Acknowledgments
Acknowledgments THis BOOK EXists because countless people were kind enough to share their insights and expertise with me over the years. I’d especially like to thank Sam Goodman, Mark Caldwell, Thomas Mellins, Lloyd Ultan, Evelyn Gonzalez, Mark Naison, Jerome Charyn, Marshall Berman, Leonard Kriegel, Arthur Gelb, Avery Corman, James Crocker, Gelvin Stevenson, Deborah Dash Moore, and Robert Caro, all of whom were exceptionally generous with their time and did a great deal to help clarify my thinking about the evolving world of the Grand Concourse. I am indebted beyond words to Stephen Sinon, head of information services and archives at the LuEsther T. Mertz Library of the New York Botanical Garden, who served as my research assistant. Stephen not only unearthed every document I asked for, he also directed me to countless others that made this book richer and more informative. And given his yeoman work collecting images and acquiring the sometimes elusive rights to them, he is the one most responsible for the illustrations. I am also deeply indebted to those who were kind enough to critique all or parts of my manuscript and offered invaluable suggestions; in addi- tion to Mark Caldwell, Sam Goodman, Thomas Mellins, and Lloyd Ultan, they include Jim Rasenberger, Manette Berlinger, and my New York Times colleagues Mitch Keller and John Oudens. I’m grateful to Mimi Vang Olsen for sharing the story of her father, Kourken Hovsepian, and his priceless photographs of generations of West Bronx families, a collection that I hope someday finds a public
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