony DeBoer
BMACC Notes—January 2010 Page 9 OUT AMONG Ambassador: The album's single "Big, Big, Heartaches" is THE STARS Mailing address: already sitting at #16 on the National Phone number: Bluegrass Survey, after a radio debut 3 Random Bits of news E-mail address: months before release. In addition to "Big, from the world of Bluegrass T-shirt size: S M L XL 2XL Big, Heartaches," the album features writing by band members Alan Bibey and the co- By Tom McCreight Please mail this information to the address below or by e-mail to Gabrielle songwriter of 2008's IBMA Song Of The Year, Partner with the Bluegrass Museum in Steve Gulley. Gray. the new Ambassadors Program! Steve Gulley penned three of the tunes on International Bluegrass Music Museum The International Bluegrass Music Attn: Bluegrass Ambassadors the album. The gospel influenced, "Lifting Museum, Owensboro, KY, sends this 207 East Second Street Up The Cross" with Ken Mellons and two message to all bluegrass associations: Owensboro, KY 42303 other tunes with writing partner Tim
Stafford. Wayne Winkle and Craig Market Dear Bluegrass Lovers, contributed four tracks including the title
The International Bluegrass Music track and Michael Bentley lends his talents Museum wants to partner with you! GRASSTOWNE on the only a cappella Gospel track on the We’re starting an official Bluegrass NASHVILLE, TN - Grasstowne's lead CD, "Salvation of the Lord". Bibey co-wrote Museum Ambassadors Program, and singer, Steve Gulley, is hoping their "Pay Your Dues" with Ronnie Bowman and we’re inviting your association to cleverly titled brand new sophomore Shawn Lane as well as an instrumental called participate. "Tobaccoville Road". release, The Other Side of Towne, does Your association will appoint or elect a just what this band of veteran players The Other Side Of Towne is the long awaited person who is willing and enthusiastic intended for it to do when they were follow-up to their first release, the critically about being an Ambassador from your recording the project - define who acclaimed 2007 debut release, The Road association to the International Grasstowne is as a band and solidify Headin' Home. The album had a healthy run Bluegrass Music Museum. This their identifiable sound. Early at radio and its single, "Dixie Flyer", reached Museum Ambassador will work with the indications are that it is doing just that. #1 on Bluegrass Music Profile's single's chart
Bluegrass Museum on special projects, The Other Side of Towne showcases and the album was #1 for 3 consecutive report news and information for our their musical voice as a band, and months on the National Bluegrass Survey. newsletter, report Museum news back shares exactly who they are and what The single also saw success in the #1 spot for to your association for members and they sound like live. Gulley says, "We two months on the Bluegrass Unlimited newsletters, encourage Museum were very proud of our first album, but chart. The debut project netted a win for membership and donations, encourage The Other Side of Towne really speaks SPBGMA's Album of the Year, Mandolin donation of bluegrass artifacts to the to who we are. It defines who we've Player of the Year, and Dobro Player of the Museum, and attend a yearly meeting become as a group," he says. year. The Other Side Of Towne features of Ambassadors at ROMP in Owensboro writing from band members Alan Bibey and each year. ROMP takes place the 4th Grasstowne's sophomore release 2008's IBMA co-songwriter of the year, Steve weekend of June. features the group's identifiable Gulley. instrumentation and vocals with Phil Ambassadors will receive a Leadbetter on dobro, Alan Bibey on Phil Leadbetter, Steve Gulley, and Alan Bibey complimentary IBMM membership, a mandolin and vocals, Jason Davis on have known each other since each was a VIP ROMP pass (which includes VIP banjo, Dale Perry on bass and vocals, young man. They began their musical access to all events, backstage and guitarist and lead singer Steve careers in different touring bands, but fate privileges, meals with Artists/Pioneers), Gulley pulling every ounce of emotion brought them together to form the unique and an Ambassadors t-shirt. The available from each and every lyric. venture known as Grasstowne. Grasstowne museum will arrange low-cost lodging is meant to infer the roots of their for your stay at ROMP, getting you in on The Bluegrass Journal sings the album's beginnings and their future, in one shot. our artists’ rates (typically $54/night + praises and says, "It's definitely worth Bluegrass music with a 21st century edge, tax). the wait!" Guest artists, fiddle master sums up the essence of the band according Stuart Duncan and Terry Baucom bring What we need from you: to Phil Leadbetter. With the addition of their award winning talents to the table Jason Davis on Banjo, and Dale Perry on Designate your official Museum to help solidify the sound of this band upright bass, the band was formed. Ambassador and send us the following who bluegrass legend Earl Scruggs calls, information. "some of the best you'll find in the These players have racked up a pedigree that
country." (Continued on page 11) Association name: See OATS BMACC Notes—January 2010 Page 10 OATS Dean. The book chronicles in Stanley's Stonemans. He joined the Clinch Mountain
(Continued from page 10) own distinctive voice his rise from Boys in 1970 and remained there until he reads like a Who's Who in bluegrass poverty and a broken home in rural was sidelined by health problems early this including, Doyle Lawson and Virginia to his musical pairing with his year. In 2002, he shared with the Clinch Quicksilver, J.D. Crowe and the New older brother, Carter, and the creation Mountain Boys a best bluegrass album South, Mountain Heart, BlueRidge, IIIrd of the trailblazing Stanley Brothers Grammy for Lost In The Lonesome Pines, a Tyme Out, and more. It's no wonder sound, to his career culmination as a collection headlined by Jim Lauderdale and their music and playing is top tier and multiple Grammy winner, member of Ralph Stanley. Lauderdale producedCooke's Other Side of Towne is destined to the Grand Ole Opry and recipient of the only solo album, Sittin On Top Of The World, position them as a band that is in it for National Medal of Arts. In its ringing which was released in 2007. the long haul. (from GoodStuff PR Co.) review of the book, Publishers Weekly observed, Stanley's plainspoken [GRASSTOWNE will be at THE Quinte, narrative is told in a rural diction as and Valley Bluegrass Festivals next though he were sitting in the front seat summer] of an old Ford headed down the
mountain for his next show. His story is
a comprehensive and endearing Interesting Blog cornucopia of authentic mountain Ted Lehmann has posted a blog entry music, place, family, friends, rivals, called "On the Road with Darin and faith, love, life, death and the road. Brooke Aldridge." In addition to seeking ELLIOT LAKE NEWS Labeling Stanley's narrative a delightful, to profile this fine young couple, he outspoken surprise, Kirkus Reviews provides a picture of the hard work and concluded, He's at his best recalling his From Gloria and joys of being a touring bluegrass backwoods upbringing, the vicissitudes musician. The post covers five days in the Elliot Lake of the bluegrass road, the murder of their week, during which they Bluegrass one of his lead singers, the power of performed five times. gospel music and old-time religion and Jammers www.tedlehmann.blogspot.com the fast-vanishing South of his boyhood.
An often tart yet affecting music
memoir. Stanley continues to tour with Fiddler's Dream by Gregory Spatz - his band, the Clinch Mountain Boys. Book Review by Ted Lehmann Morris Public Relations A big snowy hello from Elliot Lake and area! “ I've posted a review of a novel by Just returned from the famed Central Gregory Spatz called "Fiddler's Dream." Canadian Bluegrass Awards weekend at Spatz, who plays fiddle for John Jack Cooke – RIP Deerhurst Resort in Huntsville. What a Reischman and the Jaybirds, has written Norton, VA (December 2, 2009) - Jack place THAT was to begin with, and then a novel of self-discovery about a young Cooke, long-time bass player and singer what a SHOW! Stellar performances by my musician who leaves home in Vermont with Ralph Stanley's Clinch Mountain favorite Canadian bluegrass groups with to journey to Nashville in search of his Boys, died Tuesday, December 1, 2009, Valerie Smith and Liberty Pike, as well as the musical self and his long lost musician at a hospital in his hometown of beloved Gibson Brothers into the mix. I father. A good read and a nice gift for Norton, VA., after collapsing at his kept pinching myself to see if it was all real. your bluegrass reader. - Ted home. Vernon Crawford Jack Cooke It was. All participating bands were www.tedlehmann.blogspot.com was born Dec. 6, 1936. His first polished to a brilliant bluegrass lustre that Greg also has a wonderful CD called professional shone through the entire weekend, both on "Fiddler's Dream." You can pick up job was playing with the Stanley stage and in the jam groups scattered about these gifts at www.gregoryspatz.com. Brothers while he was still in his teens. the complex. Every time one set of
He left the Stanleys to join Bill Monroe’s goosebumps disappeared, someone would
Blue Grass Boys, a post he held from do another spine-tingling number and back Ralph Stanley’s Intimate Memoir, Man 1956-1960. During that time, he came the goosebumps! of Constant Sorrow: My Life & Times recorded such songs with Monroe as (Nashville, TN) Where to start with the talent on that Gotta Travel On, Big Mon, and Dr. Ralph Stanley’s behind-the-scenes stage? Difficult to put them in any order— Tomorrow I’ll Be Gone. Later, he autobiography, ManOf Constant formed his own group, Jack Cooke and (Continued on page 12) Sorrow: My Life & Times, was co- the Virginia Mountain Boys, and played written with music journalist Eddie in bands headed by Earl Taylor and the See Elliott Lake BMACC Notes—January 2010 Page 11 Elliott Lake A535 a week after the event, but not
(Continued from page 11) minding a bit. Granddaughter Lauren at they are all number one in this 13 is hooked on bluegrass and can’t bluegrasser’s book. Hard Ryde never wait to play on stage. She will. disappoints, and Melissa’s ‘Weak in the 'Bands like Siverbirch with the illustrious Knees’ brings me to my knees every Tom McCreight, and Bluegrass Edition, time. Northern Sons were a harmony Concession 23-- so many others who force to be reckoned with, not to performed over the weekend, made the mention they had us digging for Kleenex Central Canada Bluegrass Awards and shirt-sleeves with ‘Hobo’s Wings’. Weekend what it was. So much talent, My eyes water as I write the words. so little time to savour each group! Ah, What power! General Store showed us but the memories will linger right the perfection brought about by through to Novemeber 2010.' practice. Newcomers Rhyme ‘n’ Reason make flawless bluegrass look easy. All in all, it was a fine weekend of music Long-time jam partners, now known and bluegrass fellowship. A huge thank both sides of the border as Canucky you to Tony DeBoer for elevating Bluegrass Boys continually wow the bluegrass to where it is today in Central crowds with their driving brand of grass, Canada, and to the organizers of this played as tight as it gets, energy galore. fine weekend for the mammoth effort ‘Course watching Matt’s ongoing and they put forth in making this event animated love affair with his bass is the happen every year for the past three decades. To those of you who have Matt Naveau high spot of my night wherever they Canucky Bluegrass Boys are! And for him to be for once never been to Deerhurst to the awards rendered speechless and a tad show, make plans for next year. You will emotional at receiving the awards they never regret it! got was a moment frozen in time for me.
Honeygrass harmonies are like no other, and their sweet sound is unique, right up there with Rhonda and Allison. Those Ducharme boys have to have been born with instruments in their hands! The C-Denny band with Denis and his lovely talented girls captivated the audience—you could hear the proverbial pin drop as he ground out original after original. Beautiful lyrics and expertly done. Bluegrass Edition, Concession 23, Foggy Hogtown Boys, and all of the recipients of the awards on Saturday night are to be congratulated for jobs well done. The passion for the music shows through in what they have achieved.
Every good bluegrass weekend is jam- packed, literally. You could walk Thom Gardiner of Northern Sons with son Jacob through any hallway or foyer and find a jam. Jamming with the likes of Ednson’s, Grassfyre, Manitoulin Miffs (Scattered Grass), the Ducharmes and others is my idea of Heaven on earth. We are still changing dressings on our tortured picking fingers and bathing in BMACC Notes—January 2010 Page 12
BMACC Notes—January 2010 Page 13 The Birth of The Seldom Scene – by Tom Gray (originally posted to an online bluegrass discussion group, and used withTom’s permission)
Ben Eldridge and John Starling, who had both played with Bill Emerson and Cliff off with John Starling, and was willing to both been to U.VA in the early 1960s, Waldron at the Red Fox. After Emerson give the music business another try. lived in the same block of Chase Avenue left to rejoin the Country Gentlemen, We agreed to some rules, proposed by in Bethesda. They got together to play Ben Eldridge was hired by Cliff to Duffey: There would be no big deals music frequently. A weekly jam session replace Emerson; Mike remained, but I with this band, no band vehicle. We took place in Ben's basement for years was already gone, replaced by Ed Ferris. would play one night a week in a local from about 1968 through 1971. Other In early 1971, both Mike and Ben quit club, keeping our days jobs. We would regulars included Mike and Dave Cliff's band. In October of 1971, The make records. We would play concerts Auldridge, Gary Henderson, and Bruce Red Fox needed a band to fill in for Cliff and festivals on weekends. The Rabbit's Barnes. Although the music was great, Waldron, who had a better-paying gig Foot offered a weekly paid engagement. no one, at first, played professionally. I elsewhere one night. Walt Broderick, We were a six-piece band with two used to occasionally join the tenor singers. After a few weekly jam sessions, not as a weeks of that, Dave graciously regular, since I was already bowed out, leaving the tenor playing some (poorly) paying job solely to John Duffey. On gigs with Emerson & our seventh Monday night at Waldron, Benny & Vallie Cain, the Rabbit's Foot, we had an and others. The main bass altercation with the player at the jam sessions management. Our friend was Gary Henderson. Richard Dress had the nerve to ask the bar tender to turn A few times, Len Holsclaw down his radio (the Redskins (the Country Gentlemen's were playing a night game) so manager) played bass at the he could hear the music. They jams. Len was a good friend threw Richard out on the of John Duffey, and realized street. We objected to their that these guys in the treatment of our friend, and basement just might be good quit the joint. The next enough to tempt John Duffey month, we began a 6-year to play and sing again. John THE ORIGINAL SELDOM SCENE engagement at the Red Fox. had quit the Country Gentlemen in early 1969 in who owned the Red Fox called Mike or A story in the Frederick Post Dispatch disillusionment with the music business. Ben to see if they could bring a band in credits John Duffey with putting the He had not played except to to fill the date. The band consisted of band together. I think the one who occasionally substitute with the Gents John Starling on guitar and lead vocals, really got the band started playing when Jimmy Gaudreau was called for Dave Auldridge on guitar and tenor publicly was Mike Auldridge. The one his duty in the Reserves. John didn't vocals, Mike Auldridge on Dobro and who brought John Duffey into it was Len even own a mandolin any more. baritone vocals, Bruce Barnes on Holsclaw. Len could have claimed the Several people had tried without mandolin, and Tom Gray on bass. For a bass-player job for putting it together, success to lure him back into playing new band, I think we did a decent job. but he was tied up by his duties on the music again. Len heard John Starling Walt must have thought so too, for he Arlington Police Force and his singing, blending smoothly with the recommended us to the owner of management of the Gents. Since Len Auldridge Brothers in vocal harmony, another nightclub, The Rabbit's Foot in couldn't take the job, Mike offered it to and the thought came to him: Perhaps the Tenleytown area of D.C. The me. Thanks again, Mike, it was a dream this is what is needed to make Duffey Rabbit's Foot was a big rock and roll gig. Duffey may have set the rules by want to play again. He was right. Len club, and its owner wanted to try this which we would do business, but Mike invited Duffey to come to one of Ben's alternative music called bluegrass on made the calls. And that's how the basement jam sessions, and the two Monday nights, so he called Walt for a Seldom Scene came to be. Johns did enjoy singing together. I think recommendation. Tom Gray that would have been in mid 1971. Meanwhile, John Duffey had been to For a time in 1969, Mike Auldridge and I Ben's basement jam session and hit it BMACC Notes—January 2010 Page 14 hope not. Those are some of the concerns. In all fairness, I was amazed THE SPIRIT OF KINDNESS examples of not working together that I when I went to work for a smaller have observed over the past few years. company in Woodstock and found the Can we not support each other in our work ethic was alive and well and Union efforts to promote and preserve the and Management worked together to music we care about? provide a safe and productive work environment. How refreshing was that! If BMACC had the full support of the We all lose in the end if we can’t work Bluegrass community, eventually it could together to support each other’s efforts. be possible to accomplish many By Audrey DeVries worthwhile projects similar to IBMA in Thanks for letting me vent my the United States. For instance, IBMA frustrations and coming to my whine and The first time I heard the word Bluegrass (International Bluegrass Music Assoc.), cheese party. it was some twenty-five plus years ago also a non-profit organization, has I listened recently to the broadcast of a and I thought it was a type of grass seed established a Bluegrass Trust fund as a previous interview on CBC radio with the you planted on your yard. So I dutifully means to help bluegrass music late June Callwood. When she was went to the library and borrowed “The professionals in time of emergency asked if she believed in God – she History of Bluegrass Music” by Neil need. The Bluegrass Trust Fund raises replied “I believe in kindness”. Rosenburg. After reading how Bluegrass money through IBMA’s Fan Fest at the Sounds like a good philosophy for the music started and spread from the Bluegrass Awards show and also receives bluegrass organizers and promoters. Appalachian Mountains in the donations from individuals. It has Let’s try it. southeastern United States, I developed disbursed financial assistance to dozens an appreciation for the music. I grew to of bluegrass professionals and their Audrey DeVries love the sound of Bluegrass music and families in time of need. A similar fund the fun and excitement of attending (in Canada) would certainly be a outdoor festivals in the United States worthwhile future goal for BMACC. and Canada. People from all walks of life This and other worthwhile initiatives can and all corners of the United States and only become reality if there is a genuine Canada would come together to share their love of the music and experience spirit of cooperation and a unified commitment to the mission and goals of camaraderie with family and friends. NEW CATEGORY FOR AWARDS the BMACC. Let’s all agree to shed the However, the last few years I’ve found aura of meanness and get on with the Should there be a Song of the Year a spirit of meanness has crept into the job of making the bluegrass community category added to the annual bluegrass music scene in Ontario. Not amongst in Canada stronger, healthier and awards? Tony is willing to add the the fans, but amongst the festival (hopefully) wiser. category if there is enough support. promoters, and the Bluegrass concert Please let us know what you think. This spirit of not working together which and Club organizers. For example, I has invaded the bluegrass scene reminds witnessed a club in Ontario planning and Thanks me of my working days as a Registered promoting for almost a year, a concert Nurse in the field of Occupational Health featuring a prominent American The Editor musician - then about two months for several large corporations in London. The Union and Management were often before the date of the concert another at odds with each other even though organizer scheduled an event the same they worked for the same company. The night, stating it was the only night available. What’s that all about? Both Medical staff frequently seemed to be in the middle – if an employee was angry parties lost out on that event. When a with management he/she would soon be BMACC member asked a festival promoter if he could set up an off on compensation with a work related strain. I could appreciate both sides of information table at a festival, he was the issue and witnessed the refused. Why?? In another incident, a unwillingness to cooperative on the part newsletter describing all the events happening in Bluegrass over the of management and on the part of the Union as well. However, what I couldn’t summer, failed to mention one of the understand was why they wouldn’t work new festivals – was that deliberate? I together and listen to each other’s BMACC Notes—January 2010 Page 15
BMACC Notes—January 2010 Page 16
sound recordings, but also to provide notarized copies of your original material should you ever need to substantiate your claim of original authorship. For those of you with your material “out there” on MySpace, Facebook and other social networking sites, this is a valuable “peace of mind” service offered exclusively to members at a reasonable cost.
Song Assessment: Song critiques by music industry professionals via mail and soon online through a new website update. Each submission is critiqued personally by a The Songwriters Association of Canada is a national non- professional songwriter /mentor chosen by the S.A.C. All profit organization that represents, and is run by, songwriters assessments includes a detailed response to your material and whose mission is to protect and develop the creative and covering presentation, performance, song structure, lyrics, business environments for songwriters in Canada and around music and commercial appeal. For those interested in writing the world. with the notion of improving their craft, this service has been invaluable. If you aren’t necessarily interested in the commercial appeal of your songs, and are wondering if there is a place within the Date with a Demo: A front-line business connection that S.A.C., the answer is YES. Many S.A.C. members have an allows songwriters to have their song demos critiqued in interest in strictly honing their craft for their own person by industry professionals including publishers, A&R development and/or community performances. With reps from record labels and successful songwriters and other membership, comes a community network of other musicians music industry professionals. We also offer member discounts and songwriters for possible collaboration. S.A.C. members to our workshops like the Songshop and Power Songshop, and are writing songs in genres that include: pop, country, blues, Bluebird North, a public showcase that celebrates Canadian rock, bluegrass, gospel, R&B, hip-hop, rap, soul and more. songwriters. The S.A.C. also offers discounts on many services including CD’s replication and duplication manufacturing, If you are interested in doing more with your songs than just music directories, etc. performing them in front of a Sunday afternoon local cafe audience, then you definitely should be part of the S.A.C. The Advocacy networking opportunities, both at S.A.C’s live events and In a time when music is more accessible than ever before, the online communities, can help to create those new role and importance of the songwriter and his / her network relationships that can help you get to the next level. becomes even more evident. The Songwriters Association of Canada has taken a lead role internationally in ensuring that If you are songwriter and your focus is currently fronting a music creators are at the “table” when developing new band and you’re wondering how to break into the models for revenue streams for performing songwriters. In songwriting-for-other-people market, the best way to start fact, the S.A.C. has developed a proposal to monetize music writing for others is to do research and look for acts that are file sharing that is being reviewed be music creator groups currently performing around town (either covers or originals). around the world. Ask asking if they might consider performing other material or even co-writing. This allows songwriters to get their foot To find out more on this proposal and to sign on to the in the door with an act that is developing and also gives both concept, go to www.musicfilesharing.ca . parties a larger "net" to cast when promoting the material. For more information on membership and events and These songwriters should always be looking for "vehicles" for activities, go to www.songwriters.ca. their material — even if they are only looking for vocalists to sing on their next demo. Although songwriting can be a solitary task, the objective and role of the S.A.C. is to be there to help nurture and develop Benefits your songwriting skills and community, so that you can find For the last 26 years, the S.A.C.’s focus has been on Advocacy, your own personal success. If you’re not already a member, Education and Community, with services and benefits that we look forward to seeing you in the S.A.C. family! have been developed for exclusive use to members. Some of these services include: Keep writing,
Canadian Song Vault: This is the only copyright protection Don Quarles service of it’s kind in Canada that can help substantiate your claims of original authorship of a particular musical work. The (Continued on page 18) Song Vault exists to file and store copies of your original See SAC BMACC Notes—January 2010 Page 17 (Continued from page 17) SAC
Don Quarles is the Executive Director - Songwriters Association of Canada As a songwriter and event producer of over 20 years, Quarles is passionate about helping Canadian songwriters. He was a regional workshop coordinator for the Nashville Songwriters Association International (NSAI) for over 7 years and has helped to bring songwriting into Canadian schools with the founders of a program called “SASS” (the School Alliance of Student Songwriters). He continues to write and perform, mostly with his family band 'The Family Quarles". Quarles sits on the National Advisory Board of FACTOR, the International advisory Board of transmission, is on the advisory council of the Paris Accord (an International copyright group) and is the proud father of three great fiddle playing kids.
ERRATA
The dates for the 2010 Awards Weekend are incorrect in the Bluegrass Calendar.
The correct dates are November 26, 27 & 28.
The Editor
BMACC Notes—January 2010 Page 18
BMACC Notes—January 2010 Page 19
ORGANIZATIONAL MEMBERS Tommfest Townships Bluegrass and Old-Tyme
Lake Ontario Park, Kingston, ON Music Society Here is a list of the organizations [email protected] who have become members of Contact: Gordon Cameron BMACC: Tottenham Bluegrass Festival 450-539-0333 Contact: Peter Deveau Bluegrass Sundays 905-936-4100 BANDS
Contact: Judy Fink 1-888-258-4727 416-779-2627 Acoustical Strings www.tottenhambluegrass.ca Contact: Roger Spense [email protected] Valley Bluegrass Festival 705-432-2598 Campbell’s Corner Music Sales Contact: R. Johnston/Shiela Kirk [email protected]
Contact: Dan Campbell 613-432-5000 519-371-5037 Appalachian Grass [email protected] Contact: Vern McIntyre [email protected] Willow Park Jamboree 419-568-1220 National Bass & Cello Contact: Marvin LaForme [email protected] Contact: Bill 705-246-3261 905-768-1448 www.fotmc.com
[email protected] http://nationalbassandcello.com CLUBS Backwoodsmen Contact: Lorne Buck Northern Bluegrass Committee Elliott Lake Bluegrass Jammers 613-475-3740 Contact: Tony deBoer Contact: Gloria Hansen 705-758-9049 705-461-8077 Blue River Band [email protected] Contact: Jim Mayville The Stringman 613-771-0492 Contact: Gord DeVries Manitoba Oldtyme Bluegrass 800-587-4647 Society Inc. (MOBS) C-Denny Band [email protected] Contact: John Sawatzky Contact: Dennis Chadbourn 204-467-2182 705-776-7754 FESTIVALS www.manitobabluegrass.ca [email protected]
Lindsay Country and Bluegrass Nipissing Bluegrass Association Church and State Fair Music Jamboree Contact: Denis Chadbourn Contact: Dottie Cormier Contact: Dave Barber 705-776-7754 416-996-4253 705-357-3467 or 705-741-6097 [email protected] [email protected] www.lindsaycountryjamboree.com www.myspace.com/churchandstatefair Ottawa Valley Bluegrass Association Norwich Family Bluegrass Festival Contact: Donald Tarte Concession 23 Contact: Mike & Maryann Tirellia 887-876-3369/613-234-1000 Contact: Nick Strachan/Sherry Philp 518-783-3154 [email protected] 819-459-1089/613-623-0779 [email protected] www.valleygrass.ca [email protected] www.norwichfamilybluegrass.com www.concession23.com Queensbush Bluegrass Club Palmer Rapids Twin Music Festival Contact: Don Day Crosswind Contact: Allan Schutt 519-376-7945 Contact: Roland Aucoin 613-758-2747 www.queensbush.ca 905-635-1818 [email protected] [email protected] Skyway Bluegrass Club Sally Creek Music Festival Contact: Roland Aucoin The Ducharme Family Contact: Wayne Uncer 905-635-1818 Contact: Nicole Ducharme 519-469-3392 [email protected] 705-758-9589
1-888-288-4423 www.sallycreekmusicfestival.ca Thames Valley Bluegrass Foggy Hogtown Boys www.tvbma.ca MusicAssociation Contact: Chris Coole Sand Road Sugar Camp Sally Creek Music Festival 416-516-3796 Contact: Julie or Brian Contact: Wayne Uncer www.chriscoole.com 613-538-2991 519-469-3392 www.foggyhogtownboys.com [email protected] www.sandroadsugarcamp.com www.TVBA.ca (Continued on page 21)
BMACC Notes—January 2010 Page 20 (Continued from page 20) [email protected] Dan Bieman Foxtail www.myspace.com/lazyjohnband Bluegrass Rules
Contact: Gord DeVries Northern Sons AM920 CKNX—www.am920.ca 519-668-0418 Contact: Marty Coney [email protected] [email protected] 613-836-2589 519-357-1310 – ext. 446 www.foxtail.ca Sundays at 1:00 p.m. [email protected]. General Store www.northernsons.com David Blakeny
Contact: Bill Blance Daybreak in Dixie 905-451-9077 Rhyme’N’Reason CJAM-FM 91.5—www.cjam.ca [email protected] Contact: Stefan Van Holten [email protected] 905-679-4049 The Generation Gap Sunday 8:00-10:00 a.m. [email protected] Contact: Gretchen Lamers Howard Bonner 519-866-5910 Scattered Grass The Catalogue Parlour [email protected] Contact: Gloria Hansen CFRC – 101.9 FM—www.cfrc.ca 705-461-8077 [email protected] Gid-R-Done Shades of Grey Fridays – 6:00-8:00 p.m. Contact: Wayne Uncer 519-469-3392 Contact: Lou Hebert Brother John’s Sunday Morning Gospel [email protected] 807-622-2518 Hour [email protected] www.theislandfm.com Canucky Bluegrass Boys Silverbirch Sunday 8:00 a.m. Contact: Lee D. Roy 705-669-1945 Contact: Tom McCreight Don Day and Dusty Hill [email protected] 705-228-8426 Bluegrass Express www.canuckybluegrass.com [email protected] [email protected]
Hard Ryde Virginia Ridge CKCY 93.7 FM-www.country93.ca Contact: Doug DeBoer Contact: Susan Wollman 519-376-2030 204-268-3714 Sundays at 9:00 p.m. 519-249-0397 [email protected] [email protected] Linda Elliott www.hardryde.ca www.virginiaridge.piczo.com Country and Bluegrass
Hometown Bluegrass Bill White and White Pine CHIP 101.7 FM—www.chipfm.com Contact: Al Benner Contact: Bill White 819-683-3155 – 888-775-3155 905-936-2008 or 647-430-5761 613-372-2400 [email protected] [email protected] [email protected] Saturday – 5:00-10:00 p.m. [email protected] Sunday – 6:00-10.00 p.m. www.hometownbluegrass.ca www.billwhiteandwhitepine.aztechdigital.ca Audrey Lockwood Honeygrass Contact: Karen May Snell The Uncalled Four Bluegrass Program 705-788-4362 Contact: Raymond Loponen CKOL 93.7FM—[email protected] 807-345-9282 Friday 9:00-10:00 p.m. [email protected] www.honeygrass.com The Young Family Band Jim Marino
Jan Purcell and Pine Road Contact: Brad Young Smokin’ Bluegrass Contact: Jan Purcell 613-478-3356 [email protected] [email protected] CFMU-FM 93.3 819-459-3362 [email protected] http://cfmu.mcmaster.ca Bluegrass on the Radio www.pineroadbluegrass.com John and Angel McNaughton with Maria Linda Axman and Dan Joseph Keslering Ridge Blueridge Express Polillo Contact: Ron Luxton CKRW-FM-98.5—Kitchener The Bluegrass Show 905-623-2828 Wednesday at 7:30-8:30 p.m. [email protected] CKRZ-FM 100.3—www.ckrz.com [email protected]
Tuesday 7:00-11:00 p.m.
Lazy John Wilson Moore Contact: Shane Crumb
613-472-5548 (Continued on page 22)
BMACC Notes—January 2010 Page 21 (Continued from page 21) Sunday 8:00-11:00 a.m.
Bluegrass Jam Steve Pritchard CHMA—FM 106.9—Sackville, NB Radio-Boogie 506-364-2221 CKLN FM 88.1—http://ckln.fm www.mta.ca/chma—[email protected] [email protected] Saturdays 6:00 pm—Sundays 4:30 Wednesday 10:00-12:00 p.m. pm (Atlantic Time) Other sources:
Ron Moores www.mountainechosradio.com Some happy fans back stage The Back 40 This site plays some good stuff all the time.
CKCU FM 93.1—www.ckcufm.com Live 365 Internet Radio [email protected] http://www.live365.com/cgi-bin/ www.back40.ca directory.cg1?genre=bluegrass Saturday Noon-1:00 p.m. Saturday – Noon – 1:00 p.m. Brian Powley Brother Brian’s Bluegrass Show CFRC 101.9 FM—www.cfrc.ca [email protected] Monday 6:00-8:00 p.m.
Bean Blossom Brown County Jamboree The Deerhurst Resort Weekend Preservation Foundation Inc. 31st Bluegrass Awards—November 20-21-22, 2009
The foundation continues fundraising efforts with the We’re all taking a trip to Deerhurst Resort to Bluegrass Awards goal of $500,000 to assume operations of the music park. Show That’s one place where everybody should go. There are people there from many states That proves just how the show rates There are many super bands That get many clapping hands
The bands can enter a contest
They all do their very best The M.C.’s are always in place They keep things going at a good pace The Deerhurst resort is a great place to stay. There’s more than one day of Bluegrass music We Bluegrass fans have it made We Thank You
Tony DeBoer & Family Rolla.Pilon W.M. The Foundation announced The Bean Blossom Memorial Brick Wall Project at the Bill Monroe Memorial Music Park. The initial price per brick is $100 and includes a custom engraving worded by the brick donor. Once the wall is up, the price will be $125 due to the added expense of engraving bricks already in place. Go to the website for further details.
Look for us on the new Facebook Account that has been created.
BMACC Notes—January 2010 Page 22 February 19 THE NORTHERN BLUEGRASS 8:00 pm The Preston Legion COMMITTEE Presents Cambridge, ON Contact: Doug or Melissa de Boer 519-249-0397 The 2010 Winter Concert Series February 27 February—The James King Band 8:00 pm Havelock Legion March—Lorraine Jordan & Carolina Road 8 Ottawa St., Havelock, ON April—Monroe Crossing Contact: Cindy Winterbottom 905-331-9915
February 18—March 18 –April 15 March 26 7:00 pm Williamsville, NY 8:00 pm Huntsville Legion Harris Hill Mennonite Church, 5225 Harris Hill Rd. 21 Veterans Way E., Huntsville, ON Contact: Ted Lambert 716-683-1495 Contact: Tony de Boer 705-758-9049
February 26—March 19—April 16 March 27 8:00 pm Waterdown Legion 8:00 pm Legion, Espanola, ON 79 Hamilton St., Waterdown, ON 370 Annette St. Afternoon Jam Session Contact: Tony de Boer 705-758-9049 Contact: Contact Ed Guay 705-869-4631
February 20—March 20—April 17 April 23 Feb 20 – Dominion Golf Restaurant. Oldcastle 7:30 pm Summit Room, Voyager Motel 7:00 pm—Mar 20 & Apr 17—Knights of Columbus Hall 123 Delaware, North Bay, ON 1303 County Rd. 22 (at Renaud Line), Belle River, ON Contact: Tony de Boer 705-758-9049 Contact: David Blakeney 519-975-2792 March 28—April 25 February 21—March 21—April 18 7:00 pm Sault Ste. Marie 2:00 pm Scarborough, ON 2:00 pm Afternoon Jam Session Highland Creek Legion, 45 Lawson Rd. Riuniti Hall, 1324 Great Northern Rd. Contact: Judy Fink 416-779-2627
February 22—March 22—April 19 8:00 pm The Police Association Hall Maximize Your Membership 141 Catharine St., Ottawa, ON Contact: Nick Strachan 819-459-1089 If there are individual members of BMACC that belong to a band or other organization, you should consider paying an additional $30 to February 23—March 23—April 20 take advantage of what BMACC can offer. 8:00 pm The Waterloo Legion 77 Lewis St., Waterloo, QC Organizational Members will be entitled to: Contact: Gord Cameron 450-539-0333 A free listing in each issue of the “BMACC NOTES” A free listing in the appropriate info section of the BMACC web- February 24—March 24—April 21 site 8:00 pm Christ Church List their upcoming events in the BMACC EVENT Calendar 990 Sydenham Rd., Kingston, ON Advertise at a reduced rate in the “BMACC Notes” Contact: Bill or June White 613-372-2400 Or Brian Powley 613-374-3888 All organizational members should submit their events to: Roland Aucoin February 25—March 25—April 22 205 Plains Road W., Unit 84 8:00 pm The Owen Sound Legion Burlington, ON 1450 2nd Ave. W., Owen Sound, ON L7T 4H3 Contact: Don Day 519-376– 7945 [email protected] or call 905-635-1818
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BMACC Notes—January 2010 Page 24