Working Class Mystic: a Spiritual Biography of George Harrison Pdf, Epub, Ebook
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Bright Tunes Music V. Harrisongs Music
420 F.Supp. 177 United States District Court, S. D. New York. BRIGHT TUNES MUSIC CORP., Plaintiff, v. HARRISONGS MUSIC, LTD., et al., Defendants. No. 7 1 Civ. 602. | Aug. 31, 1976. | As Amended Sept. 1, 1976. OPINION AND ORDER OWEN, District Judge. This is an action in which it is claimed that a successful song, My Sweet Lord, listing George Harrison as the composer, is plagiarized from an earlier successful song, He’s So Fine, composed by Ronald Mack, recorded by a singing group called the “Chiffons,” the copyright of which is owned by plaintiff, Bright Tunes Music Corp. He’s So Fine, recorded in 1962, is a catchy tune consisting essentially of four repetitions of a very short basic musical phrase, “sol-mi-re,” (hereinafter motif A),1 altered as necessary to fit the words, followed by four repetitions of another short basic musical phrase, “sol-la-do-la-do,” (hereinafter motif B).2 While neither motif is novel, the four repetitions of A, followed by four repetitions of B, is a highly unique pattern.3 In addition, in the second use of the motif B series, there is a grace note inserted making the phrase go “sol-la-do-la-re-do.”4 My Sweet Lord, recorded first in 1970, also uses the same motif A (modified to suit the words) four times, followed by motif B, repeated three times, not four. In place of He’s So Fine’s fourth repetition of motif B, My Sweet Lord has a transitional passage of musical attractiveness of the same approximate length, with the identical grace note in the identical second repetition.5 The harmonies of both songs are identical.6 *179 George Harrison, a former member of The Beatles, was aware of He’s So Fine. -
1 Illuminate
1 Illuminate 2 Illuminate Visakha Devi Dasi Nabhasvati Devi Dasi Mondakini Devi Dasi Shyamasundara Das Ranchor Das Sarvamangala Devi Dasi Nikhil Gohil Kanchanbja Das Sutapa Das Ananda Monet Hema Devlukia Madhava Dayaita Devi Dasi Shyampriya Devi Dasi Jagatpriya Devi Dasi Kishori Yogini Devi Dasi Rakhi Sharma Sandra, Sanj and Mita Niskincana Caitanya Das Dimple Parmer 3 Illuminate EDITOR’S LETTER Finally! 2020 is over and 2021 has begun. With the new year comes new start from whatever stage we are currently in, in our own individual lives. goals, new hopes, new aspirations and...a new edition of Illuminate to re- As they say – the past doesn’t define our future; the actions we take today invigorate the spiritual connection in you! With all this newness and the are what designs our future. But this article doesn’t just talk about how arrival of spring, we’re all about birth in this issue. So following on from our important goal setting is, it also looks at what kind of goals we need to set article in July of last year in which we looked at how ISKCON was started by and aspire towards. our founder Srila Prabhupada, in this issue, we delve into how our temple, Sometimes though, nothing inspires us quite like the stories of others. Bhaktivedanta Manor came into existence. Some of the senior devotees who Since March 8th was International Women’s Day, we thought it was a were present at the time, tell us, in the article, Bhaktivedanta Manor: How wonderful opportunity to shine a light on some of the most inspirational it all began, about their initial thoughts, the struggles they faced and risks and empowered female devotees in ISKCON. -
Für Sonntag, 21
GEORGE HARRISON-Box THE APPLE YEARS Um zu bestellen, einfach Abbildung anklicken Abbildungen: Box; Kollage mit Box, Booklet und CDs. Freitag, 19. September 2014: Box (7 CDs & 1 DVD) GEORGE HARRISON - THE APPLE YEARS. 84,90 € inkl. Versand und gut verpackt Inhalt der Box: CD WONDERWALL MUSIC, CD ELECTRONIC SOUND, Doppel-CD ALL THINGS MUST PASS, CD LIVING IN THE MATERIAL WORLD, CD DARK HORSE, CD EXTRA TEXTURE (READ ALL ABOUT IT), DVD, Booklet. Die CDs sind auch einzeln erhältlich jeweils mit den 20-Seiten-Booklet. Die DVD und das zusätzliche Büchlein gibt es nicht einzeln sondern nur in der Box. Freitag, 19. September 2014: CD (remastert) mit 20-Seiten-Booklet WONDERWALL MUSIC BY GEORGE HARRISON. Apple / Universal, Europa. Freitag, 1. November 1968: Vinyl-LP WONDERWALL MUSIC BY GEORGE HARRISON. Apple TCSAPCOR 1 (geplant STAP 1), Großbritannien. *Dezember 1967: EMI Abbey Road Studios, London, Großbritannien und **Dienstag, 9. - Montag, 15. Januar 1968: EMI Recording Studios, Universal Insurance Building, Phirozeshah Mehta Road, Fort, Bombay 400001, Indien: Track 1: Microbes (George Harrison) (3:39). Track 2: Red Lady Too (George Harrison) (1:53). Track 3: Table And Pakavaj (George Harrison) (1:04). Track 4: In The Park (George Harrison) (4:08). Track 5: Drilling A Home (George Harrison) (3:07). Track 6: Guru Vandana (George Harrison) (1:04). Track 7: Greasy Legs (George Harrison) (1:27). Track 8: Ski-ing And Gat Kirwani (George Harrison) (3:06). Track 9: Dream Scene (George Harrison) (5:27). Track 10: Party Seacombe (George Harrison) (4:34): Track 11: Love Scene (George Harrison) (4:16). Track 12: Crying (George Harrison) (1:14). -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/12/2010 to 08/18/2010 Last Period (TP) = 08/05/2010 to 08/11/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Kenny Burrell Be Yourself HighNote 2010 15 15 0 1 39 Tomas Janzon Experiences Changes 2010 15 2 13 3 2 Curtis Fuller I Will Tell Her Capri 2010 13 11 2 3 23 Chris Massey Vibrainium Self-Released 2010 13 3 10 5 3 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 10 10 0 5 9 Buselli Wallarab Jazz Mezzanine Owl Studios 2010 10 5 5 Orchestra 7 16 Mark Weinstein Timbasa Jazzheads 2010 8 4 4 7 71 Amina Figarova Sketches Munich 2010 8 1 7 7 71 Steve Davis Images Posi-Tone 2010 8 1 7 10 5 Nnenna Freelon Homefree Concord 2010 7 8 -1 10 9 Fred Hersch Whirl Palmetto 2010 7 5 2 12 5 Tim Warfield A Sentimental Journey Criss Cross 2010 6 8 -2 12 8 Rita Edmond A Glance At Destiny T.O.T.I. 2010 6 6 0 12 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 6 4 2 12 23 The Craig Russo Latin Jazz Mambo Influenciado Cagoots 2010 6 3 3 Project 12 39 Radam Schwartz Songs For The Soul Arabesque 2010 6 2 4 12 71 Tamir Hendelman Destinations Resonance 2010 6 1 5 12 267 Buckwheat Zydeco Lay Your Burden Down Alligator 2009 6 0 6 12 267 Charlie Musselwhite The Well Alligator 2010 6 0 6 20 4 Jason Moran Ten Blue Note 2010 5 9 -4 20 7 Stephen Anderson Nation Degeneration Summit 2010 5 7 -2 20 16 Keith Jarrett -
Wikipedia Beetles Dung Beetles Are Beetles That Feed on Feces
Wikipedia beetles Dung beetles are beetles that feed on feces. Some species of dung beetles can bury dung times their own mass in one night. Many dung beetles, known as rollers , roll dung into round balls, which are used as a food source or breeding chambers. Others, known as tunnelers , bury the dung wherever they find it. A third group, the dwellers , neither roll nor burrow: they simply live in manure. They are often attracted by the dung collected by burrowing owls. There are dung beetle species of different colours and sizes, and some functional traits such as body mass or biomass and leg length can have high levels of variability. All the species belong to the superfamily Scarabaeoidea , most of them to the subfamilies Scarabaeinae and Aphodiinae of the family Scarabaeidae scarab beetles. As most species of Scarabaeinae feed exclusively on feces, that subfamily is often dubbed true dung beetles. There are dung-feeding beetles which belong to other families, such as the Geotrupidae the earth-boring dung beetle. The Scarabaeinae alone comprises more than 5, species. The nocturnal African dung beetle Scarabaeus satyrus is one of the few known non-vertebrate animals that navigate and orient themselves using the Milky Way. Dung beetles are not a single taxonomic group; dung feeding is found in a number of families of beetles, so the behaviour cannot be assumed to have evolved only once. Dung beetles live in many habitats , including desert, grasslands and savannas , [9] farmlands , and native and planted forests. They are found on all continents except Antarctica. They eat the dung of herbivores and omnivores , and prefer that produced by the latter. -
El Sargento Pepper.Indd 1 29/02/16 12:27 EL SARGENTO PEPPER NUNCA ESTUVO ALLÍ
JULIÁN RUIZ Licenciado en Periodismo y Ciencias Políticas en Los Ángeles, ingeniero y productor de discos certifi cado por la RIAA de Estados Unidos. Como productor ha realizado hasta la fecha 122 discos. Ha obtenido 14 números uno en Abba John Lennon las listas de venta. Ha producido a Nino Bravo, Adele Joséphine Baker Alaska y los Pegamoides, Orquesta Mondra- Amanda Lear Kurt Cobain gón, Azul y Negro, Tino Casal, Objetivo Bir- Beach Boys Led Zeppelin ALLÍ mania, Burning, Danza Invisible, Cómplices, Bee Gees Lou Reed EL SARGENTO Miguel Ríos, Manolo Tena, entre otros muchos Bob Dylan Mama Cass artistas. Bob Geldof Marvin Gaye Bob Marley Michael Hutchence A mediados de los 90 obtuvo una serie de Brian Jones Michael Jackson éxitos como artista y compositor con los pro- Bruce Springsteen yectos El Bosco, CCCP, Esperanto, Uffox XXI, ESTUVO PEPPER Mick Jagger Bryan Ferry Mike Oldfi eld Atlántida, The Globe Icon, así como con Rita Chrissie Hynde Nina Simone Marley, Zucchero, Tim Booth (James) y Dr. Crosby, Stills & Nash John, por citar solo algunos. Ha producido Paul McCartney David Bowie también la versión española de los musicales Peter Gabriel Dusty Springfi eld El 1 de junio de 1967 se publica Sgt. Pepper’s Lonely Hearts Club Band, NUNCA Grease, Popcorn y Starmania. Pink Floyd Elton John el mítico álbum de los Beatles que revolucionó la historia de la música Elvis Presley Prince popular. El disco fue recibido como una obra de arte total (fi cción, Ha publicado artículos en Cambio 16, Inter- Fleetwod Mac Sam Cooke concepto visual, arreglos, vanguardia, performance...), que congregaba viú, Qué y Opinión. -
Three Chords and the Truth Part II
Three Chords and the Truth Part II By Peter C. Lemire of Leyendecker & Lemire, LLC A Colorado Intellectual Property & Business Law Firm In the fist installment of this article, we examined the case of Bridgeport Music, Inc. V. Dimension Films which surrounds digital sampling. Additionally I put forth the opinion of Peter Gutmann, an attorney who wrote an article in the October issue of IP Law and Business critiquing the decision and ultimately making his case for why music should not be afforded copyright protection. In this installment of the article we will look a bit more at Mr. Gutmann’s reasons why he believes music should not be entitled to copyright protection, as well as an analysis of a famous copyright case involving George Harrison. Gutmann uses the "independent fixation of the sounds captured in a recording" concept of section 114(c) as a gateway into a fractured and strained reasoning on why music should not be afforded copyright protection. He points out that there are potential pitfalls for the individual relying on 114(c) due to the fact that certain case law exists that could pose pitfalls to the unwary. In particular, he cites the 1981 case of Abkco Music, Inc. v. Harrisongs Music, Ltd ., 508 F. Supp. 798 (S.D.N.Y. 1981), aff’d 722 F.2d 988 (2d Cir. 1983). For anyone who practices copyright or is into the commercial side of music, the Harrisongs case should ring some bells. At heart in this case was the question of whether George Harrison’s 1971 "My Sweet Lord" infringed on the Chiffons 1963 hit "He’s So Fine". -
David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts................................................................................................................................... -
Pattie Boyd Has Seen It All and Then Some
ARTS ARTS attie Boyd has seen it all and then some. lying supine on a bed in Southern India in 1968, “the As a model in 60s London she worked last time I saw him looking so relaxed and calm.” She alongside Twiggy and Pat Booth, landed photographed Ronnie and Krissy Wood in the early multiple magazine covers, and was hours of the morning – still going strong from the Pcaptured on film by David Bailey, Norman Parkinson night before. She captured Clapton from the side of and Lord Snowdon. She was the buxom blonde with the stage in all his slow-handed glory. Throughout the the baby blues and gap teeth, the “new contemporary intense highs and dramatic lows, what have remained face” of 1964. are Boyd’s pictures – a window into the private Then she met and married Beatle George Harrison. world of the privileged, the experimental and the She endured kicking and spitting from crazed Beatles tremendously talented. fans. She travelled to India with the band on their While preparing for the opening of her exhibition notorious quest for spiritual enlightenment. Soon after Through The Eyes of a Muse in Sydney, the adorable Dylan turned the fab four onto marijuana, Boyd and and open Pattie Boyd spoke to Russh from her Sussex Harrison were dragged, hand-cuffed, from their home home about meditating with the Maharishi, keeping following a drug bust. She witnessed the lads from up with the boys on tour, opening a Pandora’s box and Liverpool crumble under the intense pressures of how her camera helped her to see the light. -
Pioneer Valley Jazz Shares Presents: Joel Harrison's Multiplicity
FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: Joel Harrison’s Multiplicity Pioneer Valley Jazz Shares continues its 4th season with a performance by Joel Harrison’s Multiplicity , on Sunday, Novemeber 29 , at 7:30pm at the Arts Block Cafe , 289 Main St., Greenfield, MA. Multiplicity includes: Harrison , guitar; Anupam Shobhakar , sarod, Satoshi Takeishi , percussion. Single tickets ($15) available at www.jazzshares.org and at the door. Named a Guggenheim Fellow in 2010, Washington D.C. native Joel Harrison has long been recognized as a highly gifted guitarist, composer, arranger, vocalist and songwriter. A survey of Harrison’s body of work would be a bit like spinning a globe and stumbling on regions with names like Duke Ellington, Hendrix, The Beatles, John Mclaughlin, and Charles Ives. Wielding a focused lens and an ever-increasing courage to take risks with his art, Harrison has quickly blossomed from mentorships with Joan Tower, Ali Akbar Khan and Charlie Banacos into one of the most respected artists of his generation. On Mother Stump (Cuneiform), Harrison puts himself out front as a guitarist, leading a trio that catalyzes numerous American guitar styles, in a stunning display of raw sound and emotion that both soothes and rocks. His 2013 release, Infinite Possibility , new music for a 19 piece jazz orchestra, received a four and a half star review from Downbeat. AllMusic called it “a stellar exercise in ambition and vision.” Past works include Harrison on Harrison (Highnote, 2005), exploring the music of George Harrison, (Dave Liebman, Uri Caine and David Binney), Free Country (Norah Jones, Binney, Gary Versace), and the septet Search, which utilizes the techniques of contemporary classical composers like John Adams, Charles Ives, and Olivier Messiaen in compositions for a septet of modern jazz’s finest instrumentalists. -
Breakfast)W/)The)Beatles) .)PLAYLIST).) Sunday'dec.'9Th'2012' Remembering John
Breakfast)w/)the)Beatles) .)PLAYLIST).) Sunday'Dec.'9th'2012' Remembering John 1 Remembering'John' John Lennon – (Just Like) Starting Over – Double Fantasy NBC NEWS BULLETIN 2 The Beatles – A Day In The Life - Sgt. Peppers Lonely Hearts Club Band Recorded Jan & Feb 1967 Quite possibly the finest Lennon/McCartney collaboration of their song-writing career. Vin Scelsa WNEW FM New York Dec.8th 1980 Paul McCartney – Here Today - Tug of War ‘82 This was Paul’s elegy for John – it was a highlight of the album, and as was the entire album, produced by George Martin. This continues to be part of Paul’s repertoire for his live shows. George Harrison – All Those Years Ago This particular track is a puzzle still somewhat unsolved. Originally written for Ringo with different lyrics, (which Ringo didn’t think was right for him), the lyrics were rewritten after John Lennon’s murder. Although Ringo did provide drums, there is a dispute as to whether Paul, Linda and Denny did backing vocals at Friar Park, or in their own studio – hence phoning it in. But Paul insists that he had asked George to play on his own track, Wanderlust, for the Tug Of War album. Having arrived at George’s Friar Park estate, they instead focused on backing vocals for All Those Years Ago. It became George’s biggest hit in 8 years, just missing the top spot on the charts. 3 2.12 BREAK/OPEN Start with songs John liked…. The Beatles – In My Life - Rubber Soul Recorded Oct.18th 1965 Of all the Lennon/McCartney collaborations only 2 songs have really been disputed by John & Paul themselves one being “Eleanor Rigby” and the other is “In My Life”. -
Harrisongs 2012
1 95.5 KLOS PLAYLIST DEC. 2ND 1 2 9AM THREE HOURS OF GEORGE HARRISONGS George Harrison – Isn’t It A Pity (version one) - All Things Must Pass ‘70 Simple, effective, majestic – this track is one of the most magnificent tunes of George’s solo career. First composed during the “Let It Be” sessions, it was recorded on June 2nd, 1970. Some considered this to be a parody of “Hey Jude,” with it’s length and similar sounding backing chorus – but the song is anything but a parody – but another piece of firm evidence of George’s power as a master songwriter. 9.10 BREAK 2 3 The Beatles - Blue Jay Way - Magical Mystery Tour (EP) (Harrison) Lead vocal: George Written by George Harrison on August 1, 1967 while vacationing in a rented house in the Hollywood Hills above Los Angeles. The story is essentially the same as the lyrics imply. On a foggy night in L.A., George sat at his rented house waiting for friends to arrive, but the maze of thin and winding streets and the thick fog rolling in got the best of them and they became lost. George: “I’d rented a house in Los Angeles on – Blue Jay Way, and I’d arrived there from England. I was waiting around for Derek and Joan Taylor who were then living in L.A. I was very tired after the flight and the time change and I stared writing, playing a little electric organ that was in the house. It had gotten foggy and they couldn’t find the house for some time.