DOCSLIB.ORG

1919-08-22 [P 14]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1919-08-22 [P 14] .. ---- ---- «S AT THE DITMAS ATTRACTIONS IN THEATRES -- ( V *_1 Again Miss Bennett has been en- trusted with a role replete with heart Interest, that of a woman who suf- fers In silence. For Mollie Vaughn MATINEE IDOL was proud of her family's name and MUOWIIG reputation and she strives silently not only to bear the burdens of her way- ward sister but to protect the Inno- cent child, the son whom the ruthless IN STRAND LEAD mayor would not acknowledge as his LILLI GISH own. Miss Bennett’s Interpretation of Mollie is one of love and loyalty and Thurston Hall Leading Man With faith. Indeed it Is her unshaken be- “A Romance of Happy Valley” lief in prayer that wins for her not only happiness, but which also re- Name of Her Second Picture Priscilla Dean; Other Film forms the reformer and wins for the town of Filbert a clean administration under the banner of prohibition. \/ "The Exquisite Thief," Priscilla Comedy again appears as a happy Dean's latest Universal Special At- attendant to the playing of Miss Ril- which will be shown traction. today Ilan Gish in her newest role, that of \ at the Strand Theatre, presents as Emmy WlicCcn Pays For Gown by a in "A Romance of Hap- leading man one of the foremost mat- Incli. country girl second inee idols of the stage. Things are getting to a pretty pass py Valley” David W. Griffith's He is Thurston Hall, who formerly when a motion picture star has to pay Artcraft production, which will be In of Lillian Rus- her dressmaker the measure. It’s appeared support by shown at the Royal Theatre today sell (in "Wildfire", Marguerite Clark, like we're paying for cabbage by the Amelia Bingham and Charlotte Walk- pound and steak by the ounce, but and tomorrow. er. Perhaps most theatregoers will Emmy Wehlen's latest afternoon tea Miss Gish’s efforts in comedy in in Gen- Favor remember him as “Ben Hur" gown, which she wears In “A "The Great Dove" were rewarded by eral Lew Wallace's record-break- To a Friend,” was paid for by the general applause from the critics. Un- play of that name. Mr. Hall's last ap- inch. direction she has on the stage were In "Love "Thread Is getting so expensive. der Mr. Griffith’s MADGE pearances charac- o' Mike” and “Have a Heart” Miss Wehlen,” said the seamstress to created a new and delightful as Jennie Tirhber- J. Gordon Edwards persuaded Mr. the Metro star, "that we're forced to ter, and her part KENNEDY new is even Hall to desert the stago for pictures, raise our lake in the production in prices." I htm In the part of Marc An- Miss Wehlen was In- more sparkling. casting "Well, then,” of as the v child tony In Theda Bara's “Cleopatra.” The clined to laugh, "how do you arrive She appears only the? likeable farmer in the Ohio through former matinee idol admits frankly at your price?” an idle, a man who neglects Door" that he prefers acting on the stage "By the inch,” was the reply, "by Valley country, Wrong attends most-in- but that the advantages of home life the sewing-machine inch—three cents his little fields but to his He wishes Ooldwyn Pictures afforded by motion pictures more than for every Inch of sewing on the out- dustriously sleep. as her mother reconcile him to leaving his first love. lit.” his daughter to dress I to rural styles of “The Mayor of Filbert.” "If that’s the case,” surmised Em- did. To be confined at Dltmaa will As m her last picture, "Leave It same Today and tomorrow the and just- to a past, and at the 1 has a chance Belle Bennett, pretty my, who is partial fancy things, generation show to Susan,” Miss Kennedy who has won oneself to attract the in- two extraordinary feature pho- ly popular Triangle star, "we’ll soon have to resort to feed time array {to show her' early Western training, on both John Rogan Jr. is a of Madge majestic fame as an emotional actress bags." terest of young toplays consisting popular I and to disclose- her native love of ad- Counihan & Shannon, Props. femin- ingenu- the stage and the screen, is the And not the way the horses wear supreme task for her girlish Kennedy in “Through the Wring venture for its own sake. In the ine lead in “The Mayor of Filbert,” to them. ity. Door,” a picture full df adventure, course of the story, she is compelled he shown at the Strand today. _ mystery and romance, also the noted j to descend an abandoned mine, be screen star. Hale Hamilton, in Me- ) chased up a tree by a supposedly tro’s latest comedy drama, "In His tamo bear (which couldn't see the Last Times Brother’s Place.” joke and decided that Miss Kennedy Today, | In Madge Kennedy’s newest. Gold- was legitimate prey) and finally to wyn picture, “Through the Wrong permit herself to be blovyn by a wind 8 P. M. Door,” a picturization of the novel by j and rainstorm through the wrong Matinee 2:30, Evening Jesse I-ynch Williams, published as door into the wrong house and there a serial in Collier’s Weekly, the popu. I meet a man whom she at first TREMENDOUS SUCCESS OF iar Goldwyn star is given many op- | thought was the wrong man. As the portunities to display her many and story shifts from the West back to varied talents under the most unus- j the elaborate homes of Fifth avenue The World's Greatest Story Play ual circumstances. The picture, | in New York, Miss Kennedy finds which comes to the Ditmas theatre herself at home in the luxurious MARVIN MANAGEMENT beginning today tells the adventures surroundings which wealth and posi- DITMA of a rich man's daughter on her long tion afford, and her radiant beauty and lonely search for the man she and lovable personality find a back- S] knew was waiting for her some- ground for the adequate expression Today and Tomorrow where. of her incomparable charma “THE GREAT STARS "Willard Fizz (le)—Bevo and TWO GREAT FEATURES WITH TWO sparkling H20 (half and half). "Flivver Cocktail—Gasoline with a POPULAR raspberry. "Prohibition Cocktail—Aqua pura, OE 9 9 cent, a wicked dash SHEPHERD per pure, with of lemon. i Coeakika—Coke with 8 few drops of aromatic spirits of ammonia." King Baggot Shows Skill with Pistol King- Baggot’s skill as a sharp- shooter is demonstrated in the Screen THE HILLS” Classics, Inc., super-feature, "The Kennedy Adelaide Thurston in Man Who Stayed at Home,” which is MILLIONS OP PEOPLE HAVE READ THE BOOK Madge IN Appears scheduled for release in September. In this brilliant picturization by PEOPLE HAVE SEEN THE PLAY “What’s Your Game?” June Mathis of Lechmere Worrall MILLIONS OF and J. E. Harold Terry’s stage suc- cess of two continents, Mr. Baggot "What's Tour THE PHOTOPLY IS A MASTERFUL VISUALIZATIO OF Game?’’ Perhaps heads an all-star cast. He has the this title does not seem like sweet.1 role of Christopher Brent, who is in Door” : flower-like Adelaide Thurston and the BOTH. A DELIGHTFUL STORY OF THE OZARKS The the employ of the United States sec- THEM Wrong I plays with which she has been most ret service. “Through The of An associated. But a. Story frequently like A Modem Drama of Romance, Adventure and Mystery. In producing the picture, which younger Mrs. Adelaide scorns' Adults Children 15c. Flske, has been directed by Herbert Blache, ®*at- 25c; most Goldwyn Picture to accept rigid limitations in her DDir'FC* Accidental Madge Kennedy’s captivating King Baggot actually "hit the bull’s Honeymoon. choice of plays. Therefore she loves r Klv-L^! Eve. 50o Instantly, piercing the target 25, 35, the part of Laura Fordham, which eye” V aimed at. The player has practiced ALSO she portrays and will introduce to her much on the rifle range, and he many beloved and loyal admirers at never a shooting gallery with- NOTED SCREEN STAR the Majestic theatre tomorrow, mat- passes THE out his to the inee and night. putting markmanship 23 | he was able to Tomorrow As the heroine of "What's Tour test. Consequently August the necessary “pep" into the Game?” which, by the way, is the put scene. MATINEE AND NIGHT latest Joint work of those two most shooting successful authors, Sidney Toler and Viola Dana Sunklsscd Marion Shorf, Miss Thurston not only] Among other things, Viola Dana Hamilton exhibits the magnetic sweetness acquired a lovely coat of tan during Hale which on has endeared her to past audi- the four days she was location at IN ences, but brilliant mental qualities Long Beach for the bathing scenes in as well. It Is her fascinating and ra- “Please Get Married,the Morosco pier-like quality of wit which enables comedy she is doing for Screen Clas- her to parry the thrusts of the subtle sics. Inc. Miss Dana found it neces- and dangerous enemies who are seek sary to take all her evening gowns to ing to destroy her happiness and. the modiste and have chiffon (or eventually to disarm them. whatever you call it) inserted at the BROTHER’S PLACE” ‘‘Monicas l ie.” proper places. “HIS ''Manless Isle” is the new bur-, Nome-Man’s Land. lesque that will bo at An Metro Comedy Drama produced the] Rex Beach, who is at the Goldyyn Extraordinary Majestic theatre next after- Monday ] studio in California cooperating in MYSTERY noon and night.
Load more

Recommended publications
  • Sound Speed Marker: an Archeology of Cinema by Gene Fowler – August 3, 2015
    Sound Speed Marker: An Archeology of Cinema By Gene Fowler – August 3, 2015 The skeletal remains of Reata, the grand Their curiosities piqued by having seen facade of a Victorian mansion built near Wim Wenders’ 1984 film Paris, Texas while Marfa for the 1956 film Giant, stand like growing up in Australia and Switzerland, the crumbling bones of some impossible Hubbard and Birchler visited the small dinosaur that refused to fold into the earth. East Texas city of Paris, 20 miles south of Or some alien shipwreck that outlasted an the Red River, in 2007. There, exploring ancient sea, its creaking timbers moaning potential turf for their photographic series and defiant in the West Texas wind. Filmstills, they discovered the abandoned Grand Theater. With a history going back to The artist team of Teresa Hubbard and the silent film era, the Grand and collective Alexander Birchler spent two years filming Parisian memories of the theater proved to the ruin in all seasons and weather condi- be rich in what Fairfax Dorn of Ballroom tions. Its ghostly presence and the landscape Marfa, writing in the Sound Speed Marker in which it lingers play major roles in their catalog, calls “the physical, social, and psy- three-channel video installation, Giant chological traces that movies leave behind.” (2014), part of Sound Speed Marker, a trilogy of video installations on view at the Interviews with local residents, from the University of Houston’s Blaffer Art Museum Paris News film critic to an elderly woman that also includes the two-channel work who ran the theater’s candy stand in the Movie Mountain (Méliès) (2011) and the 1930s, excavate and interpret the movie pal- single-screen Grand Paris Texas (2009).
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Hollywood Walk of Fame Master Plan Community Meeting Presentation
    Hollywood Walk of Fame Master Plan Community Meeting Presentation November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN Welcome & Introductions Community Presentation Page 2 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE The Master Plan is being developed with consensus, guidance and advocacy from many parties Client Team Design Team Community & City Partners Neighborhood Councils Community Organizations City Deparments Central Hollywood Neighborhood Council Hollywood Partnership Los Angeles Bureau of Street Lighting Hollywood Hills West Neighborhood Council Hollywood Chamber of Commerce Los Angeles Bureau of Street Services Hollywood Studio District Neighborhood Council Hollywood Heritage Los Angeles Department of Transportation Hollywood United Neighborhood Council Hollywood Historic Trust Los Angeles County Metro Los Angeles Office of Historic Resources Los Angeles Police Department (LAPD) Los Angeles Fire Department (LAFD) Page 3 of 59 HOLLYWOOD AGENDA WALK OF FAME MASTER PLAN 1. Project Update 2. Vision 3. Traffic & Mobility 4. Street Design 5. Street Trees 6. Street Amenities Community Presentation Page 4 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN 1. Project Status Update Community Presentation Page 5 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT PURPOSE WALK OF FAME MASTER PLAN To improve the Walk of Fame experience for those who live in, work in and visit the area. THE STREET IS FOR EVERYONE! Community Presentation Page 6 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD COMMUNITY OUTREACH OVERVIEW WALK OF FAME MASTER PLAN Community Presentation Page 7 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT SCHEDULE WALK OF FAME MASTER PLAN WHERE WE ARE TODAY ARE WE WHERE DEC.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
    UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr.
    [Show full text]
  • Photoplay Magazine PUBLISHED MONTHLY A
    The Photoplay Magazine PUBLISHED MONTHLY A. H. McLAUGHUN, PUBLISHER PHOTOGRAPHIC NOTICE—Pay no money to anyone representing: the PHOTOPLAY MAGAZINE unless they bear credentials, properly signed, fron/the Company. Vol. Ill OCTOBER, 1912 No. 3 ART STUDIES TABLE OF CONTENTS COVER DESIGN "JACK" W. KERRIGAN THE GALLERY OF PHOTOPLAY STARS PHOTOGRAPHIC ART STUDIES 1-16 PLAYERS* PERSONALITIES 86 PHOTOPLAY STORIES UNDINE (Thanhouser) By Raymond L. Schrock SUNDERED TIES (Broncho) By Randolph Van Buren THE WORD OF HONOR (Eclair) By Philip White CALAMITY ANNE"S WARD (American) By J. Rutherford Caswell. KINGS IN EXILE XGaumont) By O. A. Miller THE BUTTERFLY (Majestic) By Alice Ward Bailey THE ADVENT OF JANE (Victor) By Edna Frances HEARTS AND SKIRTS (Nestor) By Russell E. Smith FILIAL LOVE (Eclair) CALEB WEST (Reliance) THE LITTLE BEGGAR BOY (Lux) THE FUGITIVE (Solax) SPECIAL ARTIGLES LATEST IN NEWSDOM—By Willard Howe THE NEW ERA (Poem)—By O, A. Miller INTERVIEW WITH FLORENCE LA BADIE (Thanhouser}. INTERVIEW WITH KING BAGGOT (Imp.) DEPARTMENTAL NEWS FROM THE WORLD OF THE PHOTOPLAY 74 REFLECTIONS OF THE CRITIC 77 THE PHOTOPLAYWRIGHT AND HIS ART-By A. W. Thomaa. 88 THE QUESTION BOX 92 JUST BETWEEN OURSELVES 100 WHAT THEY THINK ABOUT IT 102 THE PHOTOPLAY MAGAZINE. Copyright 1912 by Photoplay Magazine. Entered at the Postoffice at Chicago, Illinois, as second class matter, April 20th, 1912. under the act of March 3rd, 1879. Subscription $1.00 a year in advance in the United States, Cuba and Mexico; in Canada and in other foreign countries, $1.50. Single copies, 10 cents. Stamps accepted. All manu- facturers of Motion Pictures are invited to submit scenarios and photos.
    [Show full text]
  • The Home-Maker 1924 Free
    FREE THE HOME-MAKER 1924 PDF Dorothy Canfield Fisher,Karen Knox | 288 pages | 30 Sep 1999 | Persephone Books Ltd | 9780953478064 | English | London, United Kingdom The Home-Maker by Dorothy Cnafield Fisher – Persephone Books As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get some streaming picks. A man's life seems to be falling apart. He's bored with his job, gets passed over for a promotion and, when the pressures get to be too much, he tries to commit suicide, but he even fails at that and manages only to cripple himself instead of killing himself. Forced to stay at home, he finds the role of "househusband" enjoyable--until his wife takes The Home-Maker 1924 low-paying job with his old company, and rapidly rises up the corporate ladder. Written by frankfob2 yahoo. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. He's bored with his job, gets passed over for a promotion and, when the pressures get to be too much, he tries to commit suicide, but he even fails Director: King Baggot. Added to Watchlist.
    [Show full text]
  • Teresa Hubbard / Alexander Birchler 28 February – 10 August 2014
    Teresa Hubbard / Alexander Birchler 28 February – 10 August 2014 Ballroom Marfa is pleased to present Sound Speed Marker by Teresa Hubbard and Alexander Birchler. The three video installations and related photographs, covering a span of five years of work, explore film’s relationship to place and the traces that movie making leaves behind. The exhibition includes the premiere of Giant (2014), a work com- missioned by Ballroom Marfa. The exhibition will be on view at Ballroom Marfa until August 10, 2014 and will be accompanied by a comprehensive catalogue to be published in December 2014. Sound Speed Marker will travel to the Irish Museum of Modern Art in December 2014 and the Blaffer Art Museum at the University of Houston in May 2015 in May 2015. Grand Paris Texas (2009) considers the physical and social space of a dead movie theater, a forgotten song and the inhabitants of a small town. The Grand Theater, an abandoned, pigeon-filled movie theater in downtown Paris, serves as the protagonist in a narrative that explores Paris as a meta-location constructed through celluloid and soundtrack. Grand Paris Texas connects three seminal movies of the Southwest: Wim Wenders’ Paris, Texas (1984), Bruce Beresford’s Tender Mercies (1983), and King Baggot’s classic silent film, Tumbleweeds (1925). In Movie Mountain (Méliès) (2011), Hubbard/Birchler explore the site of a mountain in the Chihuahuan Desert near the town of Sierra Blanca. The project generates several narrative strands that interweave memory and forget- ting. Movie Mountain (Méliès) features a script-writing cowboy as well as local residents whose relatives performed in an original silent picture filmed at the mountain.
    [Show full text]
  • American Cat Association Stud Book #9
    VOL. IX Stud=Book American Cat Association Stud=Book of the American Cat Association Chicago =========== Volume IX Published by THE AMERICAN CAT ASSOCIATION (INC.) CHICAGO Copyright 1923 BY The American Cat Association (INC.) Scanned and edited by Paul G. Russell, August, 2001. Original typographical errors have been retained and are displayed in red; Comments and notations by Paul G. Russell are displayed in red and italicized.. Original Volume Size 7.5" H x 5.5" Wide. THE VITTU PRINT SHOP 5431-33 Lake Park Ave., CHICAGO AMERICAN CAT ASSOCIATION (INCORPORATED) ————— OFFICERS PRESIDENT J. B. N OWAKOWSKY Chicago VICE - PRESIDENT SECRETARY M RS. J O S I A H C RATTY M RS. G EORGE D. K ESSLER Chicago 3821 Jackson Blvd. Chicago TREASURER J OHN J. D ORMER Chicago EXECUTIVE BOARD M R S. E LB E R T B ESSE M RS. A. W. H ARDY Chicago Chicago M RS. GEO. B. B RAYTON M RS. W. F. H ARTMAN Brighton, Mass. Los Angeles, Cal. M RS. W. E A M E S C OLBURN M ISS C A R R O L L M ACY Chicago Ash Point, Me. M RS. C. H. C ONNORS M RS. J. B. N OWAKOWSKY Chicago Chicago M RS. C. C. D EMPSEY M RS. W. L. P EARSON Villa Park, Ill. Houston, Tex. M RS. J. J. D ORMER M RS. R O B E R T J. R EYNOLDS Chicago Toronto, Can. M RS. J ACK G ORDON M RS. S H A N N O N D. S MITH San Francisco, Cal.
    [Show full text]
  • Film History of the 1920S Foundations of The
    Film History of the 1920s Foundations of the Prolific Film Industry: Films really blossomed in the 1920s, expanding upon the foundations of film from earlier years. Most US film production at the start of the decade occurred in or near Hollywood on the West Coast, although some films were still being made in New Jersey and in Astoria on Long Island (Paramount). By the mid-20s, movies were big business (with a capital investment totaling over $2 billion) with some theatres offering double features. By the end of the decade, there were 20 Hollywood studios, and the demand for films was greater than ever. Most people are unaware that the greatest output of feature films in the US occurred in the 1920s and 1930s (averaging about 800 film releases in a year) - nowadays, it is remarkable when production exceeds 500 films in a year. Throughout most of the decade, silent films were the predominant product of the film industry, having evolved from vaudevillian roots. But the films were becoming bigger, costlier, and more polished. They were being manufactured, assembly-line style, in Hollywood's 'entertainment factories,' in which production was broken down and organized into its various components (writing, costuming, makeup, directing, etc.). Even the earliest films were organized into genres or types, with instantly-recognizable storylines, settings, costumes, and characters. The major genre emphasis was on swashbucklers, historical extravaganzas, and melodramas, although all kinds of films were being produced throughout the decade. Films varied from sexy melodramas and biblical epics by Cecil B. DeMille, to westerns (such as Cruze's The Covered Wagon (1923)), horror films, gangster/crime films, war films, the first feature documentary (Robert Flaherty's Nanook of the North (1922)), romances, mysteries, and comedies (from the silent comic masters Chaplin, Keaton, and Lloyd).
    [Show full text]
  • The Silent Film Project
    The Silent Film Project Films that have completed scanning: March 2018 TITLE YEAR STUDIO DIRECTOR STAR [1934 Walt Disney Promo] 1934 Disney 13 Washington Square 1928 Universal Melville W. Brown Jean Hersholt Alice Joyce Adventures of Bill and [1921] Pathegram Robert N. Bradbury Bob Steele Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 The goal of the Silent Film Project at the Library of Congress is to borrow, catalog, digitally preserve, and ensure the availability of silent (and selected sound era) films for public viewing and research.
    [Show full text]
  • Tony Gaudio Honored
    assi1rncd by Twentieth Century-Fox to background, bringing out the beauty of be responsible for the subject's produc­ the setting, materially enhances the tion, with that responsibility resting on appearance of the players. his shoulders. Yet as a matter of fact, "If you would give your players the outside of his work with Kodachrome advantage of color you must be careful and in two-color film he was unacquainted of your lighting," declared Palmer. with the mass of details that flow along The cinematographer's first camera with a three-color Technicolor subject. work was with the old Imp company Regular Happening in New York. The Imp, so called because He realized there hardly was a month its full name was Independent Moving or week when a similar situation does Pictures, was the company which marked not arise in the studios clustered about the entrance of Carl Laemmle into the Hollywood. Naturally after a quarter production side of the industry. So also century behind a professional studio was it the father of Universal. camera he wanted the best product ob­ Making "Ivanhoe" in Wales tainable. To guarantee as close an ap­ proach to that end as was possible he Its studio was in Eleventh avenue in decided to go to Technicolor and seek New York City. In it many players to acquire as much information as was since well known had their introduction possible before the beginning of shooting. to the motion picture public. With the to make Palmer chose to go to the tops in the company that went abroad of Her­ way of authority en the camera work of "Ivanhoe," under the direction and the players of which Technicolor.
    [Show full text]
  • Secuencias, 37 (P. 105-151) Libros
    EL HIJO DE LA PRADERA El éxito que tuvo The Great Train Robbery Título: El hijo de la pradera (Asalto y robo de un tren), la película que Edwin Distribuidora: Cameo S. Porter realizó en 1903, decidió a Gilbert M. Zona: 2 Anderson –que intervenía en ella como actor – Contenidos: 2 discos más un libreto con textos a dedicarse a los films del oeste, en donde partici- de Quim Casas y Carlos Losilla pará en cientos de películas como intérprete, DVD 1: El hijo de la pradera (Tumbleweeds, director, productor y guionista. Para ello funda King Baggot y William S. Hart, 1925); Vídeo en 1907 con George K. Spoor la productora The ensayo sobre la película (Raúl Alda, 2011). Essanay Film Manufacturing Company, con la DVD 2: Extras: The Ruse (La astucia, William idea de explotar este género, en donde se con- Clifford y William S. Hart, 1915); The Great vierte en el primer cowboy de la pantalla, bajo el Train Robbery (Asalto y robo a un tren, Edwin nombre de Broncho Billy. Anderson adquirió una S. Porter, 1903); The Battle at Elderbush Gulch enorme popularidad, que se extenderá hasta (La batalla de Elderbush Gulch, David Wark 1918, fecha para la que ya había rodado alrededor Griffith, 1913); By the Sun’s Rays (Por los rayos de 150 películas. del sol, Charles Giblyn, 1914); His Bitter Pill (Su El éxito que cosechan los films de Anderson píldora amarga, Fred Hibbard y Mack Sennett, lleva al productor William Nicholas Selig a buscar 1916); West of Hot Dog (Al oeste de Perrito a un verdadero caballista para que interprete su Caliente, Joe Rock y Scott Pembroke, 1924).
    [Show full text]