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Z Em a N Ek-Mü N Ster
Zemanek-Münster www.tribal-art-auktion.de Tribal Art Auktion 73 25. Mai 2013 Würzburg Zemanek-Münster Tribal ArtTribal Auktion 73 25 Mai 2013 Mai 25 Würzburg Zemanek-Münster 73. Tribal Art (181. Auktion) Zemanek-Münster Würzburg Samstag, 25. Mai 2013 Ansprechpartner / Contact Vorbesichtigung Preview Mittwoch, 22. Mai bis Freitag, 24. Mai 2013 Wednesday, 22nd May to Friday, 24th May 2013 jeweils 10.00 bis 19.00 Uhr und 10 am to 7 pm and Samstag, 25. Mai 2013 – 9.00 bis 13.30 Uhr Saturday, 25th May 2013 – 9 am to 1.30 pm Auktion Auction Würzburg, Auktionshaus Würzburg, Auction House Samstag, 25. Mai 2013, 14.00 Uhr Saturday, 25th May 2013, 2 pm Karin Zemanek-Münster Ernst Zemanek David Zemanek Hinweis nächste Auktion Be advised next auction Inhaberin Geschäftsführung Master Ethnologie th Geschäftsführung Auktionator Afrika / Ozeanien Unsere 74. Tribal-Art-Auktion findet statt Our 74 Tribal Art Auction will take place Auktionatorin Auktionator am 7. September 2013. on 7th September 2013. Für unsere Tribal Art Auktionen nehmen wir gerne We are looking for collections and quality single Sammlungen und qualitätsvolle Einzelobjekte an. items for future tribal art auctions. Howard Nowes Bren Heymans Petra Felder Kunstauktionshaus Zemanek-Münster Master History of Art Repräsentant Belgien/ M.A. Kunstgeschichte 97070 Würzburg Präkolumbien / Antiken Niederlande Redaktion / Marketing Berater für Ethnographie Hörleingasse 3 - 5 / Schildhof 2 Tel. +49 9 31 1 77 21 Fax. +49 9 31 1 77 36 [email protected] www.tribal-art-auktion.de Inhaber / Owner Karin Zemanek-Münster e.K. Öffentlich bestellte und vereidigte Kunstauktionatorin Repräsentanten / Representatives Sabine Reis Eva Rübig Nadine Waldmann Belgien & Niederlande M.A.Kunstgeschichte Marketing M.A. -
Getting to Know the K Umbukumbu Exhibition at the National Museum Brazil, 1818-2018
Getting to Know the K umbukumbu Exhibition at the National Museum Brazil, 1818-2018 Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Getting to Know the K umbukumbu Exhibition at the National Museum Brazil, 1818-2018 Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Slave Societies Digital Archive Press Nashville 2021 3 Publication of this book has been supported by grants from the Fundaçāo de Amparo à Pesquisa do Rio de Janeiro; the Museu Nacional/ Getting to Know Universidade Federal do Rio de Janeiro/Brazil; and the Slave Societies Digital Archive/Vanderbilt University. the K umbukumbu Originally published as: Conhecendo a exposição Kumbukumbu Exhibition at the do Museu Nacional (Rio de Janeiro: Museu Nacional, 2016). National Museum English edition copyright © 2021 Slave Societies Digital Archive Press Brazil, 1818-2018 ______________ Slave Societies Digital Archive Press 2301 Vanderbilt Pl., PMB 351802, Nashville, TN, 37235, United States Authors: Soares, Mariza de Carvalho, 1951; Agostinho, Michele de Barcelos, 1980; Lima, Rachel Correa, 1966. Title: Getting to Know the Kumbukumbu Exhibition at the National Museum, Brazil, 1818-2018 First Published 2021 Printed in the United States of America ISBN 978-0-578-91682-8 (cover photo) Street market. Aneho, Togo. 4 Photo by Milton Guran. 5 Project A New Room for the African Collection Director João Pacheco de Oliveira Curator Mariza de Carvalho Soares 6 7 Catalogue Team Research Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Carolina Cabral Aline Chaves Rabelo Drawings Maurílio de Oliveira Photographs of the Collection Roosevelt Mota Graphic Design UMAstudio - Clarisse Sá Earp Translated by Cecília Grespan Edited by Kara D. -
Fashion,Costume,And Culture
FCC_TP_V2_930 3/5/04 3:55 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V2_930 3/5/04 3:55 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 2: Early Cultures Across2 the Globe SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
The Continuity of African and Eurasian Mythologies As Seen from the Perspective of the Nkoya People of Zambia, South Central Africa
The continuity of African and Eurasian mythologies as seen from the perspective of the Nkoya people of Zambia, South Central Africa Wim van Binsbergen African Studies Centre, Leiden / Philosophical Faculty, Erasmus University Rotterdam [email protected] paper, 2nd Annual Conference International Association for Comparative Mythology, Ravenstein (the Netherlands), 19-21 August 2008 rough draft: not for publication or published comment © 2008 Wim van Binsbergen ABSTRACT. Against the background of topical developments ion comparative mythology (especially the work of Michael Witzel), and concentrating on the mythology of the Nkoya people of Zambia (South Central Africa) my argument extensively offers the descriptive data on which to base a formal consideration of Nkoya –Eurasian parallels, gradually proceeding to a point where such formal consid- eration could begin to give way to the admission of factual historical continuity. Thus I argue that there is an empirically justified case for such continuity between African and Eurasian mythologies, as a way to open up new theoretical, historical and interpretative horizons. In the process, a number of possible explanatory models of such continuity are considered and evaluated both empirically and theoretically: Frobenius’ (1931) model of the South Erythraean culture extending from the Persian Gulf and the Red Sea to East Africa and South West Asia; cultural diffusion from Egypt (the Egyptocentric argument); combined cultural and demic diffusion from sub-Saharan Africa shaping Egyptian -
TEK Transnational Ethnic Connections
Ethnic Power Relations (EPR) Dataset Family EPR-TEK Transnational ethnic connections Transborder Ethnic Kin (TEK) Groups Atlas Version 2021 Seraina R¨uegger∗, Vanessa Kellerhals, Sarah D¨ascher and Lukas Dick Please cite as: R¨uegger,Seraina, Kellerhals, Vanessa, D¨ascher, Sarah and Lukas Dick. 2021. Transborder Ethnic Kin (TEK) Groups Atlas. Online: https: //icr.ethz.ch/data/epr/tek/. Accessed: [Date]. ∗Corresponding author. Email: [email protected]. Description The Transborder Ethnic Kin (TEK) groups Atlas provides a brief description of all ethnic kin groups that live spread across two or more states. Each group comment indicates the name of the group, lists the countries where the group is, or was, politically relevant at some point in time since 1946, and describes the group's common identifier. Transborder ethnic kin groups are ethnic groups that have transnational connections across at least two states, because their settlement area is split by an international border. The TEK dataset identifies trans-border ethnic groups based on a matching of all ethnic groups included in the EPR dataset (Cederman, Wimmer, and Min 2010; Vogt et al. 2015). The EPR-TEK Dataset constitutes a research-ready version of all TEK groups covering 1946 until 2021 in table format (Vogt et al. 2015). It can be downloaded at: https://icr.ethz.ch/data/epr/tek/. References Cederman, Lars-Erik, Andreas Wimmer, and Brian Min (2010). \Why Do Ethnic Groups Rebel? New Data and Analysis". In: World Politics 62.1, pp. 87{119. Vogt, Manuel et al. (2015). \Integrating Data on Ethnicity, Geography, and Conflict: The Ethnic Power Relations Dataset Family". -
African HISTORY and CULTURE
Encyclopedia of africaN HISTORY and CULTURE Encyclopedia of african history and culture Volume Ii African kingdoms (500 to 1500) Willie F. Page, Editor Revised edition by R. Hunt Davis, Jr., Editor A Learning Source Book Encyclopedia of African History and Culture, Copyright © 2005, 2001 by The Learning Source, Ltd. A Learning Source Book Editorial: Brian Ableman, Edward C. Haggerty, Bertram Knight, Christopher Roberts, Bodine Schwerin (revised edition), Ismail Soyugenc (revised edition), Anthony Yearwood Consultant: Emilyn Brown All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Page, Willie F., 1929– Encyclopedia of African history and culture / edited by Willie F. Page; revised edition edited by R. Hunt Davis, Jr.—Rev. ed. p. cm. “A Learning Source Book.” Includes bibliographical references and index. ISBN 0-8160-5199-2 ((set ISBN) hardcover) ISBN 0-8160-5269-7 (vol. I)–ISBN 0-8160-5270-0 (vol. II)– ISBN 0-8160-5271-9 (vol. III)–ISBN 0-8160-5200-X (vol. IV)– ISBN 0-8160-5201-8 (vol. V) –ISBN 978-1-4381-2917-4 (e-book) 1. Africa—Encyclopedias. I. Davis, R. Hunt. II. Title. DT3.P27 2005 960'.03-—dc22 2004022929 Facts On File books are available at special discounts when purchased in bulk quanti- ties for businesses, associations, institutions or sales promotions. -
Avaliação Rápida Da Biodiversidade Da Região Da Lagoa Carumbo Rapid Biodiversity Assessment of the Carumbo Lagoon Area
REPÚBLICA DE ANGOLA MINISTÉRIO DO AMBIENTE RELATÓRIO SOBRE A EXPEDIÇÃO EXPEDITION REPORT AVALIAÇÃO RÁPIDA DA BIODIVERSIDADE DA REGIÃO DA LAGOA CARUMBO RAPID BIODIVERSITY ASSESSMENT OF THE CARUMBO LAGOON AREA LUNDA NORTE - ANGOLA REPÚBLICA DE ANGOLA MINISTÉRIO DO AMBIENTE RELATÓRIO SOBRE A EXPEDIÇÃO EXPEDITION REPORT AVALIAÇÃO RÁPIDA DA BIODIVERSIDADE DA REGIÃO DA LAGOA CARUMBO RAPID BIODIVERSITY ASSESSMENT OF THE CARUMBO LAGOON AREA LUNDA NORTE - ANGOLA «Há uma centena de anos, uma mulher havia sido «Hundreds of years ago, a woman had been cast expulsa pelo seu povo e andou longe em busca de out by her people, and had wandered far and wide in refúgio. Ela chegou a uma aldeia ribeirinha, Nacarumbo, search of sanctuary. She came upon a riverside village, no belo vale do rio Luxico e implorou por um lugar para Nacarumbo, in the beautiful valley of the Luxico River, ficar. Os moradores perseguiram-na, mas uma família and begged for a place to stay. The villagers chased ofereceu abrigo. Uma noite ela teve uma visão da vinda her away, but one family eventually took her in. One de uma grande inundação e alertou os moradores night she had a vision of the coming of a great flood, para irem para um lugar mais alto, mas nenhum ouviu. and warned the villagers to move to higher ground, Veio o dilúvio, formando a Lagoa Carumbo e afogou but none listened to her. The flood came, forming toda comunidade. Até hoje os sons e conversas da Lagoa Carumbo, and drowning the whole community. comunidade da aldeia podem ser ouvidos em certas Even to this day, the chatter and village sounds of the ocasiões. -
Artful Adventures Passport
f f f f f Artfulf Adventures f f f f f f f f f f f An interactive guide for families f AFRICA f f f f f f f f f f f f f f f f f f f f 56f f f f f f f f f f Your f African f f Adventure f f Awaits You! f See inside for details f ART OF AFRICA Africa is a very large continent with many countries, states, and territories. The continent contains large, urban cities as well as rural regions and is home to more than 1,000 ethnic groups who speak a variety of languages and dialects. Each ethnic group has its own traditions and customs. In many areas, traditional rituals have given way to the pace and conveniences of modern life. By studying the objects that were used in traditional ceremonies and rituals, we are able to learn about the social and religious customs that were once practiced. We are going to look at a few of those objects today. The African gallery is on the lower level of the museum. Walk down the stairs and turn to your left. Walk through the Chinese and Japanese galleries until you come to the African gallery. The first piece we are going to look at is straight ahead, in the large case against the wall. Nigeria, Igbo artist: Ikenga, first half of the 20th IKENGA century. Wood and polychrome, h. 116.0 cm., w. 30.0 cm., d. 30.0 cm. Museum purchase, Fowler This twentieth-century Igbo Ikenga figure was made by a Nigerian sculptor who McCormick, Class of 1921, Fund (2010-129). -
An Encyclopedia for Students GEOPOLITICAL
AfriAfricaca An Encyclopedia for Students GEOPOLITICAL TUNISIA MOROCCO ALGERIA LIBYA EGYPT WESTERN SAHARA MAURITANIA MALI NIGER SUDAN SENEGAL CHAD ERITREA GAMBIA BURKINA DJIBOUTI FASO GUINEA BISSAU BENÍN NIGERIA SOMALIA GUINEA ETHIOPIA CÔTE SIERRA D’IVOIRE CENTRAL LEONE GHANA AFRICAN REPUBLIC TOGO CAMEROON LIBERIA EQUITORIAL GUINEA UGANDA SAO˜ TOMÉ AND KENYA PRINCIPE GABON RWANDA 19,341 ft. CONGO (Kinshasa) CONGO BURUNDI (Brazzaville) TANZANIA COMOROS ELEVATIONS OVER 1,640 FEET ANGOLA MALAWI ZAMBIA MOZAMBIQUE ZIMBABWE NAMIBIA MADAGASCAR BOTSWANA SWAZILAND LESOTHO SOUTH AFRICA AfriAfricaca An Encyclopedia for Students John Middleton, Editor Volume 3 Leakey–Rwanda africa_toc_v2-4 1/14/03 1:45 PM Page iv Copyright © 2002 Charles Scribner’s Sons All rights reserved. No part of this book may be reproduced in any form without the permission of Charles Scribner’s Sons. Developed for Charles Scribner’s Sons by Visual Education Corporation, Princeton, N.J. For Scribners PUBLISHER: Karen Day EDITORS: John Fitzpatrick, Brad Morgan COVER AND INTERIOR DESIGN: Jennifer Wahi PHOTO RESEARCH: Kelly Quin PRODUCTION SUPERVISOR: Mary Beth Trimper For Visual Education PROJECT DIRECTOR: Darryl Kestler WRITERS: John Haley, Charles Roebuck, Rebecca Stefoff, Joseph Ziegler EDITORS: Noëlle Y. Child, Cindy George, Guy Austrian, Charles Roebuck ASSOCIATE EDITOR: Cheryl MacKenzie COPYEDITING SUPERVISOR: Helen A. Castro ELECTRONIC PREPARATION: Fiona Torphy Contributors Nancy E. Gratton, Kevin van Bladel, Frank Griffel, Jeremy Raphael Berndt Library of Congress Cataloging in-Publication Data Africa: an encyclopedia for students / John Middleton, editor. p. cm Includes bibliographical references and index. ISBN 0-684-80650-9 (set : alk. paper) —ISBN 0-684-80651-7 (v. 1) — ISBN 0-684-80652-5 (v. -
African Triumph Tel: +44 207 838 4600 32
ISSUE 8 WINTER 2005 UniversoANGOLA | OIL | BUSINESS | CULTURE ANGOLA CELEBRATES 30 YEARS OF INDEPENDENCE IN CONTROL Sonangol’s offshore development strategy ■ COLD COMFORT Norwegian oil technology benefits Angola ■ THIRTY YEARS ON What it means to be Angolan ISSUE 8 WINTER 2005 INSIDE SONANGOL New Horizons But no one who has lived in Angola dur- ing the last three decades would pretend that Thirty years is a big part of any life – a time it has been an easy experience. Even in the when it is appropriate to reflect on targets met context of the many tragic episodes that have and lessons learnt. But it is also a moment when befallen this continent, Angola’s tribulations the foundations of future goals can be prepared stand out. TENTS and new endeavours conceived. But still shining through is the spirit of a During this period, Angola has been in the nation with a culture that goes back thousands vanguard of cutting edge offshore exploration of years, and in this issue of Universo we technologies, which were vividly presented to the examine just what it means to be Angolan, and international oil industry at the prestigious World present an optimistic view of the future as seen Petroleum Congress in Johannesburg through the eyes of two of its young people. In these projects Sonangol has enjoyed the On this momentous anniversary we reflect CON benefits of experience gained by the major production compa- on the past and embrace the opportunities of the future as nies in other parts of the world, just as in the fullness of time, Angola sends greetings to the world – as a country at peace. -
Art of Central Africa at the Indianapolis Museum of Art
Art of Central Africa at the Indianapolis Museum of Art Constantine Petridis with Kirstin Krause Gotway Unless otherwise noted, all photographs courtesy of the Indianapolis Museum of Art at Newfields In honor of Theodore Celenko accomplishments of its curator of textile and fashion arts, Niloo Paydar, the museum also has a strong reputation for its compre- n terms of arts and entertainment, Indianapolis, Indiana, hensive collection of African textiles, administratively housed in is known for its automobile race, its International Violin another department. Competition, and the Indianapolis Museum of Art at It has often been said that Eiteljorg regularly benefited from the Newfields (IMA). African art scholars and aficiona- advice of Indiana University professor Roy Sieber (1923–2001), dos alike associate the city and its museum specifically a leading authority in the field and an influential mentor to with businessman and philanthropist Harrison Eiteljorg many. But the true nature of Sieber’s role in forming the Eiteljorg (1903–1997), the namesake of the museum’s suite of African art gal- Collection has not been fully studied, and therefore it cannot leriesI (Fig. 1). To this day, his vast collection, mostly donated in be ascertained which acquisitions Sieber actually supported. 1989, constitutes the bulk of the museum’s more than 1,700 African However, as he himself pointed out in an article on the collection holdings, making it among the largest of its kind in the country and in this journal, Celenko did impact “Eiteljorg’s orientation and one of the few truly encyclopedic African collections anywhere in level of seriousness” (Celenko 1981: 32). -
Culture and Customs of Zambia Zambia
Culture and Customs of Zambia Zambia. Cartography by Bookcomp, Inc. Culture and Customs of Zambia 4 SCOTT D. TAYLOR Culture and Customs of Africa Toyin Falola, Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Taylor, Scott D., 1965– Culture and customs of Zambia / Scott D. Taylor. p. cm. — (Culture and customs of Africa, ISSN 1530–8367) Includes bibliographical references and index. ISBN 0–313–33246–0 (alk. paper) 1. Ethnology—Zambia. 2. Zambia—Social life and customs. I. Title. GN657.R4T39 2006 306'.096894—dc22 2006023773 British Library Cataloguing in Publication Data is available. Copyright © 2006 by Scott D. Taylor All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2006023773 ISBN: 0–313–33246–0 ISSN: 1530–8367 First published in 2006 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 Every reasonable effort has been made to trace the owners of copyright materials in this book, but in some instances this has proven impossible. The author and publisher will be glad to receive information leading to a more complete acknowledgments in subsequent printings of the book and in the meantime extend their apologies for any omissions.