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Propuesta Para Taller De Análisis De Cine

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Propuesta Para Taller De Análisis De Cine TALLER DE ANÁLISIS DE CINE CICLO 2017 - DICTADO ANUAL DICTANTE: Prof. Gisela Mattioni Gisela Mattioni es profesora en Letras egresada de la UNR. Ha asistido a numerosos seminarios y cursos de cine. Ha expuesto los resultados de sus investigaciones en diversos congresos y cuenta con variadas publicaciones. Actualmente dicta cursos de literatura y también de cine en la Universidad Abierta para Adultos Mayores, dependiente de la UNR. MODALIDAD DE DICTADO: Tres horas semanales (proyección de film y análisis) HORARIO: miércoles de 18 a 21hs FUNDAMENTACIÓN Este taller propone, además de la proyección de un film, su posterior análisis desde diversos puntos de vista (estético, semiótico e histórico), incentivando también el debate entre los asistentes. Sostenemos la importancia de la proyección compartida entre los asistentes al curso para facilitar el posterior trabajo sobre el material fílmico, propiciando el diálogo y la discusión a partir de los lineamientos teóricos que se brindarán en la clase posterior al visionado del film. Centraremos nuestro estudio en una selección de films de reconocidos directores de la historia del cine. Trabajaremos a partir del concepto de autor, potenciado históricamente a partir del grupo de cineastas y críticos que conformó la nouvelle vague francesa. Simultáneamente, tendremos en consideración al cine como arte colectivo. Analizaremos la impronta propia de cada autor, sin dejar de tener en cuenta los cambios y matices que existan en obras realizadas en diversos momentos históricos y en diferentes etapas en la producción de cada cineasta. OBJETIVOS Posibilitar el acercamiento del alumno a películas de directores clave de la historia del cine Analizar cada uno de los films que se verán en clase, en relación con la obra del director y la corriente estética en la que se inscribe en el momento de su producción. Generar debates entre los presentes, moderados por la profesora Comenzar a comprender la especificidad del lenguaje cinematográfico. PRIMERA UNIDAD: cine nacional Contenidos Una figura imprescindible del cine nacional por su impulso renovador: Leopoldo Torre Nilsson. Evolución de su obra. Historias con contenido social y un estilo narrativo dinámico: el cine de Adolfo Aristarain. Films a trabajar: De Leopoldo Torre Nilsson: “La casa del ángel” - 1957 – 76 min. Intérpretes: Elsa Daniel, Lautaro Murúa. “Fin de fiesta” - 1960 - 102 min - Intérpretes: Lautaro Murúa, Graciela Borges, Leonardo Favio. “Boquitas pintadas” - 1974 - 120 min - Intérpretes: Alfredo Alcón, Martha González, Luisina Brando. De Adolfo Aristarain: “Tiempo de revancha” - 1981 - 112 min - Intérpretes: Federico Luppi, Haydée Padilla, Julio de Grazia “Un lugar en el mundo” - 1992 - 120 min. - Intérpretes: Federico Luppi, José Sacristán, Leonor Benedetto “Roma” - 2004 - 155 min. - Intérpretes: Juan Diego Botto, José Sacristán, Susú Pecoraro SEGUNDA UNIDAD: europeos imprescindibles. Contenidos Un director clave del neorrealismo italiano: Roberto Rossellini. Renovación que representa este movimiento en el marco de la historia del cine. Los hermanos Dardenne: dos directores actuales y su peculiar mirada de los marginados europeos. Ettore Scola y una serie de renovadoras historias entrañables. Films a trabajar: De Roberto Rossellini: “Roma, ciudad abierta” – 1945 – 100 min. Intérpretes: Anna Magnani, Aldo Fabrizi. “Stromboli” - 1950 – 72 min. Intérpretes: Ingrid Bergman, Mario Vitale. “Viaje en Italia” - 1954 – 97 min. Intérpretes: Ingrid Bergman, George Sanders. De Jean- Pierre y Luc Dardenne: “Rosetta” - 1999 - 93 min. Intérpretes: Émilie Dequenne, Olivier Gourmet. “El silencio de Lorna” - 2008 - 105 min. Intérpretes: Arta Dobroshi, Jérémie Renier, Fabrizio Rongione. “Dos días, una noche” - 2014 - 95 min. Intérpretes: Marion Cotillard, Fabrizio Rongione. De Ettore Scola: “Nos habíamos amado tanto” - 1974 - 124 min. Intérpretes: Nino Manfredi, Vittorio Gassman, Stefania Sandrelli. “Un día muy particular” - 1977 - 110 min. Intérpretes: Sophia Loren, Marcello Mastroianni, John Vernon “La familia” - 1987 - 120 min. Intérpretes: Vittorio Gassman, Fanny Ardant, Stefania Sandrelli TERCERA UNIDAD: estadounidenses heterodoxos. Contenidos Obra y figura de Orson Welles. “El ciudadano” como renovación del cine. Una carrera plagada de obstáculos. Un cineasta actual polimorfo que no deja de sorprender: Gus Van Sant. Sus acercamientos y alejamientos del cine mainstream. Films a trabajar: De Orson Welles: “El ciudadano” - 1941 - 119 min. Intérpretes: Orson Welles, Joseph Cotten. “Sed de mal” - 1958 - 108 min. Intérpretes: Charlton Heston, Janet Leigh, Orson Welles. “F de falso” - 1975 - 88 min. Intérpretes: Orson Welles, Oja Kodar. De Gus Van Sant: “Mi Idaho privado” - 1991 – 104 min. Intérpretes: River Phoenix, Keanu Reeves. “Todo por un sueño” - 1995 - 110 min - Intérpretes: Nicole Kidman, Matt Dillon, Joaquin Phoenix. “Elefante” - 2003 - 81 min - Intérpretes: Elias McConnell, Alex Frost, Eric Deulen. De Martin Scorsese: “Taxi driver” - 1976 - 113 min. Intérpretes: Robert De Niro, Jodie Foster, Cybill Shepherd. “Toro salvaje” - 1980 - 129 min. Intérpretes: Robert De Niro, Cathy Moriarty, Joe Pesci. “Buenos muchachos” - 1990 - 146 min. Intérpretes: Robert De Niro, Ray Liotta, Joe Pesci. CUARTA UNIDAD: directores clásicos. Contenidos Dos grandes directores por antonomasia. Chaplin: inicios en el cine silente, comicidad y contenido social. Pasaje a los films hablados. Hitchcock: maestro del suspense y revolución cinematográfica. Su influencia. Films a trabajar: De Charles Chaplin: “La quimera del oro” - 1925 – 95 min. Intérpretes: Charles Chaplin, Mack Swain, Tom Murray. “Tiempos modernos” - 1936 - 87 min - Intérpretes: Charles Chaplin, Paulette Godard. “El gran dictador”- 1940 - 124 min - Intérpretes: Charles Chaplin, Paulette Godard, De Alfred Hitchcock: “La sombra de una duda” – 1943 - 108 min. Intérpretes: Teresa Wright, Joseph Cotten. “La ventana indiscreta” – 1954 – 112 min. Intérpretes: James Stewart, Grace Kelly. “Psicosis” – 1960 – 109 min. Intérpretes: Anthony Perkins, Janet Leigh, Vera Miles. “Frenesí” - 1972 - 116 min. Intérpretes: Jon Finch, Barry Foster. Bibliografía de referencia A.A.V.V. Una cinefilia a contracorriente. Barcelona, Paidós, 2004. La nouvelle vague y el gusto por el cine americano Aumont, Jacques y Marie, Análisis del film Buenos Aires, Paidós, 1990. Michel Beceyro, Raúl Manual de cine Rosario, Beatriz Viterbo editora, 2008. Casadevall, Domingo El lenguaje de las imágenes Buenos Aires, Ediciones del carro de Tespis, Costa, Antonio Saber ver el cine Madrid, Paidós, 1988. Fernández Díez, Federico y Manual básico de lenguaje y Madrid, Paidós, 1999. Martínez Abadía, José narrativa audiovisual Gardies, René (comp). Comprender el cine y las Buenos Aires, La Marca imágenes Editora, 2014. Oubiña, David El silencio y sus bordes. Buenos Aires, Fondo de Modos de lo extremo en la cultura económica, 2011. literatura y el cine Russo, Eduardo Diccionario de cine Buenos Aires, Paidós, 2005. Truffaut, François Conversaciones con Hitchcock Madrid, Alianza, 2003. .
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