DOCSLIB.ORG

Bible Studies 17 Fa Th™

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bible Studies 17 Fa Th™ ���������������������������������������������������� >> This is the October 2015 issue containing the November Bible Study Lessons 32 Funerals, burials taking new forms baptiststoday.org Creative CHAOS Preacher, folk artist 4 Howard Finster left a large legacy Williamsburg teaches lessons for today 43 BIBLE STUDIES 17 FA TH™ John D. Pierce Executive Editor [email protected] Julie Steele Chief Operations Officer [email protected] Jackie B. Riley Managing Editor [email protected] Tony W. Cartledge Contributing Editor [email protected] Bruce T. Gourley Online Editor/Contributing Writer [email protected] David Cassady Church Resources Editor [email protected] Vickie Frayne Art Director What is Nurturing Faith? 14 Jannie Lister Customer Service Manager [email protected] and why do you ask for financial support? 40 Lex Horton Nurturing Faith Resources Manager [email protected] Walker Knight, Publisher Emeritus PERSPECTIVES Jack U. Harwell, Editor Emeritus ‘It’s what we do’ 9 Gifts to Baptists Today DIRECTORS EMERITI By John Pierce Thomas E. Boland IN MEMORY OF R. Kirby Godsey Don’t expect millennials to carry on Guy Rutland III CHARLES L. TYER Mary Etta Sanders parents’ tradition 30 Mel Williams By Bob Ballance From Ida Jean Tyer Winnie V. Williams Conservative Christians’ new scare word 38 BOARD OF DIRECTORS Donald L. Brewer, Gainesville, Ga. (chairman) By Jonathan Merritt Cathy Turner, Clemson, S.C. (vice chair) Nannette Avery, Signal Mountain, Tenn. How to win gay rights with patience and grace Kelly L. Belcher, Asheville, N.C. By Tom Krattenmaker 39 Edwin Boland, Johns Creek, Ga. Ronnie Brewer, Bristol, Va. Janie Brown, Elon, N.C. Straightening Randall Lolley 42 Bob Cates, Rome, Ga. By Alan Sherouse Jack Causey, Statesville, N.C. Anthony D. Clevenger, Pensacola, Fla. Kenny Crump, Ruston, La. Doug Dortch, Birmingham, Ala. IN THE NEWS FEATURE Jack Glasgow, Zebulon, N.C. Wayne Glasgow, Macon, Ga. Some larger black churches are avoiding decline 12 RELIGION AND THE AMERICAN Frank Granger, Athens, Ga. PRESIDENTS: JAMES MONROE Cynthia Holmes, St. Louis, Mo. Israel’s young militant settlers latest front David Hull, Watkinsville, Ga. (1817-1825) 10 Bill Ireland, Dalton, Ga. in struggle against terrorism 13 By Bruce Gourley Becky Matheny, Athens, Ga. Tommy McDearis, Blacksburg, Va. Andrew McGill, Chattanooga, Tenn. FEATURE Cynthia Wise Mitchell, Birmingham, Ala. Quotation Remarks 8 William T. Neal, Stone Mountain, Ga. MISSION TOURISM: Roger Paynter, Austin, Texas Critics say popular approach to short-term trips Editorial 9 Kathy B. Richardson, Rome, Ga. doesn’t meet needs Charlotte Cook Smith, Winston-Salem, N.C. 36 Classifieds 28 Sarah Timmerman, Cairo, Ga. By Aaron Weaver David Turner, Richmond, Va. Lighter Side 29 Clem White, St. Petersburg, Fla. Donna Wood, Macon, Ga. COVER PHOTO BY JOHN PIERCE. What others casted CAMPAIGN CO-CHAIRS Drayton and Mary Etta Sanders art that is scattered about Paradise Garden in Summerville, An autonomous, national READERS SERVICES Mission Statement or Baptists Today serves churches by providing a reliable TEACH source of unrestricted news coverage, thoughtful analysis, helpful resources and inspiring features FACILITATE? focusing on issues of importance to Baptist Christians. Advertising GREAT BIBLE STUDY in combination is in YOUR HANDS right now! Individual and Gift Subscriptions Baptists Today, P.O. Box 6318, Macon, GA 31208-6318 Group or Bulk Subscriptions Nurturing Faith Bible Studies by Tony Cartledge pd. by single check or credit card are conveniently placed in the center of this news journal for each class participant — with free and Bulk sent to single address abundant teaching resources (including videos) Single Issues online at BaptistsToday.org for subscribers. Baptists Today, P.O. Box 6318, Macon, GA TONY’S VIDEO OVERVIEWS 31208-6318 for each lesson provide EITHER: Tax-deductible Gifts for TEACHERS Baptists Today, P.O. Box 6318, Macon, GA or 31208-6318 C FACILITATORS to show ALL [email protected] in class and then lead TODAY! well-informed discussions. organization. Letters to the Editor Writing Submissions Contact Information For more information or to place a group order, Baptists Today, P.O. Box 6318, Macon, GA 31208-6318 visit BaptistsToday.org or call 1-877-752-5658. Baptists Today (ISSN 1072-7787) is published monthly by: Baptists Today Periodical postage paid at Macon, Ga. 31208 and additional mailing offices. POSTMASTER: Send address corrections to: Baptists TodayAll rights reserved. !"#$% &'( )*#"#! +% ,#*' )-.$/. Creative CHAOS Preacher, folk artist Howard Finster left a large legacy UMMERVILLE, Ga. — Howard SWAMP TO GARDEN Finster was a Baptist preacher with a S sixth-grade education and a folk artist A non-profit organization has brought Paradise whose fame took him to New York galleries Garden to life again. Jordan Poole, executive (A section of one walkway is now on perma- and put him on the front page of The Wall director of the Paradise Garden Foundation, nent display at Atlanta’s High Museum of Art.) Street Journal. Whether in a revival tent, on welcomes visitors to the same front porch late night television with Johnny Carson, or where Finster greeted famed artists and musi- painting out of divine inspiration, he was fully cians as well as anyone one else curious about PRESERVATION expressive. his art. Finster’s life and work are well recorded, said Finster, who died in 2001, could turn any- “We get people from all around the world Poole: “He did so many [photo] collages and thing into art — resulting in more than 46,000 who come here,” Poole said of the “adaptive told his own story.” And hardly a thought (or pieces. Everything from hubcaps to bicycle rehabilitation” of the buildings and grounds. “vision”) went unexpressed. parts to vending machines to the Cadillac he A second phase will tackle Finster’s towering, There is nowhere at Paradise Garden to drove around Summerville (a gift from artist odd-designed World’s Folk Art Church that look without seeing some artistic expression by Victor Faccinto of Wake Forest University) was Poole hopes to make into conference space. Finster or those influenced by his works. Nor is subject to the colorful messages he claimed as The swampy land that Finster moved there a view without hand-painted renderings visions from God. onto in the 1960s was drained through a series by the Baptist preacher of Bible verses. Rock band R.E.M. put his work on an of canals that now allow water to flow freely. Visitors seeking a resting space for reflec- album cover and filmed their music video Walkways were not only practical but yet tion can stop in Finster’s open-air meditation Radio Free Europe in the artist’s sprawling, art- another canvas for Finster who embedded mar- chapel that he purchased with a grant from the filled Paradise Garden in Northwest Georgia. bles, broken glass and other discarded items National Endowment for the Arts. He was both eccentric and eclectic. into the concrete to create a mosaic look. Poole said that Finster was “nomadic” 4 | Feature October 2015 - and moved about the acreage to work rather than settle into one studio. And the foundation wants to preserve all of those spaces as much as possible. “We want to maintain everything that has the artist’s hand on it,” he said. Finster’s family, grateful for the preser- vation work, is “very much involved” in the effort, said Poole. “They are glad somebody is up to doing this.” ODDITIES Jordan Poole, executive director of the Paradise Garden Foundation, welcomes visitors to Born in 1916 as the youngest of 13 children, the same front door where Howard Finster greeted famous musicians and artists along Finster, an Alabama native who called himself October 2015 Feature | 5 Howard Finster recorded much of his own history through said Jordan Poole, was well as a favored art considered a waiting and willing canvas for Finster to share a mes- “a man of visions,” was not afraid to stray from the mainstream of society. Through his art he shared prophetic warnings and even glimpses into the celestial world that he considered to be divine revelations. Finster claimed to see spacecraft as well as angels, stars and mountains when he sat to paint. Locally, “Preacher Finster” was perceived as both an insider and someone a bit different, said Poole. “He baptized or preached to most every- one in the county…,” said Poole. “But he was a topic of conversation!” Few artists fit into societal norms. So Finster’s eccentricities were considered part of his personality, mission and genius. “The people who loved to come to the garden most were the children, and the teen- agers wanting to have their bicycles fixed,” said Kathy Berry, administrator for the Paradise Garden Foundation. “If they didn’t have the money, Howard would put them to work.” Finster’s work as a preacher, repairman and artist often seemed inseparable. However, after a vision in 1976 (in which he saw a human face in a smudge on his finger while painting a bicycle), he set his tools in concrete as an expression of art and a clear commitment to producing “sacred art” in abundance. one of several Howard Finster Wasting little time, this “second Noah” churned out one piece after another — from renderings of George Washington, Elvis and Coke bottles to obscure fantasies, and lots and lots of scripture. 6 | Feature October 2015 ATTENTION was as comfortable on a Hollywood set before By giving the body to Howard, said Berry, a live audience and millions of viewers as in everyone knew it would be “cared for and An elevated exhibition gallery is filled with a hot summertime tent in the rural South watched over.” many pieces of art gifted to Finster by those preaching sin and salvation. Towers of hubcaps, rusted bicycle parts inspired by his works. Interspersed along the With banjo in hand he roamed the stage and other junk rise throughout the unique simple walls — lighted by occasional overhead to Carson’s wide-eyed wonder and sidekick Ed garden of art.
Load more

Recommended publications
  • Oral History Interview with Howard Finster, 1984 June 11
    Oral history interview with Howard Finster, 1984 June 11 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Preface Interview with The Reverend Howard Finster conducted by Liza Kirwin in the Finley Conference Room at the National Museum of American Art and National Portrait Gallery building, Washington, D.C., June 11, 1984. Preface The following oral history transcript is the result of a tape recorded interview with Howard Finster on June 11, 1984. The interview took place in Washington, D.C., and was conducted by Liza Kirwin for the Archives of American Art, Smithsonian Institution. While we have made an attempt to convey The Reverend Finster’s speech pattern and dialect, the reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose Interview LIZA KIRWIN: Mr. Finster, could you begin by talking about when and where you were born, and a little bit about your family background? HOWARD FINSTER: Yeah, I’ll start talking and you just break in when you want to because I never quit, you know. Just break if I talk too long. I was born at Valley Head, Alabama. It’s about 42 miles south of Chattanooga and about 200 miles west of Atlanta. I was born there in Alabama. I stayed on the farm a good while–with my father and mother and farm.
    [Show full text]
  • American Folk Art from the Volkersz Collection the Fine Arts Center Is an Accredited Member of the American Alliance of Museums
    Strange and Wonderful American Folk Art from the Volkersz Collection The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most accredited by the AAM in 1971. prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums accredited by the AAM in 1971. Copyright© 2013 Colorado Springs Fine Arts Center Copyright © 2013 Colorado Springs Fine Arts Center Library of Congress Cataloguing-in-Publication Data Library of Congress Cataloguing-in-Publication Data Strange and Wonderful: American Folk Art from the Volkersz Collection. Authors: Steve Glueckert; Tom Patterson Charles Bunnell: Rocky Mountain Modern. Authors: Cori Sherman North and Blake Milteer. Editor: Amberle Sherman. ISBN 978-0-916537-16-6 Published on the occasion of the exhibition Strange and Wonderful: American Folk Art from the Volkersz Collection at the Missoula Art 978-0-916537-15-9 Museum, September 22 – December 22, 2013 and the Colorado Spring Fine Arts Center, February 8 - May 18, 2014 Published on the occasion of the exhibition Charles Bunnell: Rocky Mountain Modern at the Colorado Springs Fine Arts Center, Printed by My Favorite Printer June 8 – Sept. 15, 2013 Projected Directed and Curated by Sam Gappmayer Printed by My Favorite Printer Photography for all plates by Tom Ferris.
    [Show full text]
  • Pasaquan Paradise Garden
    LEVERAGING PUBLIC INVESTMENT IN THE ARTS PARADISE GARDEN The Role of Arts-based Economic Development Strategies in Rural PASAQUAN Georgia Communities A division of the Georgia Municipal Association Georgia Department of GaCities.com Economic Development GAArts.org PARADISE GARDEN AND PASAQUAN – Artists’ Environments Boost Tourism In 1977, Howard Finster and Eddie Owen Martin were invited to attend an event for folk artists at the Library of Congress in Washington, D.C. A contingent from Georgia – led by then Georgia First Lady Mary Beth Busbee – met at the airport to fly up together. The way Martin – who called himself St. EOM – tells it, he showed up at the airport in his traditional Indian regalia and they went “by procession” onto the plane. Mrs. Busbee had me by the right arm, and “ the Reverend Finster was on the other side of her. And he was blowin’ a harp, and I was beatin’ on my African talkin’ drum and chantin’ at the same time as we walked on the plane. I think Mrs. Busbee Howard Finster, a self-taught artist from Chattooga County, sits atop his was kinda startled. “Paradise Garden,” a sculpture garden filled with mixed-media creations next to his home in Pennville. Finster began work on the garden in 1961. – Eddie Owen Martin ” Photograph by Bud Lee. This example highlights the personalities of two artists who were known for their eccentricities, and who had just as many similarities as they did differences. Both men were self-taught artists, both were inspired by “visions” from the spiritual world, and both built their homes into artists’ environments that visitors now flock to.
    [Show full text]
  • Witness to the Vision: the Jacquin Collection of Outsider Art, Spring
    EDUCATOR GUIDE WHAT TO EXPECT: Table of Contents The 19th and 20th centuries brought monumental changes to the art world. A new generation of Contents………………….……………………...1 European and American artists began to push the boundaries of conventional art to include Learning Goals & Themes and Materials…..2 new techniques, styles, and subject matters. In Witness to the Vision…………………………3 the span of only a century, art connoisseurs were introduced to Impressionism, Modernism, What is Outsider Art?………………………...4 Abstract Expressionism, and everything in between. It was during this same season of Who is Pixie Jacquin?………………………..5 artistic revolution that art brut or Outsider art first gained recognition. Who are the Artists?………………………6-27 The term art brut was first used by Jean Museum Etiquette Guide…………………...28 Dubuffet in the mid 20th century to refer to the powerful work produced by creators with Class Activity Ideas……………………...29-42 no artistic training and little to no knowledge Pre-Visit Ideas…………………….30-34 of the art world’s galleries, collectors, or dealers. Of particular interest to Dubuffet Museum Activities……………….35-38 and his contemporaries was work produced Post-Visit Ideas…………………...39–42 by patients of mental institutions, because it Academic Standards Met by Exhibit……..43 was spontaneous, original, and unadulterated by the predominant art culture. 1 RiverfrontMuseum.org LEARNING GOALS COMMON THEMES After reviewing the information and completing Although Outsider artists do not always set out to the activities found inside the Witness to the Vision create art, they do often work with the intention of communicating a specific message through their educator guide and visiting the exhibit, students creations.
    [Show full text]
  • Review for Final Exam on American War Stories 50 Questions—100 Points
    Jestice/English 3 Review for Final Exam on American War Stories 50 questions—100 points Directions: 1. Read about the following war songs, musicians, and music. 2. Analyze the song lyrics. Primary source material. Use the TPCASTT graphic organizer to help in your gathering. Summarize information using Who? What? Where? When? Why? How? 3. Gather information from the biographies and commentaries on the songs. Secondary source material. Document by marking the text. 4. Use this information to help you study for the final exam. 5. The poems/song lyrics (only) will be provided on the final exam. 50 questions; 100 points Jestice/English 3 Civil War Period Song “Buffalo Soldier” by Bob Marley Buffalo Soldier Bob Marley Buffalo Soldier, dreadlock Rasta There was a Buffalo Soldier In the heart of America Stolen from Africa, brought to America Fighting on arrival, fighting for survival I mean it, when I analyze these things To me, it makes a lot of sense How the dreadlock Rasta was the Buffalo Soldier And he was taken from Africa, brought to America Fighting on arrival, fighting for survival Said he was a Buffalo Soldier, dreadlock Rasta Buffalo Soldier, in the heart of America If you know your history Then you would know where you coming from Then you wouldn't have to ask me Who the heck do I think I am I'm just a Buffalo Soldier In the heart of America Stolen from Africa, brought to America Said he was fighting on arrival Fighting for survival Said he was a Buffalo Soldier Win the war for America Said he was a, woe yoy yoy, woe woe yoy yoy
    [Show full text]
  • “Radio Free Europe”—REM (1983) Added to the National Registry: 2009 Essay by Cary O’Dell
    “Radio Free Europe”—REM (1983) Added to the National Registry: 2009 Essay by Cary O’Dell Original sleeve Original 45 REM for single Musical group REM was founded in Athens, Georgia, in 1980. Originally, the band consisted of Michael Stipe (vocals), Peter Buck (guitar), Mike Mills (bass) and Bill Berry (drums). Before their final split in 2011 (Berry had departed earlier in 1997), the group would become heralded as one of the premiere groups of the “alternative” rock movement (while also bowing their knit cap to a punk and hipster/indie aesthetic). For 20 years, they mixed melodic hooks with arty, often political lyrics while also incorporating a strong folk instinct and a determined, rebellious guitar-driven sound. Together, they crafted a series of singles and albums that would prove highly successful both commercially and critically. After spending several years being lauded as music’s “next big thing,” the band’s first top 10 hit, “The One I Love,” emerged in 1987. They followed it with 1989’s “Stand,” 1991’s “Losing My Religion” (their biggest seller); and “Shiny, Happy People” also in ’91. Later successful releases include “Man on the Moon” (1993) and the generational anthem “Everybody Hurts” (1993). But for those seeking insight into the band’s philosophy, and early indicators of the artistry to come, one should look to the group’s first and breakthrough single “Radio Free Europe.” Composed by all four members of the group, “Radio” was first recorded in 1981 in a recording studio in Winston-Salem, North Carolina, and was initially released over the small, now defunct Athens-based recording label Hib-Tone.
    [Show full text]
  • August Through December 2019
    CourseAugust through DecemberCatalog 2019 WEBSITE: www.olli.uga.edu FACEBOOK: olliatuga INSTAGRAM: olli@uga A Busy Fall 2019 Olli@UGA offers members an impressive collection of over 230 classes on Other returning speakers/programs include: a large variety of subjects for its Fall 2019 Semester that begins August • Charlotte Marshall who will lead several local historic tours; 20. Registration is scheduled July 24. • Bill Cosgrove presents two classes on WWII subjects; and • Local attorney John Lyndon shares his interest in music through a Among the highlights are celebrations to observe the organization’s 25th program on the making of Eric Clapton’s classic rock hit “Layla.” Anniversary of its founding and 10th year as an Osher Life Long Learning Institute. The organization began in 1994 as an outgrowth of a book club Longtime member and OLLI Historian Bill Loughner, who chairs our Great with about 100 members. It joined the Osher network in 2009 and today Books Discussion class, will lead off our 25th and 10th year Anniversaries is one of 123 independent affiliates in 50 states. observance. He will present on OLLI@UGA’s Early Years. “Thanks to the hard work of our curriculum committee and staff, we Among other members who will be sharing their experiences and have another series of classes and programs our members should find expertise are: interesting, entertaining, and educational,” said Tim Meehan, executive • Randall Abney on Olive Oils & Vinegars; director. • Peter Balsamo and Andy Horne team-up for a program on Intergenerational experience in “How To Live Forever;” Fall semester runs 17-weeks ending December 13.
    [Show full text]
  • The Life and Songwriting of Vic Chesnutt
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2014 The Life And Songwriting Of Vic Chesnutt John Hermann University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Hermann, John, "The Life And Songwriting Of Vic Chesnutt" (2014). Electronic Theses and Dissertations. 885. https://egrove.olemiss.edu/etd/885 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE LIFE AND SONGWRITING OF VIC CHESNUTT A Thesis Presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by John Hermann May 2014 Copyright © 2014 by John Hermann All rights reserved ABSTRACT This thesis is an exploration of the life and music of Vic Chesnutt, and it accompanies a documentary film. Both components feature interview excerpts from over 30 hours of film footage with Chesnutt, as interspersed with archival documents of his life, along with dozens of interviews with his family, friends, peers, music writers, and bandmates. Chesnutt’s story can only be properly told through the lens of southern culture. He was not just a charter member of an international group, but a southern songwriter whose rural Georgia upbringing was paramount to his work. He has often been compared in music journals to the southern gothic schoolmates of William Faulkner, Flannery O’Connor, and Carson McCullers, placing his songs in the context of southern writers.
    [Show full text]
  • Way out People, Way out There: Southern Sanctuaries
    September 15, 2020 Way Out People Way Out There: Southern Sanctuaries By Laura Relyea, photography by Roger Manley & Guy Mendes, courtesy of Institute 193 The 2019 book, Walks to the Paradise Garden follows the paths of photographers Roger Manley and Guy Mendes, and poet Jonathan Williams as they crisscrossed the South — forming friendships and becoming transformed by many the of region’s most misunderstood and beloved artists. Their work became an art exhibit at the High Museum of Art in Atlanta last year and is currently on display at the KMAC in Louisville, Kentucky. As Laura Relyea traced their steps, she came to realize that they encountered something we all might need a little more of these days: “Paradise is right in front of you. It’s not some evasive, ethereal thing that you can never grasp. It is whatever you make, wherever you make it, with whatever you have on-hand.” Many years ago, a rag-tag trio of adventurers — photographers Roger Manley and Guy Mendes, and poet Jonathan Williams — hit the back roads of the southeastern United States in search of artfully human-made paradises. Their search took them to over 74 places and face-to-face with over 100 artists in 20 years. They wrote a book about it, Walks to the Paradise Garden. The manuscript gathered dust in Mendes’ photography darkroom in Kentucky until it went to print and manifested in Way Out There an exhibition last year at the High Museum. (Now, at the KMAC in Louisville, Kentucky, as Where Paradise Lay, through November 8.) “For me, this individual project represents a collision of Southern avante-garde that’s hard to pinpoint,” said Katherine Jentleson, the Merrie and Dan Boone Curator of Folk and Self-Taught Art at The High.
    [Show full text]