Campus News College Paper

Total Page:16

File Type:pdf, Size:1020Kb

Campus News College Paper TAKE A COPY | FOLLOW US @CAMPUS_NEWS | VISIT WWW.CCCNEWS.INFO CAMPUSV NEWS College Paper Volume 16, Issue 4 FREE! IT’S COLD OUT! MID-WINTER 2017-18 To intern or not to intern... To intern or not to intern? It’s a pretty serious question for a com - munity college student. Then the next question is, should you insist on being paid? Let’s break down all the possibilities, and leave it for you to decide. IN THE PLAYOFFS 6 What Is an Internship? An internship is a paid or un - paid work opportunity at an out - side employer, usually done for IT’S NEW TO YOU! 22 credit (but not always), that is re - lated to your major course of study and should give you a taste of what to expect when you grad - uate and enter the white-collar work world. Some students do an THE COURTS 19 internship and realize they don’t like this field, saving themselves valuable time as they can now place where they had interned Your Internship Office alter their pursuits; others make after graduation. Internships professional connections and may Community colleges usually help bolster your resume. ON GRAMMAR 30 even land a full-time job at the continued on page 5 Mid-year checklist Spring courses were just posted mum credits, giving you some online. Now what? scheduling wiggle room in the Here ’s our list of things you weeks ahead? Now, if you are only should do this winter break – be - sporting a 2.0 GPA, you may not fore you get swept up by too much want to take 18, but if you ’re oth - holiday cheer – to save time and erwise academically strong, con - lots of money. sider 15-18 credits. To graduate on time, you need to average 15 cred - its a semester. You may want to try Sign Up for 15-18 the occasional 18-credit semester In most states, 12 credits costs so that your final year will be eas - the same as 18 credits (though ier. Also, by signing up for 18, you extra fees and book costs could add up). Why not sign up for the maxi - continued on page 2 Checklist (cont.) lock in your courses, guaran - On Renting teeing your seat. You could al - Remember, if you are rent - ways drop a course later. ing, you can ’t order the book too soon; else, you will have to ship Think of Your Sanity it back sooner, maybe before the semester ends. Also, re - Don ’t schedule a 9 a.m. class member to send back the books in the same day as a 6 to 9 p.m. you had rented previously, to class, and don ’t schedule a class avoid late fees. “Renting might at 7:30 a.m. the next morning seem the obvious choice be - after having had a late-night cause of the price, ” Manns says. class the night before. Know “But that ’s not always the case. your limitations and plan ac - When you look a little deeper, cordingly. you could find you ’d be better off buying the book and selling Contact Your Transfer it later. ” College Are you thinking of transfer - On Access Codes ring to a four-year college next You may want to see if the year? Then copy-paste and book your professor requires email your proposed schedule has an access code. If so, you to the transfer counselor at may want to email the profes - your future school and make sor and ask if he actually uses sure all your spring credits will the online aspect of the text. be accepted there. You may Many do not. If that is the case, also want to place a phone call you can save a ton on books by there! If your goal is simply to buying them used. If the course transfer your community col - does use the access code, you lege credits to a new school, can still buy the used book and then don ’t get bogged down then buy the access code from with the courses that won ’t the publisher – or some enter - transfer. prising student at another school may sell you his access Check Out Your College code. Check online! Book Site By law, college web sites Ask Your Librarian have to post the textbooks each Once you know which books course will require, with exact you will be required to read, ISBN. You can maybe ask for contact the college library and these books for holiday pres - ask if they will stock those ents from parents and rela - books. Libraries take requests tives. At the very least, starting When tr ansf er students dr eam big, very seriously and may oblige. early and checking out the var - Then, the books will be there everything we aoner yis tgehariend tgo e ncricah nyo uhr eaxpepriepncee nan.d prepare you to ious textbook web sites will for free. pFruormsu eo uyro iunrt oenwtnio bniagl ldyr semamal.l Wclaitshs ense taorl yth 6e0 s uknilldse orfg oraudr ueaxtcee allnendt g fraacduultay t,e give you a heads up on the best degrees in business, education, and the arts and sciences, and among the prices. “It ’s no wonder that col - most diverse, dynamic student bodies in the nation, we provide a solid leges and students need to Read the Books in Ad - educational foundation so you have the condence in your own abilities to suc ceed at whate ver you choose to undertak e — think outside the box when it vance comes to textbooks; they repre - There ’s a lot of time between to own your future. sent a staggering cost that just Fall finals and the start of seems to get worse, ” says Chris Contact us at: (516) 8 76-32 00 or classes in the Spring. Once you www .oldwestbury .edu Manns of the price comparison get your books, read them. websites CheapestText- Then, once the class starts, you books.com and Text - will be ahead of everyone else! bookRentals.com. Learn to read for pleasure Kaylee Johnson Times bestseller lists and book pieces of writing. Campus News reviews if you do not know As a future elemen - where to start; the bookstore tary school teacher, I It’s easy to get enveloped into does not have to be a nerve- try understand the the world of “Stranger Things” wracking place. Also, do not be complexity of learning or “This Is Us” over holiday afraid to ask for help. Librari - disabilities. If you break, but when spring semester ans, bookstore workers, and lit - struggle with reading begins you should be able to list erature professors can help you comprehension or at - some intellectual activities you find your genre based on your fa - tention, I recommend you are acquiring. It’s the kind of had engaged in. I will admit that vorite books, movies, and televi - audio books. In fact, sometimes knowledge you can’t acquire sometimes it is hard for me, as sion series. audio books are better, espe - from television or movies. If you an avid reader, to wrap my mind Once you find books you enjoy cially if the author reads them! want to dive in, here are five of around the fact that some people you have to train yourself to fin - Audio books can also be benefi - my favorite books: do not enjoy reading. I’ve talked ish the books, and read at a cial to education students, be - 1. “The Great Gatsby” by F. to middle-aged adults who claim steady rate. During holiday break cause they teach you how to read Scott Fitzgerald they have not read a book since you should try to read for thirty aloud, and when to take breaths. high school; a claim like this per - 2. “Commonwealth” by Ann minutes to one hour a day. Here’s Once you start reading this plexes me, because reading has another tip, if you do not enjoy a Patchett so many wonderful benefits. holiday season, you can’t judge book within your first few days of 3. “On the Road” by Jack Often, when I hear people say yourself. If you see an unfamil - reading it, put it down. I would iar word, look it up. If you feel Kerouac they don’t enjoy reading, I want not recommend this to people bored while reading, stop and 4. “The Girl in Cabin 10” by to tell them that they are read - who have been reading a long ing the wrong genre, or that one come back to it. After you unlock Ruth Ware time, but when you are trying to the door to joy reading you will dud does not define the wide va - 5. “The Zookeeper’s Wife” learn how to read for joy, it is bet - forever be enchanted and sur - riety of wonderful novels, plays, by Diane Ackerman ter to stick to books that you want prised by all the new knowledge prose, short stories, and poems to breeze through. available online, in bookstores, and in libraries. You should feel proud when you find yourself willingly I think aversions to reading walking around a bookstore, start in high school, when stu - searching for your next great Win ter net dents start reading incredibly d read. Plus, once you become an difficult and outdated plays and avid reader your vocabulary Ma ke up - Ca tch up - Get Ahea d novels. Shakespearian language will grow and you will become intimidates teens that are al - a better speller. Personally, I ready on the fence about read - view reading as an escape from Earn 3 C redits in 3 W eeks! ONLIN E CL ASSES IN: ing.
Recommended publications
  • Paddy Breathnach the Irish Film Institute
    AUGUST 2016 PADDY BREATHNACH THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s national cultural institution for film. EXHIBIT It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. LAST CHANCE Commune The FRENCH FILM CLUB Some new releases carrying over from our July programme This month’s French Film Club screening – where IFI and include: Author: The JT LeRoy Story, the astonishing Alliance Française members pay just €7 a ticket – on August unmasking of the real story behind novelist wunderkind 17th at 18.30, is Guillaume Nicloux’s Valley of Love starring JT LeRoy, whose tough prose about his sordid childhood Isabelle Huppert and Gérard Depardieu as a divorced couple captivated icons and luminaries internationally; and drawn together by their son’s suicide note instructing them The Commune, Thomas Vinterberg’s new feature about the to travel to Death Valley where he will briefly reappear to clash between personal desires and tolerance in a Danish them. See page 8 for film notes. Please visit www.ifi.ie commune in the 1970s. or ask at the IFI Box Office for further details. IFI CAFÉ BAR DEAL IFI PLAYER We have a sizzling new summer menu in the IFI Café Bar The IFI Player launches in late August, and will create and a very special deal for the month of August, where free online access to a range of collections that have you can have a main course and film ticket for only €18.
    [Show full text]
  • The Chronicle Thursday
    THE CHRONICLE THURSDAY. FEBRUARY 4, 1988 © DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 15,000 VOL. 83. NO. 93 Ticket Reagan to speak on campus Monday information By DAN BERGER all students who don't get tickets to the President Reagan will visit the Univer­ speech will come out to see the landing," Undergraduates: ASDU will distribute sity Monday to speak at a conference on he said. Several local high school bands 2,500 free tickets for President substance abuse, the White House an­ and community groups will also attend Reagan's speech to undergraduates nounced Wednesday. the ceremony at the landing site, Mizell presenting a student ID between 10 Reagan will address the conference said. He added that the men's basketball a.m. and 4 p.m. Thursday at the upper "Substance Abuse in the Workplace: team will likely participate in the fevet of the Bryan Center. Another dis­ Strategies for the 1990s," which is being program at the lacrosse field prior to the tribution table may be set up at the East sponsored by the University and the office president's landing and to a lesser extent Campus Union during the same hours, of North Carolina Gov. Jim Martin. The after he arrives. but a final decision will not be made un­ president's trip from Washington D.C. Before taking the dais, Reagan will hold til Thursday morning. Of the 2,500 tick­ will be made exclusively to attend the a closed meeting in Cameron with several ets, 750 will be allocated to East Cam­ event. community leaders affiliated with the pus.
    [Show full text]
  • PUNK/ASKĒSIS by Robert Kenneth Richardson a Dissertation
    PUNK/ASKĒSIS By Robert Kenneth Richardson A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Program in American Studies MAY 2014 © Copyright by Robert Richardson, 2014 All Rights Reserved © Copyright by Robert Richardson, 2014 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of Robert Richardson find it satisfactory and recommend that it be accepted. ___________________________________ Carol Siegel, Ph.D., Chair ___________________________________ Thomas Vernon Reed, Ph.D. ___________________________________ Kristin Arola, Ph.D. ii ACKNOWLEDGEMENTS “Laws are like sausages,” Otto von Bismarck once famously said. “It is better not to see them being made.” To laws and sausages, I would add the dissertation. But, they do get made. I am grateful for the support and guidance I have received during this process from Carol Siegel, my chair and friend, who continues to inspire me with her deep sense of humanity, her astute insights into a broad range of academic theory and her relentless commitment through her life and work to making what can only be described as a profoundly positive contribution to the nurturing and nourishing of young talent. I would also like to thank T.V. Reed who, as the Director of American Studies, was instrumental in my ending up in this program in the first place and Kristin Arola who, without hesitation or reservation, kindly agreed to sign on to the committee at T.V.’s request, and who very quickly put me on to a piece of theory that would became one of the analytical cornerstones of this work and my thinking about it.
    [Show full text]
  • “Punk Rock Is My Religion”
    “Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area.
    [Show full text]
  • Contradictionary Lies: a Play Not About Kurt Cobain Katie
    CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE Bachelor of Arts in English/Dramatic Arts Cleveland State University May 2012 Master of Arts in English Cleveland State University May 2015 submitted in partial fulfillment of requirements for the degree MASTER OF FINE ARTS IN CREATIVE WRITING at the NORTHEAST OHIO MFA and CLEVELAND STATE UNIVERSITY May 2018 We hereby approve this thesis For KATIE WALLACE Candidate for the MASTER OF FINE ARTS IN CREATIVE WRITING degree For the department of English, the Northeast Ohio MFA Program And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ________________________________________________________________ Thesis Chairperson, Imad Rahman ____________________________________________________ Department and date _________________________________________________________________ Eric Wasserman _____________________________________________________ Department and date ________________________________________________________________ Michael Geither ____________________________________________________ Department and date Student’s date of defense April 19, 2018 CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE ABSTRACT Contradictionary Lies: A Play Not About Kurt Cobain is a one-act play that follows failed rocker Jimbo as he deals with aging, his divorce, and disappointment. As he and his estranged wife Kelly divvy up their belongings and ultimately their memories, Jimbo is visited by his guardian angel, the ghost of dead rock star Kurt Cobain. Part dark comedy,
    [Show full text]
  • Black & Brown Women of the Punk Underground
    Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70
    [Show full text]
  • PATTY YORK Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
    PATTY YORK Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MASTERMINDS Personal Make-Up Artist to Owen Wilson Relativity Media Director: Jared Hess POCKET LISTING Peronal Make-Up Artist to Rob Lowe Helios Productions Director: Conor Allyn THE BENEFACTOR Personal Make-Up Artist to Richard Gere Audax Films Director: Andrew Renzi THE INTERNSHIP Personal Make-Up Artist to Owen Wilson Twentieth Century Fox Director: Shawn Levy THE BIG YEAR Personal Make-Up Artist to Owen Wilson DreamWorks SKG Director: David Frankel HALL PASS Personal Make-Up Artist to Owen Wilson New Line Cinema Directors: The Farrelly Brothers LITTLE FOCKERS Personal Make-Up Artist to Owen Wilson DreamWorks SKG Director: Paul Weitz HOW DO YOU KNOW? Personal Make-Up Artist to Owen Wilson Columbia Pictures Director: James L. Brooks ALICE IN WONDERLAND Personal Make-Up Artist to Johnny Depp Disney Director: Tim Burton Winner: Critics’ Choice Award for Best Make-Up PUBLIC ENEMIES Personal Make-Up Artist to Johnny Depp Universal Pictures Director: Michael Mann THE IMAGINARIUM OF Personal Make-Up Artist to Johnny Depp DOCTOR PARNASSUS Director: Terry Gilliam Davis-Films and Infinity Features IMAGINE THAT Personal Make-Up Artist to Thomas Haden Church Paramount Pictures Director: Karey Kirkpatrick THE HOUSE BUNNY Department Head Columbia Pictures Make-Up Artist to Anna Faris Director: Fred Wolf Cast: Emma Stone, Kat Dennings, Katharine McPhee, Rumer Willis, Colin Hanks, Beverly D’Angelo THE MILTON AGENCY Patty York 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 5 NEXT Department Head Revolution Studios Director: Lee Tamahori Cast: Jessica Biel, Thomas Kretschmann, Peter Falk LUCKY YOU Department Head Warner Bros.
    [Show full text]
  • Punk Fashion in Canada
    PUNK FASHION IN CANADA: THE TRANSLATION OF AN INTERNATIONAL SUBCULTURE A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by KATIE VICTORIA GREEN In partial fulfilment of requirements for the degree of Master of Arts April, 2011 © Katie Victoria Green, 2011 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-88934-3 Our file Notre reference ISBN: 978-0-494-88934-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • A-Z Movies August
    AUGUST 2021 A-Z MOVIES 1% Mickey Mantle compete against each Of SHARKBOY Sci-Fi/Fantasy (M lv) Based on a true story. An American John Cleese, Amy Irving. MOVIES PREMIERE 2017 other to break Babe Ruth’s single- AND LAVAGIRL August 7, 16 student spending a semester abroad Lured out to the Old West, Fievel the Drama (MA 15+ alsv) season home run record. MOVIES KIDS 2005 Family Sigourney Weaver, Charles S Dutton. in Perugia, Italy, garners international mouse joins forces with a famed dog After being put into an extended sleep attention after she is put on trial sheriff to thwart a sinister plot. August 22 August 6, 15, 25 Matt Nable, Ryan Corr. 100% WOLF Taylor Lautner, Taylor Dooley. state after her last fight with the aliens, for her part in the murder of British The heir to the throne of a notorious MOVIES FAMILY 2020 Family (PG) A boy’s imaginary superhero friends Ellen Ripley crash-lands onto a planet housemate, Meredith Kercher. AN AMISH MURDER outlaw motorcycle club must betray August 9, 18, 31 come to life and join him on a series which is inhabited by the former LIFETIME MOVIES 2013 his president to save his brother’s life. Jai Courtney, Samara Weaving. of adventures. inmates of a maximum-security prison. AMERIcaN DREAMZ Thriller/Suspense (M av) The heir to a family of werewolves MOVIES COMEDY 2006 Comedy (M ls) August 5, 10, 14, 20, 24, 29 12 STRONG experiences his first transformation ALIEN: RESURRECTION August 13, 19 Neve Campbell, Noam Jenkins. MOVIES ACTION 2018 on his 13th birthday, morphing into THE ADVENTURES OF TOM MOVIES GREATS 1997 Hugh Grant, Dennis Quaid.
    [Show full text]
  • Más Allá Del Grado Xerox Del Cartón: Hibridaciones Culturales Del Fenómeno Editorial
    Más allá del Grado Xerox del cartón: Hibridaciones culturales del Fenómeno Editorial Cartonero en Latinoamérica, el caso del Taller Leñateros en Chiapas, México A dissertation submitted to the Graduate School of the University of Cincinnati in the partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the Department of Romance Languages and Literatures of the McMicken College of Arts and Sciences by Diego Mora M.A. in Spanish New Mexico State University, 2012 Committee Chair: Dr. Nicasio Urbina Readers: Dr. Carlos Gutiérrez, Dr. Mauricio Espinoza, Dr. Andrés Perez Mora 2 Abstract This dissertation discusses the cardboard publishing phenomenon at the beginning of the 21st century in Latin America, focusing on the book Conjuros y ebriedades. Cantos de mujeres mayas (2010), published by Taller Leñateros in Chiapas, Mexico; using theoretical and methodological concepts of cultural studies (García Canclini, Baudrillard, Bourdieu, Benjamin, Deleuze and Guattari, among others) and Latin American indigenous literary studies (Arturo Arias, Luis Cárcamo-Huechante and Emilio del Valle Escalante, among others) . The privatization of the Latin American publishing field during the infamous decade at the end of the 20th century engendered an explosion of alternative projects from the margins of the publishing industry that sought a more direct relationship between authors, publishers and readers; This is how cardboard publishers emerge, whose books are usually made with reused cardboard. To understand the development of the cardboard publishing phenomenon, four stages were identified: precursory (1930-2002), oral (2003-2007), mediatic (2008-2009) and institutional (2010 onwards); as well as three axes: literary, communitary and plastic. The cultural hybridizations of the phenomenon have allowed the pluricanonic publication of consecrated, rescued, emerging and/or novel authors; as well as diverse community experiences in Latin America.
    [Show full text]
  • 1 Ervin Jarek 2017 PHD.Pdf
    ii © Copyright by Jarek Paul Ervin All Rights Reserved May 2017 iii ABSTRACT My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule – the symbolic site of origin – and exception – a protean moment before the crystallization of punk proper. For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors. This has led both to the genre’s canonicity in the music world and its general neglect within scholarship. I argue that punk ought to be understood less as a set of stylistic precepts (ones that could be originated and then developed), than as a set of philosophical claims about the character of rock music in the 1970s. Punk artists such as Patti Smith, Jayne County, and the Ramones developed an aesthetic theory through sound. This was an act of accounting, which foregrounded the role of historical memory and recast a mode of reflexive imagination as musical practice. At times mournful, at times optimistic about the possibility of reconciliation, punk was a restorative aesthetics, an attempt to forge a new path on memories of rock’s past. My first chapter looks at the relationship between early punk and rock music, its ostensible music parent. Through close readings of writing by important punk critics including Greil Marcus, Lester Bangs, and Ellen Willis – as well as analyses of songs by the Velvet Underground and Suicide – I argue that a historical materialist approach offers a new in-road to old debates about punk’s progressive/regressive musical character.
    [Show full text]
  • Tr Te Comtest
    I I 11 TUESDAY, NOVEMBER 4, 1986 The Teeh PAGE 7 --- ARTSA R T S "Sid & Nancy" a unique romance in the midst of the punk culture SID & NANCY in the conventions of documentaries, "Sid evolved from the anarchistic, selfish, and because it is a remnant of the free love, Directed by Alex Cox. & Nancy" clearly takes sides. destructive punk culture, but it is even hippie era - and romance certainly Starring Gary Oldman and Chloe Webb. The story of Sid and Nancy is relatively more odd that this film should present that seemed part of the upper-crust culture Opens November 7. well known. Sid Vicious was the bass play- romance in a sympathetic manner. against which the punks were rebelling. ____________ ~er for the British punk rock group, the Sex Punk culture tried to rebel against any Moreover, although Sid and Nancy's rela- By PETER DUNN Pistols. He lived up to his name, being activity considered normal - Sid even re- tionship is in no way presented as a nor- known for self-inflicted torture anrrd for fuses at one point to have sex with Nancy mal romance, it is unquestionable that the xW-t THAT MAKES "SID & NANCY" taking after journalists with bicycle chain two are actually in love. Cox turns the different from other rock and guitar. He was not a terribly good mu- them into Juliet and Romeo figures, lovers "docudramas" is not so sician, taking hours to learn a simple tune, locked in a destructive race toward death. much its theme. It is about but was defiantly dynamic on stage.
    [Show full text]