Bill Crawford Memorial Meet Moves
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Losing My Religion (PDF)
Losing My Religion Bill Berry, Peter Buck, Mike Mills, Michael Stipe 1990 (released by R.E.M. 1991) < Riff before each change of chord in intro, etc. > A |-----------------|---------5-7-5-0-| E |-----------------|-----------------| | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | INTRO: / 1 2 3 4 / 1 2 [G] / [F] / [F][G] / [Am] / [Am][G] / [F] / [F][G] / [Am] / [G] Oh.... [Am] life, is [Am] bigger [Em] It’s bigger than [Em] you, and you are [Am] not me The [Am] lengths that I will [Em] go to The [Em] distance in your [Am] eyes [Am] [Em] Oh no I’ve [Em] said too [Dm] much [Dm] I set it [G] up [G] That’s me in the [Am] corner [Am] That’s me in the [Em] spot_light [Em] Losing my re-[Am]ligion [Am] Trying to [Em] keep up with [Em] you And I [Am] don’t know if I can [Am] do it [Em] Oh no I’ve [Em] said too [Dm] much I [Dm] haven’t said e-[G]nough I [G] thought that I heard you [F] laughing I [F] thought that I heard [G] you [Am] sing [Am] I [F] think I thought I [F] saw [G] you [Am] try [G] Every whis-[Am]per, of [Am] every waking [Em] hour I’m [Em] choosing my con-[Am]fessions [Am] Trying to [Em] keep an eye on [Em] you Like a [Am] hurt, lost, and blind [Am] fool, fool [Em] Oh no I’ve [Em] said too [Dm] much [Dm] I set it [G] up [G] Consider [Am] this [Am] consider this, the [Em] hint of the centur-[Em]y Consider [Am] this, the [Am] slip, that [Em] brought me to my [Em] knees, failed [Am] What if all these [Am] fantasies come [Em] flailing a-[Em]round Now I’ve [Dm] said.. -
Interview with MIKE MILLS of R.E.M. Was Conducted by the Library of Congress on March 23, 2018
This interview with MIKE MILLS of R.E.M. was conducted by the Library of Congress on March 23, 2018 Mike Mills Library of Congress: Quite famously, there are two versions of “Radio Free Europe”-- one on Hib-Tone and a later one that was done for I.R.S. Records. Listening to them today, do you prefer one version over the other? Mike Mills: I think everyone in the band has gone on record as saying that they prefer the Hib- Tone version compared to the one on the album. It was rawer, and done with a little more energy and abandon, which often makes for a more exciting recording. LOC: What was writing “Radio Free Europe” like? All four members of the band are listed as the songwriter on the label. MM: I wrote the verse and B-section late one night while sitting alone downstairs in an Athens record store while a party was going on upstairs. The store was closed, and I was playing an unamplified electric guitar as I was listening to the party. [For “Radio Free Europe,”] later, Peter wrote the chorus and bridge, and Michael [Stipe] supplied the melody and lyrics. Peter [Buck] made the suggestion early on that we share all the writing credits equally, because songwriters get the income from publishing, and unequal income distribution is one of the primary causes of bands breaking up. “So,” Peter said, “let’s just take that out of the equation.” LOC: At this time, who do you think, musically, were your biggest influences? MM: My influences came from all over the place. -
ICA DOMENICA 13 MARZO 2011 Musica
40 LA NOSTRA DOMENICA DOMENICA 13 MARZO 2011 Musica Jessica Lea Mayfield Mauro E. Giovanardi Cornershop Country a tinte cupe Vintage ben assortito Oriente andata e ritorno Jessica Lea Mayfield Mauro Ermanno Giovanardi Cornershop Tell me Ho sognato troppo l’altra notte? Cornershop & The Double ‘O’ Nonesuch Columbia Groove of *** *** **Ample Play GLI ALTRI Secondo disco per la giovane cantautrice Sanremo coi La Crus e poi di nuovo da Ci aspettavamo un’altra Brimful of Asha dell’Ohio, prodotta da Dan Auerbach (Black solo. Con un disco dal sapore vintage, fra e, invece, ecco un disco che mette la sordi- DISCHI Keys). La talentuosa Jessica racconta con archi, fiati e cover ben assortite. Echi di na al pop e la butta sul ritmo indiavolato, voce imbronciata le sue paturnie amorose Morricone, beat italiano e canzone d’auto- cercando un punto d’incontro fra Oriente in unamanciata di ballatealt-country a tinte re mescolati con gusto sopraffino, fra tra- edOccidente.Niente inglese, voce femmini- cupe. Ispirazione notturna e spleen esisten- dizione e modernità. Mentre Giò, baritono le (un po’ monocorde), radici folk e pulsioni ziale, sconsigliato ai cuori infranti di recen- emozionale, si candida fra i più credibili contemporanee.“Bangla beat” l’hanno defi- te. Però lei è brava davvero. D.P. «crooner» del nostro panorama. D.P. nito. Comunque sia, fa ballare. Eccome. D.P. Rem pare proprio di sentire l’immenso Out Collapse Into Now of Time... la cosa si fa quasi imbaraz- Warner Bros zante con Blue: è praticamente identi- **** ca a Country Feedback, compreso il re- citato vocale e la chitarra «psichica» di Peter Buck, tanto che risulta impensa- ROBERTO BRUNELLI bile che non si tratti di un’operazione del tutto consapevole. -
Die Sache Mit Michael Stipe
www.reporter-forum.de Die Sache mit Michael Stipe Von Marc Fischer Ich will Sie hier nicht mit Branchengeschwätz nerven, aber unter Mietreportern meines Typs kursiert seit Jahren eine Liste mit Prominenten, die sich kaum ein Mensch freiwillig zum Interview aussuchen würde – zu anstrengend, banal, aussichtslos. Von unten nach oben raufgezählt geht die Rangliste so: Platz 4 Hannelore Elsner (sagt nur Quatsch), 3. Gerhard Schröder (will nichts sagen und wird nichts sagen), 2. Erich Honecker (könnte was sagen, ist aber leider schon tot). Auf Platz 1: Michael Stipe, 43, Sänger der amerikanischen Poprockband R.E.M., Weltstar. Ihn zu befragen, behaupten viele Journalisten, bringt nicht viel. Seltsam, denn Stipe ist keineswegs ein uninteressanter Typ, ganz im Gegenteil: Seit über zwanzig Jahren im Geschäft, hat der dünne Mann mit dem rasierten Schädel einen Haufen Hits für seine Band geschrieben, darunter sehr schöne Lieder wie »Losing My Religion«, »The One I Love«, »Man On The Moon«, »Nightswimming«, »Everybody Hurts« und zuletzt »Imitation of Life«. Stipe ist schlau und gebildet, isst kein Fleisch und setzt sich für die Umwelt ein, hat was gegen Krieg und George W. Bush, er fotografiert und produziert nebenbei kleine Underground-Filme, die es sonst nie ins Kino schaffen würden – mit Leuten wie Spike Jonze, Sofia Coppola, Todd Solondz und ein paar Dutzend anderen Talenten. Ansonsten weder Liebesaffären, Drogengeschichten noch sonst ein Dreck. Kein Zweifel, Michael Stipe ist das, was man einen superfeinen, superkorrekten Kerl nennt. Die Sache -
Issue 139.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 139 February Oxford’s Music Magazine 2007 photo by Squib RichardRichardRichard Oxford’sWaltersWaltersWalters master of melancholy on his incredible ten-year musical journey - interview inside. Plus - News, reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS photo: Matt Sage Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] BANDS AND SINGERS wanting to play this most significant releases as well as the best of year’s Oxford Punt on May 9th have until the its current roster. The label began as a monthly 15th March to send CDs in. The Punt, now in singles club back in 1997 with Dustball’s ‘Senor its tenth year, will feature nineteen acts across Nachos’, and was responsible for The Young six venues in the city centre over the course of Knives’ debut single and mini-album as well as one night. The Punt is widely recognised as the debut releases by Unbelievable Truth and REM were surprise guests of Robyn premier showcase of new local talent, having, in Nought. The box set features tracks by Hitchcock at the Zodiac last month. Michael the past, provided early gigs for The Young Unbelievable Truth, Nought, Beaker and The Stipe and Mike Mills joined bandmate Pete Knives, Fell City Girl and Goldrush amongst Evenings as well as non-Oxford acts such as Buck - part of Hitchcock’s regular touring others. Venues taking part this year are Borders, Beulah, Elf Power and new signings My band, The Venus 3 - onstage for the encores, QI Club, the Wheatsheaf, the Music Market, Device. -
Radio Itapema FM Floria
A B C 1 2 Razão social: Radio Itapema FM Florianópolis Ltda CNPJ: 79.224.614/0001-07 3 Nome fantasia: Rádio Itapema FM - 93.7 Cidade: Florianópolis - SC 4 5 PROGRAMAÇÃO MUSICAL DIÁRIA DIA/MÊS/ANO: 01/08/2020 6 Música Intérprete Execução 7 SONÍFERA ILHA MARIA LUIZA / TITAS 2 8 EVENING SHADOWNS VAN MORRISON / JOEY DEFRANCESCO 2 9 WINEGLASS WOMAN MAYER HAWTHORNE 2 10 A MAN AND A WOMAN U2 / BONO VOX 2 11 SCREAM PAOLO NUTINI 2 12 LONELY AVENUE MICK HUCKNALL / SIMPLY RED / STEPHEN MARLEY 2 13 BREAK APART BONOBO / RHYE 2 14 MEIO DE CAMPO GILBERTO GIL 2 15 I'M FREE ROLLING STONES / MICK JAGGER 2 16 MY OWN WAY AMY WINEHOUSE 2 17 UNCHAIN MY HEART WILLIE NELSON / WYNTON MARSALIS 2 18 DIFERENTE GOTAN PROJECT 2 19 NÃO CONSIGO NEY MATOGROSSO 2 20 BOHANNON FAT FREDDYS DROP 2 21 HA HA HA THE EXCITEMENTS 2 22 TROPICALIA BECK 2 23 FOTO VIVA LEILA PANTEL / MO'HORIZONS 2 24 SMOKE AND MIRRORS JAMIROQUAI 2 25 ACROSS THE UNIVERSE SPEECH / RUFUS WAINWRIGHT / BEATLES 2 26 I HAD A DREAM BLANK AND JONES / HOWARD WERTH 2 27 THE CALLING SANTANA / ERIC CLAPTON 2 28 QUE HORAS NÃO SÃO VITOR RAMIL / MARCOS SUZANO / KATIA B 2 29 FLOW L.A. THOMAS 2 30 ISN'T SHE LOVELY LIVINGSTON TAYLOR / KEB'MO' / STEVIE WONDER 2 31 VIDEO INDIA DOT ARIE 2 A B C 32 ESCAPE JACK JOHNSON 2 33 SE EU FOSSE UM DIA O TEU OLHAR NUNO MINDELIS 2 34 I FEEL THE EARTH MOVE THE MOLESKINS 2 35 FORGET BEN WATT / EVERYTHING BUT THE GIRL 2 36 LOVE IS GONNA BRING US BACK ALIVE RICKIE LEE JONES 2 37 HUSH ANGUS AND JULIA STONE 2 38 RONCO DA CUÍCA CEU / JOAO BOSCO 2 39 HERE THERE AND EVERYWHERE DAVID GILMOUR / PINK FLOYD 2 40 BLUE ZUCCHERO / SHERYL CROW 2 41 A IDADE DO CEU PAULINHO MOSKA / ZELIA DUNCAN 2 42 HUMAN LOSS AND GAIN CLUB DES BELUGAS / BAJKA 2 43 DO I QUALIFY? LYNDEN DAVID HALL 2 44 HYPNOSIS DAMIEN RICE 2 45 MY BABY JUST CARES FOR ME IMELDA MAY / BLUE HARLEM / NINA SIMONE 2 46 I WILL BE FOUND JOHN MAYER 2 47 BREAK ON THROUGH DJ DISSE / THE DOORS 2 48 ANIMA MILTON NASCIMENTO 2 49 GOOD THINGS SPENGLER 2 50 SWEET L.A. -
Chronobiology with Katherine Hatcher Ologies Podcast December 10, 2019
Chronobiology with Katherine Hatcher Ologies Podcast December 10, 2019 Oh hey, it’s your invisible aligners you don’t wear anywhere near 22 hours a day, and they know it, and you know it, Alie Ward, back with another episode of Ologies. I’m alive, y’all! I slept so many hours over the last couple of weeks dealing with this flu… Whooo! When are you listening to this? Are you turning the coffee pot on and feeding the dog? Are you on the 7am train to work? Is it your lunch break and you have half a burrito spinning slowly in a microwave? Maybe the sun is setting while you walk to your car. Are you nursing a human who has decided to snack on your boobage at 4am? At least once a day it seems we look at a clock and we’re cranky about it. Myself, very much so, all the time. So, we are here to talk about why. But first, we’re going to talk about you, saying thank you so much for supporting via Patreon.com/Ologies, for sending in your questions that way, for wearing Ologies shirts and hats from OlogiesMerch.com – we have some great new designs up by the by – and for telling friends, and maybe foes, and in-laws about Ologies, and keeping it up in the charts by rating it and subscribing on all of your devices. And of course for leaving a review; you know I’m gonna lurk them, just like a gentle, happy, creep so I can read one back to you. -
The Corner and the Spotlight: Art, the Marketplace, Motown, and R.E.M
The Corner 30 and the Spotlight: 31 R.E.M. COMES OF AGE BY ANTHONY DECURTIS THE CORNER AND THE SPOTLIGHT: ART, THE MARKETPLACE, MOTOWN, AND R.E.M. ANTHONY DECURTIS THE CORNER AND THE SPOTLIGHT: sonal terms, often evoking all the trappings of romantic agony: long periods of R.E.M. COMES OF AGE unsparing self-examination; late-night battles with writer’s block; music reach- ing and inspiring them in their profound isolation; painful relationships ultimately redeemed by the act of artistic creation. Strong, however, indulged in no such self-mythologizing. His stories were the very soul of simplicity. He was at work one afternoon and the Temptations needed a song, so he sat down and wrote “I Wish It Would Rain.” On another day, he needed to write one for Marvin Gaye. That became “I Heard It Through the Grapevine.” He sang those songs beautifully, accom- panying himself on piano, and they were the most satisfying and most rousing moments of the evening. He might just as well have mentioned such songs as “Just My Imagination (Running Away With Me),” “Papa Was a Rolling Stone,” “War,” or “I Can’t Get Next to You.” All are passionate, poetic, and compelling; all were written with collaborators and in strict adherence to Motown’s mer- few years back I attended a ciless commercial demands. 32 songwriters’ night at the BottomA Line in New York. On the bill were Richard The show’s host was dumbfounded. However gently, he continually 33 Thompson, Shawn Colvin, Dave Alvin and, the person whom I came to see, attempted to bring Strong back within the evening’s romantic frame. -
Remhq.Com/Hqtv/Videos/Music-Videos/Fall-On-Me-1
Linn Lounge presents … R.E.M. Welcome to Linn Lounge presents… R.E.M. We’ll be listening to this iconic band in the best quality available – on a Linn system in Studio Master. A Studio Master download is the highest quality music file available anywhere. It allows you the listener to hear a recording exactly the way the original artist and producer intended it to sound, before it was altered to fit on a CD or squashed down to MP3 size. Inventive and experimental, R.E.M. were the pioneers of a genre – Alternative Rock – creating an original sound and artistic vibe that continues to speak across the generations. So sit back, relax and immerse yourself in the humble story of a modest band that changed the face of mainstream rock. “We were a band that had no goals” - modestly explains Michael Stipe, the lead singer of R.E.M. Yet 15 albums and 31 years later, R.E.M. can humbly accept the title of ‘inventors of Alternative Rock.’ Rummaging in his local record store for hidden gems, Michael Stipe stumbled upon his greatest find: a life long friendship and successful career with student Peter Buck – who was working as a part-time sales assistant to fund his tuition at the University of Georgia in Athens. As a regular customer Michael Stipe soon formed a special bond with Buck, realising they had similar tastes in music. ‘It turns out that I was buying all the records that [Buck] was saving for himself’ – particularly punk rock and protopunk artists like Patti Smith, Television, and The Velvet Underground. -
R.E.M. Band Reband
R.E.M. Resources >>>>>>>>>>> LOGO Michael Stipe, the group’s front-man and lead singer, The two arrows represent the forward push R.E.M. is R.E.M.’s biggest resource. Peter Buck, the other takes to musical boundaries, always implementing new core founder of the band, is the leading guitarist. styles of rock and pop. The two arrows also symbolize Other band members include Bill Berry on drums the band’s core members (Stipe and Buck), as well as and Mike Mills on bass. R.E.M. is the founder of alter- their progressive activism and conservation efforts. native rock and originated with a cult-like American college fan base, which continued on even after the band found international success years in. They pos- PHOTO sess a rare, unique, and energetic style that is con- I felt this photo fit R.E.M.’s clean, simple, and sturdy stantly refined. Their signature sound that sets them rebrand—it moves away from their previous messy, apart is Stipe’s cryptic and arching vocals paired with grungy look and moves toward a more careful, delibera- Buck’s powerful, poetic, and strong guitar. tive, clean, and powerful look. Processes >>>>>>>>>>> WEBSITE R.E.M. possesses a democratic songwriting process, I wanted the website Music Tour Shop Give with each member given an equal role in creating the to have a modern R.E.M. music. On stage, R.E.M. possesses a powerful pres- and responsive look. ence, and they believe the listener’s interpretation of The video player and their music is far more important than the songwrit- interactive timeline er’s. -
Losing My Religion
Losing My Religion (R.E.M.) [Verse 1] What if all these fantasies come Oh, life is bigger flailing around? It's bigger than you and you are not Now I've said too much me The lengths that I will go to [Chorus] The distance in your eyes I thought that I heard you laughing Oh no, I've said too much I thought that I heard you sing I set it up I think I thought I saw you try [Pre-Chorus 1] [Bridge] That's me in the corner But that was just a dream That's me in the spotlight That was just a dream Losing my religion Trying to keep up with you [Pre-Chorus] And I don't know if I can do it That's me in the corner Oh no, I've said too much That's me in the spotlight I haven't said enough Losing my religion Trying to keep up with you [Chorus] And I don't know if I can do it I thought that I heard you laughing Oh no, I've said too much I thought that I heard you sing I haven't said enough I think I thought I saw you try [Chorus] [Verse 2] I thought that I heard you laughing Every whisper of every waking hour I thought that I heard you sing I'm choosing my confessions I think I thought I saw you try Trying to keep an eye on you Like a hurt lost and blinded fool, fool [Outro] Oh no, I've said too much But that was just a dream I set it up Try, cry, why try? That was just a dream, just a dream [Pre-Chorus 2] Just a dream, dream Consider this, consider this The hint of the century Thank you Consider this the slip See ya That brought me to my knees, failed Thanks a lot 137 "Losing My Religion" is a song by the American alternative rock band R.E.M. -
Anniversary of Italy's Unification
VOL. 115 - NO. 11 BOSTON, MASSACHUSETTS, MARCH 18, 2011 $.30 A COPY Anniversary JUDGE PETER AGNES of Italy’s to Receive Archangel Award Unification “The Massachusetts Asso- in 1991 with the rank of ciation of Italian-American Lieutenant Colonel of th Friday, March 18 2011 - 11:30 am – 1 pm Police Officers is proud to the Massachusetts State announce that it will award Police. Judge Agnes lives in In celebration of the 150th its prestigious Order of Wayland, Massachusetts. Anniversary of the Italy’s Unifi- St. Michael the Archangel with his wife Eileen D. Agnes cation, Consul General of Italy, Award for 2011 to Superior who is an attorney specializ- Boston Giuseppe Pastorelli will Court Judge Peter W. ing in Family Law. They have host an event to celebrate this Agnes, Jr. The award and four children and are the historic moment at the Grand other recognitions will be proud grandparents of three Staircase of The Massachusetts made at the Association’s grandchildren.” State House. All are welcome to 43rd annual banquet on As part of this year’s pro- attend. Saturday, May 7, 2011 at gram The Massachusetts Expected attendance includes, the Hilton Boston Hotel in Association of Italian Ameri- Speaker of the House Robert Woburn, Massachusetts. can Police Officers will be DeLeo, Congressman Michael E. Judge Agnes has served as honoring the memory of a Capuano, and Mayor Thomas a trial judge for more than fallen Police Officer with Menino. Giuseppe Pastorelli, twenty years in both the our Association’s Medal of Master of Ceremony will be Joe Superior Court Judge Peter Consul General District and Superior Courts.