PLUS: “It’S Not My Father’S at the Sylvan Cemetery World Any More” Page 2 Page 6 Citrus Heights
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The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967. -
Library Inventory Arch Book Series Book Title No Of
LIBRARY INVENTORY ARCH BOOK SERIES BOOK TITLE NO OF COPIES Adam’s Story 13 Daniel and the Lions Den 1 Elijah and the Wicked Queen 14 Events of the Bible 17 Samson’s Secret 1 The Angry King 13 The Boy Who Gave His Lunch Away 1 The Boy Who Was Lost 1 The Boy With A Sling 13 The Bread and the Wine – The Story of the Last Supper 2 The Coming of the Holy Spirit 1 The Fishermen’s Surprise 1 The Good Samaritan 2 The Great Escape 11 The Great Surprise 2 The House on the Rock 1 The Lame Man Who Walked Again 2 The Man Caught by A Fish 14 The Secret of the Star – The Story of the Wise Men 1 The Story of Noah’s Ark 11 The Story of Zerubbabel 15 The Temple King Solomon Built 13 The Walls Came Tumbling Down 15 The Water That Caught on Fire 17 The Wise King and the Baby 16 The World God Made 1 The World God Made 1 Three men Who Walked In Fire 18 Two Cities That Burned 16 When God Laid Down the Law 15 When God Made Balaam’s Donkey Talk 17 BIBLE STORY BOOKS A Child’s first Book of Bible Stories – For Boys and Girls from 5 – 9 Bible for Children with Songs & Plays Bible For Today’s Family Bible Picture Book Bible Stories (David Kossoff) Bible Stories (Heinemann & Ferguson) Bible Stories (Normal Vincent Peale) Bible Stories for Children Bible Story Book – The Complete Bible Story in chronological Order Children’s Stories of the Bible – from the Old Testament My Bible Picture Album Read n’ Grow Picture Bible Story Bible – Illustrated by Children The Bible in Pictures The Bible in Pictures for Little Eyes The Children’s Bible The Taize Picture Bible CHRISTMAS -
Aging with Disney and the Gendering of Evil
Journal of Literature and Art Studies, February 2015, Vol. 5, No. 2, 114-127 doi: 10.17265/2159-5836/2015.02.004 D DAVID PUBLISHING Aging With Disney and the Gendering of Evil Nada Ramadan Elnahla Alexandria University, Alexandria, Egypt Walt Disney animated films are considered synonymous with wholesome family entertainment despite the inherent negative messages of gender, age, and power hierarchies behind them. This paper proposes to explore the aspect of age as intersecting with gender through the villainesses in six of Disney’s popular animated films: Snow White and the Seven Dwarfs (1937), Cinderella (1950), Sleeping Beauty (1959), The Little Mermaid (1989), Tangled (2010), and Frozen (2013). How Disney alters the actions of major and minor characters, and the construction of aging female characters and the key characteristics they exhibit during their fight for eternal youth, beauty, and social and political power will be analyzed, attempting to show how Disney is not a harmless substitute for a babysitter for children. Keywords: aging, ageism, feminism, Disney, animated films, villain Introduction In 1923, Walt Disney and his brother Roy pooled their money to set up a cartoon studio in Hollywood: The Disney Brothers’ Studio. It would take Disney 14 years before the first animated feature-length version of Snow White was released. The film’s phenomenal success at the time (earning eight million dollars on its initial release and winning a full-size Oscar statuette and seven miniature ones) signaled the beginning of a golden age of animation and a rising influence of the Disney movies, brand, and theme parks. -
Sentai Filmworks
Sentai Filmworks - DVD Release Checklist: # - C A complete list of all 325 anime title releases and their 617 volumes and editions, with catalog numbers when available. 11 Eyes Azumanga Daioh: The Animation - Complete Collection (SF-EE100) - Complete Collection (Sentai Selects) (SFS-AZD100) A Little Snow Fairy Sugar Bakuon!! - Collection 1 (SF-LSF100) - Complete Collection (SF-BKN100) - Collection 2 (SF-LSF200) - Complete Collection (Sentai Selects) (SFS-LSF110) Battle Girls: Time Paradox - Complete Collection (SF-SGO100) A-Channel: The Animation - Complete Collection (SF-AC100) Beautiful Bones: Sakurako's Investigation - Complete Collection (SF-BBS100) Ajin: Demi-Human - Complete Collection (SF-AJN100) Beyond the Boundary - Limited Edition (BD/DVD Combo) (SFC-AJN100) - Complete Collection (SF-BTB100) - Season 2: Complete Collection (SF-AJN200) - Complete Collection: Limited Edition (BR/DVD Combo) (SFC-BTB100) - Season 2: Limited Edition (BD/DVD Combo) (SFC-AJN200) - I'll Be Here (BD/DVD Combo) (SFC-BTB001) Akame ga Kill! Black Bullet - Collection 1 (SF-AGK101) - Complete Collection (SF-BKB100) - Collection 1: Limited Edition (BD/DVD Combo) (SFC-AGK101) - Collection 2 (SF-AGK102) Blade & Soul - Collection 2: Limited Edition (BD/DVD Combo) (SFC-AGK102) - Complete Collection (SF-BAS100) Akane Iro ni Somaru Saka Blade Dance of the Elementalers - Complete Collection (SF-AIS100) - Complete Collection (SF-BDE100) AKB0048 Blue Drop - Season One: Complete Collection (SF-AKB100) - The Complete Series (2009, subbed) - Next Stage: Complete Collection -
Online Version*
ONLINE VERSION* SAN DIEGO CONVENTION CENTER QUICK GUIDE HILTON MANCHESTER OMNI SAN DIEGO SAN DIEGO GRAND HYATT SAN DIEGO CENTRAL BAYFRONT SAN DIEGO HOTEL LIBRARY MARRIOTT MARQUIS SAN DIEGO MARINA COMIC-CON® INTERNATIONAL 2017 JULY 20–23 • PREVIEW NIGHT: JULY 19 COMPLETE SCHEDULE GRIDS • EXHIBIT HALL MAP • EXHIBITOR LISTS MAPS OF THE CONVENTION CENTER/PROGRAM & EVENT VENUES/SHUTTLE ROUTES & HOTELS/DOWNTOWN RESTAURANTS *ONLINE VERSION WILL NOT BE UPDATED BEFORE COMIC-CON • DOWNLOAD THE OFFICIAL COMIC-CON APP FOR UPDATES COMIC-CON INTERNATIONAL 2017 QUICK GUIDE WELCOME! to the 2017 edition of the Comic-Con International Quick Guide, your guide to the show through maps and the schedule-at-a-glance programming grids! Please remember that the Quick Guide and the Events Guide are once again TWO SEPARATE PUBLICATIONS! For an in-depth look at Comic- Con, including all the program descriptions, pick up a copy of the Events Guide in the Sails Pavilion upstairs at the San Diego Convention Center . and don’t forget to pick up your copy of the Souvenir Book, too! It’s our biggest book ever, chock full of great articles and art! CONTENTS 4 Comic-Con 2017 Programming & Event Locations COMIC-CON 5 RFID Badges • Morning Lines for Exclusives/Booth Signing Wristbands 2017 HOURS 6-7 Convention Center Upper Level Map • Mezzanine Map WEDNESDAY 8 Hall H/Ballroom 20 Maps Preview Night: 9 Hall H Wristband Info • Hall H Next Day Line Map 6:00 to 9:00 PM 10 Rooms 2-11 Line Map THURSDAY, FRIDAY, 11 Hotels and Shuttle Stops Map SATURDAY: 9:30 AM to 7:00 PM* 14-15 Marriott Marquis San Diego Marina Program Information and Maps SUNDAY: 16-17 Hilton San Diego Bayfront Program Information and Maps 9:30 AM to 5:00 PM 18-19 Manchester Grand Hyatt Program Information and Maps *Programming continues into the evening hours on 20 Horton Grand Theatre Program Information and Map Thursday through 21 San Diego Central Library Program Information and Map Saturday nights. -
Protoculture Addicts Is ©1987-2004 by Protoculture
Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P r o t o c u l t u r e A d d i c t s # 8 0 January / February 2004. Published bimonthly by Protoculture, P.O. Box 1433, Station B, Montreal, Qc, ANIME VOICES Canada, H3B 3L2. Web: http://www.protoculture-mag.com Presentation ............................................................................................................................ 4 Letters ................................................................................................................................... 70 E d i t o r i a l S t a f f Claude J. Pelletier [CJP] – Publisher / Editor-in-chief [email protected] NEWS Miyako Matsuda [MM] – Editor / Translator ANIME & MANGA NEWS: Japan ................................................................................................. 5 Martin Ouellette [MO] – Editor ANIME RELEASES (VHS / R1 DVD) .............................................................................................. 6 PRODUCTS RELEASES (Live-Action, Soundtracks) ......................................................................... 7 C o n t r i b u t i n g E d i t o r s MANGA RELEASES .................................................................................................................... 8 Asaka Dawe, Keith Dawe, Kevin Lillard, James S. Taylor MANGA SELECTION .................................................................................................................. 8 P r o d u c t i o n A s s i s t a n t s ANIME & MANGA NEWS: North -
Undergradua Te Research S Ymposium April 10 2018
UNDERGRADU A T E APRI L 1 0 RESEARC H 2018 S YMPOSIU M B e i n s p i r e d 20th Annual Undergraduate Research Symposium Schedule of Events Tuesday, April 10th, 2018 9:00 a.m. – 3:00 p.m. Check-In CSU Ballroom Coffee and Snacks Available 10:00 – 11:30 a.m. Poster Session A CSU Ballroom Biological Sciences, Chemistry, Construction Management, Geology, Environmental Sciences, Statistics, Manufacturing Engineering Technology, Automotive Engineering Technology, and Physics 10:00 – 11:00 a.m. Oral Session 1 CSU 201 Anthropology 10:00 – 11:00 a.m. Oral Session 2 CSU 202 Communication Studies, Philosophy, and Business Law 10:00 – 11:00 a.m. Oral Session 3 CSU 203 Educational Studies: Elementary and Early Childhood 11:05 –12:05 p.m. Oral Session 4 CSU 204 German and Dance 11:05 – 12:05 p.m. Oral Session 5 CSU 201 Anthropology and Psychology 11:05 – 12:05 p.m. Oral Session 6 CSU 255 Art 11:05 – 12:05 p.m. Oral Session 7 CSU 202 Educational Studies: K-12 and Secondary Programs 12:05 – 1:05 p.m. BREAK Sessions resume at 1:05 p.m. 1:05 – 2:05 p.m. Oral Session 8 CSU 201 Family Consumer Science, Human Performance, and Recreation, Parks, and Leisure Services 1:05 – 2:05 p.m. Oral Session 9 CSU 203 Automotive Engineering 1:05 – 2:05 p.m. Oral Session 10 CSU 202 Environmental Sciences and Biology 2:00 – 3:30 p.m. Poster Session B CSU Ballroom Communication Disorders, Psychology, Health Science, Human Performance, Nursing, Family Consumer Science, Dental Hygiene, German, and Economics 2:10-3:20 Oral Session 11 CSU 203 Integrated Engineering and Automotive Engineering 3:00 – 4:45 p.m. -
Impact Christian Schools: High Point Campus APPROVED MOVIE LIST Approved for All Ages 0 All Star Cartoons, Vol
Impact Christian Schools: High Point Campus APPROVED MOVIE LIST Approved For All Ages 0 All Star Cartoons, Vol. I & II Christy 101 Dalmatians Cinderella A Girl of the Limberlost Cinderella III A Little Princess City Boy A Matter of Faith Clifford Saves the Day A Young Connecticut Yankee in King Arthur’s Cry From the Mountain Court Curious George series ABC’s of Safety series Daffy Duck: and other cartoon classics Air Buddies Degas and the Dancer Ali Baba and the 40 Thieves Disney’s American Legends Alice in Wonderland (cartoon) Dr. Seuss series Alice Through the Looking Glass (cartoon) Dumbo All Dogs Go to Heaven Edison: the Wizard of Light Alligator Hunter Einstein: the Power of Two Ambushed: a Tale of the Old West Elmer Fudd and Other Cartoon Classics American Girl movies Enter the Lone Ranger An American Tale movies Extreme Sports Fun Anastasia Fantasia Anne of Avonlea Far From Home Anne of Green Gables Fiddler on the Roof Arthur series Finding Nemo AutoB Good series Flicka Babe Follow the Drinking Gourd Babe: Pig in the City Galileo: on the Shoulders of Giants Bach’s Fight for Freedom Goya: Awakened in a Dream Balto Grand Champion Bambi Han’s Brinker Barnyard Fun Handel’s Last Chance Bear Hugs series Heidi Beatrix Potter stories series Helen Keller Beauty and the Beast Hometown Legend Benji Movies Homeward Bound movies Berenstein Bears series I Wanna Be…. series Black Beauty In Search of Dudley Dumpling Bob the Builder series Jacob’s Harvest Born to Run KidSongs series Brave Little Toaster King of Kings Brighty of the Grand Canyon -
Present Perfect 2 Shapero Rare Books Present Perfect
Present Perfect 2 Shapero Rare Books Present Perfect 32 Saint George Street London W1S 2EA +44 20 7493 0876 [email protected] www.shapero.com CONTENTS Fiction, Poetry & Prose 1-55 Children’s & Illustrated 56-88 Visual & Performing Arts 89-106 Special Interest & Sport 107-141 Judaica 142-149 Russian 150-155 Modern Prints 156-163 Fiction, Poetry & Prose Fiction, ‘YOU PIERCE MY SOUL. I AM HALF AGONY, HALF HOPE... I HAVE LOVED NONE BUT YOU’ 1. AUSTEN, JANE. ALLARD2. B , J.G. The Novels. The text based on collation of the early editions High-Rise. by R. W. Chapman. With notes indexes and illustrations from contemporary sources. London, Jonathan Cape, 1975. London, Oxford University Press, 1967. Ballard’s classic anticipation of the breakdown of modern society, utilising an example of the then increasingly proliferate 6 volumes, 8vo., tan half morocco gilt by Maltby, spines in six high-rise residential buildings as a hothouse for class resentment, compartments, morocco lettering pieces in second and fourth, primeval instincts and capitalist excess gone mad. raised bands, top edge gilt, a fine set. First edition, 8vo., publisher’s boards, minor sunning to top-edge £1,250 [ref: 90846] of spines, dust-jacket, price-clipped as often, with publisher’s price-sticker, an excellent example beyond some mild toning. £480 [ref: 98212] Fiction, Poetry & Prose Fiction, Shapero Rare Books 3 SIGNED COPY THE THORNTON EDITION 3. BECKETT, SAMUEL. 4. BRONTE, CHARLOTTE, EMILY & ANNE. Molloy. Novels of the Sisters Bronte edited by Temple Scott. Paris, Les Éditions des Minuit, 1951. Edinburgh, Grant, 1924. Attractive signed copy of the novel much regarded as Beckett’s This Thornton Edition of the Novels of the Bronte Sisters best, which he claimed to have conceived on the day his is regarded as the definitive edition and includes Elizabeth publisher, Hamish Hamilton, rejected his novel Watt, ‘the day Gaskell’s ‘Life of Charlotte Bronte’. -
Thanhouser Films Alphabetical Listing A
Thanhouser Films Alphabetical Listing Thanhouser-Princess-Falstaff Copyright® 1994 Q. David Bowers. All Rights Reserved. The titles listed are those used in Thanhouser advertising, on film leaders, and in publicity. In instances in which films had working or preliminary titles, or were released under more than one title, those additional titles are also given. The term alternate title refers to a secondary title or one used in occasional publicity. The term a.k.a. (also known as) refers to a title which was used interchangeably with another. The dates given are the dates of actual release in the United States. Publicity, synopsis, review, and advertising dates listed in various publications are apt to be different. Dates of release in foreign countries were typically several months later than the release dates in America. (British release dates are available in a separate appendix.) Certain later reissues of Thanhouser films by the Arrow Film Corporation are listed. The designations “Princess” and “Falstaff” indicate that these films were made by these departments of the Thanhouser Film Corporation. For detailed information, each title may be consulted in the Filmography of the CD-ROM Thanhouser Films: An Encyclopedia and History by Q. David Bowers. A ACROSS THE WAY (Princess) (February 12, 1915) ACTOR AND THE BUMPKIN, THE (British release title for The Actor and the Rube) (Falstaff) (released in the United States April 16, 1915) ACTOR AND THE RUBE, THE (British release title: The Actor and the Bumpkin) (Falstaff) (April 16, 1915) ACTOR’S CHILDREN, THE (March 15, 1910) ADRIFT (February 3, 1911) ADRIFT IN A GREAT CITY (January 13, 1914) ADVENTURE OF FLORENCE, THE (February 23, 1915) ADVENTURES OF A DIPLOMATIC FREE LANCE SERIES, THE. -
Protoculture Addicts Promotional Issue
CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P r o t o c u l t u r e A d d i c t s # PR Promotional issue 2003 / 2004. Published bimonthly by Protoculture, P.O. Box 1433, Station B, Montreal, Qc, ANIME VOICES Canada, H3B 3L2. Web: http://www.protoculture-mag.com Presentation // What’s PA? ......................................................................................................... 4 E d i t o r i a l S t a f f Letters [From PA#77] .............................................................................................................. 34 Claude J. Pelletier [CJP] – Publisher / Editor-in-chief [email protected] NEWS [From PA#76] Miyako Matsuda [MM] – Editor / Translator Martin Ouellette [MO] – Editor ANIME & MANGA NEWS: Japan ................................................................................................. 5 ANIME RELEASES (VHS / R1 DVD) .......................................................................................... 6, 8 C o n t r i b u t i n g E d i t o r s PRODUCTS RELEASES (Live-Action, Soundtracks) ......................................................................... 6 Keith Dawe, Kevin Lillard, James S. Taylor MANGA RELEASES .................................................................................................................... 7 P r o d u c t i o n A s s i s t a n t s MANGA SELECTION .................................................................................................................. 7 Safe House (Layout), Dominique Durocher (Proofreading), -
Responding to Hurricane Katrina
PRESIDENT’S VIEW Responding to Hurricane Katrina ast fall was no time for business as usual. Like the rest When it seemed like the numbers might be too large for us of the world, we at Williams were encouraged by the to handle on our own, we contacted Amherst, which quickly initial reports of Hurricane Katrina’s indirect hit of New became a full partner with Williams—another sign, if we L Orleans. Little did we realize how far-reaching its effects needed it, that this wasn’t business as usual. would be. Communication with Xavier offi cials was logistically As the scale of the disaster became clearer, our thoughts diffi cult. Their faculty and students had scattered and had turned fi rst to alumni and student families who might have already begun accepting placements elsewhere. In the end, been in harm’s way. As with 9/11, we established a Web site we managed to accommodate eight Xavier pre-meds and one on which Williams people could report their situations for their faculty member. The students took Williams courses and dove classmates and friends to read. into campus life. The faculty member helped support them Some of our students from the Gulf Coast were already while pursuing her research. on campus; some still had to make their way. We were able Amherst had a similar number of students. We also to arrange and pay for the travel of two students who’d been arranged to accommodate for the fall semester one local cut off from their family resources. The mother of one of them student who’d just begun at Tulane.