1DLTDC COL 04R1.Qxd

Total Page:16

File Type:pdf, Size:1020Kb

1DLTDC COL 04R1.Qxd DLD‰‹‰†‰KDLD‰‹‰†‰DLD‰‹‰†‰MDLD‰‹‰†‰C 4 LEISURE DELHI TIMES, THE TIMES OF INDIA MONDAY 1 SEPTEMBER 2003 DAILY CROSSWORD DENNIS THE MENACE HEALTH CAPSULE GRAFFITI BELIEVE IT OR NOT TELEVISION tvguide.indiatimes.com CINEMA DD I SAHARA TV 1300 World Chart Express ENGLISH FILMS (Ammtoje Maan, Anandee, Mukul Dev) Milan, BOL TARA BOL NEWS PVR Naraina (11 a.m. & 5.10 p.m.), PVR 0900 Mukhya Samachar 0830 Manpasand 1400 Merit List BAD BOYS II (A): (Will Smith & Martin Shelly von Strunckel 1500 Loveline ZEE NEWS Lawrence) DT Cinemas (12.15, 5.25 & 10.40 Vikaspuri (10.55 a.m. & 4.55 p.m.), Hans; 0902 Current Affairs 0930 Just Kids KYON (A): (Rahul Dev, Sachit Patil, Chaitanya) 1530 Start 0700-1100 Bulletin- Every p.m.), M4U (S’bad) (10.30 a.m., 1, 4, 7 & 10 0930 Ek Nakaam Mulk 1030 Gilli Danda DT Cinemas (2.25 & 7.55 p.m.), Satyam ARIES (March 21 - April 19) Tempting as it is to 1600 Select Half An Hour p.m.), PVR Gurgaon (11.20 a.m., 5.10 & 11.10 1000 News in Sanskrit 1400 Kise Apna Kahe C’plexes (2, 4.30 & 7.25 p.m.); 3 DEEWAREIN sideline plans with loved ones, these relation- 1700 Non Stop Hits 0830 News Top 10 p.m.), PVR Naraina (2.50, 8.10 & 11.20 p.m.), 1005 Traditional Medicines 1430 Hukum Mere Aka (A): PVR Gurgaon (8.35 p.m. Only); FOOT- ships provide a vital balance in your life.You may 1800 Sitaraa 1130 Encounter PVR Saket (11.45 a.m., 2.50, 8.35 & 11.40 1030 ETV Prog. 1500 Arzoo Hai Tu PATH (A): (Bipasha Basu, Aftab, Rahul Dev, think that others will understand.Allow even the 1900 Ek Do Teen 1200 Bulletin p.m.), PVR Vikaspuri (2.05 & 8.05 p.m.), Priya 1100 Question Hour - LIVE 1600 Kadam Farhan Hashmi) PVR Gurgaon (3 & 11 p.m.), most pressing of developments to take precedence over 2015 Start 1227 Manoranjan (10.40, 4.30 & 7.30 p.m.), Satyam C’plexes from Parliament 1630 Raaz...The Thriller Suraj, Virat, Jindal; HUNGAMA: (Akshay those who’ve supported you through thick and thin, and 2030 Housefull 1300 Beyond Headlines (11.10 a.m., 7.30 & 10.15 p.m.); DREAM- 1200 News Headlines 1700 Yug Khanna,Aftab Shivdasani, Rimi Sen) PVR Gur- they’ll be more upset than you can imagine. 2100 Bolti Bund 1330 & 1400 Bulletin CATCHER: (Morgan Freeman, Thomas Jane, 1202 Rishton Ki Doree 1730 Dum Dum Diga Diga gaon (1.05, 4.10, 7.15 & 10.20 p.m.), PVR TAURUS (April 20 - May 20) It isn’t worth argu- 2130 Non-Stop Hits 1427 Manoranjan Jason Lee) DT Cinemas (2.55 & 8.10 p.m.), 1230 Talaaq Kyun 1800 Just Kids Naraina (10.15 a.m., 2.10, 8.20 & 11 p.m.), ing with those who have a narrow mind. But Who’s Jassi?Jiske jaissi 2200 Loveline 1430-1600 Bulletin- Every PVR Gurgaon (12.30 & 6.05 p.m.), PVR Naraina 1300 Mukhya Samachar 1900 Chacha Chaudhary PVR Vikaspuri (10.15 a.m. & 10.55 p.m.), PVR you’ve nothing to lose by talking over your dif- koi nahi, to kill you cu- Half An Hour (12.20 & 5.40 p.m.), PVR Saket (11 a.m. & 6 1302 Shikwah 1930 Hukum Mere Aka riosity tune into Sony’s, CHANNEL V Saket (1.35, 4.40, 7.45 & 10.50 p.m.), ferences, the objective being to understand 1330 Ehsaas 2000 Kise Apna Kahein 1630 Cinema A to Zee p.m.), Satyam C’plexes (11 a.m., 4.55 & 10.30 them better. These exchanges could progress to such a ‘Jassi Jaissi Koi Nahin’ 0900 Hit Machine 1700 & 1730 Bulletin p.m.); NAKED WEAPON (A): PVR Saket (10.15 Sangam (3.15 & 9.45 p.m.), Shakuntalam 1400 Samachar 2030 Kadam at 2130 Hrs. 0930 Back to Back Theatre (12.30, 3.30 & 6.30 p.m.); KOI... MIL point that others gradually shift their viewpoint, and in 1415 The News 2100 Zindagi Teri Meri 1800 Zee Business a.m. & 6.15 p.m.); BRUCE ALMIGHTY: PVR ways they only recently swore they wouldn’t. Premieres To-day! 1000 Hit Machine Gurgaon (11.05 a.m. Only), PVR Saket (10.20 GAYA: (Hrithik Roshan, Preity Zinta, Rekha) 1430 Kramasha: Kahani 1827 Manoranjan GEMINI (May 21 - June 20) For ages you’ve 1030 Back to Back a.m. Only); TERMINATOR-3: (Arnold Batra, 3 C’s (12 noon, 3.15, 6.30 & 9.45 p.m.), NLM Prog. 2130 Karishma 1830 Bulletin tried to persuade those in charge at least to mull 1100 Hit Machine Schwarzenegger, Claire Dones, Kristi Annalo- Delite (11.45 a.m., 3.15, 6.30 & 9.45 p.m.), 1500 Mukhya Samachar 2200 Arzoo Hai Tu 1900 Hindostan Hamara over various exciting ideas, but with little suc- 1130 Zabardast Hits ken) PVR Gurgaon (11.25 a.m. Only) Chanakya (11.45 a.m., 3, 6.30 & 10 p.m.), DT 1502 Apna Apna Aasman of the Leprechauns One 1930 Zee Business cess. Now unexpected events force them to AXN MOVIES 1200 Hit Machine 2000 News at 8 Cinemas (12.30, 3.50, 7.10 & 10.30 p.m.), 1530 No Kidding: Serial for (Pt. 1) 1910 Billy Medison HINDI FILMS Liberty, Janak C’plex, Sapna, PVR Gurgaon consider situations and their role from a different angle. It’s 0830 Rescue 911 1230 FDFS 2030 Metro News Children MAX 2100 Monday Comedy: 1300 Hit Machine (12.15, 3.40, 7.05 & 10.30 p.m.), PVR Naraina the last minute. But finally they’ll recognise the wisdom of 1600 News Headlines 0900 The Agency / HBO 2100 News At 9 BAD BOYS II (A): (Will Smith & Martin 0900 Jwalamukhi Mousehunt 1330 Zabardast Hits (12.10, 3.35, 7 & 10.30 p.m.), PVR Saket (12 what you’ve been saying all along, 1602 Sports Hour Viva Fidel 2130 Prime Time Lawrence) Rachna, Shiela, Gagan, Pawan 1300 Apnapan 0745 Action/Adventure: 2255 Kung Fu Frenzy: 1400 Back To Back noon, 3.30, 7 & 10.30 p.m.), PVR Vikaspuri CANCER (June 21 - July 22) It would be easy to 1700 Mukhya Samachar 1000 Sheena (Season II) - 2200 Din Bhar (G’bad); GANGAAJAL: (Ajay Devgan, Gracy 1700 Koyla Chameleon 2 - Project A (Pt. II) (In 1430 Zabardast Hits (12 noon, 3.30, 7 & 10.30 p.m.), Samrat, misinterpret the rather aggressive manner of Delhi & Relay Meltdown in Maitaka Singh, Ayub Khan) 2100 Prem Rog Death Match Mandarin) 1500 Back to Back STAR NEWS Odeon, Golcha, Vishal Satyam C’plexes (12 noon, 3.20, 6.45 & others as an indication that they’ve upset with Transmitters 1100 Rescue 911 0930 Comedy: Loser 1530 Hit Machine C’plex (12.30, 3.30, 10.10 p.m.), M2K (11.45 a.m., 3.15, 6.50 & you. It’s not you, it’s the exasperating situations 1702 Evening LIVE Show 1200 Andromeda 9Season AXN STAR MOVIES 0700 to 0900 Breakfast 1130 Comedy: Blind Date 1600 Hotline News 6.30 & 9.30 p.m.), 10.20 p.m.), M4U (S’bad) (12.30, 3.45, 6.45 that they’ve been forced to deal with. Help them shoulder 1800 News Headlines Ii) - Immaculate 1400 Stormchasers: The 1330 Suspense/Thriller: 0745 Tigerland & 9.45 p.m.), Movie Palace, Chaudhary both the dilemmas and the rather difficult individuals in- Perception 1700 [V] Top 5 1730 News- Hindi Paras, Amba, Filmis- 1802 Patrika Revenge of the Someone to Watch 0930 Boy in Blue 1800 Very [V] tan, PVR Gurgaon (G’bad); MUMBAI SE AAYA MERA DOST: volved and you’ll have a friend for life. 1830 Suagandh Maati Ki 1300 The Right Stuff 1800 Hotline Twister Over Me ZEE MGM 1900 Control (1.30, 4.35, 7.40 & (Abhishek, Lara Dutta) Regal, Satyam C’plex- LEO (July 23 - August 22) You face a variety of 1900 Regional News (Season II) / Rated X 1830 Bazaar 1545 Spl.: Box Office 1930 Zabardast Hits 10.45 p.m.), PVR es (1.40 p.m. Only), PVR Gurgaon (2.20 & tricky situations. If you find yourself short of in- 1915 Music 1630 Rescue 911 HALLMARK 0830 Too Outrageous 1900 Saat Baje America Ep 14 2000 Back to Back 1930 Khel Naraina (1.15, 4.15, 8.10 p.m.), Seble; TADA: (Dharmendra, spiration at the moment, bide your time. By ear- 1930 Dance/Music 1700 Andromeda (season 0730 Clifford 1615 Horror/Sci-Fi: Hol- 1100 Courage Mountain Sharad Kapoor, Monica Bedi) Moti, West End, 1330 Once Upon A Crime 2030 Zabardast Hits 2000 Tonight at 8 7.15 & 10.15 p.m.), ly next week, when your ruler the Sun powerful- National Network Ii) - Immaculate 0830 Monte Walsh low Man Aakash, Sangam (Loni); TERE NAAM: 1600 Big Game 2100 FDFS 2030 Samachar PVR Saket (12.15, 3.15, 8 & 11 p.m.), PVR ly aspects the planet of inspiration itself, Neptune, you’ll be 2000 The News Perception 1030 In a Class 1830 Action/Adventure: (Salman Khan, Bhoomika Chawla, Sachin 1830 The Basketball 2130 Zabardast Hits 2100 9 pm Report Vikaspuri (1.15, 4.15, 7.15 & 10.15 p.m.), brimming over with solutions for existing dilemmas and all 2030 Samachar 1800 Sheena (Season II) - of His Own The 6th Day Priya (1.40 & 10.30 p.m.), Satyam C’plexes Khedekar) DT Cinemas (11.45 a.m., 5.15 & Diaries 2200 Hit Machine 2130 Business News sorts of new ideas as well. 2100 Dishayen Meltdown in Maitaka 1230 My Sister’s Keeper (12.10, 3.30, 6.50 & 10.20 p.m.), Alpna, M2K 10.45 p.m.), Sangam (12.15 & 6.30 p.m.), 2100 RKO 281 2100 Romantic Mon.: 2230 Late Night 2200 Newshour VIRGO (August 23 - September 22) Being some- 2130 CID Officer 1900 Rescue 911 1430 The Secret World (11.30 a.m., 2.15, 5, 7.45 & 10.30 p.m.), M4U Lokesh, Raj, Movie Palace, Alka (Noida), Vas- 2245 Action/Adventure: Jane Eyre body who analyses all that you do and say, you 2000 The Agency - of Alex Mack SPORTS BBC (S’bad) (12 noon, 3.15, 6.15 & 9.45 p.m.), ant (G’bad); QAYAMAT (A): (Ajay Devgan, DD METRO Twelve Monkeys 2300 Mr Wonderful find the requests made by certain individuals that God’s Work 1500 Clifford Kalamandir, Movie Palace, Radhupalace, Raveena, Sanjay Kapoor) Dev (Loni); Show 0900 Sahasraphan 2100 Fear Factor STAR MOVIES DD SPORTS 0830-2230 BBC News- you justify your thinking rather laughable.
Recommended publications
  • About Balaji Telefilms
    Private and Confidential Unique, Distinctive, Disruptive Investor Presentation Unique, Distinctive, Disruptive Disclaimer Certain words and statements in this communication concerning Balaji Telefilms Limited (“the Company”) and its prospects, and other statements relating to the Company‟s expected financial position, business strategy, the future development of the Company‟s operations and the general economy in India & global markets, are forward looking statements. Such statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements of the Company, or industry results, to differ materially from those expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding the Company‟s present and future business strategies and the environment in which the Company will operate in the future. The important factors that could cause actual results, performance or achievements to differ materially from such forward-looking statements include, among others, changes in government policies or regulations of India and, in particular, changes relating to the administration of the Company‟s industry, and changes in general economic, business and credit conditions in India. The information contained in this presentation is only current as of its date and has not been independently verified. No express or implied representation or warranty is made as to, and no reliance should be placed on, the accuracy, fairness or completeness of the information presented or contained in this presentation. None of the Company or any of its affiliates, advisers or representatives accepts any liability whatsoever for any loss howsoever arising from any information presented or contained in this presentation.
    [Show full text]
  • “That's Not Real India”
    Article Journal of Communication Inquiry 0(0) 1–29 “That’s Not Real India”: ! The Author(s) 2016 Reprints and permissions: sagepub.com/journalsPermissions.nav Responses to Women’s DOI: 10.1177/0196859916638648 Portrayals in Indian jci.sagepub.com Soap Operas Indira S. Somani1 and Marissa J. Doshi2 Abstract This study examined the portrayal of women on Indian soap operas through content analysis. Quotes from in-depth interviews of 100 Asian Indians (50 couples) from five major metropolitan areas, NY, DC, SF, Chicago, and Houston, who watch Indian television (imported from India) via the satellite dish or cable, were used in this study. Researchers uncovered specific themes, such as Portrayal of women, Heterosexual Romance and Intimacy, and Joint Family, and analyzed these themes against the theoretical framework of cultural proximity. The authors explained that the role of Indian women being created in Indian serials did not reflect the image of Indian women the participants remembered when they migrated to the United States in the 1960s. The image of Indian women that was being portrayed was that of a “vamp” or someone manipulative and not family-oriented. Therefore, the cultural proximity of the Indian soap operas was disrupted by the negative portrayal of Indian women to a particular generation of Indian immigrants in the United States. The participants appreciated the image of a modern Indian woman, as long as she still maintained traditional values. Further, these portrayals reminded these participants that they were cultural outsiders in modern India. Keywords critical and cultural studies, diasporic identity, gender and media, qualitative research methods, satellite television 1Howard University, Washington, DC, USA 2Hope College, Holland, MI, USA Corresponding Author: Indira S.
    [Show full text]
  • DEFINATION the Capacity and Willingness to Develop, Organize
    DEFINATION The capacity and willingness to develop, organize and manage a business venture along with any of its risks in order to make a profit. The most obvious example of entrepreneurship is the starting of new businesses. In economics, entrepreneurship combined with land, labor, natural resources and capital can produce profit. Entrepreneurial spirit is characterized by innovation and risk-taking, and is an essential part of a nation's ability to succeed in an ever changing and increasingly competitive global marketplace. Differences Between Women and Men Entrepreneurs When men and women start companies, do they approach the process the same way? Are there key differences? And how do those differences affect the success of the business venture? As a woman in the start-up community, I am frequently asked about women entrepreneurs. A popular question is: How are they different from men? There have been many studies of entrepreneurs and start-ups, and I’ve read a number of them. Many of them seem to me to fall short, because the researchers, not being entrepreneurs themselves, lack an in-depth understanding of the entrepreneurial mind. The result is often a lot of statistics that fail to enlighten readers about entrepreneurial behavior and motivation. So what follows are my personal opinions. They are not based on formal research, but on my own observations and interactions with other women entrepreneurs. 1. Women tend to be natural multitaskers, which can be a great advantage in start-ups. While founders typically have one core skill, they also need to be involved in many different aspects of their business.
    [Show full text]
  • Page 1 CMYK DAILY CROSSWORD DD I 0830 Health Laws of India
    DLD‰†‰KDLD‰†‰DLD‰†‰MDLD‰†‰C DELHI TIMES, THE TIMES OF INDIA, TUESDAY 18 NOVEMBER 2003 DAILY CROSSWORD DENNIS THE MENACE HEALTH CAPSULE GRAFFITI BELIEVE IT OR NOT TELEVISION tvguide.indiatimes.com CINEMA DD I Lava & Rockets Challenge 03 Issue of the Day ENGLISH FILMS HINDI FILMS BOL TARA BOL 1100 Rollerjam (Season II) 1400 Sailing: The Moet Cup ZEE NEWS 0830 Health Laws of India 1200 Pacific Blue (Season 1500 Golf Programming 03 Anahat (A) (Marathi with Eng. Subtitles): (Amol Palekar, Wah Wah Ramji : (Amar Upadhyaya, Reema Sen, Gul- Shelly von Strunckel 0900 Naina 0900-1230 Bulletin- Every Sonali Bendre) PVR Saket (12.45 & 9.05 p.m.); Bullet- shan Grover) Delite, M2K (1, 3.40, 6.15 & 10.40 p.m.), V): Kidnapped 1730 Rugby World Cup 0930 North East Prog. Half An Hour proof Monk (A): (Chow Yun-Fat, M4U (S’bad) (12.45, 3.45, 6.45 & 9.45 p.m.), PVR Gur- 1300 Ripley’s Believe 1830 Tennis Masters Cup ARIES (March 21 - April 19) Making promises is one 1000 News in Sanskrit 0830 News Top 10 Seann William Scott) DT Cinemas gaon (1.50, 4.40, 7.40 & 10.30 p.m.), PVR Naraina (11.05 It or Not Houton 03 thing, keeping them quite another.You’re on the verge 1005 Sanad Rahe 1300 Beyond Headlines (12 noon & 6.15 p.m.), M2K (11 a.m., 4.40 & 10.15 p.m.), PVR Saket (3.40 & 8.30 p.m.), 1600 Rescue 911 1930 Sportsline Hindi LIVE of making a commitment that could prove unexpect- 1030 ETV Prog.
    [Show full text]
  • 4` X Eycvre UV]Rjvu
    / = 5 ! > ! > > !"#$% /1)2/3#4% 0((0 40,5*2 0,123 "C7445$ 7807.574/.4"C7 /84/:7.#270/7.'- ,"4.09 N4.#O:47E57.0 $47,7407.87 ?0 # -.%@ //0 '%A ?./ 7 . , $ ( %"#45 #% ! "$% !& " R & iour” and “misuse” of author- ity. Rajya Sabha Chairman M Venkaiah Naidu rejected the $75702 dead, while the other two are notice, saying the case against battling for their lives. the then CJI was based on “sus- n auto-driver was lynched A case of murder has been picion and conjectures”. Aby a mob in Dwarka's registered and one person has Modi said the Congress has Uttam Nagar on Saturday been arrested for questioning, no faith in democracy and evening after two battery said police. judiciary. “It does not hold dia- thieves who were riding on his The deceased was a resi- logue and stall proceedings in vehicle diverted the ire of the dent of Shahjahanpur and was Parliament, but the new game mob blaming the driver for the living in Vikas Nagar in Delhi. they are playing now is dan- crimes. gerous and this must be debat- The victim auto-driver, ed for a bright future of the identified as Avinash Kumar, country.” had picked two passengers, “When their shameless tac- identified as Mani Ram and tics fail, they use the threat of Prakash, from Uttam Nagar. impeachment to bend the Mani and Prakash asked judges to their will. This is a the unsuspecting auto driver to dangerous play. The Congress stop at Mohan Garden for wait is committing a crime by using for sometime, police said.
    [Show full text]
  • Towards Empowerment ?
    TOWARDS EMPOWERMENT ? A Regional Initiative on Women And Media A SEMINAR REPORT Centre for Advocacy and Research PROSHIKA ASMITA JAPAN FOUNDATION Published by Centre for Advocacy and Research C-100/B, Ist Floor, Kalkaji, New Delhi-110019 Telefax : 011-6292787, 6430133, 6229631 e-mail : [email protected] Or Visit us at : www.viewersforum.com Designed by : Ivy D’souza, Ph : 4963366/9811356901 Project Team Centre for Advocacy and Research, India Akhila Sivadas Meeta Parti Shyamala Shiveshwarkar Rizwan Parwez Chaitali Dasgupta Maithreyee Saha Sandhya M Proshika, Bangladesh Nargis Jahan Banu Bangladesh Centre for Development Journalism and Communication Md. Nayeemul Islam ASMITA, Nepal Manju Thapa Research Advisors Shailaja Bajpai, Media Critic & Columnist Shubhra Gupta, Media Critic Udita3 Das, Data Analyst Towards Empowerment? A Regional Initiative on Women And Media 4 Contents Background .............................................................. 6 Chapter I : Monitoring Study .................................... 23 Chapter 2 : Seminar Report ...................................... 80 Annexure 1 : Television History of India ....................... 111 Annexure 2 : Agenda of the Seminar ........................... 117 Annexure 3 : List of Participants ................................. 119 Annexure 4 : Brief Storylines of the Serials ................. 121 5 Towards Empowerment? A Regional Initiative on Women And Media Background he phenomenal growth of the broadcast media with no less T then 50 channels being beamed into Indian homes and its aggressive `act local but think, plan and integrate global’ approach is causing serious concerns in civil society. Particularly worrying is the impact of this growth on the portrayal and representation of women and marginalised groups. For, while the media has acknowledged the fact that they are an important constituency - 90% of programmes are women-oriented - it does not see them as independent voices capable of thinking or speaking for themselves.
    [Show full text]
  • Audited Financial Results for the Year Ended March 31, 2005 Were Taken on Record by the Board at Its Meeting Held on May 20, 2005
    Results for the year ended March 31, 2005 compared to previous year ended March 31, 2004 Financial Highlights Quarter ended March 31, 2005 vs Quarter ended March 31, 2004 · Income from operations up from Rs 517.31 mn to Rs. 544.17 mn, an increase of 5.19% · Profit after tax up from Rs 93.46mn to Rs 96.47mn, an increase of 3.23% · Operating profit down from Rs 166.86 mn to Rs 143.56 mn Year ended March 31, 2005 vs Year ended March 31, 2004 · Income from operations up from Rs1782.96mn to Rs1967.48mn, an increase of 10.35% · Profit After Tax down from Rs 554.08 mn to Rs 412.96 mn, a decrease of 25 .47 % · Realization per hour marginally down from Rs 1.2 mn to Rs 1.13 mn, a decrease of 5% · Operating profit down from Rs 867.58mn to Rs 673.54mn Operational highlights during the year ended March 31, 2005 · Realization per hour from Commissioned Programming maintained at Rs1.77 mn · Programming hours up from 1485.5 hours to 1719.5 hours, an increase of 15.75% · Kkavyanjali and Kaisa Ye Pyar Hai, both launched during the last quarter, have been well accepted by the viewers. · During the year 14 new shows were launched across various channels. · Five new state of the art studios became operational, thereby further improving the quality of programming · Invested Rs.107.72 mn in production & post-production equipments and studios · Exploited the software library by achieving an export turnover of Rs.10.94 mn.
    [Show full text]
  • Balaji Telefilms Limited
    Annual Report 2004-05 Balaji Telefilms Limited. A Decade of Balaji www.balajitelefilms.com Forward-looking statement In this Annual Report we have disclosed forward- looking information to enable investors to comprehend our prospects and take informed investment decisions. This report and other statements - written and oral - that we periodically make, contain forward-looking statements that set out anticipated results based on the management's plans and assumptions. We have tried wherever possible to identify such statements by using words such as 'anticipate,' 'estimate,' 'expects,' 'projects' 'intends,' 'plans,' 'believes,' and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward-looking statements will be realised, although we believe we have been prudent in assumptions. The achievement of results is subject to risks, uncertainties and even inaccurate assumptions. Should known or unknown risks or uncertainties materialise, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated or projected. Readers should bear this in mind. We undertake no obligation to publicly update any forward-looking statements, whether as a result of new information, future events or otherwise. A PRODUCT [email protected] Brand identity 2 What Balaji achieved in 2004-05 3 Corporate information 4 Chairman’s overview 6 Creative Director speaks 14 MD & CEO looks back and ahead 24 Tusshar Kapoor on Balaji’s extension 32 Drivers of Balaji’s growth 34 Balaji’s programmes 2004-05 52 Management’s discussion and analysis 54 Ratios 60 Risk management 62 Directors’report 66 Corporate Governance 70 Certificate on Corporate Governance 79 Auditors’report 81 Annexure to Auditors' report in 2004-05 82 contents.
    [Show full text]
  • Entrepreneurship
    ENTREPRENEURSHIP PROJECT Submitted TO – Ms. Neha BY – Mahima Sharma 50081 Priansha Periwal 50116 BBS 3 HR CULTURAL DIVERSITY AMONG ENTREPRENEURS Regardless of who you are or what you have been, you Regardlesscan be of what who you you are want or what to you be. have – W. been, Clement you can Ston be whate you want to be. – W. Clement Stone ACKNOWLEDGEMENT We owe a great many thanks to a great many people who helped and supported us during the project. The project ―CULTURAL DIVERSITY AMONG ENTREPRENEURS‖ focuses on understanding the diversity that exists among the newly emerged breed of entrepreneurs.We made an effort to understand how people from completely different backgrounds and ways of life, but with a common drive to prove their mettle, end up being their own masters. Our deepest thanks to our college professor, Ms. Neha , who acted as a constant guide and mentor in the process of drafting of this project. We would also like to acknowledge the support and enthusiasm shown by our batch mates. We would also extend a heartfelt thanks to our family and well wishers without whom this project would have been a distant dream. Group members- Mahima Sharma 50081 Priansha Periwal 50116 TABLE OF CONTENTS OBJECTIVES INTRODUCTION YOUNG ENTREPRENEURS King Sidharth Farhad Acidwalla WOMEN ENTREPRENEURS Kiran Mazumdar Shaw Ekta Kapoor MINORITY ENTREPRENEURS Oprah Winfrey SOCIAL ENTREPRENEURS Verghese Kurein Mohammad Yunus GREEN ENTREPRENEURS Pramod Chaudhari COLLEGE DROPOUTS Subhash chandra goel Azim premji CONCLUSION BIBLIOGRAPHY OBJECTIVES To study the cultural diversity existing among entrepreneurs and to analyse how people from completely diverse backgrounds can share a zeal to be their own bosses.
    [Show full text]
  • Page 1 CMYK DAILY CROSSWORD DD I 0800 Subah Savere 0830
    DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C DELHI TIMES, THE TIMES OF INDIA, THURSDAY 1 JANUARY 2004 DAILY CROSSWORD DENNIS THE MENACE HEALTH CAPSULE GRAFFITI BELIEVE IT OR NOT TELEVISION tvguide.indiatimes.com CINEMA DD I 2100 Zindagi Teri Meri Ka- Speed, Macau 1900 Hindostan Hamara ENGLISH FILMS p.m.), BOL TARA BOL hani Rd 13 & 14 2000 News at 8 Chanakya (12 0800 Subah Savere Brother Bear : PVR Gur- 2130 Karishma 1930 Sportsline LIVE 2030 Metro News noon, 4.30 & 9 Shelly von Strunckel 0830 Save Prog. gaon (11.20 a.m. Only), 2200 Aarzoo Hai Tu 2000 Big Fights: Kings 2100 News at 9 p.m.), Delite 0900 Indian Literary WAVE Noida (11.15 a.m. of the Ring 2130 Prime Time (12 noon, 4.30 ARIES (March 21 - April 19) Sometimes its not until Legends ZEE TV Only); Intolerable Cruel- 2100 A Decade of 2200 Din Bhar & 9 p.m.), DT things go terribly wrong that you find out what needs 0930 Nutrition Education ty (A): (George Clooney, 0830 Cartoon Network Great Goals Cinemas (1, to be done to remedy problems. That certainly seems 1000 News in Sanskrit STAR NEWS Catherine Zeta Jones & on Zee 2200 Sportsline 2.30, 5.25, to be the case now. Frustrating as difficulties and 1005 Kadam Milakar Chalna Geoffrey Rush) PVR 0900 Ghar Jamai 0600 Star Savera 6.50 & 9.50 delays have been, the time you invest in analysing the source of Hoga ESPN Saket (9.10 p.m. Only); 0930 Bangei Apni Baat 1000 Khabar Din Bhar p.m.), Janak C’plex, Liberty, M2K (12 noon, 4.45 & 9.30 problems should be hugely rewarding if you can wait.
    [Show full text]
  • 7Zlvwv Dqg 7Xuqv
    April 16-30, 2013 Volume 1, Issue 23 `100 24 7ZLVWVDQG7XUQV 7KHPDNHUVRI+LQGL79VHULDOVXVHDQXPEHURI VWDQGDUGSOR\VWRSURORQJWKHOLIHRIDVWRU\$ORRNDW VRPHRIWKRVHGHIWDVZHOODVGHVSHUDWHPRYHV 18 8 29 10 PLUS SAAVN Big Impact 14 KRRISH Superchild 19 IDEA Get up, Stand up 20 PROFILE GOA FEST TOURISM AUSTRALIA Jaspreet Bindra Away from the Usual Welcome Letter JC DECAUX GETIT’s new CEO has A lowdown on the ad world’s Tourism Australia is digital inclinations. annual bash. spending more in India. Quashed 21 EDITORIAL This fortnight... Volume 1, Issue 23 f you watch television serials, or read about them, it is hard not to laugh at the EDITOR Idesperate attempts made to prolong their natural life. And that is what this Sreekant Khandekar PUBLISHER April 16-30, 2013 Volume 1, Issue 23 `100 week’s cover story is all about: about the skilful and not-so-clever machinations Prasanna Singh 24 employed to keep the story moving. Viewers who can see through this begin to curse SENIOR LAYOUT ARTIST the show, the producers, the channel - and yet can’t stop watching it. Vinay Dominic There is compelling business logic in keeping a serial alive even when the PRODUCTION EXECUTIVE signals say that it is running out of steam. To appreciate the true glory of the Indian Andrias Kisku television business, look closely at Hindi general entertainment channels. At their ADVERTISING ENQUIRIES Rahul Puri, (0120) 4077833, 4077866 heart lies the Hindi serial. Noida 7ZLVWVDQG7XUQV 7KHPDNHUVRI+LQGL79VHULDOVXVHDQXPEHURI Several things make the serial attractive. One, it draws large audiences. Two, it VWDQGDUGSOR\VWRSURORQJWKHOLIHRIDVWRU\$ORRNDW Arunima Bhattacharya, (022) 40429702-5 VRPHRIWKRVHGHIWDVZHOODVGHVSHUDWHPRYHV gets them to the channel every day, month after month – and sometimes, year after Mumbai 18 8 29 10 PLUS SAAVN Big Impact 14 year.
    [Show full text]
  • Balaji Telefilms Limited Investor Presentation
    Balaji Telefilms Limited Investor Presentation 1 Disclaimer Certain words and statements in this communication concerning Balaji Telefilms Limited (“the Company”) and its prospects, and other statements relating to the Company‟s expected financial position, business strategy, the future development of the Company‟s operations and the general economy in India & global markets, are forward looking statements. Such statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements of the Company, or industry results, to differ materially from those expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding the Company‟s present and future business strategies and the environment in which the Company will operate in the future. The important factors that could cause actual results, performance or achievements to differ materially from such forward-looking statements include, among others, changes in government policies or regulations of India and, in particular, changes relating to the administration of the Company‟s industry, and changes in general economic, business and credit conditions in India. The information contained in this presentation is only current as of its date and has not been independently verified. No express or implied representation or warranty is made as to, and no reliance should be placed on, the accuracy, fairness or completeness of the information presented or contained in this presentation. None of the Company or any of its affiliates, advisers or representatives accepts any liability whatsoever for any loss howsoever arising from any information presented or contained in this presentation. Please note that the past performance of the Company is not, and should not be considered as, indicative of future results.
    [Show full text]