A DVD Primer
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R5505 DVD/CD/MP3 Player W/ TV Tuner R5506 DVD/CD/MP3 Player
ROSEN a anew new generation generation of of leadership leadership in mobile in mobilevideo video R5505 DVD/CD/MP3 Player w/ TV Tuner R5506 DVD/CD/MP3 Player Owner's Manual and Installation Guide R .mp3 R T Warning! Table of Contents THE R5505/R5506 DVD/CD/MP3 PLAYERS ARE DESIGNED TO Introduction ...................................................................... 2 ENABLE VIEWING OF DVD OR CD-VIDEO RECORDINGS ONLY FOR REAR-SEAT OCCUPANTS. Care and Maintenance ..................................................... 3 MOBILE VIDEO PRODUCTS ARE NOT INTENDED FOR VIEW- Discs Played by this unit ................................................... 4 ING BY THE DRIVER WHILE THE VEHICLE IS IN MOTION. SUCH USE MAY DISTRACT THE DRIVER OR INTERFERE WITH Using the DVD player ........................................................ 5 THE DRIVER’S SAFE OPERATION OF THE VEHICLE, AND THUS RESULT IN SERIOUS INJURY OR DEATH. SUCH USE MAY ALSO VIOLATE STATE LAW. The Remote Control .......................................................... 7 ROSEN ENTERTAINMENT SYSTEMS DISCLAIMS ANY LIABIL- DVD/VCD/CD-Audio Playback .......................................... 8 ITY FOR ANY BODILY INJURY OR PROPERTY DAMAGE THAT MAY RESULT FROM ANY IMPROPER OR UNINTENDED USE. Watching Broadcast Television (R5505 only)................. 10 MP3 Playback on CD-R discs .......................................... 11 About Installation Installation of mobile audio and video components requires Installation and Wiring .................................................... 12 experience -
Store up to 8.5Gb on One Disc Lightscribe Disc Labeling
STORE UP TO 8.5GB ON ONE DISC - With double layer DVD recording technology, the LaCie Slim DVD±RW Drive with LightScribe, Design by F.A. Porsche can be used to store nearly twice as much data as before. With up to 8.5GB of space on a single-sided, double layer DVD disc, save up to 16 hours of VHS video, 4 hours of personal, high-quality DVD video or up to 8.5GB of important data. Large-capacity, double layer DVD media is also ideal for backing up computer systems or saving thousands of MP3s. LIGHTSCRIBE DISC LABELING This drive is now equipped with LightScribe—an innovative technology that allows you to burn silkscreen-quality labels directly onto CDs* and DVDs* with a laser instead of a printer. LightScribe uses a combination of your CD/DVD drive, specially coated discs, and enhanced disc-burning software to produce precise, professional labels. The result is an impressive iridescent image composed of art, text, or photos of your own creation. BROAD CD AND DVD COMPATIBILITY Conveniently compatible with DVD+R/RW and DVD-R/RW media •Burn customized 8.5GB and virtually all DVD players, the LaCie Slim DVD±RW Drive with video DVDs LightScribe, Design by F.A. Porsche lets you choose the format you’d •Store photos, MP3s and like to use. With the ability to store digital data on DVD or CD media, videos on your discs this all-in-one drive accommodates a variety of multimedia jobs. This • Bundled with Easy Media rewritable drive can be connected to any PC. -
Motion Picture
Moving Images Prepared by Bobby Bothmann RDA Moving Images by Robert L. Bothmann is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. Created 2 February 2013 Modified 11 November 2014 https://link.mnsu.edu/rda-video Scope Step-through view of the movie Hairspray from 2007 Generally in RDA rule order Uses MARC 21 examples Describing Manifestations & Items Follows RDA Chapters 2, 3, 4 Describing Works and Expressions Follows RDA Chapters 6, 7 Recording Attributes of Person & Corporate Body Uses RDA Chapters 9, 11, 18 Covers relator terms only Recording Relationships Follows RDA Chapters 24, 25, 26 2 Resources Olson, Nancy B., Robert L. Bothmann, and Jessica J. Schomberg. Cataloging of Audiovisual Materials and Other Special Materials: A Manual Based on AACR2 and MARC 21. Westport, Conn: Libraries Unlimited, 2008. [Short citation: CAVM] Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. Streaming Media Best Practices Task Force. Best Practices for Cataloging Streaming Media. No place : OLAC CAPC, 2009. http://olacinc.org/drupal/capc_files/streamingmedia.pdf Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. DVD Cataloging Guide Update Task Force. Guide to Cataloging DVD and Blu-ray Discs Using AACR2r and MARC 21. 2008 Update. No place: OLAC CAPC, 2008. http://olacinc.org/drupal/capc_files/DVD_guide_final.pdf Pan-Canadian Working Group on Cataloguing with RDA. “Workflow: Video recording (DVD) RDA.” In RDA Toolkit | Tools| Workflows |Global Workflows. 3 Preferred Source 4 5 Title Proper 2.3.2.1 RDA CORE the chief name of a resource (i.e., the title normally used when citing the resource). 245 10 $a Hairspray Capitalization is institutional and cataloger’s choice Describing Manifestations 6 Note on the Title Proper 2.17.2.3 RDA Make a note on the source from which the title proper is taken if it is a source other than: a) the title page, .. -
CD-ROM, CD-R, CD-RW, and DVD-ROM Drives) Are the Hardware Devices That Read Computer Data from Disks
A Brief History of CD/DVD The first disc that could be written and read by optical means (using light as a medium) was developed by James T. Russell. In the late 1960s, Russell created a system that recorded, stored, and played audio/video data using light rather than the traditional contact methods, which could easily damage the disks during playback. Russell developed a photosensitive disc that stored data as 1 micron-wide dots of light and dark. The dots were read by a laser, converted to an electrical signal, and then to audio or visual display for playback. Russell's own company manufactured the first disc player in 1980, although the technology never reached the marketplace until Philips and Sony developed the technology. In late 1982, Philips and Sony released the first of the compact disc (CD) formats, which they then called CD-DA (digital audio). In the years since, format has followed format as the original companies and other industry members developed more adaptations of the original specifications. Digital Versatile disc (DVD) had its beginning in 1994, when two formats, Super disc (SD) and Multimedia CD (MMCD) were introduced. Promoters of the competing technologies failed to reach an agreement on a single standard until 1996, when DVD was selected as a convergence format. DVD has, in the few years since, grown to include variations that do anything that CD does, and more efficiently. Standardization and compatibility issues aside, DVD is well-placed to supplant CD. Magnetic vs Optical Media Optical media are storage media that hold information in digital form and that are written and read by a laser; these media include all the various CD and DVD variations, as well as optical jukeboxes and autochangers. -
DVD Primer from DV to DVD: Enriching the Experience of High-Quality Video
PRIMER A DVD Primer From DV to DVD: Enriching the Experience of High-Quality Video TABLE OF CONTENTS Introduction 1 Introduction From Stone Age to Bronze Age to Industrial Age to Information Age, humans have found 1 What is DVD? new ways to communicate and to tell stories that educate, inform, and entertain. Digital 2 What are the advantages of DVD? technology has transformed the ways we access and use information more profoundly 2 The components of DVD technology than any other human invention, and brought us to the dawn of the Interactive Age. 5 DVD-Video Within three years of its introduction in September 1997, DVD technology products 6 Video compression outpaced the consumer adoption rate of any other product in history. The online 9 Audio for DVD-Video resource Research and Markets predicts that worldwide DVD recorder shipments will 11 Aspect ratios grow from 9.4 million in 2004 to 67.7 million in 2009. This number does not even count 17 Multiple camera angles players, set-top boxes, and computer DVD drives. 18 Subpicture streams and closed captions While DVD players have rapidly become a standard component of home entertainment 19 DVD-Video interactivity systems, and DVD drives continue to replace CD drives in personal computers, there 20 Menus and navigation are also developments that are changing the way we experience and use video: 24 Region Coding • Digital video software and hardware is readily available and affordable, so more 25 Content Protection people are producing their own videos—for work or their own entertainment. 27 How do I make DVDs? • Nonlinear editing software has made capturing video and crafting compelling video 27 What tools do I need? productions affordable and easy. -
ASPECT RATIO Aspect Ratios Are One of the More Confusing Parts of Video
ASPECT RATIO Aspect ratios are one of the more confusing parts of video, although they used to be simple. That's because television and movie content was all about the same size, 4:3 (also known as 1.33:1, meaning that the picture is 1.33 times as long as it is high). The Academy Standard before 1952 was 1.37:1, so there was virtually no problem showing movies on TV. However, as TV began to cut into Hollywood's take at the theater, the quest was on to differentiate theater offerings in ways that could not be seen on TV. Thus, innovations such as widescreen film, Technicolor, and even 3-D were born. Widescreen film was one of the innovations that survived and has since dominated the cinema. Today, you tend to find films in one of two widescreen aspect ratios: 1. Academy Standard (or "Flat"), which has an aspect ratio of 1.85:1 2. Anamorphic Scope (or "Scope"), which has an aspect ratio of 2.35:1. Scope is also called Panavision or CinemaScope. HDTV is specified at a 16:9, or 1.78:1, aspect ratio.If your television isn't widescreen and you want to watch a widescreen film, you have a problem. The most common approach in the past has been what's called Pan and Scan. For each frame o a film, a decision is made as to what constitutes the action area. That part of the film frame is retained, and the rest is lost.. This can often leave out the best parts of a picture. -
Screen Size Selection
Screen Size Selection One of the most important decisions in screen selection is to determine the correct size of screen based upon the dimensions of the audience area and the projection format(s) to be used. In some situations, these two questions yield the same answer; in • Ceiling Height—The bottom of the screen should be approximately others they do not and compromises must be made. Here are the key 40–48" above the floor in a room with a level floor and several rows considerations— of seats. In rooms with theatre seating or only one or two rows, • Audience Area—In determining the correct screen size in relation to such as a home theatre, the bottom of the screen should usually be the audience area, the goal is to make the screen large enough so 24–36" above the floor. Try to make sure that the lower part of the those in the rear of the audience area can read the subject matter screen will be visible from all seats. Extra drop may be required to easily, but not so large that those in the front of the audience area position the screen at a comfortable viewing level in a room with a have difficulty seeing the full width of the projected image. high ceiling. • Height—Use the following formulas for calculating screen height for • Projection Format—Once you have determined the correct size of maximum legibility. For 4:3 moving video and entertainment, screen screen for the audience area, that size may be modified height should be at least 1/6 the distance from the screen to the based upon the type(s) of projection equipment to be used. -
MODEL:LH-R5500SB (Main Unit: LH-R5500W Speakers: LHS-55SBS, LHS-55SBC, LHS-55SBW)
LH-T5500SB NA2ALLA DVD Recorder Receiver System OWNER'S MANUAL MODEL:LH-R5500SB (Main Unit: LH-R5500W Speakers: LHS-55SBS, LHS-55SBC, LHS-55SBW) CD-R/RW R Before connecting, operating or adjusting this product, please read this instruction booklet carefully and completely. Safety Precautions CAUTION concerning the Power Cord CAUTION Most recommend be a dedi- RISK OF ELECTRIC SHOCK appliances they placed upon DO NOT OPEN cated circuit; That is, a single outlet circuit which powers only that appliance and has no additional outlets or branch circuits. Check the CAUTION: TO REDUCE THE RISK of this owner's manual to be certain. OF ELECTRIC SHOCK specification page DO NOT REMOVE COVER (OR BACK) Do not overload wall outlets. Overloaded wall outlets, loose or NO USER-SERVICEABLE PARTS INSIDE damaged wall outlets, extension cords, frayed power cords, or REFER SERVICING TO QUALIFIED SERVICE damaged or cracked wire insulation are dangerous. Any of PERSONNEL. these conditions could result in electric shock or fire. Periodically examine the cord of your appliance, and if its This flash with arrowhead within an lightning symbol appearance indicates damage or deterioration, unplug it, dis- equilateral triangle is intended to alert the user to continue use of the appliance, and have the cord replaced with the presence of uninsulated dangerous voltage with- an exact replacement part by an authorized servicer. in the product's enclosure that may be of sufficient Protect the cord from or mechanical magnitude to constitute a risk of electric shock to power physical abuse, such as closed in a or persons. being twisted, kinked, pinched, door, walked upon. -
Use External Storage Devices Like Pen Drives, Cds, and Dvds
External Intel® Learn Easy Steps Activity Card Storage Devices Using external storage devices like Pen Drives, CDs, and DVDs loading Videos Since the advent of computers, there has been a need to transfer data between devices and/or store them permanently. You may want to look at a file that you have created or an image that you have taken today one year later. For this it has to be stored somewhere securely. Similarly, you may want to give a document you have created or a digital picture you have taken to someone you know. There are many ways of doing this – online and offline. While online data transfer or storage requires the use of Internet, offline storage can be managed with minimum resources. The only requirement in this case would be a storage device. Earlier data storage devices used to mainly be Floppy drives which had a small storage space. However, with the development of computer technology, we today have pen drives, CD/DVD devices and other removable media to store and transfer data. With these, you store/save/copy files and folders containing data, pictures, videos, audio, etc. from your computer and even transfer them to another computer. They are called secondary storage devices. To access the data stored in these devices, you have to attach them to a computer and access the stored data. Some of the examples of external storage devices are- Pen drives, CDs, and DVDs. Introduction to Pen Drive/CD/DVD A pen drive is a small self-powered drive that connects to a computer directly through a USB port. -
MARK FREEMAN Encyclopedia of Science, Technology and Society Ooks&Sidtext=0816031231&Leftid=0
MARK FREEMAN Encyclopedia of Science, Technology and Society http://www.factsonfile.com/newfacts/FactsDetail.asp?PageValue=B ooks&SIDText=0816031231&LeftID=0 WIDESCREEN The scale of motion picture projection depends upon the inter- relationship of several factors: the size and aspect ratio of the screen; the gauge of the film; the type of lenses used for filming and projection; and the number of synchronized projectors used. These choices are in turn determined by engineering, marketing and aesthetic considerations. Aspect ratio is the width of the screen divided by the height. The classic standard aspect ratio was expressed as 1.33:1. Today most movies are screened as 1.85:1 or 2.35:1 (widescreen). Films shot in these ratios are cropped for television, which retains the classic ratio of 1.33:1. This cropping is accomplished either by removing a third of the image at the sides of the frame, or by "panning and scanning." In this process a technician determines which portion of a given frame should be included. "Letterboxing" creates a band of black above and below the televised film image. This allows the composition as originally photographed to be screened in video. The larger the film negative, the more resolution. Large film gauges allow greater resolution over a given size of projected image. In the 1890's film sizes varied from 12mm to as many as 80mm, before accepting Edison's 35mm standard. Today films continue to be screened in a variety of guages including Super 8mm, 16mm and Super 16mm, 35mm, 70mm and IMAX. Cinema and the fairground share a common history in the search for technologically based spectacles and attractions. -
You Need to Know About CD And
All you need to know about CDs and DVDs Table of Contents [1] Introduction ............................................................................................................................................. 3 [1.1] What is the difference between Replication and Duplication?........................................................ 3 [2] What are all the available media formats? ............................................................................................. 3 [2.1] CD-ROM Formats .............................................................................................................................. 3 [2.1.1] Audio CD .................................................................................................................................... 4 [2.1.2] Audio CD with Data ................................................................................................................... 4 [2.1.3] Video CD (VCD) , Super VCD (SVCD) .......................................................................................... 4 [2.1.4] Video CD with Data .................................................................................................................... 4 [2.1.5] Data CD ...................................................................................................................................... 4 [2.1.6] Hybrid CD ................................................................................................................................... 4 [2.2] DVD Formats .................................................................................................................................... -
Eidr 2.6 Data Fields Reference
EIDR 2.6 DATA FIELDS REFERENCE Table of Contents 1 INTRODUCTION ............................................................................................................................................... 5 1.1 Introduction to Content ................................................................................................................................ 5 1.2 Composite Details ......................................................................................................................................... 5 1.3 How to read the Tables ................................................................................................................................. 6 1.4 EIDR IDs ........................................................................................................................................................ 7 2 BASE OBJECT TYPE ......................................................................................................................................... 9 2.1 Summary ...................................................................................................................................................... 9 2.2 Referent Type Details ................................................................................................................................. 25 2.3 Title Details ................................................................................................................................................ 26 2.4 Language Code Details ...............................................................................................................................