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Um Documentário Nota de Imprensa Cine Santander Cultural exibe Os Filmes Estão Vivos e The Rep – Um Documentário Glênio Póvoas comenta os títulos dia 19 de outubro, às 19h. Porto Alegre, 14 de outubro de 2013 – O Santander Cultural Porto Alegre dá continuidade a exibição de uma seleção especial com 19 filmes que tratam de uma paixão que emociona as pessoas em todo o mundo. Cinefilia: o amor pelo cinema, dentro e fora da tela reúne diversos títulos inéditos no Brasil, muitos deles cultuados por críticos e pelo público, que versam sobre cinema. Grandes nomes, como Martin Scorsese, Ettore Scola, Billy Wilder, Jean-Luc Godard, Peter Bogdanovich, Terry Gilliam, Woody Allen, Elia Kazan, Francis Ford Coppola, estão no programa. Dia 19/10, sábado, acontece uma sessão especial. Glênio Póvoas, doutor em Comunicação Social e mestre em Ciências da Comunicação, comenta a sessão do longa Os Filmes Estão Vivos, de Fabiano de Souza e Milton do Prado. A história é baseada em Enéas de Souza, crítico de cinema, que viaja a Paris todos os anos, para se certificar de que lá os filmes estão vivos. Durante seis dias de janeiro de 2013 ele assiste a um filme por dia e revê sua relação com o cinema e a cidade. OUTUBRO NO CINE SANTANDER CULTURAL 15, 22 e 29 de out – terças-feiras O cinema estará fechado para as sessões do projeto Cinema Escola 16 de out – qua 15h Cinemania Angela Christlieb, Stephen Kijak 17h À Procura do Destino Robert Mulligan 19h A Última Sessão de Cinema Peter Bogdanovich 17 de out – qui 15h O Último Magnata Elia Kazan 17h Lost in La Mancha Keith Fulton, Louis Pepe 19h Splendor Ettore Scola 18 de out – sex 15h Rebobine Isso! Josh Johnson Santander Brasil Relações com a Imprensa Tel. 11 3553-5267 / 3553-5166 E-mail: [email protected] 17h Cinemania Angela Christlieb, Stephen Kijak 19h Vivendo no Abandono Tom DiCillo 19 de out – sáb 15h Splendor Ettore Scola 17h A Rosa Púrpura do Cairo Woody Allen 19h Os Filmes Estão Vivos Fabiano de Souza, Milton do Prado + The Rep – Um Documentário Morgan White Sessão comentada com Glênio Póvoas 20 de out – dom 13h30 Domingo em Família 15h Domingo em Família 17h Domingo em Família 23 de out – qua 15h The Rep – Um Documentário Morgan White 17h Rebobine Isso! Josh Johnson 19h À Procura do Destino Robert Mulligan 24 de out – qui 15h Dirigido por John Ford Peter Bogdanovich 17h A Última Sessão de Cinema Peter Bogdanovich 19h A Rosa Púrpura do Cairo Woody Allen 25 de out – sex 15h Rebobine Isso! Josh Johnson 17h O Apocalipse de um Cineasta Fax Bahr, George Hickenlooper, Eleanor Coppola 19h The Rep – Um Documentário Morgan White 26 de out – sáb 11h The Otolith Group - Matinês 9ª Bienal do Mercosul | Porto Alegre 15h Vivendo no Abandono Tom DiCillo 17h Uma Viagem com Martin Scorsese pelo Cinema Americano Martin Scorsese, Michael Henry Wilson 27 de out – dom 15h A Rosa Púrpura do Cairo Woody Allen 17h Os Filmes Estão Vivos Fabiano de Souza, Milton do Prado + Minha Viagem à Itália Martin Scorsese 30 de out – qua 15h A Última Sessão de Cinema Peter Bogdanovich 17h The Rep – Um Documentário Morgan White 19h O Último Magnata Elia Kazan Santander Brasil Relações com a Imprensa Tel. 11 3553-5267 / 3553-5166 E-mail: [email protected] 31 de out – qui 15h Rebobine Isso! Josh Johnson 17h Uma Viagem com Martin Scorsese pelo Cinema Americano Martin Scorsese, Michael Henry Wilson 01 de nov – sex 15h The Rep – Um Documentário Morgan White 17h Minha Viagem à Itália Martin Scorsese Sinopses Cinefilia: o amor pelo cinema, dentro e fora da tela O APOCALIPSE DE UM CINEASTA Hearts of Darkness: A Filmmaker's Apocalypse Estados Unidos, 1991, digital, cor, 96 min Documenta os sensacionais eventos que circundaram as filmagens de Apocalipse Now e a luta de Francis Ford Coppola com a natureza, os governos, os atores e até a descrença em si mesmo. Inclui filmagens e gravações sonoras secretas feitas por Eleanor Coppola, esposa de Francis. D: Fax Bahr, George Hickenlooper, Eleanor Coppola. CI: 12 anos American Cinema Editors: Melhor Edição de Documentário. International Documentary Association + Kansas City Film Critics Circle Awards: Melhor Documentário. Emmy Awards: Melhor Direção + Melhor Edição (Programas Informativos). Directors Guild of America: Outstanding Directorial Achievement in Documentary (indicado). ASSIM ESTAVA ESCRITO The Bad and the Beautiful Estados Unidos, 1952, digital, cor, 118 min Contado em forma de flashback, o filme narra a ascenção e queda do ambicioso produtor Jonathan Shields, visto através de diversos conhecidos, entre eles o roteirista James Lee Bartlow, a estrela Georgia Lorrison e o diretor Fred Amiel. Ele é um homem obstinado que usa a todos que conhece para atingir o seu objetivo: se tornar um dos maiores cineastas de Hollywood. D: Vincente Minnelli. CI: Livre. Oscar 1952: Melhor Atriz Coadjuvante (Gloria Grahame), Melhor Direção de Arte, Melhor Fotografia, Melhor Figurino, Melhor Roteiro. National Board of Review, USA 1952: 10 Melhores Filmes. CQ CQ Estados Unidos, Luxemburgo, França, Itália, 2001, digital, cor, 88 min Paris, 1969. A filmagem de uma ficção-científica que se passa no distante ano 2000 está enfrentando problemas. A obsessão do diretor com a atriz que interpreta a sexy agente secreta Dragonfly faz com que o trabalho não tenha fim. Um jovem americano que está em Paris fazendo um documentário de cinema verité sobre sua própria vida é chamado para finalizar o filme. Isso se torna difícil quando o limiar entre ficção e realidade se confunde e ele é seduzido pelo charme de Dragonfly. D: Roman Coppola. CI: 14 anos. Golden Satellite Award: Indicado a Melhor Direção de Arte. Cannes Film Festival: Seleção Oficial. Santander Brasil Relações com a Imprensa Tel. 11 3553-5267 / 3553-5166 E-mail: [email protected] CREPÚSCULO DOS DEUSES Sunset Blvd. Estados Unidos, 1950, digital, cor, 110 min A história, que se passa nos anos 1950 em Hollywood, foca-se em Norma Desmond, uma deusa do cinema mudo, cuja patética crença na sua indestrutibilidade a levou a se tornar uma demente reclusa. Ela mora numa mansão em Sunset Boulevard, com seu mordomo, que um dia foi seu diretor e também seu marido. Norma sonha em voltar ao estrelato e inicia um relacionamento com Joe Gillis, um roteirista estreante que se torna seu amante. D: Billy Wilder. CI: Livre. Oscar 1951: Melhor Direção De arte, Melhor Música, Melhor Roteiro. Blue Ribbon Awards 1952: Melhor Filme Estrangeiro. Bodil Awards 1951: Melhor Filme Americano. Globo de Ouro 1951: Melhor Filme - Drama, Melhor Atriz - Drama, Melhor Diretor, Melhor Ator Coadjuvante. O DESPREZO Le Mépris França, Itália, 1963, digital, cor, 103 min Paul Javal é contratado para roteirizar um filme comercial sobre Ulysses, que será dirigido por Fritz Lang e produzido por Jeremy Prokosch. Mas como ele deixa a sua esposa Camille ir embora de carro com Prokosch e está atrasado, ela passa a acreditar que ele quer usá-la como uma espécie de presente para Prokosch para receber um pagamento melhor. Assim o relacionamento acaba. D: Jean-Luc Godard. CI: 16 anos. DIRIGIDO POR JOHN FORD Directed By John Ford Estados Unidos, 1971, 2006, digital, cor, 110 min Em 1971, Peter Bogdanovich era um dos mais promissores diretores da América do Norte. Após dois filmes de ficção de grande sucesso, ele decidiu fazer um documentário sobre o lendário diretor John Ford. Após excelentes críticas, o filme foi tirado de circulação por direitos legais de algumas cenas. Em 2006, Bogdanovich (que teoricamente nunca havia ficado totalmente satisfeito com a versão de 1971) reeditou o documentário para atingir o seu critério de excelência, incluindo uma série de novas entrevistas e utilizando a melhor parte do material da versão original. D: Peter Bogdanovich. CI: 16 anos. New York Film Festival + Festival Cinematográfico Internacional del Uruguay + Telluride Film Festival + Champs-Élysées Film Festival: Seleção Oficial. À PROCURA DO DESTINO Inside Daisy Clover Estados Unidos, 1965, digital, cor, 128 min A adolescente Daisy Clover tem apenas 15 anos de idade. Seu sonho é tornar-se atriz de cinema. Decidida a alcançar seu objetivo, ela fará um teste para um filme com o produtor Raymond Swan. Encantado pela garota, Swan faz dela uma estrela. Mas Daisy, ainda muito jovem e inexperiente, terá de lidar com todas as novidades que surgem em sua nova vida de celebridade na agitada Hollywood dos anos 1930. Santander Brasil Relações com a Imprensa Tel. 11 3553-5267 / 3553-5166 E-mail: [email protected] D: Robert Mulligan. CI: Livre. Oscar 1966: Indicado ao Prêmio de Melhor Atriz Coadjuvante, Melhor Direção de Arte e Melhor Figurino. Globo de Ouro 1966: Melhor Atriz Coadjuvante (Ruth Gordon) e Melhor Ator Estreante (Robert Redford). O ÚLTIMO MAGNATA The Last Tycoon Estados Unidos, 1976, digital, cor, 123 min Hollywood, anos 1930. Monroe Stahr está trabalhando até o seu limite absoluto. Ele é um determinado, frio e poderoso produtor que conduz duramente o seu estúdio, pois lida com diretores obstinados e atores temperamentais. Stahr se envolve com Kathleen Moore, uma jovem mulher criada na Inglaterra e, como ele, fria e determinada. Baseado na obra de F. Scott Fitzgerald. D: Elia Kazan. CI: 10 anos. Oscar 1977: Indicado a Melhor Direção de Arte. National Board of Review 1976: Top Ten Films. National Society of Film Critics 1977: Terceiro Melhor Roteiro. New York Film Critics Circle Awards 1977: Segundo Melhor Roteiro. Sant Jordi Awards 1978: Melhor Ator em um Filme Estrangeiro. LOST IN LA MANCHA Lost in La Mancha Reino Unido, Estados Unidos, 2002, digital, cor, 89 min O diretor Terry Gilliam tentou levar o clássico Don Quixote de La Mancha para as telas do cinema. Ainda antes de começar as filmagens, o orçamento foi reduzido em 20% (de 40 milhões para 32 milhões de dólares).
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