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Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Orienting Fandom: the Discursive Production of Sports and Speculative Media Fandom in the Internet Era
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ORIENTING FANDOM: THE DISCURSIVE PRODUCTION OF SPORTS AND SPECULATIVE MEDIA FANDOM IN THE INTERNET ERA BY MEL STANFILL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications with minors in Gender and Women’s Studies and Queer Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor CL Cole, Co-Chair Associate Professor Siobhan Somerville, Co-Chair Professor Cameron McCarthy Assistant Professor Anita Chan ABSTRACT This project inquires into the constitution and consequences of the changing relationship between media industry and audiences after the Internet. Because fans have traditionally been associated with an especially participatory relationship to the object of fandom, the shift to a norm of media interactivity would seem to position the fan as the new ideal consumer; thus, I examine the extent to which fans are actually rendered ideal and in what ways in order to assess emerging norms of media reception in the Internet era. Drawing on a large archive consisting of websites for sports and speculative media companies; interviews with industry workers who produce content for fans; and film, television, web series, and news representations from 1994-2009 in a form of qualitative big data research—drawing broadly on large bodies of data but with attention to depth and texture—I look critically at how two media industries, speculative media and sports, have understood and constructed a normative idea of audiencing. -
PDF Text Files
The Canadian Fancyclopedia: S – Version 1 (June 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. S SACRED TRUST / THE SAME TO YOU / SAMIZDAT / SANSEVIERIA / SAPPHIRE DREAMS / SAPPHIRE MARMALADE / THE SASQUATCH SASKATCHEWANIAN / SCHMAGG / SCHMAGG MONTHLY / SCICON / SCIENCEERS / SCIENCE-FANTASY / SCIENCE FICTION / THE SCIENCE FICTION COLLECTOR / SCIENCE FICTION LEAGUE / SCIENCE FICTION STUDIES / SCIENTIFIC FICTION / SCIENTIFICTION / SCIENTILLO / SCIFFY - SKIFFY / SCI-FI / SCUM / SCUTTLE BUTT / SECOND FANDOM / SECOND TRANSITION / THE SENATORS OF FANDOM / SERCON / SERCON POPCULT LITCRIT FANMAG / SERENDIPITY / SERIOUS CONSTRUCTIVE / SEVAGRAM / SF3 NEWSLETTER / SFA DIGEST / SFAV / SFEAR / SHADOWGUARD / SHAGGOTH 6 / SHON'AI / SHORT TREKS / SHRDLU ETAOIN / SHUTTLE BUTT / SIDETREKKED / SIGH / SIGN OF THE DRUNKEN DRAGON / SILPING / THE SILVER APPLE BRANCH / SIMULACRUM / SING YE NOW PRAISES OF CORFLU / SMASH! / SMOTE / SMUT / SNEEOLOGY / "SOONEST" / SOOTLI / SOLARIS / SONO-DISCS / SON OF MACHIAVELLI / SPACE CADET / SPACED-OUT LIBRARY / SPACE OPERA / THE SPAYED GERBIL / THE SPECULATIVE FICTION SOCIETY OF MANITOBA YEARBOOK / SPINTRIAN / SPO / SPRINGTIME WILL NEVER BE THE SAME / 1993 SPUZZUM WORLDCON BID / SPWAO / SPWAO SHOWCASE / SPWSSTFM / STAGE ONE / STAPLE WAR (FIRST) / STAR BEGOTTEN / STARDATE / STARDOCK / STAR DUST / STAR FROG / STAROVER / STAR SONGS / STAR STONE / STATE OF THE ART / STF / STILL NOT THE BCSFAZINE #100 / STRANGE DISTOPIAS / SUPRAMUNDANE STORIES / SURREY FAN ASSOCIATION - SURREY FAN CONTINGENT / STYX / THE SWAMP GAS JOURNAL / SWILL / SYNAPSE SACRED TRUST -- Faned: Murray Moore. -
Frodo Is Grea…Who Is That?!?: The
FRODO IS GREA…WHO IS THAT?!?: THE PRODUCTION AND CONSUMPTION OF AN ONLINE CELEBRITY PARODY A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ANTHROPOLOGY UNIVERSITY OF CANTERBURY 2007 Yadana J. Saw Abstract My thesis analyses the phenomenon of Figwit, a non-speaking elf extra who appeared for only three-seconds in the first instalment of Peter Jackson’s 2001 Lord of the Rings movie trilogy. Figwit was initially generated as an online parody by female fans of the movie and as a foil to the ‘swooning, drooling girly’ fandom that was being directed towards the movie’s star actors. However, Figwit evolved into a bona fide, albeit minor, celebrity both on and offline as he attracted attention from worldwide media, a small speaking role in the final movie and genuine adulatory fandom as manifested in the production of Figwit merchandise. In my thesis I argue that Figwit’s creation and consequential community formation reflects a dynamic online-offline dialogic in which pre-existing offline and habitus- generated social practices and distinctions, ideal reflexive individuality and celebrity/fandom were dynamically reproduced within online technological frameworks. I also argue that online activity and interactivity is generated by users to strategically express and engage intensified reflexive individuality, affirming sociability and hyper-social distinctions. In this regard I have also argued that these various potentials and imaginaries were significantly enabled by digital architectures and genres of online communication and interactivity. In particular, I discuss the internet’s capacity for searchability, traceability, and rhetorical framing processes that facilitate continuous re-editing authorship possibilities, which are not necessarily replicable in face-to-face interactions. -
Fanfiction and Imaginative Reading a Dissertation
"I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers. -
A Good-Enough Fan Within the Online Fan Community of Game of Thrones: an E-Ethnographic Study
A Good-Enough Fan Within the Online Fan Community of Game of Thrones: An E-Ethnographic Study Student: P.D.T. Staps (Tim) ANR: 558935 Supervisors: Dr. M. Spotti Dr. S. Milan Second reader: Dr. M. van Zaanen Master thesis Communication and Information Sciences Track Data Journalism Faculty of Humanities, Tilburg University May 2014 A GOOD-ENOUGH FAN WITHIN THE ONLINE FAN COMMUNITY OF GAME OF THRONES ii A GOOD-ENOUGH FAN WITHIN THE ONLINE FAN COMMUNITY OF GAME OF THRONES Preface My career as a student of Tilburg University is coming to an end. It was fun being a student and I enjoyed it very much. For me it is the end of an era of being a student and the beginning of a new period of my life, with a fulltime professional career maybe? You may want to know why I wrote a master thesis about the fandom of Game of Thrones. This report is the final product of my master thesis, which I carried out as part of the master program Communication- and Information Sciences, specialization Data Journalism. The road towards the point of graduation and completing this thesis was not easy. What made it challenging and fun for me was changing topic. My first topic was about social media that enables and provides fans a certain level of “backstage access” to their favorite artists. In other words, they have a direct line to their favorite artist. After abandoning this topic I switched to the question: what is a good-enough fan? Being a fan of a cultural object is something I personally ‘spread’ around: I openly state that I am a fan of FC Barcelona, Game of Thrones, J.R.R. -
Fan to See 1
• ■/ T - (or daydreamers) "Sometimes there are people who say, 'thinkers, haven't rational intelligence.’ Then, we must join. We understand each other, and will defeat them. Not defeat uhem in the sense of violence,± or revolution, but in the art of group expression. It is granted.uhat we are sometimes narotic and egoists, yet banded into one, inferior and superiour alike, we shall erase our complex, and become average. Yes, "Average", but progressive in human civilization.-- Robert Ji. biarxe * FAN TO SEE January i - CONTENTS - 10/ **#****•&#** *«■**<** <;• * * * AN EXPLANATION.............................................................Robert E. Clarke........... PAGE 2 THE EDITORIAL............. ...... *... THE EDITOR. ................. PAGE 4 THIS-A AND THAT-A.... ....... PAUL MITTELBUSCHER......... PAGE 5 RIP ’ER OUT.............. .......... ROBERT E; CLARKE. .......... PAGE 6 DaRK INTERLUDE.......... ISABELLE DIN WIDDIE........ PAGE 6 NFFF Ms. BUREAU.... *..«.*...... WILKIE CONNOR............... PAGE 7 POINTERS FOR POETS.... ........... BELLE S. MOONEY,. *......... PAGE 7 WANTED: EXPERIENCE ASSISTANT........CH—RLES L. HAMES.. *......... PAGE 8 REPORT FROM SAN FRANCISCO........... TERRY CARR.....*............PAGE 11 HOW TO WRITE A LETTER Tp A STFAN. ... JUANITA WELLONS. ........... PAGE 13 SCRAPS................. ..............KENT CHATTERTON............ .PJxGE 14 HIDE THOSE FIREARMS.,..«............ ROBERT E. CLARKE............ PAGE 16 SO YOU (THOUGHT YOU) SAW ONE TOO. .. .M.JC B. MILLER........... ..PaGE 18 GALACTIC CONQUERORS............ -
Virtual Fan Communities – the Case of Harry Potter Slash Fans
View metadata, citation and similar papers at core.ac.uk brought to you by CORE A. Rogozińska: Virtual Fan Communities – The Case of Harry Potter Slash Fans VIRTUAL FAN COMMUNITIES: THE CASE OF HARRY POTTER SLASH FANS by ANNA ROGOZIŃSKA Based on the presumption that the Internet cannot be treated as a homogeneous me- dium but more as a set of environments, the way in which fans of Harry Potter books and movies grasp opportunities given by environments such as World Wide Web and Live Journal to embed in them the variety of their practices is presented. INTRODUCTION [1] Slash fans rewrite texts of culture so as to present existing relationships such as friendship, companionship, rivalry and enmity between male her- oes of movies, TV series, books and games as homosexual. Their interpret- ive and narrative practices lead to creation of a variety of texts, the most im- portant of which are stories (fanfics), art (fanart) and music videos (fanvids). Around these texts and through these practices the life of slash fan com- munity, most widely known as slash fandom, is constituted. Before the popularization of the Internet the slash fan community was a members-only party (Bacon-Smith 1992). To get to know the culture enough to research it on its social, symbolic and material level, a scholar was forced to undergo a long and tedious process of initiation into the fan community. First, he had to find a mentor to tutor him in fan interpretive and narrative strategies by means of participation in activities of a local fan community such as common watching and discussion of the canonic text as well as its interpretation in a corpus of fan works such as fan fiction or fan art. -
Film Adaptation for Knowing Audiences: Analysing Fan On-Line Responses to the End of Breaking Dawn – Part 2 (2012)
. Volume 14, Issue 2 November 2017 Film adaptation for knowing audiences: Analysing fan on-line responses to the end of Breaking Dawn – Part 2 (2012) Samantha Pearce & Alexis Weedon, University of Bedfordshire, UK Abstract: Critics of film adaptations of literary works have historically evaluated the success or failure of the movie on the grounds of its fidelity to the original book. In contrast popular arguments for medium specificity have questioned whether fidelity is possible when adapting one medium to another. This article follows recent academic work which has focused awareness on the processes of adaptation by examining evidence of reading and viewing experience in online and social media forums. The broader research project explored the online Twilight fan community as an example of a ‘knowing audience’ acquainted with both novel and film. Here we focus on the strong response within fan forums to the surprise ending of the final film adaptation Breaking Dawn – Part 2 (2012). The research uses the forum, blog and facebook page as sites for evidence of reading experience as defined by the Reading Experience Database (RED). The analysis sheds new light on the tensions that exist between fidelity and deviation and the article positions fan audiences as intensive readers who gained unexpected pleasure from a deviation from a canon. It argues that fans are also collaborators within the adaptation process who respect authorial authority and discuss the author’s, scriptwriter’s and director’s interpretation of the novel for the screen. The research identifies the creative and commercial advantages to be gained from a collaborative and open dialogue between adaptors and fans. -
2019-07-08 Catalog P
Pulp-related books and periodicals available from Mike Chomko for July and August 2019 Given that I’m writing these words in early September, I’m way behind on my bookselling chores. As I’ve relayed via email, between PulpFest 2019 and helping my wife with her mother — now in hospice care — this summer has been extremely busy. PulpFest is over for another year — actually eleven months, given the timing of this catalog. The convention’s organizing committee is already working on next year’s gathering. It will take place August 6 - 9 at the DoubleTree by Hilton Pittsburgh — Cranberry, located in Mars, Pennsylvania. PulpFest 2020 will focus on Bradbury, BLACK MASK, and Brundage. We may even throw in a touch of Brackett and Burroughs for good measure. In October, we’ll be announcing our very special guest of honor. Over the Labor Day weekend, Dianne and I drove to the Burlington area of Vermont to acquire a substantial collection of pulps, digests, vintage paperbacks, first edition hardcovers, underground comics, fanzines, and more. The primary focus of the magazine collection is the science fiction genre. There are also miscellaneous periodicals from the adventure, detective, hero, spicy, and war genres. The collection contains magazines in both the pulp and digest formats. The vintage paperbacks run the gamut of genres that are popular in that area of book collecting. PulpFest will begin selling the collection via auction during our 2020 convention. Given its size, it will take a number of years to disperse the entire collection. Now begins the difficult and time-consuming work of organizing, cataloging, lotting, and photographing the collection. -
FANFICTION THEORY BEYOND TEXTUAL POACHERS a Thesis
OPEN SEASON: FANFICTION THEORY BEYOND TEXTUAL POACHERS A Thesis Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Master of Arts by Amanda G. Michaels James Collins, Director Graduate Program in English Notre Dame, Indiana April 2009 © Copyright 2009 Amanda G. Michaels OPEN SEASON: FANFICTION THEORY BEYOND TEXTUAL POACHERS by Amanda G. Michaels ABSTRACT This thesis suggests that fanfiction—so often considered to be the realm only of the obsessed or juvenile—has shaken off the label of ‘derivative’ and emerged as an independent artistic medium. This emergence calls for a rethinking of fanfiction theory, as fan studies has relied heavily upon Henry Jenkins’ Textual Poachers for the last sixteen years, despite the fact that it was written well before the Internet stepped in to completely revolutionize the field. After establishing that 1) fanfiction can be accepted as a new artistic medium, and 2) it is in need of fresher theory, this thesis will then offer performativity as another way into the fan-written text. It will use a genre called “All Human” from the Twilight fandom as an example of how fan writers are breaking with the traditional conventions of fanfiction and revitalizing tabooed figures in order to access the performative potential of their medium. “[. .] Laughter emerges in the realization that all along the original was derived.” —Judith Butler, Gender Trouble ii CONTENTS Chapter 1: Fanfiction’s New Moment . 1 1.1. Definitions 1.2. Terminology 1.3. Research Trends 1.3.1. Camille Bacon-Smith and Constance Penley 1.3.2.