DOCSLIB.ORG

RENO-STYLE WORKSHOP Arthur Wrote and Recorded the Infamous Feuding Banjos, Aka Dueling Banjos

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RENO-STYLE WORKSHOP Arthur Wrote and Recorded the Infamous Feuding Banjos, Aka Dueling Banjos RENO-STYLE WORKSHOP Arthur wrote and recorded the infamous Feuding Banjos, aka Dueling Banjos. Don Reno Roots, Part 2: Arthur “Guitar Boogie” Smith thought so much of Arthur that he said it took him nearly two weeks to get up the Jason Skinner nerve to quit The Crackerjacks. Although Last time we began to explore the Red Smiley in 1951. But Reno and Smiley his time with Arthur was relatively musical roots of Don Reno with one of were a “recording group only” during this short, the impact Arthur had on Don was his first influences, old-time fiddle tunes. period. So needing a steady pay check, Don tremendous. In my opinion, Arthur Smith Now let’s move up the time line to about returned to work for Arthur Smith in 1952, is the most significant influence in Don 1941. It was here that Don first joined and remained with him until May, 1955, Reno’s early musical development. You “Arthur Smith and His Crackerjacks.” Don when Reno and Smiley became a full-time can hear a little bit of Arthur in everything stayed with Arthur until the Crackerjacks band. During their time together, Don and Don plays. disbanded in 1943. Later that year Don joined the Army. After Don returned Little Rock Getaway chord positions: home from serving his country, he joined ^^^^ C E7 Am C7 F A7 Dm B°7 C Am D G C G7 F Fm Bill Monroe in 1948. He remained a Rzz>zzzzz<zzzzz:zzzzz8zzzzz7zzzzz5zzzzzz<zzzzzz6zzzzzz:zzzzz7zzzzz4zzzz5zzzzz:zzzz9zzzzz?zzzz?zzW Tzz=zzzzz<zzzzz:zzzzz8zzzzz6zzzzz5zzzzzz:zzzzzz6zzzzzz8zzzzz5zzzzz3zzzz3zzzzz8zzzz8zzzzz=zzzz=zzU Bluegrass Boy for a little over a year, and Tzz<zzzzz=zzzzz9zzzzz9zzzzz5zzzzz6zzzzzz:zzzzzz7zzzzzz9zzzzz5zzzzz2zzzz4zzzzz9zzzz:zzzzz>zzzz=zzU after a short stint with Tommy Magness, Tzz>zzzzz>zzzzz:zzzzz:zzzzz7zzzzz7zzzzzz<zzzzzz9zzzzzz:zzzzz7zzzzz4zzzz5zzzzz:zzzz9zzzzz?zzzz=zzU SzzHzzzzzHzzzzzHzzzzzHzzzzzHzzzzzHzzzzzzHzzzzzzHzzzzzzHzzzzzHzzzzzHzzzzHzzzzzHzzzzHzzzzzHzzzzHzzV Don formed his famous partnership with ^^^Q^^^ ^Q^^ ^^Q^^ ^^Q^^^^^Q^^ ^Q^^^ ^Q^^^ ^Q^^^ ^^Q^^^ ^Q^^^ ^Q^^^^Q^^^^^Q^^^^Q^^^ ^Q^^^^Qrrs rrrrsrrrrsrrrrrrrrrsrrrrsrrrrsrrrrsrrrrrrrrrsrrrrsrrrrsrrrrsrrrrrrrrrsrrrrsrrrrsrrrrsrrrrr Little Rock Getaway A^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Part C E7 Am C7 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ F A7 Dm B°7 C Am^^^^^^^^^^ RzzzzzzzzzzzzzzzzzzzzzzzWgzzz>zzzzz>zzz<zzzzz<zzzWRzzzzzzzzzzzzz8zzzzzzzzzWRzzz7zzzzz7zzz5zzzzz5zzzWRzzzzzzzz<zzzzzzzz6zzzzzWRzzzzzzz:zzzzzzzzz7zzzzzW Tzzzzzzzzzzzzzzzzzz=zzzzUizzzHzzz=zHzzzHzzz<zHzzzUTzzzzzzz:zzzzzHz8zzzzzzzUTzzzHzzz6zHzzzHzzz5zHzzzUTzzzzzz:zHz:zzzz6zHz6zzzUTzzzzz8zHz8zzzzz5zHz5zzzU Tzzzzzzzz<zzzz>zzzzHzzzzUimzzHz<zHzHzzzHz=zHzHzzzUTzzzzz9zHzzzzzHzHzzz9zzzUTzzzHz5zHzHzzzHz6zHzHzzzUTzzzzzzHzHzHzzzzHzHzHzzzUTzzzzzHzHzHzzzzzHzHzHzzzU TzzzpzzzzHzzzzHzzzzHzzzzUimzzHzHzHzHzzzHzHzHzHzzzUTzzz:zHzHz:zzzHzHzzzHzzzUTzzzHzHzHzHzzzHzHzHzHzzzUTzz7z<zHzHzHzz9zHzHzHzzzUTzzz:zHzHzHzzz7zHzHzHzzzU SzzzzzzzzHzzzzHzzzzHzzzzVhzzzHzHzHzHzzzHzHzHzHzzzVSzzzHzHzHzHzzzHzHzzzHzzzVSzzzHzHzHzHzzzHzHzHzHzzzVSzzHwHzHzHzHzzHzHzHzHzzzVSzzzHzHzHzHzzzHzHzHzHzzzV ^^^^^^^^^Q^^^^Q^^^^Q^^^^^^^^^I[K[K[J^^^I[K[K[J^^^^^^^^I[K[K[J^^^I[J^^^Q^^^^^^^^I[K[K[J^^^I[K[K[J^^^^^^^L]N[K[K[J^^I[K[K[J^^^^^^^^I[K[K[J^^^I[K[K[J^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ rrrrrrrrrsrrrrsrrrrsrrrrrrrrrsrsrsrsrrrsrsrsrsrrrrrrrrsrsrsrsrrrsrsrrrsrrrrrrrrsrsrsrsrrrsrsrsrsrrrrrrrsrsrsrsrsrrsrsrsrsrrrrrrrrsrsrsrsrrrsrsrsrsrrrr ^^^^^^^^^^^^^^^^^^^^^^^^^Z^^|^^ D G C ^^|^^|^^ G^^|^^|^^||^^|^^|^^|^^|^^|^^|^^|^^XY^ ^|^^ C ^^|^^|^^|^^|^^|^^||^^|^^|^^|^^|^^|^^^^^^^^^^^^^^^^^^^^^^^^ B Part: F Rzzzzzzzzz4zzzzzzzzzzzzzWRzzzzzzzz:zzzzzzzzzzzzzzWRzzzzzzzzzzzzzzzzzzzzzzzlRzzzzzzzzzz:zzz:zzz9zzzzWRzzz8zzz8zzzzzzz8zzzzzzzWgzzzzz?zzzzzzz?zzzzz?zzzW Tzzzzzzz3zHz3zzzz3zzz3z8UTzzzzzz8zHz0zzzzzzzzzzzzUTzzzzzzz8zzzzzzz8zzzzzzzjTzzzzzzzz8zHzzz:zzz9zzzzUTzzz8zzzHzzzzz8zHzzzzzzzUizzzzzHz=zzzzzHz=zzzHzzzU TzzzzzzzHzHzHzzzzHz4zHzHUTzzzzzzHzHzHzzzzzzzzzzzzUTzzzzzzzHzzzzz:zHzzzzzzmjTzzzzzzzzHzHzzz9zzz8zzzzUTzzz7zzzHz7zzzHzHz7zzzzzUizzzzzHzHz>zzzH( zHz>zHzzzU Tzzz0z4zHzHzHzz5zHzHzHzHUTzzzz:zHzHzHzzz7zzz8zzzzUTzzz9zzzHz9zzzHzHzzz9zzmjTzzzz:zzzHzHzzzHzzzHzzzzUTzzzHzzzHzHzzzHzHzHz:zzzUizzz?zHzHzHzzzHzHzHzHzzzU SzzzHxHzHzHzHzzHzHzHzHwHVSzzzzHzHzHzHzzzHzzzHzzzzVSzzzHzzzHzHzzzHzHzzzHzzzkSzzzzHzzzHzHzzzHzzzHzzzzVSzzzHzzzHzHzzzHzHzHzHzzzVhzzwHzHzHzHzzzHzHzHzHzzzV ^^^^L]N[K[K[J^^I[K[K[O]M^^^^^^I[K[K[J^^^Q^^^Q^^^^^^^^^Q^^^I[J^^^I[J^^^Q^^^^^^^^^Q^^^I[J^^^Q^^^Q^^^^^^^^^Q^^^I[J^^^I[K[K[J^^^^^^^^I[K[K[J^^^I[K[K[J^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ rrrrsrsrsrsrsrrsrsrsrsrsrrrrrrsrsrsrsrrrsrrrsrrrrrrrrrsrrrsrsrrrsrsrrrsrrrrrrrrrsrrrsrsrrrsrrrsrrrrrrrrrsrrrsrsrrrsrsrsrsrrrrrrrrsrsrsrsrrrsrsrsrsrrrr ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Fm C ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ F Fm C G^^^^^^^^^^ Rzzzzz?zzzzzzz?zzzzzzzzzWRzzzzzzzz:zzzzz:zzz9zzzzWRzzz8zzz8zzzzzzz8zzzzzzzWRzzzzz?zzzzzzz?zzzzz?zzzWRzzzzz?zzzzzzz?zzzzzzzzzWRzzzzzzzzzz:zzz9zzz8zzzzW TzzzzzHz=zzzzzHz=zzzzzzzUTzzzzzz8zHz8zzz:zzz9zzzzUTzzz8zzzHzzzzz8zHzzzzzzzUTzzzzzHz=zzzzzHz=zzzHzzzUTzzzzzHz=zzzzzHz=zzzzzzzUTzzzzzzzz8zHzzz8zzz7zzzzU TzzzzzHzHz=zzzHzHzzz=zzzUTzzzzzzHzHzHzzz9zzz8zzzzUTzzz7zzzHz7zzzHzHz7zzzzzUTz( zzzzHzHz>zzzHzHz>zHzzzUTzzzzzHzHz=zzzHzHzzz=zzzUTzzzzzzzzHzHzzz9zzz8zzzzU Tzzz?zHzHzHzzzHzHzzzHzzzUTzzzz:zHzHzHzzzHzzzHzzzzUTzzzHzzzHzHzzzHzHzHz:zzzUTzzz?zHzHzHzzzHzHzHzHzzzUTzzz?zHzHzHzzzHzHzzzHzzzUTzzzz:zzzHzHzzzHzzzHzzzzU SzzzHzHzHzHzzzHzHzzzHzzzVSzzzzHzHzHzHzzzHzzzHzzzzVSzzzHzzzHzHzzzHzHzHzHzzzVSzzwHzHzHzHzzzHzHzHzHzzzVSzzzHzHzHzHzzzHzHzzzHzzzVSzzzzHzzzHzHzzzHzzzHzzzzV ^^^^I[K[K[J^^^I[J^^^Q^^^^^^^^^I[K[K[J^^^Q^^^Q^^^^^^^^^Q^^^I[J^^^I[K[K[J^^^^^^^^I[K[K[J^^^I[K[K[J^^^^^^^^I[K[K[J^^^I[J^^^Q^^^^^^^^^Q^^^I[J^^^Q^^^Q^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ rrrrsrsrsrsrrrsrsrrrsrrrrrrrrrsrsrsrsrrrsrrrsrrrrrrrrrsrrrsrsrrrsrsrsrsrrrrrrrrsrsrsrsrrrsrsrsrsrrrrrrrrsrsrsrsrrrsrsrrrsrrrrrrrrrsrrrsrsrrrsrrrsrrrrr ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^Z^^|^^ Repeat A Part Ending ^|^^|^^||^^|^^|^^|^^|^^ |^^|^^|^^X Key of C. G tuning: gDGBD Rzzzz7zzz7zzzzz7zzzzzzzzlRzzzzzzzzzzWRzzzzzzzzzzzzzzzzzzzzzzzWRzzzzzzzzzzzzz0zzzzzzzzzW Tzzzz6zzzHzzz6zHzzzzzzzzjTzzzzzzzzzzUTzzzzzzzzzzzzzzzzzzz<zzzUTzzz=zzzzzzzzz=zzzzzzzzzU Based on the playing of Don Reno. Tzzzz7zzzHz7zHzHzzz7zzzzjTzzzzzzzzzzUTzzzzzzzzzzzzzzz<z>zHzzzUTzzzHzzzzzzzzz>zzzzzzzzzU TzzzzHzzzHzHzHzHzzzHzzzzjTzzzzzzzzzzUTzzz:zzz<z=zzz>zHzHzHzzzUTzzzHzzzzzzzzz>zzzzpzzzzU Tab by Jason Skinner SzzzzHzzzHzHzHzHzzzHzzzzkSzzzzzzzzzzVSzzzHzzzHzHzzzHzHzHzHzzzVSzzzHzzzz0zzzz0zzzzzzzzzV ^^^^^Q^^^I[K[K[J^^^Q^^^^^^^^^^^^^^^^^^^^^Q^^^I[J^^^I[K[K[J^^^^^^^^Q^^^^Q^^^^Q^^^^^^^^^^ Little Rock Getaway—single-string variation, A part A^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Part C E7 Am C7 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ F A7 Dm B°7 C Am^^^^^^^^^^ Rzzzzzzzzzzzzzzzz<zzzzzzWgzzz>z<zzz>zzz<zzzzz<zzzWRzzzzzzzzzzzzzzzzzzz5zzzWRzzz7z5zzz7zzz5zzzzz5zzzWRzzzzzzzzzzzzzzzzzzzzzzzWRzzzzzzzzzzzzzzzzzzzzzzzW Tzzzzzzzzzzzzzz=zHzzzzzzUizzzHzHz=zHzzzHz=z<zHzzzUTzzz=z<zzz=zzz;zzz6zHzzzUTzzzHzHz6zHzzzHz6z5zHzzzUTzzz6z5zzz6zzz4zzzzzzzzzUTzzzzzzzzz8zzz:z8zzz8zzzU TzzzznzzzzzzzzzHzHzzzzzzUimzzHzHzHzHzzzHzHzHzHzzzUTzzzHzHz>zHzzzHzzzHzHzzzUTzzzHzHzHzHzzzHzHzHzHzzzUTzzzHzHz7zHzzzHzzzqzzzzzUTzzzzz8z9zHzzzH( zHz9zHzzzU TzzzzzzzzzpzzzzHzHzzzzzzUimzzHzHzHzHzzzHzHzHzHzzzUTzzzHzHzHzHzzzHzzzHzHzzzUTzzzHzHzHzHzzzHzHzHzHzzzUTzzzHzHzHzHzzzHzzzzzzz6zUTzzz:zHzHzHzzzHzHzHzHzzzU SzzzzzzzzzzzzzzHzHzzzzzzVhzzzHzHzHzHzzzHzHzHzHzzzVSzzzHzHzHzHzzzHzzzHzHzzzVSzzzHzHzHzHzzzHzHzHzHzzzVSzzzHzHzHzHzzzHzzzzzzzHzVSzzwHzHzHzHzzzHzHzHzHzzzV ^^^^^^^^^^^^^^^I[J^^^^^^^^^^^I[K[K[J^^^I[K[K[J^^^^^^^^I[K[K[J^^^Q^^^I[J^^^^^^^^I[K[K[J^^^I[K[K[J^^^^^^^^I[K[K[J^^^Q^^^^^^^P^^^^^^I[K[K[J^^^I[K[K[J^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ rrrrrrrrrrrrrrrsrsrrrrrrrrrrrsrsrsrsrrrsrsrsrsrrrrrrrrsrsrsrsrrrsrrrsrsrrrrrrrrsrsrsrsrrrsrsrsrsrrrrrrrrsrsrsrsrrrsrrrrrrrsrrrrrrsrsrsrsrrrsrsrsrsrrrr ^^^^^^^^^^^^^^^^^^^^^^^^^Z^^|^ D G C ^|^^|^^ G^^|^^|^^||^^|^^|^^|^^|^^|^^|^^|^^XY^^ ^^|^^|^^|^^|^^|^^|^^|^^^^^^^^^^^^^^^^^^^^^^^^^C Rzzz:zzzzzzzzzzzzzzzzzzzWRzzzzzzzzzzzzz:zzzz;zzzzWRzzz<zzz<zzzzzzz<zzz<zzzlRzzzzzzzzzzzzz:zzzz9zzzzWRzzz8zzz8zzzzzzz8zzzzzzzl TzzzHzzz;z:zzz8zzzzzzzzzUTzzzzzzzzzzzzz:zzzz;zzzzUTzzz<zzzHzzzzz<zHz=zHzzzjTzzzzzzzzzzzzz:zzzz9zzzzUTzzz8zzzHzzzzz8zHzzzzzzzj TzzzHzzzHzHzzzHz:z8z9zzzUTzzzzzzzzzzzzz8zzzz9zzzzUTzzz:zzzHz:zzzHzHzHzHzzmjTzzzzzzzzzzzzz9zzzz8zzzzUTzzz7zzzHz7zzzHzHzzzzzzzj TzzzHzzzHzHzzzHzHzHzHzzzUTzzz:zzzzpzzzzHzzzzHzzzzUTzzzHzzzHzHzzzHzHzHzHzzmjTzzz:zzzzpzzzzHzzzzHzzzzUTzzzHzzzHzHzzzHzHzzzpzzzj SzzzHzzzHyHzzzHzHzHxHzzzVSzzzHzzzzzzzzzHzzzzHzzzzVSzzzHzzzHzHzzzHzHzHzHzzzkSzzzHzzzzzzzzzHzzzzHzzzzVSzzzHzzzHzHzzzHzHzzzzzzzk ^^^^Q^^^I[J^^^I[K[K[J^^^^^^^^Q^^^^^^^^^Q^^^^Q^^^^^^^^^Q^^^I[J^^^I[K[K[J^^^^^^^^Q^^^^^^^^^Q^^^^Q^^^^^^^^^Q^^^I[J^^^I[J^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ rrrrsrrrsrsrrrsrsrsrsrrrrrrrrsrrrrrrrrrsrrrrsrrrrrrrrrsrrrsrsrrrsrsrsrsrrrrrrrrsrrrrrrrrrsrrrrsrrrrrrrrrsrrrsrsrrrsrsrrrrrrrr To
Load more

Recommended publications
  • Bluegrass Outlet Banjo Tab List Sale
    ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On
    [Show full text]
  • 282 Newsletter
    NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.
    [Show full text]
  • CONCESSION 23 Opens for the JAMES KING BAND
    BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 2—April 2010 Winter Concert Series—February 23—Ottawa hosted by The Ottawa Valley Bluegrass Association CONCESSION 23 opens for THE JAMES KING BAND www.bmacc.ca BMACCPhotos CourtesyNotes—April of Rosemary 2010 Page Davis1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 877-876-3369 1/8 Page (Business Card) $25.00 $ 90.00 Secretary – Leann Chadbourn 1/4 Page 35.00 126.00 705-776-7754 1/2 Page 55.00 198.00 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large WEBSITE Gord deVries 519-668-0418 Quarterly Annual Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 30.00 108.00 Open 400 px X 250 pixels 35.00 180.00 Full Page 50.00 252.00 Bernie Melosh Open COMBO NEWSLETTER + WEBSITE Larry Johnston BEST VALUE 519-576-9768 Quarterly Annual Open 100 px X 250 pixels $35.00 $126.00 200 px X 250 pixels 50.00 180.00 400 px X 250 pixels 75.00 270.00 Full Page 115.00 414.00 Members receive 25% discount off the above rates. Maximize Your Membership WHAT”S INSIDE From the President—Page 3 If there are individual members of BMACC that belong to a band or Leadership Bluegrass 2010—Page 5/6 other organization, you should consider paying an additional $30 to take advantage of what BMACC can offer.
    [Show full text]
  • Ctba Newsletter 0304
    REA ONGOING EVENTS AUSTIN AREA Chriesman Community Center CTBA Don Cook 979-567-0573 PARIS •Beginner/Intermed. Jam CLEBURNE • Jam & Stage Show Central Texas A • Show & Jam • 3rd Sat: Jam 5:00, Show 7:00 1st & 3rd Thursday 7-9 pm 3rd Fri Cleburne Civic Center, Chisum HS, Hwy 19 & 24, south Steve Mangold 512-345-6155 1501 W Henderson (Hwy 67)7 pm, of Paris $5-members $6-others • CTBA Jam Session $3 www.geocities.com/ntbbluegrass Brenda Burks 903-784-8859 Sunday at Artz Rib House COPPERAS COVE PEARL Bluegrass 3-5 pm,512-442-8283 • Jam • Jam & Stage Show ARTZ RIB HOUSE Fri-VFW Post 8577 at 1506 1st Sat: Jam 12:00, Show 4:30 Volume 25 • Live Bluegrass Show Veterans Ave 7 pm Hwy 183, 7 mi. south of Purmela 2330 S. Lamar, 6:00 pm Number 4 512-442-8283 254-542-6710 [email protected] Ronald Medart 254-865-6013 AAAMS JAM GARLAND ROCKNE Wed, Anderson Mill Baptist • Bluegrass on the Square • Bluegrass/Country Jam April 2003 Church,10633 Lake Creek Pkwy Sat- March thru October between 1st Sat: 3pm til ..., 8 mi. S. of Dinner 5:30 ($3) 6:30-8:30 pm, Main and State Sts. at 6th, 7:30- Cedar Creek on FM 535 Bulletin 1 am Jim Miller 972-276-3197 TOMBALL 259-7702- call to join for dinner GRANITE SHOALS • Spring Creek Club Jam/Show Tom, Brad & Alice Fredericksburg •AFTM (Austin Friends of • Bluegrass and Gospel Jam 4th Sat: 5pm-jam, 7pm-show Traditional Music)Contra Dance Last Sat: 6:30-10:00 pm Oklahoma Community Center, 3rd Sat., Lutheran church at 3501 706 Phillips Ranch Rd.
    [Show full text]
  • Charley Waller Country Songs, Old and New Mp3, Flac, Wma
    Charley Waller Country Songs, Old And New mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Country Songs, Old And New Country: US Released: 1960 Style: Bluegrass MP3 version RAR size: 1599 mb FLAC version RAR size: 1606 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 724 Other Formats: WMA MP1 FLAC MIDI ASF APE DTS Tracklist Hide Credits A1 Roving Gambler 3:07 A2 The Little Sparrow 3:31 A3 Drifting Too Far 3:27 A4 Weeping Willow 2:01 A5 Tomorrow's My Wedding Day 2:09 A6 The Story Of Charlie Lawson 3:03 Turkey Knob A7 2:18 Written-By – Eddie Adcock A8 Paul And Silas 2:26 B1 Ellen Smith 2:13 The Long Black Veil B2 3:35 Written-By – Dill*, Wilkin* Honky Tonk Rag B3 2:26 Written-By – John Duffey B4 Jesse James 2:35 B5 Have Thine Own Way 2:51 A Good Woman's Love B6 3:25 Written-By – Cy Cobin* B7 The Double Eagle 2:54 B8 Darling Alalee 2:04 Credits Arranged By – Charlie Waller (tracks: 15), John Duffey (tracks: 1 to 5, 8, 12, 13, 16) Banjo, Vocals – Eddie Adcock Bass, Vocals – Jim Cox Guitar, Vocals – Charley Waller* Mandolin, Vocals – John Duffey Notes Includes insert from Folkways Records that has bios on the band and its members as well as lyrics. The vinyl label is the original Folkways Blue w/ Silver print. Other versions Category Artist Title (Format) Label Category Country Year Charley Waller*, John Charley Waller*, Duffey, Eddie Adcock John Duffey, And The Country Folkways FA 2409 Eddie Adcock And FA 2409 US 1960 Gentlemen - Country Records The Country Songs, Old And New Gentlemen (LP, Album) Charley
    [Show full text]
  • Reno-Style Workshop
    that followed. And Earl Scruggs set the RENO-STYLE standard for bluegrass banjo playing on those historic Columbia recordings. This was also the band in which Lester Flatt WORKSHOP and Earl Scruggs first became acquainted and would later form the most popular bluegrass band in history. To say this was Reno Roots Part 3—The Decision an historic time is an understatement. So the question is, “What if Don took Jason Skinner the job instead of joining the army?” In 1943 a monumental event took place history. Well it’s hard to say because it would that would not only change Don Reno’s Why was this event so important? have affected so many things, especially life but the evolution of the 5-string banjo, Because his decision affected everything musical associations. The most obviously and bluegrass music forever. It was May that was to follow. When Don turned affected would have been the associations 17, 1943 that Don Reno decided to turn down the job as the first three-finger between Flatt and Scruggs and Reno and down an offer from Bill Monroe to join style banjo player for Bill Monroe, the Smiley. These legendary bands may not the Bluegrass Boys, so that he could join job went to none other than Earl Scruggs have existed if Don took the job with the US Army instead. At the time, Don’s in 1945. With the addition of this “new” Monroe. In fact we may have even have decision probably didn’t seem like such a style of banjo playing, the Bluegrass Boys ended up with Flatt and Reno instead of big deal, but looking back it was one of the exploded in popularity.
    [Show full text]
  • Ctba Newsletter 0408
    Central Texas Bluegrass Volume 26 Bulletin Number 8 August 2004 Brent Sanders: True Life Bluegrass Paintings Brent Sanders is an artist from Chattanooga, Tennessee who enjoys paint- ing people. When capturing their spirit, he says he tries to strike a harmonic bal- ance, and works to portray the diversity of the people living in the South. "I want to convey the uniqueness of the culture and the harmony in which we live with one another." Musicians are a favorite study of his, bluegrass musicians in particular. He says, "I always like the musicians because they tend to stand out and capture attention." Chuckling, he adds, "As I am some- what of a hack musician myself, I've always tended to be drawn to them." If you are interested in Brent’s work, he is repre- sented by Terry Powell of Blue Crow Studios, 4410 Medical Parkway (Just south of the Burnet Road/45th Street intersection) in Austin, and can be reached at (512) 420-0668. Or, take a look at Brent’s own website at www.brentsanders.com. New and Renewing Members: Sunny Castille 3rd Generation Gospelgrass Deering Banjos Sept. 30, October 1-2-3-Oakdale Park's Bluegrass Reunion. BIG show. The Lewis Family, Double Mountain Boys, and more. Oakdale Park, Glen Rose, TX www.oakdalepark.com 254-897-2321. ENTRAL TEXAS BLUEGRASS ASSOCIATION CFor information on CTBA membership and activities, contact: CTBA Artists and Bands Central Texas Bluegrass Association P. O. Box 9816 Booking Information Austin, Tx, 78766-9816 512-261-9440 Austin Lounge Lizards: Tom Pittman 512-476-3991 email:[email protected]
    [Show full text]
  • Progressions
    PROGRESSIONS Play along slowly CIRCLE OF FIFTHS • G-E7-A7-D7-G MORE CIRCLE OF FIFTHS • D-B7-E7-A7-D • C-A7-D7-G7-C • A-F#7-B7-E7-A • F-D7-G7-C7-F • Bd-G7-C7-F-Bd • Ed-C7-F-Bd-Ed • E-C#-F#7-B7-E 1-6 minor-4-5-1 • G-EM-C-D-G • C-AM-F-G-C • D-BM-G-A-D • E-C#M-A-B-E • F-DM-Bd-C-F 4-2M-6M-3M-5-1-6M-1 • C-AM-EM-BM-D-G-EM-G • F-DM-AM-EM-G-C-AM-C • G-EM-BM-F#M-A-D-BM-D • A-F#M-C#M-G#M-B-E-C#M-E • Bd-GM-DM-AM-C-F-DM-F • D-BM-F#M-C#M-E-A-F#M-A ROCKY TOP • G-C-G-EM-D-G (Repeat) EM-D-F-C-G- F-G-F-G • C-F-C-AM-G-C (Repeat) AM-G-Bd-F-C- Bd-C-Bd-C • D-G-D-BM-A-D (Repeat) BM-A-C-G-D- C-D-C-D • E-A-E-C#M-B-E (Repeat) C#M-B-D-A- E-D-E-D-E 1-4-5-1-4-1-5-1 • G-C-D-G-C-G-D-G • C-F-G-C-F-C-G-C • D-G-A-D-G-D-A-D • E-A-B-E-A-E-B-E • F-Bd-C-F-Bd-F-C-F • A-D-E-A-D-A-E-A • B-E-F#-B-E-B-F#-B THE BASICS AND WHY THEY’RE IMPORTANT I think it’s very important to start with the basics no matter what your level.
    [Show full text]
  • Baldwin Haney Essay For
    The Singing on the Mountain By Dave Haney and Lisa Baldwin This essay was composed for the project Worth 1,000 Words: Essays on the Photos of Hugh Morton, made possible in part by a grant from the North Carolina Humanities Council, a statewide nonprofit and affiliate of the National Endowment for the Humanities. The Hugh Morton Collection of Photographs and Films is held by the North Carolina Collection Photographic Archives, Wilson Library at the University of North Carolina at Chapel Hill. Haney is the former Vice Provost for Undergraduate Education and Professor of English and Appalachian Studies at Appalachian State University (now Provost at Black Hills State University in South Dakota), as well as a musician and author on topics of philosophy, literature, and bluegrass music. Lisa Baldwin is a recent graduate of the MA program in Appalachian Studies at Appalachian State University, has taught elementary school for 30 years, is the founder of “Learning Through Song,” a music education program, and is a musician and songwriter who performs with Dave Haney and others. Although our current understanding of traditional music festivals is shaped by the folk and bluegrass festivals that blossomed in the 1960s, both secular and religious traditional music had been performed in large outdoor settings in the Blue Ridge Mountains much earlier. Many of the largest of these events had inauspicious beginnings. On the secular side, the Annual Old Fiddler’s Convention in Galax, Virginia, according to the convention’s official web site, was started in 1935 by Moose Lodge #733 in order to raise funds and preserve regional musical traditions, and has since grown to one of the world’s largest fiddler’s conventions.
    [Show full text]
  • Hillbilly Music and the Roots of Bluegrass Guitar
    Gregory N. Reish Chicago College of Performing Arts Roosevelt University Hillbilly Music and the Roots of Bluegrass Guitar READING COPY ONLY The guitar is an instrument that seems to need defending in bluegrass, as Bill Monroe once did by affirming its central importance to the music’s ensemble sound. “It don’t only take the fiddle or the banjo,” Monroe pointed out; “the guitar man, he’s got to learn too. It’s a style. A guitar means as much in a bluegrass band as anything else.”1 Indeed, the instrumental character of bluegrass has traditionally been defined by its original lead instruments, the fiddle, banjo, and mandolin, the last of which Monroe’s modesty may have prevented him from including in his comment. Yet even before the guitar began to emerge as a full-fledged lead instrument in the 1960s, its ubiquity in early bluegrass music bespeaks the essential role it played. And just as bluegrass evolved from the hillbilly music of the 1920s and 1930s, itself multifarious in style and repertory, so too did the essential elements of bluegrass guitar. One of the guitar’s primary functions in hillbilly music was to provide simple, unobtrusive accompaniment to singing by means of open-position chords and rudimentary bass motion. Jimmie Rodgers, whose guitar skills were scarcely polished or sophisticated, nevertheless exerted a tremendous influence with the understated effectiveness of his self-accompaniment. His “Blue Yodel #12,” recorded just a week before his death in May 1933, demonstrates all of the essential elements of his style (which
    [Show full text]
  • Th Everything We’Ve Ever Mother-Of-Pearl Inlays
    THE olk musician Pete Seeger knew fi rsthand the power of the banjo. On the head of his fi ve-string instrument, he inscribed these famous words: “This machine surrounds hate and forces it Fto surrender.” What Seeger didn’t realize is that the banjo can also kill zombies — at least in the world of the 2009 fi lm Zombieland. Greg Deering wasn’t aware of the banjo’s power against the undead until a couple of years ago — even though his business, the Deering Banjo Company, is North America’s largest banjo manufacturer and has turned out more than 100,000 banjos since 1975. Fortunately, the Distinguished Eagle Scout is the Scoutmaster of Troop 355 in Spring Valley, Calif. At an annual New Year’s MR. SCOUTMASTER Eve breakfast for his patrol leaders’ council, reg Deering has served as Scoutmaster of Troop Deering’s Scouts were happy to educate him. G355 since 1987. Following the example of his own One took out his smartphone and showed Scoutmaster, Bob Lawrence, he encourages Scouts him a clip of Woody Harrelson using a banjo to run their own program. “The boys do a good job,” to attract — and then kill — zombies in a he says, “and most of the time the adults have a lot grocery store. of really wonderful fellowship all on our own.” “All of a sudden, it dawned on me that we Deering has also been active on the San Diego- should do a Zombie Killer banjo,” Deering Imperial Council’s executive board, high-adventure says. “Right there at the breakfast, I’m team and Eagle Scout alumni association.
    [Show full text]
  • Augusta Online Heritage Workshops
    Augusta Online Heritage Workshops Table of Contents Bluegrass......................2 Blues...........................14 Cajun & Creole..........27 Classic Country..........41 Old-Time.....................52 Swing..........................62 Vocal...........................72 1 Augusta Online Heritage Workshops Bluegrass 2 Alan Bibey • Lesson: Enhancing the Melody • We will discuss ways to play melodies in different ways as well as how to weave in and out of a melody. • Zoom Event: Coming Soon! • Bio: For nearly four decades, Alan Bibey has made a name for himself as one of the most creative and technically gifted mandolinists in bluegrass and acoustic music. 3 Eli Gilbert • Lesson: Write and Improvise Your Own Licks • In this intermediate-to-advanced class students will learn to create their own Scruggs, melodic, and single-string ideas using music theory, common fretboard shapes, and ear training. We'll look at ways to improvise with common Scruggs-style licks, create variations, and create new melodic ideas based on melodic and single string patterns, as well as how to apply this information to common songs and instrumental tunes. All necessary music theory information will be included in the lesson. • Zoom Event: Coming Soon! • Bio: Eli Gilbert is a native of North Yarmouth, Maine. After seeing J.D. Crowe and the New South at a local Bluegrass festival Eli decided to pick up the banjo and eventually moved to Johnson City, Tennessee to study Bluegrass at East Tennessee State University. There he had the chance to perform as a member of Jeff Brown and Still Lonesome and the ETSU Bluegrass Pride Band. Eli currently lives in Maine and performs regionally with Laura Orshaw and the New Velvet Band, Tony Watt and Southeast Expressway, and Dreamcatcher.
    [Show full text]