1 Revisiting the Past As a Means of Validation: Bridging the Myth of The
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Three Leading Italian Film-Makers Have Been Invited by the Museum of Modern Art
m The Museum of Modern Art No. 50 FOR RELEASE: U West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart Tuesday, April 8, I969 Three leading Italian film-makers have been invited by The Museum of Modern Art to address the American public, Willard Van Dyke, Director of the Department of Film, announced today. The directors are Bernardo Bertolucci, who will appear, 8:00 p.m., April 8th; Cesare Zavattini,scheduled to speak on May I3; and Marco Bellocchio,who will talk on June 10; specially chosen motion pictures will accompany the talks held in cooperation with the Istituto Italiano di Cultura. Programs start at 8:00 p.m. in the Museum Auditorium. The evening with Bernardo Bertolucci will include a preview of his most recent feature, "Partner" inspired by Dostoevski's "The Double." The picture,described by Bertolucci as "the story of a man who meets his own double," stars Pierre Clementi, who played the vile, sold-toothed anti-hero in "Belle de Jour." Bertolucci, a poet, at 22 made his second feature film "Before the Revolution," which received critical acclaim and created controversy. One critic, Roger Greenspun, wrote -- "the film draws directly upon Stendhal's 'Charter House of Parma;' in its mood and tone it draws perhaps as significantly upon Flaubert's 'Sentimental Education.' But in its meaning and in its particular kind of appreciation of all the life it observes, the picture stands by itself drawing essentially upon the sensibility and gift for under standing of the man who made it." The title, "Before the Revolution," derives from Talleyrand -- "only those who lived before the revolution knew how sweet life can be." The theme, reputedly auto biographical, deals with a young man's search to find his own values and discard the established ones of his respectable milieu. -
The Legacy of Futurism's Obsession with Speed in 1960S
Deus (ex) macchina: The Legacy of Futurism’s Obsession with Speed in 1960s Italy Adriana M. Baranello University of California, Los Angeles Il Futurismo si fonda sul completo rinnovamento della sensibilità umana avvenuto per effetto delle grandi scoperte scientifiche.1 In “Distruzione di sintassi; Imaginazione senza fili; Parole in lib- ertà” Marinetti echoes his call to arms that formally began with the “Fondazione e Manifesto del Futurismo” in 1909. Marinetti’s loud, attention grabbing, and at times violent agenda were to have a lasting impact on Italy. Not only does Marinetti’s ideology reecho throughout Futurism’s thirty-year lifespan, it reechoes throughout twentieth-century Italy. It is this lasting legacy, the marks that Marinetti left on Italy’s cultural subconscious, that I will examine in this paper. The cultural moment is the early Sixties, the height of Italy’s boom economico and a time of tremendous social shifts in Italy. This paper will look at two specific examples in which Marinetti’s social and aesthetic agenda, par- ticularly the nuova religione-morale della velocità, speed and the car as vital reinvigorating life forces.2 These obsessions were reflected and refocused half a century later, in sometimes subtly and sometimes surprisingly blatant ways. I will address, principally, Dino Risi’s 1962 film Il sorpasso, and Emilio Isgrò’s 1964 Poesia Volkswagen, two works from the height of the Boom. While the dash towards modernity began with the Futurists, the articulation of many of their ideas and projects would come to frui- tion in the Boom years. Leslie Paul Thiele writes that, “[b]reaking the chains of tradition, the Futurists assumed, would progressively liberate humankind, allowing it to claim its birthright as master of its world.”3 Futurism would not last to see this ideal realized, but parts of their agenda return continually, and especially in the post-war period. -
The Myth of the Good Italian in the Italian Cinema
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 16 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2014 The Myth of the Good Italian in the Italian Cinema Sanja Bogojević Faculty of Philosophy, University of Montenegro Doi:10.5901/mjss.2014.v5n16p675 Abstract In this paper we analyze the phenomenon called the “myth of the good Italian” in the Italian cinema, especially in the first three decades of after-war period. Thanks to the recent success of films such as Tarantino’s Inglorious Basterds or Academy Award- winning Benigni’s film La vita è bella and Spielberg’s Schindler’s List it is commonly believed that the Holocaust is a very frequent and popular theme. Nevertheless, this statement is only partly true, especially when it comes to Italian cinema. Soon after the atrocities of the WWII Italian cinema became one of the most prominent and influential thanks to its national film movement, neorealism, characterized by stories set amongst the poor and famished postwar Italy, celebrating the fight for freedom under the banners of Resistance and representing a nation opposed to the Fascist and Nazi regime. Interestingly, these films, in spite of their very important social engagement, didn’t even mention the Holocaust or its victims and it wasn’t until the 1960’s that Italian cinema focused on representing and telling this horrific stories. Nevertheless, these films represented Italians as innocent and incapable of committing cruel acts. The responsibility is usually transferred to the Germans as typically cold and sadistic, absolving Italians of their individual and national guilt. -
DINO RISI - a Film Series Highlights of Spring 2017’S DINO RISI - a Film Series
Become a Sponsor of the Homage to Lina Wertmüller September 23, 2017 • San Francisco’s Castro Theatre Aday-longcinematiccelebrationofLinaWertmüller,thegroundbreaking,pioneeringwomandirector andvisionarywhosefearless,polemicalandprovocativefilmshaveleftindeliblemarksandinfluence ontheinternationalentertainmentfield. Theserieswillshowcasetheregionalpremieresofnew2K restorationsofLinaWertmüller’smostcelebratedworks:thefilmofoperaticemotionandsubver - sivecomedy, Love and Anarchy ;thecontroversialfilmaboutsex,loveandpolitics – Swept Away ; Seven Beauties – theNeapolitantalenominatedforfourAcademyAwards®,including BestDirector( first time ever for a woman director );theraucoussexcomedy The Seduction of Mimi .Aspecialpresentationofthedocumentaryfilmprofile Behind the White Glasses willbe highlightedwiththefilm’sdirectorValerioRuizinperson. G N Thisspecialseriesissupportedbythe TheItalianCulturalInstituteofSanFrancisco,theConsulate I T O GeneralofItalyinSanFrancisco,andTheLeonardoda VinciSociety. CinemaItaliaSF.com N T O E N N S I E E Contact: Amelia Antonucci, Program Director [email protected] T O G A R R L R P P O Fiscalsponsor: TheLeonardoDaVinciSociety,501(c)(3)nonprofitorganization. A 0 0 0 0 Contributionsaretax-deductibletoextentoflaw. 0 0 0 0 0 , 0 0 0 0 , , , 1 5 2 1 $ $ $ $ Logo in Program Brochure, on Website (Linked) and On-Screen in Pre-Show Slideshow 4444 Display of Literature on Resource Table 4444 Tickets to Spotlight Film & the Party 248 16 Festival Passes (each good for all screenings and the party) 248 16 Adopt -
Grads Thi~ Year Concordia Twins Graduate
Volume 3, number 27 Ju11e 1977 Graduating list on back pages ) ,. I.,___ _ _____, FYI~ ... CONCORDIA UNIVERSITY More grads thi~ year There will be 2,383 students graduating · from Concordia University this year-an increase of 49 students over the previous year. Graduates will receive degrees and diplomas it six convocations from June 5 to 12, at which four prominent Canadians will receive honorary doctorates. Rev. Bernard Lonergan, regarded by many as the finest philosophic mind of the 20th century, will return to his alma mater to receive an honorary doctorate at the Loyola Faculty of Arts & Science convoca tion June 5 at 2 :15 p.m. on the Loyola Campus. Rev. Lonergan, a Quebec native who now lives in the Jesuit Community at Boston College, became the focal point of world philosophical thought after the publication of his master work Insight in the late 1950s. Norman McLar~n, the celebrated Cana dian filmmaker with the National Film Board, will receive an honorary doctorate at the Faculty of Fine Arts convocation June 7 at 8 : 15 p.m. at the Alumni Auditorium in the Henry F. Hall Building. Patricia and Sharon Fitzgerald Guy Desbarats, prominent Canadian architect and assistant deputy minister of Public Works, will receive an honorary doctorate at the Faculty of Engineering convocation June 8 at 8:15 p.m. at the Concordia twins graduate Alumni Auditorium. Charles S. Carter, a retired Bell Canada Twenty-one years of close and constant lives. Through kindergarten to university executive who was instrumental in estab twinship comes to an end this year as they have shared the same classes, the same lishing the university's modular studies Patricia and Sharon Fitzgerald graduate books-even the same clothes. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
September 16, 1976
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 9-16-1976 Kenyon Collegian - September 16, 1976 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - September 16, 1976" (1976). The Kenyon Collegian. 941. https://digital.kenyon.edu/collegian/941 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. The is: '- Kenyon -ft. Collegian O Established 1856 Volume CIV, Number 2 Kenyon College, Gambier, Ohio 43022 Thursday, September 16, 1976 Hon. Colin Jackson, M.P., Sonatas Set To Give British View For Sunday y Of World Problems Recital The Department of Music will present harpsichordist Julane By PETER KAY government's Foreign Affairs Group. Rodgers on Sunday, Sept. 19 at 4 v. p.m. in Rosse Auditorium. The Colin Jackson, a a The Honorable Jackson's travels have given him i program will contain the major member of British Parliament and vast knowledge of China. He has met national styles of late Baroque established commentator on world with such world leaders as Indian harpsichord music. France is affairs, will give a lecture in Rosse Prime Minister Indira Gandhi, represented by the Pieces de Clavecin Hall entitled "The World in Crisis Jordan's King Hussein, President in D Minor (Louis Couperin) and the 1976 A View, from the House of Suharto of Indonesia, and the late Pieces in A from Nouvelles Suites de Commons," on Monday, September King Faisal of Saudia Arabia. -
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI -
P36-37 Layout 1
lifestyle WEDNESDAY, FEBRUARY 3, 2016 MUSIC & MOVIES Egyptian actress Yousra aims to raise Mideast AIDS awareness In this Sunday, Jan gyptian film star Yousra has taken up a role Saudi Arabia, Sudan, Yemen, and parts of with the United Nations to help combat Somalia, and criminalized in most of the other 31, 2016 photo, EHIV and AIDS in the Middle East, where states in the region. Drug use is also punishable Egyptian film star prevalence is low but growing rapidly. In an by death in several countries. HIV epidemics are Yousra speaks interview Monday in the Egyptian capital, Cairo, concentrated among high-risk groups - people after being where she was named a UN Goodwill who inject drugs, migrants, sex workers and appointed as UN Ambassador for the cause, she said that stigmas men who have sex with men. Goodwill and taboos associated with the virus must be Ambassador in combated and societies taught to be more sym- Antiretroviral therapy Middle East and pathetic to those infected. “For us to defeat it we Yousra, whose career spans four decades and North Africa have to admit it exists,” she told the Associated who has worked with celebrated filmmaker during a ceremony Press. “Because people have a right to medica- Yousef Chahine and actor Adel Emam, says she in Cairo. Yousra tion so they can live with dignity, and so preg- took up the cause after meeting people who has taken up a role nant woman can prevent passing it on to their had been abandoned by their families after with the United children. -
Di Cesare Zavattini
L’ARCHIVIO CESARE ZAVATTINI L’acquisizione e la struttura Note a cura di Giorgio Boccolari Il ‘fondo’ di Cesare Zavattini (Luzzara, 1902 - Roma, 1989), figura d’intellettuale ed artista tra i maggiori del Ventesimo secolo, è una straordinaria raccolta documentaria che costituisce, per la vastità e complessità dei materiali in esso conservati, un caso a se stante nell’ambito degli ‘archivi di persona’. L’acquisizione del fondo Grazie alla sensibilità dei figli Arturo e Marco e ai rapporti che nel corso degli anni erano stati allacciati dallo scrittore luzzarese con intellettuali, artisti, amministratori pubblici ed uomini politici reggiani, l’archivio zavattiniano nel 2012 è stato definitivamente acquisito dall’Amministrazione comunale di Reggio Emilia e per essa dalla Biblioteca Panizzi.1 La lunga gestazione Un veloce e più approfondito exursus storico sulle origini della donazione riconduce alla mostra dei dipinti zavattiniani, curata da Renato Barilli che, organizzata dall’Amministrazione comunale reggiana col concorso della Regione, si tenne tra ottobre e novembre 1988 al Teatro Romolo Valli di Reggio Emilia. Con l’espressa volontà di Cesare Zavattini, i suoi figli avevano manifestato proprio durante l’inaugurazione, all’allora assessore alla cultura Giordano Gasparini, l’intenzione di cedere alla municipalità di Reggio l’archivio paterno. L’anno successivo (1989) subito dopo la scomparsa di Za gli stessi Arturo e Marco riconfermavano quella volontà. A sancire l’avvio ufficiale delle procedure di trasferimento dei materiali da Roma a Reggio Emilia fu una convenzione stipulata nel 1990 tra il Comune di Reggio Emilia, la Regione Emilia-Romagna e gli Eredi Zavattini. 2 Come interlocutore privilegiato, elemento di raccordo e fulcro della convenzione, venne indicato l’Istituto per i beni culturali e, segnatamente, l’allora soprintendente ai beni librari e documentari, Nazareno Pisauri. -
Del 9 Al 11 De Septiembre De 2011 Sala Mayor Del Foro De Las Ciencias Y La Artes Av. Maipú
Basso Fabio Da: Scognamiglio Giuseppe Inviato: giovedì, 25 de agosto de 2011 09:45 A: Basso Fabio; Valeri Marcello Oggetto: I: Invitación: Ciclo de cine y documentales. Alejandro Maruzzi / Maruzzi Producciones Allegati: banner 11 sep.JPG; banner 9 sep.JPG; banner 10 sep.JPG Notizia per il sito grazie Da: Consolato d'Italia in Argentina Buenos Aires Segreteria Cg [mailto:[email protected]] Inviato: giovedì 25 agosto 2011 09:12 A: Scognamiglio Giuseppe (Estero) Oggetto: Fw: Invitación: Ciclo de cine y documentales. Alejandro Maruzzi / Maruzzi Producciones ----- Original Message ----- From: Maruzzi Producciones To: [email protected] Sent: Wednesday, August 24, 2011 7:28 PM Subject: Invitación: Ciclo de cine y documentales. Alejandro Maruzzi / Maruzzi Producciones Del 9 al 11 de septiembre de 2011 Sala Mayor del Foro de las Ciencias y la Artes Av. Maipú 681 - Vicente López - Pcia. de Buenos Aires CICLO DE CINE ITALIANO Y DOCUMENTALES Semana del inmigrante Día viernes 9 de septiembre de 2011. 30/08/2011 19:00 hs. Documental de apertura: “Dall’Argentina verso l’Italia” / "De la Argentina para Italia” Historia sobre la inmigración llegada a la República Argentina y sus vivencias políticas, culturales y sociales. 20:15 hs. Documental: “Lombardia” . Breve reseña de la región Lombarda. 20:30 hs. Cinema: “Un día muy particular” / “Una giornata particolare”. Dirección: Ettore Scola. Con Marcello Mastroianni y Sofía Loren. Día sábado 10 de septiembre de 2011. 30/08/2011 14:00 hs. Cinema para chicos y grandes: “Pinocho” / “ Pinocchio”. Dirección: Roberto Benigni. Con Roberto Benigni y Nicoletta Braschi. 16:00 hs. Cinema: “El baile” / “ Le Bal”.