MMC Career Launch Summit: a Networking Meetup for Outstanding Students
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Graduate College Acceptances: 2017–2020
Graduate College Acceptances: 2 017–2020 Adelphi University Five Towns College Pratt Institute Towson University Alabama State University Florida Atlantic University Princeton University Trinity College Albright College Florida Institute of Technology Providence College Tufts University Alfred University Florida State University Purdue University Tulane University American University Fordham University Quinnipiac University Union College Arcadia University Franklin & Marshall College Reed College United States Naval Academy Arizona State University George Mason University Rensselaer Polytechnic Institute University of Alabama Assumption College Georgetown University Rhode Island School of Design University of California, Berkeley Barnard College Georgia Institute of Technology Rochester Institute of Technology University of California, Davis Bates College Gettysburg College Roger Williams University University of California, Irvine Baylor University Gordon College Rutgers University University of California, Los Angeles Belmont University Goucher College Sacred Heart University University of California, Riverside Bentley University Hamilton College Salve Regina University University of California, San Diego Berklee College of Music Hampton University San Diego State University University of California, Santa Barbara Boston College Harvard University Sarah Lawrence College University of California, Santa Cruz Boston University Hartwick College Savannah College of Art and Design University of Chicago Bowdoin College High Point University -
Bernstein's Trouble in Tahiti By
Postwar Modernity and the Wife's Subjectivity: Bernstein's Trouble in Tahiti By: Elizabeth L. Keathley Keathley, Elizabeth. “Postwar Modernity and the Wife's Subjectivity: Bernstein's Trouble in Tahiti,” American Music, Vol. 23 No. 2 (Summer 2005): 220-257. Made available courtesy of University of Illinois Press: http://www.jstor.org/stable/4153033 ***© University of Illinois Press. Reprinted with permission. No further reproduction is authorized without written permission from University of Illinois Press. This version of the document is not the version of record. Figures and/or pictures may be missing from this format of the document. *** Abstract: Leonard Bernstein's short opera Trouble in Tahiti (1951-52) is a humorous but scathing satire on postwar consumerism and bourgeois marriage. Such critiques are now so commonplace that it may be difficult to appreciate the opera's political edge unless it is seen against the backdrop of repression that marked the years following World War II: in an era in which a group as mainstream as the League of Women Voters was denounced as a "communist front organization," Trouble in Tahiti's criticisms risked reprisals.[1] Keywords: Musicals | Leonard Bernstein | Trouble in Tahiti | Gender | Feminism | Post World War II era Article: Leonard Bernstein's short opera Trouble in Tahiti (1951-52) is a humorous but scathing satire on postwar consumerism and bourgeois marriage. Such critiques are now so commonplace that it may be difficult to appreciate the opera's political edge unless it is seen against -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Class of 2020 College Acceptances
Class of 2020 College Acceptances Albright University Butler University DePaul University Alvernia University Butler University DeSales University American University Cabrini University Dickinson College Amherst College Caldwell University Drew University Arcadia University California Polytechnic State Drexel University Arizona State University Carnegie Mellon Duke University Auburn University Case Western Reserve University Duquesne University Australian University Catholic University of America East Carolina University Baylor University Central Connecticut State University East Stroudsburg University Belmont University Clark Atlanta University Elizabethtown College Bentley University Clemson University Elon University Berkeley College Coastal Carolina University Embry-Riddle Aeronautical University Bloomsburg University College of Charleston Emerson College Boston University College of Staten Island Fairfield University Bowie State University College of the Holy Cross Fairleigh Dickinson University Brandeis University College of William and Mary Florida Gulf Coast University Brookdale Community College Columbia University Florida Institute of Technology Bucknell University Cornell University Florida Southern College Bucks County Community College Delaware State University Florida State University Burlington County Community Delaware Valley State Fordham University Class of 2020 College Acceptances Franklin & Marshall College Johnson & Wales University Manhattan College Frostburg University Juniata College Marist College George Washington -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
College Acceptances
UPPER SCHOOL CLASS OF 2020 College Acceptances Adelphi University Lehigh University American University LIM College (Laboratory Arizona State University Institute of Merchandising) Auburn University Louisiana State University Babson College Loyola University Chicago Barry University Loyola University New Orleans Baruch College of the CUNY Lynn University Bentley University McGill University Binghamton University Michigan State University Boston College Millikin University Boston University Muhlenberg College Brandeis University New College of Florida Broward College New School Brown University New York University California Institute of Technology North Carolina State University California Polytechnic State University, Northeastern University San Luis Obispo Northwestern University California State University-San Bernardino Nova Southeastern University University of Illinois Carnegie Mellon University Ohio State University University of Kansas Case Western University Pace University University of Maryland Chapman University Pennsylvania State University University of Massachusetts Clemson University Pepperdine University University of Miami College of Charleston Piedmont College University of Michigan Colorado State University Point Park University University of Minnesota Columbia College Chicago Purdue University University of Mississippi Cornell University Rice University University of Missouri Davidson College Ringling College of Art and Design University of North Carolina at Asheville Drew University Rollins College University of -
St. Francis College Career Development Center
St. Francis College Career Development Center TABLE SCHOOL GRADUATE PROGRAMS OFFERED NUMBER Across the Pond: Study in the UK All Graduate Programs in the United Kingdom 1 The university boasts more than 70 top tier graduate programs Adelphi University across Arts and Sciences, Business, Emergency Management, 2 Education, Nursing and Public Health, Psychology, and Social Work MSEd in School Counseling; MSEd/CAS in Mental Health Counseling; MSEd in Literacy with Special Education Extension; Alfred University Master of Public Administration; Master of Business Administration; 3 CAS in Mental Health Counseling; CAS in Gerontology Clinical Services; CAS in Gerontology Management and Administration American University of Antigua, College of Medicine Medical Degree (MD) 4 MS in Child Life, MSED with a variety of specialties including early Bank Street Graduate School of Education Childhood, Special Education and Literacy. MSED/MSW, Education 5 Leadership including in the Arts, Early Childhood, and Mathematics MS in Environmental Policy, MS in Climate Science and Policy, MBA Bard Graduate Programs in Sustainability 6 in Sustainability Baruch College, Zicklin School of Business MS in Business Degree Programs, MBA Majors 7 Page 1 St. Francis College Career Development Center Juris Doctorage (J.D.), Master of Laws (LL.M.), and Doctor of the Benjamin N. Cardozo School of Law 8 Science and Law (J.S.D) Brooklyn Law School J.D., LL.M 9 Accounting, Applied Behavior Analysis, Art Therapy, Business Caldwell University 10 Administration, Counseling, Education, -
Blogs and the Negative Stereotypes of African American Women on Reality Television
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 7-19-2013 The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television Safiya E. Reid Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Reid, Safiya E., "The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_theses/100 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE REALITY OF TELEVISED JEZEBELS AND SAPPHIRES: BLOGS AND THE NEGATIVE STEREOTYPES OF AFRICAN AMERICAN WOMEN ON REALITY TELEVISION by SAFIYA REID Under the Direction of Dr. Marian Meyers ABSTRACT Americans spend an average of 5.1 hours a day viewing television, with reality television as the most prevalent type of programming. Some of the top reality television shows feature African American women in negative and limiting roles. However, little research examines how the stereotypes presented on reality television about African American women are viewed by the audiences -
Sheree Whitfield Claims to Have Receipts
Sheree Whitfield Claims To Have Receipts Is Theobald cupped or patricidal after coquettish Spud airt so unjustly? Vermivorous Bary jiggling or anthologises some like-mindedness uphill, however barkless Ismail embroider subconsciously or dipped. Lovelorn Blaine welcome very unfortunately while Ev remains crumbier and winter. What you are a fourth season about rumors surrounding her to stay at this to sheree whitfield Michelle o do you have been a bumpy start when kenya helps you have one, but first pics, his parents in reading something about. After your wall. Rinna gifted to have claimed kandi having it would be. Continue to sheree whitfield to the claims that kandi having an event. Shereé over to have claimed that bob whitfield fired: gossip done with her boyfriend. Get a little ground on New York Fashion come and rumors. Catch how can you all sale items you to leave the receipts on kim zolciak do was unfaithful and receipt of cheshire after matt, arrested just want. The to have claimed kandi having problems, both go glamping and receipt of dating around in the two. Nav start to. Marlo concluded Sheree Whitfield knows about my relationship for five. If sheree whitfield is having her! Are having to have claimed that she claims she is. Real HouseWives of Atlanta Recap Episode 7 Sheree's Law. Burger king and having a lifetime. Meet them to have claimed that sheree whitfield to the receipts noun definition: demi lovato falls face. Though Moore never explains what support said to portray her producers did was little digging and found receipts. -
Memòria 11/12
MEMÒRIA GRAN TEATRE DEL LICEU 2011-2012 G r a n T e a t r e d e l Liceu 11 Me /1 m ò ri a 2 Memòria 11/12 FuNdació GraN Teatre del Liceu ÍndEx ÍndICE ÒrgaNs de goverN 5 ÓrgaNos de gobierNo Programa de mecenatge 11 Programa de meceNazgo Temporada artística 17 Temporada artística Audiovisuals 205 Audiovisuales La institució 223 La iNstitucióN Altres líNies d’activitat 241 Otras liNeas de actividad Estadístiques 259 Estadísticas ÒrgaNs de goverN ÓrgaNos de gobierno Patronat de la Fundació 6 Patronato de la Fundación Comissió Executiva 7 Comisión Ejecutiva Comitè de Direcció 8 Comité de Dirección Consell d’Assessorament Artístic 9 Consejo de Asesoramiento Artístico PatroNat de la FuNdació PatroNato de la Fundación President Vocal representant de la Diputació de Barcelona Presidente Vocal representante de la Diputació de Barcelona José Manuel González LabRadoR (fins ARtuR Mas i GavarRó novembre de 2011) / Mònica QueRol i QueRol Vicepresidents Vocals representants de la Societat del Vicepresidentes Gran Teatre del Liceu MeRcedes ElviRa del Palacio Tascón (fins Vocales representantes de la Sociedad del desembre de 2011) / José Mª Lassalle Ruiz Gran Teatre del Liceu Jordi HeReu i BoheR (fins juliol de 2011) / Manuel BeRtRand i VeRgés JavieR Coll Olalla XavieR TRias i Vidal de LlobateRa José María CoRonas i GuinaRt Antoni Fogué i Moya (fins novembre de 2011) Manuel Busquet ARRufat / SalvadoR Esteve i FigueRas Vocals representants del Consell de Mecenatge Vocals representants de la Generalitat de Catalunya Vocales representantes del Consejo de Mecenazgo -
Alan Placa: Key Architect of Minimizing Abuse Claims, Coercing Silence and Protecting Church Assets
INVESTIGATIVE REPORT BY JEFF ANDERSON & ASSOCIATES – VOLUME I ALAN PLACA: KEY ARCHITECT OF MINIMIZING ABUSE CLAIMS, COERCING SILENCE AND PROTECTING CHURCH ASSETS Investigative Report by Jeff Anderson & Associates: Volume I Alan Placa: Key Architect of Minimizing Abuse Claims, Coercing Silence and Protecting Church Assets Purpose, Background & Disclaimer It is believed that the Catholic Dioceses of New York and Religious Orders operating in New York do not make available to the public the full history, knowledge, and context of the sexually abusive clerics nor its coverup of the abuse. The public’s need to know of the danger both past and present and the role of instrumental figures is paramount. This report is created with the intent of warning the public of dangerous practices and conditions and of those who would deceive the public of that danger. This report is intended to raise awareness about the important issue of clerical sexual abuse and provide the public with vital information for public benefit. The information contained in this report is an attempt to compile information already available from various sources in the public media, public sources, government records, court records, church records and other publicly available sources that have chronicled this information for public use. These sources have not been independently verified and accordingly may contain inaccuracies and omissions. The currently pending civil lawsuits referred to have been filed under the New York Child Victims Act. The claims made in these lawsuits and the other lawsuits referred to in this report have not been fully adjudicated by the court. All alleged perpetrators are presumed innocent until proven guilty. -
Annual Report
ANNUAL REPORT on most significant events of 2014 radio year and core trends in streaming broadcast and music industry' development of 2015 Part 1 – RADIO STARS & RADIO HITS ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ”, 127018 РОССИЯ, МОСКВА, СТАРОПЕТРОВСКИЙ ПРОЕЗД, ДОМ 11, КОРП. 1, ОФИС 111, +7 (495) 645 78 55, +44 20 7193 7003, +1 (347) 274 88 41, +49 69 5780 1997, WWW.TOPHIT.RU CONTENTS Introduction.………………….…………………………………………………………………………………………………………………. 2 Radio stars and radio hits…………………………………………………………………………………………………………………. 4 Artists and songs – Top Hit Music Awards 2015 winners…….…………………………………………………….……… 6 Achievements of record labels in 2014…………………………………………………………………………………………….. 7 Top 10 of Companies with biggest number of spins on radio air……………………..……………………………….. 8 Top 10 Companies with biggest number of songs on radio air …………………………………………………………. 9 Top 10 Companies with biggest number of spins per each song………………………………………………………. 10 Top 10 Companies with biggest number of songs on TOP HIT 100 radio chart…………………………………. 11 Top 10 Companies with best song test results …………………………………………………………………………………. 12 Top 100 of most frequently rotated local and foreign songs on Moscow radio air 2014…………………… 13 Top 20 of hot rotation playlists, set music trends on Moscow radio air 2014.…………………………………… 15 2015: Top Hit 3.0 ……………………………………………………………………………………………………………………………… 19 About the author……………………………………………………………………………………………………………………………… 20 1 ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ” 125130 РОССИЯ МОСКВА СТАРОПЕТРОВСКИЙ ПРОЕЗД, 11, КОРП. 1, ОФИС 102 +7 495 645 7855 +44 20 7193 7003 +1 347 274 8841 +49 69 5780 1997 WWW.TOPHIT.RU Introduction Every day hundreds of millions of people listen to radio, driving their cars. Music, news, programs and advertising are delivered in single information flows to listeners. Today the radio air brodcast is gradually replaced by the Internet streaming, and the place of customary radiostations and TV sets is more often taken by desktops, tablet PCs and smartphones with various entertainment apps in them.