Read Ebook {PDF EPUB} John Duffey's Bluegrass Life Featuring the Country Gentlemen Seldom Scene and Washington D.C. by Ste John Duffey's Bluegrass Life: Featuring the Country Gentlemen Seldom Scene and Washington D.C. by Stephen Moore. JOHN DUFFEY’S. BLUEGRASS LIFE: FEATURING THE COUNTRY GENTLEMEN, SELDOM SCENE, AND WASHINGTON, D.C. By STEPHEN MOORE. and G.T. KEPLINGER. Foreword by TOM GRAY. John Duffey’s Bluegrass Life: Featuring The Country Gentlemen, Seldom Scene and Washington, DC i s the definitive biography of one of bluegrass music’s most important artists . Through his work as a founding member of two pioneering bands, John Duffey urbanized bluegrass and introduced it to a broad new audience. More than 50 rare or never-before-seen photographs—some by Carl Fleischhauer—and 82 contributors among John's fellow players, friends, and family help create a fascinating portrait of the complex, iconoclastic entertainer. The book’s narrative is supplemented with a 43-page Duffey Discography that provides track listings, recording dates, producers, composers, and musicians for every song recorded by Duffey . Washington Post: 7/30/19 : Remembering John Duffey Bluegrass Unlimited: 10/1/19 Review. John Duffey’s Bluegrass Life: Featuring the Country Gentlemen, Seldom Scene, and Washington DC. John Duffey is one of the biggest characters in the 70-year history of bluegrass music, larger than life; physically imposing with a voice that covers the whole range required for the four standard vocal parts, and a style of mandolin playing all his own. He even had a mandolin all his own; the hand-built wing-shaped “duck.” Stephen Moore and co-author G.T. Keplinger have taken on the task of transferring Duffey’s characteristics, sometimes outrageous, onto the printed page as well as clearing up the many misconceptions that people have of Duffey; separating the myth from the man. John Duffey’s Bluegrass Life is both a chronological and episodic biography of Duffey, his fellow musicians, his family and friends. “We also found the first stand-up bass player Duffey ever worked with—Dr. Sterling Ellsworth—now a clinical psychologist,” Moore reveals. It is also of the period when Washington, D.C. was the Capital of bluegrass music. Tom Gray has written the foreword, and a Duffey genealogy has been compiled by Robert Kyle. Extending to 420 pages, there are chapters relating to the genesis of the Country Gentlemen, John’s transition to The Seldom Scene, the views of The Birchmere’s Gary Oelze; a chapter of memories by Duffey’s sole, biological daughter, Ginger “Sam” Allred; and an interview with British bluegrass music singer/song-writer Tom Travis, who promoted a concert in England featuring The Seldom Scene. The book includes a listing of every time that Duffey recorded also. It features 50 rarely seen and previously unpublished photos, including many taken by Carl Fleischhaur. Others who have supplied pictures and memories include Ginger K. Allred, Ben and Barbara Eldridge, Bill Emerson, Tom Gray, Becky Johnson, Penny Parsons, Phil Rosenthal, Peter Wernick, Sterling Ellsworth, G.T. Keplinger, Bluegrass Unlimited (Linda Shaw), and many more. Bluegrass Today spoke to Moore about John Duffey’s Bluegrass Life: Featuring the Country Gentlemen, Seldom Scene, and Washington DC. … What prompted you to write a book about John – what were the circumstances – and when was that, please? “It was the early 1980s when I, too went to the Birchmere often to enjoy the Scene. It took me about a year to get some small rapport with John. I was introduced to him as a writer, but eventually, he found out I was a musician, so that helped our relationship. In 1984 I asked him for an interview for a newspaper article on bluegrass in the DC area I was writing. He surprised me by agreeing and invited me to his house. The offstage Duffey was almost a different person. No arrogance, and often humility. We hit it off, and he was very candid and friendly. I ended up with 180 minutes of our conversations on tape, and now that I’ve thoroughly researched him, I’m sure it is one of the best interviews he did. These tapes are the foundation of our book. He had a fascinating life. In addition to his music and humor, I think readers are going to be very surprised at his complexity. For example, it was more important for John to pitch for his adult softball team than perform at the White House for Jimmy Carter. The Scene played without him, and Carter was so disappointed he invited them back for a second time so John could be there. During our interview, he spoke about how much he appreciated Bob Dylan’s music and his attempts to understand the lyrics. Yet, when Dylan’s driver called the Birchmere to let them know that he was driving Bob to see the Scene perform one night, John said, ‘Tell Mr. Dylan I have some cold beverages waiting for me at home and if he’s ever in the neighborhood a little earlier then I’ll be glad to play for him.’ The Scene had finished their second show and John wanted to go home. I got this story from Gary Oelze, the Birchmere owner, and confirmed it with Mary Beth Aungier, the waitress who took the phone call. According to Oelze and Aungier, it would be years after John’s death that the other Scene band members found out that Dylan wanted to see them play. John never told them about the call.” So, when did your newspaper article turn into a book? “The Duffey book idea came about as I was finishing my last book in 2016, and I have been seriously working on this bio since last October [2017].” What are the main elements of John Duffey’s Bluegrass Life ? “The foundation of the book is that all-day 1984 interview I did with John at his house. It is arguably the most personal and revealing interview he ever did. There was joking (like most of the existing interviews I’ve seen) but also serious and revealing comments about himself and his bluegrass life. My co-author G.T. Keplinger and I have augmented that interview with commentary from nearly 50 others (Bill Emerson, Bill Blackburn, Phil, Ben, Starling, Gray, Len Holsclaw, etc) including interviews with now-deceased associates like Mike and Dave Auldridge, Charlie Waller, Dick Cerri, George McCeney, et al.” G.T. Keplinger, historian and filmmaker who produced the film Scene 35, documenting the first 35 years of the Seldom Scene, shares a little about his involvement in the writing the book ….. “Between 1999-2006 I shot several interviews—30 or so—with Seldom Scene band members and friends for a documentary on The Seldom Scene that I did for my MFA thesis film. Working from my unpublished interviews and my own conversations over the last 20plus years with band members and friends I collaborated with Steve on the book. I had posted some ‘work in progress’ clips from my Seldom Scene documentary online and Steve contacted me about collaborating on a book about John Duffey. We began working together in early 2018. It truly has been a great collaboration.” John Duffey’s Bluegrass Life : Featuring the Country Gentlemen, Seldom Scene, and Washington DC is to be published by Booklocker in early April 2019, and will be available from recognized book outlets. It will be issued initially in both a softcover edition, priced $19.95, and with a hardback, costing $34.00, with an e-book to follow later. Here is a very brief glimpse at the reason why John Duffey left the Country Gentlemen, as discussed with Steve Moore … Stephen Moore and G.T. Keplinger Release John Duffey's Bluegrass Life. Authors Stephen Moore and G.T. Keplinger have announced the release of John Duffey's Bluegrass Life: Featuring The Country Gentlemen, Seldom Scene and Washington, D.C. , now available in hardcover, paperback and eBook. 430 pages. Through his work as a founding member of these two pioneering bands, John Duffey urbanized bluegrass and introduced it to a broad new audience. John's quotes from a four-hour, never-before-published 1984 interview are italicized throughout and provide the book's foundation. The book begins with a profile of his father, John Humbird Duffey Sr, Metropolitan Opera star and chronicles Duffey's earliest exposure to music, listening to opera on the radio with his dad. Childhood friends Bill Blackburn, Bill Emerson, and Sterling Ellsworth serve up memories of Duffey from the 2nd grade through high school. Accounts of Duffey's early musical career provide an overview of John's first bands, leading up to how The Country Gentlemen were formed following a horrific car accident. The Country Gentlemen's Bill Emerson, Charlie Waller, Eddie Adcock, and Tom Gray are profiled and interviewed. For the first time, John's biological daughter, Ginger "Sam" Allred, speaks candidly about her relationship with both Duffey, and her father, Pete Kuykendall. Duffey discusses why he quit The Country Gentlemen, setting up the complete story of The Seldom Scene, as told by Duffey, John Starling, Ben Eldridge, Dave Auldridge, Mike Auldridge, Phil Rosenthal, and Tom Gray. More than 50 rare or never-before-seen photographs create a fascinating portrait of the complex, iconoclastic entertainer. Gary Oelze, the owner of the Birchmere music club where the Scene became stars, share his memories of John. Sam Bush, Jonathan Edwards, Pete Kennedy, Martha Adcock, Akira Otsuka, Dick Cerri, Emmylou Harris, Jimmy Gaudreau, Bryan Bowers, Peter "Dr. Banjo" Wernick, Tom Travis, Cliff Waldron, and others are among the many voices that contribute informative and compelling interviews. The book's narrative is supplemented with a 43-page Discography that provides track listings, recording dates, producers, composers, and musicians for every time Duffey entered a recording studio. The book includes a Duffey genealogy and index. About the Authors. Stephen Moore has coauthored four books: Helen Hayes: A Bio-Bibliography ; Johnny Holliday: From Rock to Jock ; Hoop Tales: Maryland Terrapins and Cerphe's Up . A research technologist at Georgetown University, he plays in the Maryland rock cover band The Razors. Thread: George Duff cd "The Collier Laddie" with Kevin Macleod etc. George Duff cd "The Collier Laddie" with Kevin Macleod etc. We have just completed a new cd "The Collier Laddie" by the fine Scottish singer & guitarist George Duff, 16 wonderful songs and an hour long cd. We have additions from Battlefield Band piper Mike Katz, Ossian & Tannahill Weavers fiddle maestro John Martin, Malinky's Mark Dunlop and others, including myself Kevin Macleod on mandolins, bouzoukis, cittern and tenor guitars. George got the stock on Monday, and it will be available globally on line shortly and from George himself direct. He is easily found on Facebook if you would like to try this superb recording. View Profile View Forum Posts View Blog Entries Visit Homepage View Articles. Re: George Duff cd "The Collier Laddie" with Kevin Macleod etc. Here we are doing the title track live at the 2018 Girvan Folk Festival …. Thread: Mandolin Brothers D28 Reissue 150th Aniversery. 25 years ago I owned one of the Mandolin Brothers special reissue D28's. The fellow I sold it to a few years later is asking me questions about it. If I remember correctly they had a certain number of D28's and D45's built to the original 30's specs with Brazilian rosewood back and sides. Am I dreaming this up? View Profile View Forum Posts View Blog Entries View Articles. Re: Mandolin Brothers D28 Reissue 150th Aniversery. I have a memory of these. Here's an advertisement on the D-45 I found in an internet search: This thread at UMGF deals with a D-45 for sale. However, there are some great quotes from Stan Jay in there that deal with Brazilian and non- Brazilian. Worth looking at: View Profile View Forum Posts View Blog Entries Visit Homepage View Articles. Re: Mandolin Brothers D28 Reissue 150th Aniversery. View Profile View Forum Posts View Blog Entries View Articles. Re: Mandolin Brothers D28 Reissue 150th Aniversery. View Profile View Forum Posts View Blog Entries View Articles. Re: Mandolin Brothers D28 Reissue 150th Aniversery. View Profile View Forum Posts View Blog Entries Visit Homepage View Articles. Re: Mandolin Brothers D28 Reissue 150th Aniversery. I met some guy that had an 80s (90s?) era Martin. He said it was one of their, "Guitar of the Month" models and it has Brazilian rosewood. It was more of a d-28 model though. . . Not that I'm much of an expert, just recalling a beautiful guitar that I saw a few years back. �pap� gordo ain�t no madre flaca! '20 A3, '30 L-1, '97 914, 2012 Cohen A5, 2012 Muth A5, '14 OM28A. View Profile View Forum Posts View Blog Entries View Articles. Re: Mandolin Brothers D28 Reissue 150th Aniversery. "Then one day we weren't as young as before Our mistakes weren't quite so easy to undo But by all those roads, my friend, we've travelled down I'm a better man for just the knowin' of you." - Ian Tyson.