Colin Markey, Tenor

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COLIN MARKEY, TENOR Tenor Colin Markey has been described by critics as having “a unique vocal range, spot- on sense of pitch, powerful yet lyrical vocal qualities, and a well-developed technique,” Mr. Markey's repertoire varies from early Baroque to Wagner and beyond. Recently, he sang the title role in Tannhäuser for Amici Opera Company in Philadelphia. Mr. Markey just completed a successful run making his debut as Florestan in Beethoven's Fidelio and Ralph Rackstraw in HmS Pinafore with Glow Lyric Theatre in Greenville, South Carolina. Mr. Markey participated in the London Bel Canto Festival studying with Bruce Ford and participated in master classes with sopranos Nelly Miricioiu and Aprile Millo in 2018. Mr. Markey lives in Philadelphia and studies with Metropolitan Opera tenor, Gioacchino LiVigni and maintains a working relationship with his mentor, tenor George Gray. 205 W. 88th St., Suite 13A*New York, NY*10024*646-620-1313*305-259-4398(fax)*Email: [email protected] www.mia-artists.com COLIN MARKEY, TENOR OPERATIC REPERTOIRE Beethoven: Puccini: Florestan – Fidelio Dick Johnson – La fanciulla del West Cavaradossi – Tosca Bellini: Pinkerton – Madama Butterfly Pollione – Norma Luigi - Il Tabarro Calaf - Turandot Berlioz: Énée Les Troyens Rachmaninoff:: Young Gypsy - Aleko Bizet: Don Jose – Carmen Rossini: Arnold – Guillaume Tell Britten: Peter Grimes – Peter Grimes Captain Vere – Billy Budd Saint-Saens Samson - Samson and Delilah Berg: Strauss: Drum Major - Wozzek Keiser - die Frau ohne Schatten Bacchus - Ariadne auf Naxos Charpenter: Menelaus - Die ägyptische Helena Julien - Louise Apollo - Daphne Mascagni: Tchaikovsky: Turiddu – Cavalleria Rusticana Ghermann - Queen of Spades Meyerbeer: Verdi: Vasco da Gama – L’africaine Riccardo – Oberto Radames – Aida Offenbach: Manrico – Il trovatore Hoffmann - Les contes d'Hoffmann 205 W. 88th St., Suite 13A*New York, NY*10024*646-620-1313*305-259-4398(fax)*Email: [email protected] www.mia-artists.com COLIN MARKEY, TENOR OPERATIC REPERTOIRE (Cont.) Wagner: Weber: Tannhäuser - Tannhäuser Max – Der Freischutz Siegmund – Die Walure Hüon, Oberon - Oberon Lohengrin - Lohengrin Eric and Steuermann - Flying Dutchman Walther - Die Meistersinger ORCHESTRAL/ORATORIO REPERTOIRE Beethoven: Mahler: 9th Symphony Lied von der Erde Handel: Schönberg: Messiah Gurrelieder Samson Judas Macadeas Stravinsky: Haydn: Mass Unel The Creation Verdi: Requiem 205 W. 88th St., Suite 13A*New York, NY*10024*646-620-1313*305-259-4398(fax)*Email: [email protected] www.mia-artists.com COLIN MARKEY, TENOR CONDUCTORS Victor DeRenzi Timothy Ribchester Ghenady Meirson Timothy Crawford Valery Ryvkin Joseph Pucciatti John Spencer OPERA HOUSES/THEATERS Sarasota Opera Amici Opera Company(Philadelphia) Glow Lyric Theatre Boheme Opera Delaware Valley Opera Amherst Early Music Festival 205 W. 88th St., Suite 13A*New York, NY*10024*646-620-1313*305-259-4398(fax)*Email: [email protected] www.mia-artists.com COLIN MARKEY, TENOR 205 W. 88th St., Suite 13A*New York, NY*10024*646-620-1313*305-259-4398(fax)*Email: [email protected] www.mia-artists.com .

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Overture to Oberon Composed from 1825-26 Carl Maria Von Weber Born in Eutin, Germany, November 18, 1786 Died in London, June 5
OVERTURE TO OBERON COMPOSED FROM 1825-26 CARL MARIA VON WEBER BORN IN EUTIN, GERMANY, NOVEMBER 18, 1786 DIED IN LONDON, JUNE 5, 1826 The tragic tale of the composition of Weber’s final opera Oberon is perhaps as interesting as the plot of the opera itself. Dying of consumption at the age of 38, the impoverished Weber felt he could not refuse the offer from English impresario Charles Kemble to compose an opera on the subject of Oberon, King of the Faeries, for the London stage— even though he sensed that the project would be the death of him. “Whether I travel or not, in a year I’ll be a dead man,” he wrote to a friend after he had completed the Oberon score, of his decision to make the trip to England to see the work through to performance. “But if I do travel, my children will at least have something to eat, even if Daddy is dead—and if I don’t go they’ll starve. What would you do in my position?” Both points of Weber’s prediction proved correct: The 12 initial performances of Oberon netted his family a great deal of money; and within a few weeks of the work’s successful premiere in April 1826, the composer collapsed of exhaustion and died. Though the composition of operas had always been the center of Weber’s existence, it was not until the last six years of his life that he had finally been given the opportunity to compose the three stage works that quickly took their place among the masterworks of Romanticism: Der Freischütz, Euryanthe, and Oberon.
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Download Booklet
570725bk Euphonium:557541bk Kelemen 3+3 16/5/08 4:29 PM Page 1 Roland Fröscher Roland Fröscher was born in 1977 in Belp, near Berne, Switzerland. After completing his training as a primary school teacher, he went on to study euphonium at the Conservatoires of Berne and Lausanne under Roger Bobo. He was awarded the Teaching Diploma with Distinction in summer 2002. He also studied “School Music II” at the University of Berne. In summer 2005 he was awarded the Soloists’ Diploma, with Distinction, having studied under Thomas Rüedi, and was also awarded the Orchestral Direction Diploma, having completed a course under Dominique Roggen. Fröscher has appeared as a guest soloist with various ensembles, symphony orchestras, brass bands and wind orchestras, in Europe as well as in Canada and the USA. Fröscher also enjoys a busy concert schedule as a chamber musician, Music for performing with the renowned tuba quartet Les Tubadours as well as pianist Jean-Jacques Schmid. He is conductor of Brass Band Rapperswil-Wierezwil, and teaches euphonium at the Musikschule Region Gürbetal and the Hochschule der Künste Bern. Fröscher has won numerous prestigious competitions and awards, which include: national youth Euphonium championship events (SSEW, SSQW); the Friedl-Wald competition (2003); “Brass Player of the Year” at the Hochschule der Künste Bern (2004); third prize at the International Euphonium Competition in Lieksa, Finland (2004); the Tschumi Prize (2005). www.rolandfroescher.ch and Orchestra Capella Istropolitana Cappella Istropolitana was founded in 1983. The orchestra has performed in nearly all European countries, as well as ROGGEN in the United States, Canada, Japan, Korea, China, Macao and Hong Kong.
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