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Oral History Interview with Howard Finster, 1984 June 11
Oral history interview with Howard Finster, 1984 June 11 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Preface Interview with The Reverend Howard Finster conducted by Liza Kirwin in the Finley Conference Room at the National Museum of American Art and National Portrait Gallery building, Washington, D.C., June 11, 1984. Preface The following oral history transcript is the result of a tape recorded interview with Howard Finster on June 11, 1984. The interview took place in Washington, D.C., and was conducted by Liza Kirwin for the Archives of American Art, Smithsonian Institution. While we have made an attempt to convey The Reverend Finster’s speech pattern and dialect, the reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose Interview LIZA KIRWIN: Mr. Finster, could you begin by talking about when and where you were born, and a little bit about your family background? HOWARD FINSTER: Yeah, I’ll start talking and you just break in when you want to because I never quit, you know. Just break if I talk too long. I was born at Valley Head, Alabama. It’s about 42 miles south of Chattanooga and about 200 miles west of Atlanta. I was born there in Alabama. I stayed on the farm a good while–with my father and mother and farm. -
American Folk Art from the Volkersz Collection the Fine Arts Center Is an Accredited Member of the American Alliance of Museums
Strange and Wonderful American Folk Art from the Volkersz Collection The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most accredited by the AAM in 1971. prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums accredited by the AAM in 1971. Copyright© 2013 Colorado Springs Fine Arts Center Copyright © 2013 Colorado Springs Fine Arts Center Library of Congress Cataloguing-in-Publication Data Library of Congress Cataloguing-in-Publication Data Strange and Wonderful: American Folk Art from the Volkersz Collection. Authors: Steve Glueckert; Tom Patterson Charles Bunnell: Rocky Mountain Modern. Authors: Cori Sherman North and Blake Milteer. Editor: Amberle Sherman. ISBN 978-0-916537-16-6 Published on the occasion of the exhibition Strange and Wonderful: American Folk Art from the Volkersz Collection at the Missoula Art 978-0-916537-15-9 Museum, September 22 – December 22, 2013 and the Colorado Spring Fine Arts Center, February 8 - May 18, 2014 Published on the occasion of the exhibition Charles Bunnell: Rocky Mountain Modern at the Colorado Springs Fine Arts Center, Printed by My Favorite Printer June 8 – Sept. 15, 2013 Projected Directed and Curated by Sam Gappmayer Printed by My Favorite Printer Photography for all plates by Tom Ferris. -
Losing My Religion (PDF)
Losing My Religion Bill Berry, Peter Buck, Mike Mills, Michael Stipe 1990 (released by R.E.M. 1991) < Riff before each change of chord in intro, etc. > A |-----------------|---------5-7-5-0-| E |-----------------|-----------------| | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | INTRO: / 1 2 3 4 / 1 2 [G] / [F] / [F][G] / [Am] / [Am][G] / [F] / [F][G] / [Am] / [G] Oh.... [Am] life, is [Am] bigger [Em] It’s bigger than [Em] you, and you are [Am] not me The [Am] lengths that I will [Em] go to The [Em] distance in your [Am] eyes [Am] [Em] Oh no I’ve [Em] said too [Dm] much [Dm] I set it [G] up [G] That’s me in the [Am] corner [Am] That’s me in the [Em] spot_light [Em] Losing my re-[Am]ligion [Am] Trying to [Em] keep up with [Em] you And I [Am] don’t know if I can [Am] do it [Em] Oh no I’ve [Em] said too [Dm] much I [Dm] haven’t said e-[G]nough I [G] thought that I heard you [F] laughing I [F] thought that I heard [G] you [Am] sing [Am] I [F] think I thought I [F] saw [G] you [Am] try [G] Every whis-[Am]per, of [Am] every waking [Em] hour I’m [Em] choosing my con-[Am]fessions [Am] Trying to [Em] keep an eye on [Em] you Like a [Am] hurt, lost, and blind [Am] fool, fool [Em] Oh no I’ve [Em] said too [Dm] much [Dm] I set it [G] up [G] Consider [Am] this [Am] consider this, the [Em] hint of the centur-[Em]y Consider [Am] this, the [Am] slip, that [Em] brought me to my [Em] knees, failed [Am] What if all these [Am] fantasies come [Em] flailing a-[Em]round Now I’ve [Dm] said.. -
Interview with MIKE MILLS of R.E.M. Was Conducted by the Library of Congress on March 23, 2018
This interview with MIKE MILLS of R.E.M. was conducted by the Library of Congress on March 23, 2018 Mike Mills Library of Congress: Quite famously, there are two versions of “Radio Free Europe”-- one on Hib-Tone and a later one that was done for I.R.S. Records. Listening to them today, do you prefer one version over the other? Mike Mills: I think everyone in the band has gone on record as saying that they prefer the Hib- Tone version compared to the one on the album. It was rawer, and done with a little more energy and abandon, which often makes for a more exciting recording. LOC: What was writing “Radio Free Europe” like? All four members of the band are listed as the songwriter on the label. MM: I wrote the verse and B-section late one night while sitting alone downstairs in an Athens record store while a party was going on upstairs. The store was closed, and I was playing an unamplified electric guitar as I was listening to the party. [For “Radio Free Europe,”] later, Peter wrote the chorus and bridge, and Michael [Stipe] supplied the melody and lyrics. Peter [Buck] made the suggestion early on that we share all the writing credits equally, because songwriters get the income from publishing, and unequal income distribution is one of the primary causes of bands breaking up. “So,” Peter said, “let’s just take that out of the equation.” LOC: At this time, who do you think, musically, were your biggest influences? MM: My influences came from all over the place. -
ICA DOMENICA 13 MARZO 2011 Musica
40 LA NOSTRA DOMENICA DOMENICA 13 MARZO 2011 Musica Jessica Lea Mayfield Mauro E. Giovanardi Cornershop Country a tinte cupe Vintage ben assortito Oriente andata e ritorno Jessica Lea Mayfield Mauro Ermanno Giovanardi Cornershop Tell me Ho sognato troppo l’altra notte? Cornershop & The Double ‘O’ Nonesuch Columbia Groove of *** *** **Ample Play GLI ALTRI Secondo disco per la giovane cantautrice Sanremo coi La Crus e poi di nuovo da Ci aspettavamo un’altra Brimful of Asha dell’Ohio, prodotta da Dan Auerbach (Black solo. Con un disco dal sapore vintage, fra e, invece, ecco un disco che mette la sordi- DISCHI Keys). La talentuosa Jessica racconta con archi, fiati e cover ben assortite. Echi di na al pop e la butta sul ritmo indiavolato, voce imbronciata le sue paturnie amorose Morricone, beat italiano e canzone d’auto- cercando un punto d’incontro fra Oriente in unamanciata di ballatealt-country a tinte re mescolati con gusto sopraffino, fra tra- edOccidente.Niente inglese, voce femmini- cupe. Ispirazione notturna e spleen esisten- dizione e modernità. Mentre Giò, baritono le (un po’ monocorde), radici folk e pulsioni ziale, sconsigliato ai cuori infranti di recen- emozionale, si candida fra i più credibili contemporanee.“Bangla beat” l’hanno defi- te. Però lei è brava davvero. D.P. «crooner» del nostro panorama. D.P. nito. Comunque sia, fa ballare. Eccome. D.P. Rem pare proprio di sentire l’immenso Out Collapse Into Now of Time... la cosa si fa quasi imbaraz- Warner Bros zante con Blue: è praticamente identi- **** ca a Country Feedback, compreso il re- citato vocale e la chitarra «psichica» di Peter Buck, tanto che risulta impensa- ROBERTO BRUNELLI bile che non si tratti di un’operazione del tutto consapevole. -
Die Sache Mit Michael Stipe
www.reporter-forum.de Die Sache mit Michael Stipe Von Marc Fischer Ich will Sie hier nicht mit Branchengeschwätz nerven, aber unter Mietreportern meines Typs kursiert seit Jahren eine Liste mit Prominenten, die sich kaum ein Mensch freiwillig zum Interview aussuchen würde – zu anstrengend, banal, aussichtslos. Von unten nach oben raufgezählt geht die Rangliste so: Platz 4 Hannelore Elsner (sagt nur Quatsch), 3. Gerhard Schröder (will nichts sagen und wird nichts sagen), 2. Erich Honecker (könnte was sagen, ist aber leider schon tot). Auf Platz 1: Michael Stipe, 43, Sänger der amerikanischen Poprockband R.E.M., Weltstar. Ihn zu befragen, behaupten viele Journalisten, bringt nicht viel. Seltsam, denn Stipe ist keineswegs ein uninteressanter Typ, ganz im Gegenteil: Seit über zwanzig Jahren im Geschäft, hat der dünne Mann mit dem rasierten Schädel einen Haufen Hits für seine Band geschrieben, darunter sehr schöne Lieder wie »Losing My Religion«, »The One I Love«, »Man On The Moon«, »Nightswimming«, »Everybody Hurts« und zuletzt »Imitation of Life«. Stipe ist schlau und gebildet, isst kein Fleisch und setzt sich für die Umwelt ein, hat was gegen Krieg und George W. Bush, er fotografiert und produziert nebenbei kleine Underground-Filme, die es sonst nie ins Kino schaffen würden – mit Leuten wie Spike Jonze, Sofia Coppola, Todd Solondz und ein paar Dutzend anderen Talenten. Ansonsten weder Liebesaffären, Drogengeschichten noch sonst ein Dreck. Kein Zweifel, Michael Stipe ist das, was man einen superfeinen, superkorrekten Kerl nennt. Die Sache -
Issue 139.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 139 February Oxford’s Music Magazine 2007 photo by Squib RichardRichardRichard Oxford’sWaltersWaltersWalters master of melancholy on his incredible ten-year musical journey - interview inside. Plus - News, reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS photo: Matt Sage Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] BANDS AND SINGERS wanting to play this most significant releases as well as the best of year’s Oxford Punt on May 9th have until the its current roster. The label began as a monthly 15th March to send CDs in. The Punt, now in singles club back in 1997 with Dustball’s ‘Senor its tenth year, will feature nineteen acts across Nachos’, and was responsible for The Young six venues in the city centre over the course of Knives’ debut single and mini-album as well as one night. The Punt is widely recognised as the debut releases by Unbelievable Truth and REM were surprise guests of Robyn premier showcase of new local talent, having, in Nought. The box set features tracks by Hitchcock at the Zodiac last month. Michael the past, provided early gigs for The Young Unbelievable Truth, Nought, Beaker and The Stipe and Mike Mills joined bandmate Pete Knives, Fell City Girl and Goldrush amongst Evenings as well as non-Oxford acts such as Buck - part of Hitchcock’s regular touring others. Venues taking part this year are Borders, Beulah, Elf Power and new signings My band, The Venus 3 - onstage for the encores, QI Club, the Wheatsheaf, the Music Market, Device. -
Radio Itapema FM Floria
A B C 1 2 Razão social: Radio Itapema FM Florianópolis Ltda CNPJ: 79.224.614/0001-07 3 Nome fantasia: Rádio Itapema FM - 93.7 Cidade: Florianópolis - SC 4 5 PROGRAMAÇÃO MUSICAL DIÁRIA DIA/MÊS/ANO: 01/08/2020 6 Música Intérprete Execução 7 SONÍFERA ILHA MARIA LUIZA / TITAS 2 8 EVENING SHADOWNS VAN MORRISON / JOEY DEFRANCESCO 2 9 WINEGLASS WOMAN MAYER HAWTHORNE 2 10 A MAN AND A WOMAN U2 / BONO VOX 2 11 SCREAM PAOLO NUTINI 2 12 LONELY AVENUE MICK HUCKNALL / SIMPLY RED / STEPHEN MARLEY 2 13 BREAK APART BONOBO / RHYE 2 14 MEIO DE CAMPO GILBERTO GIL 2 15 I'M FREE ROLLING STONES / MICK JAGGER 2 16 MY OWN WAY AMY WINEHOUSE 2 17 UNCHAIN MY HEART WILLIE NELSON / WYNTON MARSALIS 2 18 DIFERENTE GOTAN PROJECT 2 19 NÃO CONSIGO NEY MATOGROSSO 2 20 BOHANNON FAT FREDDYS DROP 2 21 HA HA HA THE EXCITEMENTS 2 22 TROPICALIA BECK 2 23 FOTO VIVA LEILA PANTEL / MO'HORIZONS 2 24 SMOKE AND MIRRORS JAMIROQUAI 2 25 ACROSS THE UNIVERSE SPEECH / RUFUS WAINWRIGHT / BEATLES 2 26 I HAD A DREAM BLANK AND JONES / HOWARD WERTH 2 27 THE CALLING SANTANA / ERIC CLAPTON 2 28 QUE HORAS NÃO SÃO VITOR RAMIL / MARCOS SUZANO / KATIA B 2 29 FLOW L.A. THOMAS 2 30 ISN'T SHE LOVELY LIVINGSTON TAYLOR / KEB'MO' / STEVIE WONDER 2 31 VIDEO INDIA DOT ARIE 2 A B C 32 ESCAPE JACK JOHNSON 2 33 SE EU FOSSE UM DIA O TEU OLHAR NUNO MINDELIS 2 34 I FEEL THE EARTH MOVE THE MOLESKINS 2 35 FORGET BEN WATT / EVERYTHING BUT THE GIRL 2 36 LOVE IS GONNA BRING US BACK ALIVE RICKIE LEE JONES 2 37 HUSH ANGUS AND JULIA STONE 2 38 RONCO DA CUÍCA CEU / JOAO BOSCO 2 39 HERE THERE AND EVERYWHERE DAVID GILMOUR / PINK FLOYD 2 40 BLUE ZUCCHERO / SHERYL CROW 2 41 A IDADE DO CEU PAULINHO MOSKA / ZELIA DUNCAN 2 42 HUMAN LOSS AND GAIN CLUB DES BELUGAS / BAJKA 2 43 DO I QUALIFY? LYNDEN DAVID HALL 2 44 HYPNOSIS DAMIEN RICE 2 45 MY BABY JUST CARES FOR ME IMELDA MAY / BLUE HARLEM / NINA SIMONE 2 46 I WILL BE FOUND JOHN MAYER 2 47 BREAK ON THROUGH DJ DISSE / THE DOORS 2 48 ANIMA MILTON NASCIMENTO 2 49 GOOD THINGS SPENGLER 2 50 SWEET L.A. -
Chronobiology with Katherine Hatcher Ologies Podcast December 10, 2019
Chronobiology with Katherine Hatcher Ologies Podcast December 10, 2019 Oh hey, it’s your invisible aligners you don’t wear anywhere near 22 hours a day, and they know it, and you know it, Alie Ward, back with another episode of Ologies. I’m alive, y’all! I slept so many hours over the last couple of weeks dealing with this flu… Whooo! When are you listening to this? Are you turning the coffee pot on and feeding the dog? Are you on the 7am train to work? Is it your lunch break and you have half a burrito spinning slowly in a microwave? Maybe the sun is setting while you walk to your car. Are you nursing a human who has decided to snack on your boobage at 4am? At least once a day it seems we look at a clock and we’re cranky about it. Myself, very much so, all the time. So, we are here to talk about why. But first, we’re going to talk about you, saying thank you so much for supporting via Patreon.com/Ologies, for sending in your questions that way, for wearing Ologies shirts and hats from OlogiesMerch.com – we have some great new designs up by the by – and for telling friends, and maybe foes, and in-laws about Ologies, and keeping it up in the charts by rating it and subscribing on all of your devices. And of course for leaving a review; you know I’m gonna lurk them, just like a gentle, happy, creep so I can read one back to you. -
Bill Crawford Memorial Meet Moves
All the news about local swimming that fits to print. Volume I • January 2001 Newton’s Laws of Motion as Bill Crawford They Apply to Swimming Memorial by Big Wave Dave Meet Moves: Sir Isaac Newton may helpful with Newton’s have missed his calling. Third Law, see below). If I suspect he would have we avoid all of these large To Villanova on been a great swim coach. objects, we can reason- His pioneering observa- ably assume that we will March 25th tions on the laws of motion maintain our speed longer. would have done any When it comes to keeping By Steph Walsh Beilman swim coach proud. in uniform motion with all Everything we do in the that pesky water about, it As some of you may know, I have water can be attributed to becomes more difficult. offered to run the VFM Winter at least one of his 3 laws Keep your head down. Classic in 2001. It will be held for of motion. Point those toes. Suck the gut in. Clamp those hands the first time at Villanova, the date is Newton’s First Law of Motion: together. Knees together. March 25th. We have moved it to Experiment. When you do that time because the weather is not I. Every object in a state of uniform something wrong, your body will tell so much of a threat as it is in motion tends to remain in that state you immediately by slowing down, February and it’s a free date at of motion unless an external force is i.e., exiting that uniform state of Villanova. -