Read Ebook {PDF EPUB} John Duffey's Bluegrass Life Featuring the Country Gentlemen Seldom Scene and Washington D.C

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} John Duffey's Bluegrass Life Featuring the Country Gentlemen Seldom Scene and Washington D.C Read Ebook {PDF EPUB} John Duffey's Bluegrass Life Featuring the Country Gentlemen Seldom Scene and Washington D.C. by Ste John Duffey's Bluegrass Life: Featuring the Country Gentlemen Seldom Scene and Washington D.C. by Stephen Moore. JOHN DUFFEY’S. BLUEGRASS LIFE: FEATURING THE COUNTRY GENTLEMEN, SELDOM SCENE, AND WASHINGTON, D.C. By STEPHEN MOORE. and G.T. KEPLINGER. Foreword by TOM GRAY. John Duffey’s Bluegrass Life: Featuring The Country Gentlemen, Seldom Scene and Washington, DC i s the definitive biography of one of bluegrass music’s most important artists . Through his work as a founding member of two pioneering bands, John Duffey urbanized bluegrass and introduced it to a broad new audience. More than 50 rare or never-before-seen photographs—some by Carl Fleischhauer—and 82 contributors among John's fellow players, friends, and family help create a fascinating portrait of the complex, iconoclastic entertainer. The book’s narrative is supplemented with a 43-page Duffey Discography that provides track listings, recording dates, producers, composers, and musicians for every song recorded by Duffey . Washington Post: 7/30/19 : Remembering John Duffey Bluegrass Unlimited: 10/1/19 Review. John Duffey’s Bluegrass Life: Featuring the Country Gentlemen, Seldom Scene, and Washington DC. John Duffey is one of the biggest characters in the 70-year history of bluegrass music, larger than life; physically imposing with a voice that covers the whole range required for the four standard vocal parts, and a style of mandolin playing all his own. He even had a mandolin all his own; the hand-built wing-shaped “duck.” Stephen Moore and co-author G.T. Keplinger have taken on the task of transferring Duffey’s characteristics, sometimes outrageous, onto the printed page as well as clearing up the many misconceptions that people have of Duffey; separating the myth from the man. John Duffey’s Bluegrass Life is both a chronological and episodic biography of Duffey, his fellow musicians, his family and friends. “We also found the first stand-up bass player Duffey ever worked with—Dr. Sterling Ellsworth—now a clinical psychologist,” Moore reveals. It is also of the period when Washington, D.C. was the Capital of bluegrass music. Tom Gray has written the foreword, and a Duffey genealogy has been compiled by Robert Kyle. Extending to 420 pages, there are chapters relating to the genesis of the Country Gentlemen, John’s transition to The Seldom Scene, the views of The Birchmere’s Gary Oelze; a chapter of memories by Duffey’s sole, biological daughter, Ginger “Sam” Allred; and an interview with British bluegrass music singer/song-writer Tom Travis, who promoted a concert in England featuring The Seldom Scene. The book includes a listing of every time that Duffey recorded also. It features 50 rarely seen and previously unpublished photos, including many taken by Carl Fleischhaur. Others who have supplied pictures and memories include Ginger K. Allred, Ben and Barbara Eldridge, Bill Emerson, Tom Gray, Becky Johnson, Penny Parsons, Phil Rosenthal, Peter Wernick, Sterling Ellsworth, G.T. Keplinger, Bluegrass Unlimited (Linda Shaw), and many more. Bluegrass Today spoke to Moore about John Duffey’s Bluegrass Life: Featuring the Country Gentlemen, Seldom Scene, and Washington DC. … What prompted you to write a book about John – what were the circumstances – and when was that, please? “It was the early 1980s when I, too went to the Birchmere often to enjoy the Scene. It took me about a year to get some small rapport with John. I was introduced to him as a writer, but eventually, he found out I was a musician, so that helped our relationship. In 1984 I asked him for an interview for a newspaper article on bluegrass in the DC area I was writing. He surprised me by agreeing and invited me to his house. The offstage Duffey was almost a different person. No arrogance, and often humility. We hit it off, and he was very candid and friendly. I ended up with 180 minutes of our conversations on tape, and now that I’ve thoroughly researched him, I’m sure it is one of the best interviews he did. These tapes are the foundation of our book. He had a fascinating life. In addition to his music and humor, I think readers are going to be very surprised at his complexity. For example, it was more important for John to pitch for his adult softball team than perform at the White House for Jimmy Carter. The Scene played without him, and Carter was so disappointed he invited them back for a second time so John could be there. During our interview, he spoke about how much he appreciated Bob Dylan’s music and his attempts to understand the lyrics. Yet, when Dylan’s driver called the Birchmere to let them know that he was driving Bob to see the Scene perform one night, John said, ‘Tell Mr. Dylan I have some cold beverages waiting for me at home and if he’s ever in the neighborhood a little earlier then I’ll be glad to play for him.’ The Scene had finished their second show and John wanted to go home. I got this story from Gary Oelze, the Birchmere owner, and confirmed it with Mary Beth Aungier, the waitress who took the phone call. According to Oelze and Aungier, it would be years after John’s death that the other Scene band members found out that Dylan wanted to see them play. John never told them about the call.” So, when did your newspaper article turn into a book? “The Duffey book idea came about as I was finishing my last book in 2016, and I have been seriously working on this bio since last October [2017].” What are the main elements of John Duffey’s Bluegrass Life ? “The foundation of the book is that all-day 1984 interview I did with John at his house. It is arguably the most personal and revealing interview he ever did. There was joking (like most of the existing interviews I’ve seen) but also serious and revealing comments about himself and his bluegrass life. My co-author G.T. Keplinger and I have augmented that interview with commentary from nearly 50 others (Bill Emerson, Bill Blackburn, Phil, Ben, Starling, Gray, Len Holsclaw, etc) including interviews with now-deceased associates like Mike and Dave Auldridge, Charlie Waller, Dick Cerri, George McCeney, et al.” G.T. Keplinger, historian and filmmaker who produced the film Scene 35, documenting the first 35 years of the Seldom Scene, shares a little about his involvement in the writing the book ….. “Between 1999-2006 I shot several interviews—30 or so—with Seldom Scene band members and friends for a documentary on The Seldom Scene that I did for my MFA thesis film. Working from my unpublished interviews and my own conversations over the last 20plus years with band members and friends I collaborated with Steve on the book. I had posted some ‘work in progress’ clips from my Seldom Scene documentary online and Steve contacted me about collaborating on a book about John Duffey. We began working together in early 2018. It truly has been a great collaboration.” John Duffey’s Bluegrass Life : Featuring the Country Gentlemen, Seldom Scene, and Washington DC is to be published by Booklocker in early April 2019, and will be available from recognized book outlets. It will be issued initially in both a softcover edition, priced $19.95, and with a hardback, costing $34.00, with an e-book to follow later. Here is a very brief glimpse at the reason why John Duffey left the Country Gentlemen, as discussed with Steve Moore … Stephen Moore and G.T. Keplinger Release John Duffey's Bluegrass Life. Authors Stephen Moore and G.T. Keplinger have announced the release of John Duffey's Bluegrass Life: Featuring The Country Gentlemen, Seldom Scene and Washington, D.C. , now available in hardcover, paperback and eBook. 430 pages. Through his work as a founding member of these two pioneering bands, John Duffey urbanized bluegrass and introduced it to a broad new audience. John's quotes from a four-hour, never-before-published 1984 interview are italicized throughout and provide the book's foundation. The book begins with a profile of his father, John Humbird Duffey Sr, Metropolitan Opera star and chronicles Duffey's earliest exposure to music, listening to opera on the radio with his dad. Childhood friends Bill Blackburn, Bill Emerson, and Sterling Ellsworth serve up memories of Duffey from the 2nd grade through high school. Accounts of Duffey's early musical career provide an overview of John's first bands, leading up to how The Country Gentlemen were formed following a horrific car accident. The Country Gentlemen's Bill Emerson, Charlie Waller, Eddie Adcock, and Tom Gray are profiled and interviewed. For the first time, John's biological daughter, Ginger "Sam" Allred, speaks candidly about her relationship with both Duffey, and her father, Pete Kuykendall. Duffey discusses why he quit The Country Gentlemen, setting up the complete story of The Seldom Scene, as told by Duffey, John Starling, Ben Eldridge, Dave Auldridge, Mike Auldridge, Phil Rosenthal, and Tom Gray. More than 50 rare or never-before-seen photographs create a fascinating portrait of the complex, iconoclastic entertainer. Gary Oelze, the owner of the Birchmere music club where the Scene became stars, share his memories of John. Sam Bush, Jonathan Edwards, Pete Kennedy, Martha Adcock, Akira Otsuka, Dick Cerri, Emmylou Harris, Jimmy Gaudreau, Bryan Bowers, Peter "Dr. Banjo" Wernick, Tom Travis, Cliff Waldron, and others are among the many voices that contribute informative and compelling interviews.
Recommended publications
  • Bluegrass Outlet Banjo Tab List Sale
    ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On
    [Show full text]
  • Orange County Board of Commissioners Agenda Bocc
    ORANGE COUNTY BOARD OF COMMISSIONERS AGENDA BOCC Virtual Work Session February 9, 2021 Meeting – 7:00 p.m. Due to current public health concerns, the Board of Commissioners is conducting a Virtual Work Session on February 9, 2021. Members of the Board of Commissioners will be participating in the meeting remotely. As in prior meetings, members of the public will be able to view and listen to the meeting via live streaming video at orangecountync.gov/967/Meeting-Videos and on Orange County Gov-TV on channels 1301 or 97.6 (Spectrum Cable). (7:00 – 7:40) 1. Advisory Board Appointments Discussion (7:40 – 8:20) 2. Additional Discussion Regarding the Regulation of the Discharge of Firearms in Areas of the County with a High Residential Unit Density (8:20 – 9:10) 3. Discussion on Current Policy Regarding Housing Federal Inmates in the Orange County Detention Center (9:10 – 10:00) 4. Discussion on Written Consent for Conducting Vehicle Searches Orange County Board of Commissioners’ meetings and work sessions are available via live streaming video at orangecountync.gov/967/Meeting-Videos and Orange County Gov- TV on channels 1301 or 97.6 (Spectrum Cable). 1 ORANGE COUNTY BOARD OF COMMISSIONERS ACTION AGENDA ITEM ABSTRACT Meeting Date: February 9, 2021 Action Agenda Item No. 1 SUBJECT: Advisory Board Appointments Discussion DEPARTMENT: Board of Commissioners ATTACHMENT(S): INFORMATION CONTACT: Arts Commission - Documentation Clerk’s Office, 919-245-2130 Chapel Hill Orange County Visitors Bureau – Documentation Orange County Board of Adjustment – Documentation Orange County Housing Authority – Documentation Orange County Parks and Recreation Council – Documentation Orange County Planning Board - Documentation PURPOSE: To discuss appointments to the Orange County Advisory Boards.
    [Show full text]
  • 2016 Workshop Descriptions (Final Version)
    ResoSummit 2016 Workshops FINAL VERSION Overview and key facts: Over the course of ResoSummit, you will have the opportunity to participate in ten workshop sessions. All sessions are 75 minutes long, except for the final session, which is two hours long, giving you the opportunity to study one topic in more depth. Choosing your workshops: You send us your choices in advance by taking the online workshop survey. Since workshops are size-controlled, you will be selecting a #1 choice plus at least one alternate for each of the 10 workshop sessions. Or you have the option of marking more than one workshop as “of equal interest,” meaning you would be equally happy with any of the ones so marked. Workshops are not “walk in” – we assign you to specific classes to make sure classes are kept within the target size, and to make sure that students in the class are at the target level(s). We ask faculty to teach each class at the indicated level – not the lowest common denominator – and to conduct the workshop as closely as possible to the workshop description. This enables you to make the best possible workshop choices, and also reduces the problem of a class going off course because of off-topic questions or requests. The workshop descriptions should give you a good sense of whether a workshop is likely to suit you – including the subject matter, teaching style, and the level at which the class will be taught. Note that some workshops are structured to involve a high level of participation (student playing), while others are less participatory.
    [Show full text]
  • Songwriter Mike O'reilly
    Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca.
    [Show full text]
  • Clawhammer Illuminations What Would THESE Guys Do? Five High-Profile Progressive Clawhammer Artists Answer
    Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Online banjo forums are filled with all sorts of questions from players interested in instrument choices, banjo set up, personal playing styles, technique, etc. As valuable as these forums might be, they can also be confusing for players trying to navigate advice posted from banjoists who's playing experience might range from a few weeks to literally decades. It was these forum discussions that started me thinking about how nice it would to have access to a collection of banjo related questions that were answered by some of the most respected "progressive" clawhammer banjoists performing today. I am very excited about this project as I don't believe any comprehensive collection of this nature has been published before… Mike Iverson 1 © 2013 by Mikel D. Iverson Background Information: Can you describe what it is about your personal style of play that sets you apart from other clawhammer banjoists? What recording have you made that best showcases this difference? Michael Miles: As musicians, I believe we are the sum of what he have heard. So the more you listen, the richer you get. My personal musical style on the banjo is in great part rooted in Doc Watson and JS Bach. Through Doc Watson, I learned about the phrasing of traditional music. Through Bach, I learned the majesty and reach of all music.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • BNL Column March 07 I Just Turned 61 at the End of February
    BNL column March 07 I just turned 61 at the end of February, and find myself reflecting on getting older and “taking stock”. I count myself lucky to have a career in music. The chance both to perform, in many places, with many fine musicians, and to teach people how to play music keeps my life interesting and fulfilling. Some of the best advice I ever give is a direction I took myself when I suggested to Tim OʼBrien that we start a band. The advice I give to any up-and-coming banjo player is: “Get with the best lead singer you possibly can, and learn to work together.” This month, Tim turns 53. At that time, he was 23 and I was 31. Iʼd say it worked out well for both of us. The “get with the best lead singer you can” principle came clear when I realized that almost all the banjo players Iʼd heard of had come to my attention as part of a bluegrass band: Flatt & Scruggs, Reno & Smiley, the Stanley Bros., the Osborne Bros., the Country Gentlemen, Jimmy Martin, Jim & Jesse, etc. In each case, the lead singer in the band was a big part of the reason the banjo player could have a career and be heard. The banjo player might contribute original material, help arrange the bandʼs music, be part of the harmony singing, and often as not, also be part of the “business machine” that helped the band stay in business. This is exactly what I undertook in starting Hot Rize, 30 years ago this year.
    [Show full text]
  • 282 Newsletter
    NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.
    [Show full text]
  • CONCESSION 23 Opens for the JAMES KING BAND
    BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 2—April 2010 Winter Concert Series—February 23—Ottawa hosted by The Ottawa Valley Bluegrass Association CONCESSION 23 opens for THE JAMES KING BAND www.bmacc.ca BMACCPhotos CourtesyNotes—April of Rosemary 2010 Page Davis1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 877-876-3369 1/8 Page (Business Card) $25.00 $ 90.00 Secretary – Leann Chadbourn 1/4 Page 35.00 126.00 705-776-7754 1/2 Page 55.00 198.00 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large WEBSITE Gord deVries 519-668-0418 Quarterly Annual Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 30.00 108.00 Open 400 px X 250 pixels 35.00 180.00 Full Page 50.00 252.00 Bernie Melosh Open COMBO NEWSLETTER + WEBSITE Larry Johnston BEST VALUE 519-576-9768 Quarterly Annual Open 100 px X 250 pixels $35.00 $126.00 200 px X 250 pixels 50.00 180.00 400 px X 250 pixels 75.00 270.00 Full Page 115.00 414.00 Members receive 25% discount off the above rates. Maximize Your Membership WHAT”S INSIDE From the President—Page 3 If there are individual members of BMACC that belong to a band or Leadership Bluegrass 2010—Page 5/6 other organization, you should consider paying an additional $30 to take advantage of what BMACC can offer.
    [Show full text]
  • 2019 Fall BMAM Newsletter
    INTERVIEW WITH DAVE KIPHUTH BMAM FUNDRAISING RAFFLE by Stan Keach Thanks to all those I first saw Dave per- folks who supported the forming at a Boston Bluegrass Music Associ- Bluegrass Union concert ation of Maine Fundrais- with Apple Country in ing Raffle throughout the the late 1970’s. Apple festival season. We had Country was a highly-re- lots of great response and spected, far-traveling, the raffle brought many bluegrass band based in people to the BMAM the New Haven area. booth to talk with us Besides Kiphuth on about bluegrass. banjo, the band origi- Big congratulations nally featured Phil Ro- to the winners: the Ibanez (Randy Hogg, New London, CT), senthal (until he joined the Martin Guitar Throw Blanket (Ken Gould), and the Pe- the Seldom Scene) on terson Strobe Tuner (Darlene Suther, Concord NH). mandolin; Mark Rickert Special thanks to Jerry Perron of The Music Center in (guitar); Gene LaBrie Dave Kiphuth, teacher of Dec. 7th Brunswick Maine, the Martin Guitar Company, and the Pe- (bass); and Bud Morris- and 8th Bluegrass Jamming Class terson Tuners for their generous donations to our fundraising roe (fiddle). raffle! When I saw Apple Country in the BBU concert, Rosen- Pictured above from L-R: BMAM Chairman Joe Kennedy, thal and others had left the band, and Dave was on guitar, TPB Emcee Mike Robinson, BMAM Secretary Nellie Ken- with Bruce Stockwell (banjo), Richie Brown (mandolin), nedy, BMAM Treasurer Bob Bergesch Morrisroe (fiddle) and bassist Margaret Gerteis, Richie’s wife. They were great! I remember Dave singing a couple OFFICAL NOTICE: of Flatt & Scruggs songs and I was impressed by the fact BMAM ANNUAL that he phrased a lot like Lester Flatt! MEETING Shortly after Apple Country disbanded, Liz and I AND ELECTIONS moved to New Haven and, for 11 months (i.e., until we moved to Maine), we played with fiddler Morrisroe and The BMAM Annual Meeting will be held on Wednesday, another New Haven bluegrass pioneer, banjoist Alan Lee, October 16, 2019 at 6:00 PM at Kennebec Valley Com- in a band, calling ourselves Mountain Laurel.
    [Show full text]
  • Awards Issue
    BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 1—January 2010 Larry See how many times you can find Larry inside this issue. There’s no prize. It’s just for fun. Random Photos from the Awards Show AWARDS ISSUE www.bmacc.caBMACC Notes—January 2010 Page 1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 888-876-3369 Secretary – Leanne Chadbourn 1/8 Page (Business Card) $26.67 $ 96.01 705-776-7754 1/4 Page 33.33 119.99 1/2 Page 53.33 191.99 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large Gord deVries WEBSITE 519-668-0418 Quarterly Annual 905-331-9915 Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 26.67 96.00 400 px X 250 pixels 46.67 168.00 Rory Gardiner Bernie Melosh WHAT”S INSIDE Larry Johnston From the President—Page 3 Cindy deBoer-Winterbottom THE AWARDS – Page 4—9 Wes Lowe Out Among the Stars—Page 10/11 Elliot Lake News—Page 11/12 Birth of Seldom Scene—Page 14 Spirit of Kindness—Page 15 Songwriters Association of Canada—Page 17 Organizational Memberships – Page 19/21 Bluegrass on the Radio—Page 21/22 Letters—Page 23 Winter Concert Series—Page 23 2010 BMACC Board of Directors Larry Johnston, Roland Aucoin, Cindy deBoer-Winterbottom, Gord deVries, Bernie Melosh, Wes Lowe, Karen May, Donald Tarte, Leanne Chadbourn, Rory Gardiner, Denis Chadbourn BMACC Notes—January 2010 Page 2 A MESSAGE FROM THE PRESIDENT I’d like to send a shout out to their heads…but there should be a photo of the new all of the friends, old and board somewhere in this issue.
    [Show full text]
  • The Seldom Scene Dream Scene Mp3, Flac, Wma
    The Seldom Scene Dream Scene mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Dream Scene Country: US Style: Bluegrass MP3 version RAR size: 1460 mb FLAC version RAR size: 1881 mb WMA version RAR size: 1528 mb Rating: 4.4 Votes: 405 Other Formats: AHX MP4 MP2 AAC DTS VOC MP1 Tracklist 1 Dry Run Creek 2:34 2 Going Up On The Mountain 3:17 3 Willie Roy 4:40 4 Tulsa Chili Bop 3:09 5 When I Get My Rewards 3:40 6 They're At Rest Together 2:59 7 The Boatman 3:33 8 Love Of The Mountains 2:46 9 The Little Sparrow (Fair And Tender Ladies) 5:21 10 The Shape I'm In 3:45 11 Blue Diamond 5:15 12 Bad Moon Rising 2:21 Companies, etc. Phonographic Copyright (p) – Sugar Hill Records, Inc. Copyright (c) – Sugar Hill Records, Inc. Pressed By – DADC – DIDX-067006 Credits Band [The Seldom Scene], Banjo, Vocals – Ben Eldridge Band [The Seldom Scene], Bass, Vocals – Ronnie Simpkins Band [The Seldom Scene], Dobro, Vocals – Fred Travers Band [The Seldom Scene], Guitar, Vocals – Dudley Connell Band [The Seldom Scene], Mandolin, Vocals – John Duffey Notes ℗ & © 1996 Manufactured in the USA. Barcode and Other Identifiers Barcode: 0 15891 38582 2 Mastering SID Code: IFPI L337 Mould SID Code: IFPI 5100 Matrix / Runout: IFPI L337 DIDX-067006 01 Related Music albums to Dream Scene by The Seldom Scene Various - Top Of The Hill Bluegrass (The Sugar Hill Collection) The Seldom Scene - Act Four The Bishop's Finger - Seldom Sober Various - Génération Scène Lully, Hugo Reyne, La Simphonie Du Marais - Isis Seldom Seen, Often Heard - Hat Down Low (Radio Edit) The Seldom Scene - Baptizing The Seldom Scene - Old Train Various - Rocky Grass (Live Bluegrass From Colorado) Scene Of The Crime - Prelude.
    [Show full text]