DOCSLIB.ORG

Lawyer's Murder Sparks Concern Among D.C. Activists

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FEBRUARY 27 2015 VOLUME 46 ISSUE 09 • AMERICA’S GAY NEWS SOURCE • WASHINGTONBLADE.COM State lawmakers target it’s a thinly veiled attempt at targeting LGBT non-discrimination ordinances in cities like Little Rock and Eureka Springs. gay rights from West Va. to Texas Amid court victories advancing marriage rights throughout the country, the Arkansas law was one among By CHRIS JOHNSON several measures pending in state legislatures aimed rolling [email protected] back rights for LGBT people. Many of these bills are known as Religious Freedom Restoration Acts and would enable Arkansas Gov. Asa Hutchinson allowed an anti-LGBT bill individuals and businesses to refuse service to LGBT people to become law on Monday, raising fears among advocates and allow clerks to opt out of issuing marriage licenses to that the measure is an omen of more attacks on gay rights to same-sex couples. come in other states. Hutchinson had declared he would allow the measure to Senate Bill 202, approved by the new Republican majorities become law through inaction, but LGBT advocates attempted in the state legislature, bars municipalities from enacting non- to convince him to veto the bill. discrimination ordinances for classes of people not already Eff orts to combat the measure included a website, Arkansas Gov. ASA HUTCHINSON (R) protected under state law. Although sexual orientation allowed a new anti-LGBT bill to become and gender identity aren’t explicitly mentioned in the new law, CONTINUES ON PAGE 14 law this week. Lawyer’s murder sparks concern among D.C. activists Signs of ‘pick-up’ killing in Donovan Hotel near Thomas Circle shortly before he stabbing death of married man was found dead. A public document in support of a police search warrant for the hotel room fi led in D.C. Superior Court By LOU CHIBBARO JR. shows that the case has some of the similarities of a [email protected] “pick-up” murder. Among the items found in the hotel room, The mystery surrounding the murder of 30-year-old according to the search warrant document, were a D.C. attorney David Messerschmitt, who was found condom and lubricant, an enema, a wallet with credit stabbed to death on Feb. 10 in a downtown hotel cards, a computer and cell phone. The document says room hours after his wife reported him missing, has Messerschmitt was found lying face down on the fl oor captured the attention of activists who monitor anti- with stab wounds to his back. LGBT violence. “Apparent blood was observed on the fl oor D.C. police have yet to disclose whether they know throughout the room, the walls of the hotel room, how Messerschmitt met the person who killed him or the door of the hotel room, and on the body of the the motive of the crime. Last week police said they decedent,” a police affi davit in support of the search DAVID MESSERSCHMITT was found stabbed to death at the Donovan Hotel on Feb. 10. didn’t know why Messerschmitt, who lived on Capitol Hill with his wife, checked into a room at the upscale CONTINUES ON PAGE 15 PHOTO COURTESY OF FACEBOOK HONORING MAME OFF THE STREETS BEHIND THE MUSIC Locals mourn death of Gay man talks about Gay hit maker leaves longtime drag star being homeless in D.C., pop for drag, dishes on Mame Dennis at age 74. dreams for the future. drama of working with Gaga. PAGE 8 PAGE 20 PAGE 23 02 • FEBRUARY 27, 2015 WASHINGTONBLADE.COM 2015 Is Off tO An AmAzIng stArt! www4604Fourth.com ~ 3 Bed / 2.5 Bath / Parking Under Contract in 3 Days Over Asking Price! But We need mOre InventOry! thInkIng Of sellIng? COntACt us tOdAy! WWW.dltreAltOrs.COm the Denny & LeyLa LD team WWW.E VERS CO. COM DOWNTOWN UPTOWN BETHESDA / CHEVY CHASE 1509 22nd Street NW 4400 Jenifer Street NW 7032 Wisconsin Avenue Washington, DC 20037 Washington, DC 20015 Chevy Chase, MD 20815 202-464-8400 202-364-1700 301-656-1800 WASHINGTONBLADE.COM FEBRUARY 27, 2015 • 03 FRANCIS POULENC DIALOGUES OF THE CARMELITES Now thru Mar. 10 | Opera House COMPANY PREMIERE! “Wonderful psychological complexity...a hymn to the powers of sisterhood and the strength of female solidarity.” —The Toronto Star Eric Owens, Photo by Cory Weaver “American bass-baritone Eric Owens speaks to you even in his silences...and shakes you when he sings.” —The Chicago Sun-Times Photo by Scott Suchman RICHARD WAGNER THE FLYING DUTCHMAN Mar. 7–21 | Opera House Note: The role of The Dutchman will be sung by Alan Held on Mar. 11. Tickets on sale now! Major support for WNO is provided by Jacqueline Badger Mars. Additional support for Dialogues of the Carmelites is provided by an award from the National Endowment for the Arts. David and Alice Rubenstein are the Presenting Underwriters of WNO. (202) 467-4600 Additional support for The Flying Dutchman is provided by the General Dynamics is the proud sponsor of WNO’s 2014-2015 Season. Dallas Morse Coors Foundation for the Performing Arts. kennedy-center.org Generous support for The Flying Dutchman is provided by Tickets also available at the Box Office. WNO acknowledges the longstanding generosity of Ken and Dorothy Woodcock. Groups (202) 416-8400 Life Chairman Mrs. Eugene B. Casey. WASHINGTONBLADE.COM 04 • FEBRUARY 27, 2015 LOCAL NEWS Russian lesbian fi nds refuge in Baltimore Nadya survived 3 brutal woman proceeded to tell her boyfriend attacks in homeland that she was a lesbian. He attacked her with a baseball bat before fl eeing while she was sitting on a bench. “It was terrible because I was bleeding By MICHAEL K. LAVERS and I had injuries on my head,” said [email protected] Nadya, speaking Russian as her girlfriend interpreted. “She had told him everything BALTIMORE — Nadya, a 31-year-old about me and he decided just to teach lesbian from Russia, and her girlfriend of me and show me I’m a freak.” nearly six years were talking at a coff ee Nadya said a group of six men attacked shop in Northwest Baltimore early in the her in 2005 as she left an LGBT party in evening of Feb. 20. the city of Voronezh. The temperature outside was a bitterly She told the Blade that her assailants cold 12 degrees as the two women sat followed her as she walked toward a along the window that overlooked the taxi she had called. Nadya said the men parking lot of the Shops at Quarry Lake. knocked her to the ground and began Russian LGBT rights advocates in October held a protest in Moscow to commemorate National Nadya and her girlfriend continued kicking her in the face and shoulders. Coming Out Day. Police offi cers later detained them. talking about their homeland, their She said her left eye was nearly swollen shut PHOTO COURTESY OF NIKOLAI BAEV relationship and the life they hope to and her face was like “jelly” after the attack. build in the United States. “I was trying to hide my head with my Russia decriminalized homosexuality in other Russian offi cials over the annexation “We dream about having a house, arms,” said Nadya. “The taxi left because 1993. of Crimea during the ongoing war between children and dogs,” Nadya told the nobody wants to get in trouble.” Nadya told the Blade she feels anti-LGBT Ukraine and pro-Russian separatists in the Washington Blade. Nadya told the Blade she suff ered a broken attitudes persist, in part, because people eastern part of the country. Nadya and her girlfriend moved to nose during Moscow Pride in May 2012. remain afraid of the prison sentences that Some, including gay journalist Jamie Baltimore from Moscow in late October. Russian police detained more than gay men received during the Soviet era. She Kirchick and Spectrum Human Rights, a group They are among the growing number of three-dozen people — Nikolai Alekseev said Russian politicians and religious offi cials that advocates on behalf of LGBT Russians, LGBT Russians who have fl ed to the United and other LGBT rights advocates and “provoke people just to be anti-gay.” have urged the Obama administration to States to escape what they describe as a handful of Orthodox Christians who “Everybody should be against gay use a 2012 law — the Magnitsky Act — that increased anti-LGBT discrimination and confronted them during the event that people,” she said in Russian as she spoke freezes the assets of Russian citizens and persecution in their homeland. descended into violence. A Moscow court about Putin’s LGBT rights record. “It’s offi cials directly responsible for human rights Nadya declined to be photographed a few weeks later upheld local authorities’ some kind of honor to kill LGBT people.” violations and bans them from entering the and asked the Blade only to publish her decision to ban the gathering from taking The Obama administration in March U.S. to punish those behind the country’s fi rst name. place for 100 years. 2014 froze the American assets of Yelena anti-gay crackdown. Her girlfriend declined to take part in “When you go to such prides, you Mizulina, a state Duma deputy who the interview, but she agreed to translate still have hope,” Nadya told the Blade, sponsored the propaganda bill, and six � CONTINUES AT WASHINGTONBLADE.COM Nadya’s answers to the Blade’s questions discussing the attack and the police who from Russian into English. arrested those who took part in the event. “I’m a little bit afraid actually,” said Nadya. “The government not only sees it actually, Nadya grew up outside of Rossoch, a but they pretend that everything’s fi ne city near the Ukrainian border.
Recommended publications
  • Download Booklet

    Download Booklet

    570895bk RStrauss US:557541bk Kelemen 3+3 3/8/09 8:42 PM Page 1 Antoni Wit Staatskapelle Weimar Antoni Wit, one of the most highly regarded Polish conductors, studied conducting with Founded in 1491, the Staatskapelle Weimar is one of the oldest orchestras in the world, its reputation inextricably linked Richard Henryk Czyz˙ and composition with Krzysztof Penderecki at the Academy of Music in to some of the greatest works and musicians of all time. Franz Liszt, court music director in the mid-nineteenth Kraków, subsequently continuing his studies with Nadia Boulanger in Paris. He also century, helped the orchestra gain international recognition with premières that included Wagner’s Lohengrin in graduated in law at the Jagellonian University in Kraków. Immediately after completing 1850. As Weimar’s second music director, Richard Strauss conducted first performances of Guntram and STRAUSS his studies he was engaged as an assistant at the Warsaw Philharmonic Orchestra by Humperdinck’s Hänsel und Gretel. The orchestra was also the first to perform Strauss’s Don Juan, Macbeth and Death Witold Rowicki and was later appointed conductor of the Poznan´ Philharmonic. He and Transfiguration. After World War II Hermann Abendroth did much to restore the orchestra’s former status and Symphonia domestica collaborated with the Warsaw Grand Theatre, and from 1974 to 1977 was artistic director quality, ultimately establishing it as one of Germany’s leading orchestras. The Staatskapelle Weimar cultivates its of the Pomeranian Philharmonic, before his appointment as director of the Polish Radio historic tradition today, while exploring innovative techniques and wider repertoire, as reflected in its many recordings.
  • Richard Strauss - Éléments De Style Jacques Amblard

    Richard Strauss - Éléments De Style Jacques Amblard

    Richard Strauss - Éléments de style Jacques Amblard To cite this version: Jacques Amblard. Richard Strauss - Éléments de style. 2019. hal-02314490 HAL Id: hal-02314490 https://hal.archives-ouvertes.fr/hal-02314490 Preprint submitted on 12 Oct 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Richard Strauss Éléments de style Jacques Amblard, LESA (EA-3274) Abstract : le compositeur Richard Strauss, souvent taxé de « postromantique » et échappant ainsi à l’histoire, n’en fut pas moins, probablement, le plus important musicien allemand du premier XXe siècle. L’examen détaillé de son parcours nous permet de déceler un romantisme en réalité modernisé, dès la fin du XIXe siècle. La densité n’est plus celle de Wagner mais double chez ce « Richard II ». On pourrait parler de « poly-romantisme ». Ce dernier style se mélange ensuite, d’une façon originale, à partir du Chevalier à la rose, avec un néoclassicisme mozartien. Comment l’équilibre entre une telle densité lyrique et la légèreté mozartienne est-il possible ? Ce miracle dialectique culmine pourtant dans Capriccio. Ce texte fut rédigé en 2014, publié en 2016 dans Brahms (encyclopédie en ligne de l’IRCAM).
  • Der Rosenkavalier by Richard Strauss

    Der Rosenkavalier by Richard Strauss

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Octavian and the Composer: Principal Male Roles in Opera Composed for the Female Voice by Richard Strauss Melissa Lynn Garvey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC OCTAVIAN AND THE COMPOSER: PRINCIPAL MALE ROLES IN OPERA COMPOSED FOR THE FEMALE VOICE BY RICHARD STRAUSS By MELISSA LYNN GARVEY A Treatise submitted to the Department of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2010 The members of the committee approve the treatise of Melissa Lynn Garvey defended on April 5, 2010. __________________________________ Douglas Fisher Professor Directing Treatise __________________________________ Seth Beckman University Representative __________________________________ Matthew Lata Committee Member The Graduate School has verified and approved the above-named committee members. ii I’d like to dedicate this treatise to my parents, grandparents, aunt, and siblings, whose unconditional love and support has made me the person I am today. Through every attended recital and performance, and affording me every conceivable opportunity, they have encouraged and motivated me to achieve great things. It is because of them that I have reached this level of educational achievement. Thank you. I am honored to thank my phenomenal husband for always believing in me. You gave me the strength and courage to believe in myself. You are everything I could ever ask for and more. Thank you for helping to make this a reality.
  • Temporada D'òpera 1984 -1985

    Temporada D'òpera 1984 -1985

    GRAN TEATRE DEL LICEU TEMPORADA D'ÒPERA 1984 -1985 SALOME EAU SAUVAGE EXTRÊME Christian Dior EAU DE TCHLETTE CONCBiTRÉE C-Kristian Dior PAPIS inventa Eau Sauvage Extrême Eau Sauvage Extrême: aún más intenso aún más presente aún más Eau Sauvage. GRAN TEATRE DEL LICEU Temporada d'òpera 1984/85 CONSORCI OKI. GRAN TEATRE DEE LICEU (;knerali·|'\t de cataeenva aji ntament de a\rceu)na s(k:ietat del cran teatre del i.icel SAAB 900 Turbo 168: 2000 cm.'; 4 válvulas por cilindro; doble árbol de levos; intercooler y sistemo A.P.C.; 175 C.V.:5velocidodes; 210l<m/h; oceleroción de 0-100 km: 8,75sg; consumo 90km/h:7,l 1,120km/h:9,5l;troccióndelontera. A más de 200 km. por hora, el mundo combla. Por eso es indispensa¬ ble poder confiar en el vehículo que los alcance. Plenamente, como se puede confiar en un SAAB. Poraue el SAAB es un coche concebido en uno de los centros más avanzados del mundo en tecnología aeronáu¬ tico: SAAB SCANIA. Incorporando los últimos avances de su potencia tecnolágico, SAAB presenta el nuevo SAAB 900 Turbo-16, equipado con el revolucionario motor turbo de 16 vál¬ vulas e intercooler, que desarrolla 175 CV. Lo tecnología elevado o la máximo potencia, que Vd. puede comprobar en su concesionario SAAB. Personalidad en coche koÜnUc Tenor Viñas, 8 - BARCELONA- Tel: 200 73 08 m SALOMÉ Drama musical en 1 acte segons el poema homònim d'Oscar WÜde Música de Richard Strauss Dijous, 7 de febrer de 1985, a les 21 h., funció num.
  • THROUGH LIFE and LOVE Richard Strauss

    THROUGH LIFE and LOVE Richard Strauss

    THROUGH LIFE AND LOVE Richard Strauss Louise Alder soprano Joseph Middleton piano Richard Strauss (1864-1949) THROUGH LIFE AND LOVE Youth: Das Mädchen 1 Nichts 1.40 Motherhood: Mutterschaft 2 Leises Lied 3.13 16 Muttertänderlei 2.27 3 Ständchen 2.42 17 Meinem Kinde 2.52 4 Schlagende Herzen 2.29 5 Heimliche Aufforderung 3.16 Loss: Verlust 18 Die Nacht 3.02 Longing: Sehnsucht 19 Befreit 4.54 6 Sehnsucht 4.27 20 Ruhe, meine Seele! 3.54 7 Waldseligkeit 2.54 8 Ach was Kummer, Qual und Schmerzen 2.04 Release: Befreiung 9 Breit’ über mein Haupt 1.47 21 Zueignung 1.49 Passions: Leidenschaft 22 Weihnachtsgefühl 2.26 10 Wie sollten wir geheim sie halten 1.54 23 Allerseelen 3.22 11 Das Rosenband 3.15 12 Ich schwebe 2.03 Total time 64.48 Partnership: Liebe Louise Alder soprano 13 Nachtgang 3.01 Joseph Middleton piano 14 Einerlei 2.53 15 Rote Rosen 2.19 2 Singing Strauss Coming from a household filled with lush baroque music as a child, I found Strauss a little later in my musical journey and vividly remember how hard I fell in love with a recording of Elisabeth Schwarzkopf singing Vier Letze Lieder, aged about 16. I couldn’t believe from the beginning of the first song it could possibly get any more ecstatic and full of emotion, and yet it did. It was a short step from there to Strauss opera for me, and with the birth of YouTube I sat until the early hours of many a morning in my tiny room at Edinburgh University, listening to, watching and obsessing over Der Rosenkavalier’s final trio and presentation of the rose.
  • September 2016

    September 2016

    Program Notes for kids Opening Night with Jon Kimura Parker Saturday, September 10, 2016 8:00 p.m. Hill Auditorium Shostakovich Festive Overture Strauss Der Rosenkavalier Suite Intermission Brahms Piano Concerto No. 2 Festive Overture by Dmitri Shostakovich About the Music What kind of piece is this? Listen for... This piece is a concert overture: a short and lively intro- Look for the crash cymbals. They mark duction to an instrumental concert. An overture signals exciting and important parts of the to the audience that the performance is beginning. piece at the beginning and the end. When was it written? The woodwinds play very fast passages that are passed around to different parts Festive Overture was first performed in 1954 in Moscow. of the orchestra. What does the music Shostakovich composed it in record time, finishing it in sound like to you? Does it sound like a just three days. celebration? What is it about? Shostakovich wrote Festive Overture for a government event to celebrate the 37th anniversary of the October Revolution of 1917, when the Soviets took control of Russia. The government wanted peo- ple to think that the Revolution was a good thing for Russia, so they asked Shostakovich to compose a lively, happy, and exciting piece. After its premiere it gained widespread popularity and became a piece all orchestras play, which Shostakovich found funny given the time it took him to compose it. About the Composer Dmitri Shostakovich | Born 1906 in St. Petersburg, Russia | Died August 9, 1975 in Moscow, Russia Family & Career Dmitri Shostakovich was a child prodigy pianist and composer.
  • Alan Placa: Key Architect of Minimizing Abuse Claims, Coercing Silence and Protecting Church Assets

    Alan Placa: Key Architect of Minimizing Abuse Claims, Coercing Silence and Protecting Church Assets

    INVESTIGATIVE REPORT BY JEFF ANDERSON & ASSOCIATES – VOLUME I ALAN PLACA: KEY ARCHITECT OF MINIMIZING ABUSE CLAIMS, COERCING SILENCE AND PROTECTING CHURCH ASSETS Investigative Report by Jeff Anderson & Associates: Volume I Alan Placa: Key Architect of Minimizing Abuse Claims, Coercing Silence and Protecting Church Assets Purpose, Background & Disclaimer It is believed that the Catholic Dioceses of New York and Religious Orders operating in New York do not make available to the public the full history, knowledge, and context of the sexually abusive clerics nor its coverup of the abuse. The public’s need to know of the danger both past and present and the role of instrumental figures is paramount. This report is created with the intent of warning the public of dangerous practices and conditions and of those who would deceive the public of that danger. This report is intended to raise awareness about the important issue of clerical sexual abuse and provide the public with vital information for public benefit. The information contained in this report is an attempt to compile information already available from various sources in the public media, public sources, government records, court records, church records and other publicly available sources that have chronicled this information for public use. These sources have not been independently verified and accordingly may contain inaccuracies and omissions. The currently pending civil lawsuits referred to have been filed under the New York Child Victims Act. The claims made in these lawsuits and the other lawsuits referred to in this report have not been fully adjudicated by the court. All alleged perpetrators are presumed innocent until proven guilty.
  • Richard Strauss Seine Kindheit Und Jugend Verlebte Richard Strauss in München, Worauf Kapellmeisterengagements Ihn 1885 * 11

    Richard Strauss Seine Kindheit Und Jugend Verlebte Richard Strauss in München, Worauf Kapellmeisterengagements Ihn 1885 * 11

    Strauss, Richard Richard Strauss Seine Kindheit und Jugend verlebte Richard Strauss in München, worauf Kapellmeisterengagements ihn 1885 * 11. Juni 1864 in München, Deutschland nach Meiningen, 1886 zurück nach München und 1889 † 8. September 1949 in Garmisch, Deutschland nach Weimar führten. Nach einer abermaligen Anstel- lung an der Münchner Hofoper von 1894 bis 1898 ging Komponist, Dirigent, Opernleiter, Kulturpolitiker er 1898 als Hofkapellmeister nach Berlin und übernahm 1918 zusammen mit Franz Schalk die Leitung der Wiener »Wahre Kunst adelt jeden Saal und anständiger Gelder- Hofoper bis 1924. Seit 1908 besaß er eine Villa in Garmi- werb für Frau und Kinder schändet nicht – einmal einen sch, ab 1925 eine in Wien. Nach dem Ende des Zweiten Künstler.« Weltkriegs lebte Strauss in der Schweiz, bis er kurz vor seinem Tod 1949 nach Garmisch zurückkehrte. Eine um- Richard Strauss 1908 in Entgegnung auf Vorwürfe, dass fangreiche Reisetätigkeit als Dirigent hatte ihn von jun- er 1904 zwei Konzerte in dem New Yorker Wanamaker- gen Jahren an bis ins hohe Alter in zahlreiche Orte des Kaufhaus dirigiert hatte, zitiert nach Walter Werbeck: In- und Auslandes geführt. Einleitung, in: Werbeck 2014, S. 9. Biografie Profil Richard Strauss wurde 1864 in München als Sohn des Richard Strauss war einer der erfolgreichsten und zug- Ersten Hornisten der Münchner Hofoper Franz Strauss leich umstrittensten Musiker seiner Zeit. Als Komponist und seiner Frau Josepha Pschorr, einer Tochter des Brau- arbeitete er hauptsächlich in den Gattungen Oper, Sinfo- ereibesitzers Georg Pschorr d. Ä. geboren. Mit vier Jah- nische Dichtung und Lied. Im Zentrum seiner musikali- ren erhielt er ersten Klavierunterricht bei dem Harfenis- schen Ästhetik stand das Ziel, in Tönen plastisch und ten August Tombo, mit acht Jahren Geigenunterricht bei konkret menschliche Konflikte auszudrücken und indivi- Benno Walter, der Konzertmeister der Münchner Hof- duelle Charaktere zu schildern.
  • A Random Assignment Evaluation of Learning Communities at Kingsborough Community College: Seven Years Later

    A Random Assignment Evaluation of Learning Communities at Kingsborough Community College: Seven Years Later

    A Random Assignment Evaluation of Learning Communities at Kingsborough Community College: Seven Years Later Michael J. Weiss Alexander Mayer Dan Cullinan Alyssa Ratledge Colleen Sommo John Diamond March 2014 Acknowledgments The long-term follow-up study at Kingsborough Community College’s Opening Doors Learn- ing Communities program, presented in this paper, was supported by the Institute of Education Sciences, U.S. Department of Education, through Grant No. R305A100066-11 to MDRC. The opinions expressed are those of the authors and do not represent the views of the Institute or the U.S. Department of Education. We are very appreciative of the Institute’s generous support. The original work on the Opening Doors demonstration received support from a number of foundations and government agencies. We are grateful for their generous backing and ongoing commitment. We particularly thank the Robin Hood Foundation, which provided special fund- ing to support the Opening Doors program at Kingsborough Community College. We also owe special thanks to the members of the MacArthur Foundation-funded Network on Transitions to Adulthood and to our research partners on Opening Doors, who helped us conceptualize the study and who participated in the design of the 12-month survey. We are also grateful to the many administrators, faculty, and staff at Kingsborough who have made Opening Doors a success. There is not enough space to mention everyone who has played a role in the program and the study, but we particularly want to acknowledge some individuals. The leadership of Byron McClenney, the president of Kingsborough through 2003, was crucial in successfully launching the program.
  • Music Manuscripts and Books Checklist

    Music Manuscripts and Books Checklist

    THE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MUSIC MANUSCRIPTS AND BOOKS The Morgan Library & Museum’s collection of autograph music manuscripts is unequaled in diversity and quality in this country. The Morgan’s most recent collection, it is founded on two major gifts: the collection of Mary Flagler Cary in 1968 and that of Dannie and Hettie Heineman in 1977. The manuscripts are strongest in music of the eighteenth, nineteenth, and early twentieth centuries. Also, the Morgan has recently agreed to purchase the James Fuld collection, by all accounts the finest private collection of printed music in the world. The collection comprises thousands of first editions of works— American and European, classical, popular, and folk—from the eighteenth century to the present. The composers represented in this exhibition range from Johann Sebastian Bach to John Cage. The manuscripts were chosen to show the diversity and depth of the Morgan’s music collection, with a special emphasis on several genres: opera, orchestral music and concerti, chamber music, keyboard music, and songs and choral music. Recordings of selected works can be heard at music listening stations. Wolfgang Amadeus Mozart (1756–1791) Der Schauspieldirektor, K. 486. Autograph manuscript of the full score (1786). Cary 331. The Mary Flagler Cary Music Collection. Mozart composed this delightful one-act Singspiel—a German opera with spoken dialogue—for a royal evening of entertainment presented by Emperor Joseph II at Schönbrunn, the royal summer residence just outside Vienna. It took the composer a little over two weeks to complete Der Schauspieldirektor (The Impresario). The slender plot concerns an impresario’s frustrated attempts to assemble the cast for an opera.
  • 47Th SEASON PROGRAM NOTES Week 2 July 21–27, 2019

    47Th SEASON PROGRAM NOTES Week 2 July 21–27, 2019

    th SEASON PROGRAM NOTES 47 Week 2 July 21–27, 2019 Sunday, July 21, 6 p.m. The marking for the first movement is of study at the University of California, San Monday, July 22, 6 p.m. unusual: Allegramente is an indication Diego, in the mid-1980s that brought a new more of character than of speed. (It means and important addition to his compositional ZOLTÁN KODÁLY (1882–1967) “brightly, gaily.”) The movement opens palette: computers. Serenade for Two Violins & Viola, Op. 12 immediately with the first theme—a sizzling While studying with Roger Reynolds, Vinko (1919–20) duet for the violins—followed by a second Globokar, and Joji Yuasa, Wallin became subject in the viola that appears to be the interested in mathematical and scientific This Serenade is for the extremely unusual song of the suitor. These two ideas are perspectives. He also gained further exposure combination of two violins and a viola, and then treated in fairly strict sonata form. to the works of Xenakis, Stockhausen, and Kodály may well have had in mind Dvorˇ ák’s The second movement offers a series of Berio. The first product of this new creative Terzetto, Op. 74—the one established work dialogues between the lovers. The viola mix was his Timpani Concerto, composed for these forces. Kodály appears to have been opens with the plaintive song of the man, between 1986 and 1988. attracted to this combination: in addition and this theme is reminiscent of Bartók’s Wallin wrote Stonewave in 1990, on to the Serenade, he wrote a trio in E-flat parlando style, which mimics the patterns commission from the Flanders Festival, major for two violins and viola when he was of spoken language.
  • Download Program Notes

    Download Program Notes

    Symphonia domestica, Op. 53 Richard Strauss he idea of the symphonic poem was cod- Symphonia domestica he expanded the idea of Tified in the 1840s and ’50s by Franz Liszt an autobiographical program to embrace the through a dozen single-movement orches- remainder of his household — his wife, Pau- tral pieces that drew inspiration from, or line, and his son, Franz, to whom the work is were in some way linked to, literary sources. jointly dedicated. Pauline de Ahna, an accom- The repertoire quickly grew thanks to no- plished and temperamental soprano, began table contributions by such composers as in 1887 as Strauss’s voice pupil and starred in Smetana, Dvořák, Musorgsky, Tchaikovsky, his first opera, Guntram, in 1894. They were Saint-Saëns, Franck, and — most impres- married that same year; he proposed — and sively of all — Richard Strauss. she accepted — while she was in mid-tantrum In 1886 Strauss produced what might be during a rehearsal of Tannhäuser that he was considered his first symphonic poem, Aus conducting. The composer often collaborated Italien (it is more precisely a descriptive with her in performance, either as pianist in symphony), and he continued through the recital or as conductor, until she effectively series of tone poems that many feel represent retired from the stage in 1906, by which time the genre at its height: Macbeth (1886–08), her voice had grown unreliable and her stage Don Juan and Tod und Verklärung (Death deportment had become downright bizarre. and Transfiguration)both 1888–89, Till Eu- They remained married for 55 years, and lenspiegels lustige Streiche (Till Eulenspie- she survived her husband by only eight gel’s Merry Pranks, 1894–95), Also sprach Zarathustra (Thus Spake Zarathustra, 1895–96), Don Quixote (1896–97), Ein Hel- In Short denleben (A Hero’s Life, 1897–98), and Sym- Born: June 11, 1864, in Munich, Bavaria phonia domestica (1902–03; sometimes the (Germany) title is given as Sinfonia domestica).