Past Transgressions Written by Steven S
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Screening the Male: Exploring Masculinities in Hollywood Cinema I
SCREENING THE MALE Exploring masculinities in Hollywood cinema Edited by Steven Cohan and Ina Rae Hark London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1993 Routledge, collection as a whole Individual chapters © 1993 respective authors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Screening the Male: Exploring Masculinities in Hollywood Cinema I. Cohan, Steven II. Hark, Ina Rae 791.4309 Library of Congress Cataloguing in Publication Data Screening the male: exploring masculinities in Hollywood cinema/edited by Steven Cohan and Ina Rae Hark. p. cm. 1. Men in motion pictures. 2. Sex in motion pictures. I. Cohan, Steven. II. Hark, Ina Rae. PN1995.9.M46S36 1993 791.43´652041–dc20 92–5815 ISBN 0–415–07758–3 (hbk) ISBN 0–415–07759–1 (pbk) ISBN 0–203–14221–7 Master e-book ISBN ISBN 0–203–22072–2 (Glassbook Format) 8 ANIMALS OR ROMANS Looking at masculinity in Spartacus Ina Rae Hark When Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ detailed how the cinematic apparatus and the conditions of cinema spectatorship invariably place woman as an object of the desiring male gaze, required to present herself as spectacle, its argument did not necessarily exclude the possibility that the apparatus could similarly objectify men who symbolically if not biologically lacked the signifying phallus. -
Phases of Irish History
¥St& ;»T»-:.w XI B R.AFLY OF THE UNIVERSITY or ILLINOIS ROLAND M. SMITH IRISH LITERATURE 941.5 M23p 1920 ^M&ii. t^Ht (ff'Vj 65^-57" : i<-\ * .' <r The person charging this material is re- sponsible for its return on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. University of Illinois Library • r m \'m^'^ NOV 16 19 n mR2 51 Y3? MAR 0*1 1992 L161—O-1096 PHASES OF IRISH HISTORY ^.-.i»*i:; PHASES OF IRISH HISTORY BY EOIN MacNEILL Professor of Ancient Irish History in the National University of Ireland M. H. GILL & SON, LTD. so UPPER O'CONNELL STREET, DUBLIN 1920 Printed and Bound in Ireland by :: :: M. H. Gill &> Son, • • « • T 4fl • • • JO Upper O'Connell Street :: :: Dttblin First Edition 1919 Second Impression 1920 CONTENTS PACE Foreword vi i II. The Ancient Irish a Celtic People. II. The Celtic Colonisation of Ireland and Britain . • • • 3^ . 6i III. The Pre-Celtic Inhabitants of Ireland IV. The Five Fifths of Ireland . 98 V. Greek and Latin Writers on Pre-Christian Ireland . • '33 VI. Introduction of Christianity and Letters 161 VII. The Irish Kingdom in Scotland . 194 VIII. Ireland's Golden Age . 222 IX. The Struggle with the Norsemen . 249 X. Medieval Irish Institutions. • 274 XI. The Norman Conquest * . 300 XII. The Irish Rally • 323 . Index . 357 m- FOREWORD The twelve chapters in this volume, delivered as lectures before public audiences in Dublin, make no pretence to form a full course of Irish history for any period. -
Spartacus by Vickie Chao
Name Date Spartacus By Vickie Chao Ancient Rome had a lot of marvels. Back in the heyday, the Romans put up many spectacular structures. Some of them still remain standing today. As we admire the civilization that ancient Rome left behind, we must keep one thing in mind. Rome's glory was built largely on the backs of countless slaves. Slaves played an important role in ancient Rome. Aside from doing construction, they also worked as servants at bathhouses or private homes. They took part in public games, fighting as gladiators. They labored away in farms. As slaves, they had little control over their lives. They had to do everything they were told. If they refused to take orders, they could get beaten up. If they tried to escape, they could even be killed. Once sold, most slaves simply resigned themselves to their fate. Of the few who rose up to defy the Romans, Spartacus was the most famous. Spartacus was actually not a slave by birth. According to a popular account, he once served in the Roman army as an auxiliary. For reasons unknown to us, he deserted the army and ran away. Unfortunately, he was not able to elude the Romans for long. After being caught, he was sold into slavery and began his rigorous training as a gladiator in Capua. In 73 B.C., Spartacus broke out of the gladiatorial school with over seventy followers. To fend for themselves, they used knives and other kitchen tools as weapons. Once they managed to escape the school compound, they went straight to hide on Mount Vesuvius nearby. -
Dear Parents: This Handbook Is a Means to Continue the Policy of Open Communication Among Faculty and Staff, Students and Their
Dear Parents: This Handbook is a means to continue the policy of open communication among faculty and staff, students and their families, as we work to provide all members of the school community with the same information. It is very important that you and your child(ren) become very familiar with the information contained in the Handbook. The regulations and guidelines are for the protection of everyone and supplement the administration’s broad discretionary powers to maintain safety, order and discipline. Students need to especially pay attention to the following sections: Absenteeism/tardy Academic Probation Cell Phone Discipline Detention/Saturday School Dress Code Drug/Alcohol/Weapons Policy Since parents are the most important influence in the life of children, it is imperative that we work together. All students enrolled in the high school must return the Handbook signature sheet and the Honor Code sheet, included in the Opening of School Packet, which indicates reading/agreement of policies in this Handbook and return it, with the necessary signatures, to their homeroom teacher by Monday, August 19. May this year be a productive and growth-filled year for your child(ren) as we work together in the Benedictine spirit of hospitality, service, scholarship and reverence. May the Spirit and presence of Jesus guide us on each step of the way in our spiritual and educational endeavors. Sincerely, Mrs. Pamela McQueen 1 MISSION STATEMENT The mission of Villa Madonna Academy is to educate students in grades K-12 for full Christian participation in 21st century life. Villa is committed to forming students who seek God in the Benedictine gradation of reverence and peace, scholarship, service and community. -
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Contents Acknowledgements 10 1. Junk, Historical Objects and Magical Memories 13 2 Hard Times 38 3. Schoolboy Dreams 59 4. Light at the End of the Tunnel 77 5. Soccer Diaries 104 6 You’ve Never Had It So Good 129 7. Bovril or Boutiques? 157 8. World Cup Winners 182 9. Scotland 207 10. Sponsors, Violence and Economic Crisis 229 11. A Slum Game 264 12. Foreign Fields 296 13. From the Terraces to the World- Wide Sofa 320 14. Wartime to Lockdown 353 Bibliography 372 Index of Clubs, Managers and Players 374 Chapter 1 Junk, Historical Objects and Magical Memories SOME BOOKS inspired by football memorabilia tell the story of men undergoing a mid-life crisis, steeped in nostalgia for the 1980s They chart the journey from naive nerd, standing on the terraces with laddish mates, and then with a succession of girlfriends who, with varying degrees of disinterest, observed the on-field displays of their temporarily beloved’s heroes Punk rock provides the mood music to the occasional brush with the National Front or opposition casuals Marriage, divorce and contentment with a second wife follow, as our protagonist takes his seat in the stands with a nostalgic sigh for a youth now lost forever This book is different Yes, it intertwines my own life as one of the now grey-haired ‘baby boomer’ generation with the changes within the game, but – spoiler alert – that life, while not uneventful, has not been punctuated by multiple liaisons More than 50 years of marriage to the same woman, while cherished, is a thin basis for dramatic shifts of plot The sum -
The Monumental Villa at Palazzi Di Casignana and the Roman Elite in Calabria (Italy) During the Fourth Century AD
The Monumental Villa at Palazzi di Casignana and the Roman Elite in Calabria (Italy) during the Fourth Century AD. by Maria Gabriella Bruni A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Classical Archaeology in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA Committee in Charge Professor Christopher H. Hallett, Chair Professor Ronald S. Stroud Professor Anthony W. Bulloch Professor Carlos F. Noreña Fall 2009 The Monumental Villa at Palazzi di Casignana and the Roman Elite in Calabria (Italy) during the Fourth Century AD. Copyright 2009 Maria Gabriella Bruni Dedication To my parents, Ken and my children. i AKNOWLEDGMENTS I am extremely grateful to my advisor Professor Christopher H. Hallett and to the other members of my dissertation committee. Their excellent guidance and encouragement during the major developments of this dissertation, and the whole course of my graduate studies, were crucial and precious. I am also thankful to the Superintendence of the Archaeological Treasures of Reggio Calabria for granting me access to the site of the Villa at Palazzi di Casignana and its archaeological archives. A heartfelt thank you to the Superintendent of Locri Claudio Sabbione and to Eleonora Grillo who have introduced me to the villa and guided me through its marvelous structures. Lastly, I would like to express my deepest gratitude to my husband Ken, my sister Sonia, Michael Maldonado, my children, my family and friends. Their love and support were essential during my graduate -
Giants of the Past: Compressive History in the Duel of Scipio and Crixus in Punica 4
Giants of the Past: Compressive History in the Duel of Scipio and Crixus in Punica 4 The battle scenes of Silius Italicus’ Punica make up more than twenty percent of the Flavian poet’s epic, 2,461 (counting only the major scenes) of the poem’s roughly 12,000 lines. Yet, few works in the now flourishing field of Flavian scholarship approach these passages as worthy of extended study. This paper proposes that the battle scenes of the Punica are far more important than presently thought and offers a scene from the battle of Ticinus in book four as a test case for a new reading of the Silian battlefield. At the midpoint of the battle of Ticinus in Punica 4, the consul Scipio (father to the future Africanus) challenges the Gallic chieftain Crixus to a duel. In so doing, Silius activates a number of important resonances from Roman history and myth, creating a nexus of allusions that elevates this short duel into a highly symbolic reenactment of the Roman past and counterfactual representation of the near future. I argue that Silius conceptualizes these early defeats through allusions to mytho-historical moments of Roman victories. I approach this duel through the lens of three important moments: the sack of Rome after the battle of Allia in 390 BC, the Spartacus revolt in the late 70s BC, and the Titanomachy of myth. The sack of Rome by Brennus and the Gauls in 390 BC is directly referenced in the description of Crixus’ shield (Pun. 4.152-53: vertice sacro / pensantes aurum Celtas umbone gerebat). -
Magazine Media
FEBRUARY 2010: THE FANTASY ISSUE M M MediaMagazine edia agazine Menglish and media centre issue 31 | februaryM 2010 Superheroes Dexter Vampires english and media centre Aliens Dystopia Apocalypses | issue 31 | february 2010 MM MM MediaMagazine is published by the English and Media Centre, a non-profit making organisation. editorial The Centre publishes a wide range of classroom materials and runs courses for teachers. If you’re studying English at A Level, look out e thought our last issue, on Reality, was one of our best yet, for emagazine, also published by Wbut this Fantasy-themed edition is just as inspired. Perhaps the Centre. our curiosity about the real and our fascination with fantasy are two sides of the same coin … The English and Media Centre 18 Compton Terrace By way of context, Annette Hill explores the factors behind London N1 2UN our current passion for the afterlife and the paranormal, while Telephone: 020 7359 8080 Chris Bruce suggests ways of investigating fantasy across media Fax: 020 7354 0133 platforms from an examiner’s perspective and Jerome Monahan provides an Email for subscription enquiries: illustrated history of fantasy at the movies via Jung, the Gothic and the ghost story. [email protected] We have a volley of vampires from Buffy to True Blood’s Bill, by way of Let The Right One In, and some persuasive and chilling accounts of how they represent real world Managing Editor: Michael Simons prejudices and fears. In a cluster of superhero articles, Matt Freeman explores the Editor: Jenny Grahame cultural significance of Superman, while Steph Hendry unpicks the ideologies of Editorial assistant/admin: superheroes and their relevance in a post-9/11 world – and identifies the world’s Rebecca Scambler first superheroic serial-killer. -
Plato's Republic
PLATO’S REPUBLIC PLATO’S REPUBLIC A Dialogue in Sixteen Chapters, with a Prologue and an Epilogue ALAIN BADIOU Translated by Susan Spitzer polity First published in French as La République de Platon © Librairie Arthème Fayard, 2012 This English edition © Polity Press, 2012 Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Polity Press 350 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopy- ing, recording or otherwise, without the prior permission of the publisher. ISBN: 978-0-7456-6352-4 A catalogue record for this book is available from the British Library. The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. For further information on Polity, visit our website: www.politybooks.com CONTENTS 7/426 The numbers and letters in parentheses after each chapter title (e.g. 327a) refer to a division of the text into sections, each usually about ten lines long. -
Game Design Patrick Receveur Spartacus Imperator Rules of Play
Game design Patrick Receveur Spartacus Imperator Rules of play SPARTACUS IMPERATOR simulates the Servile Wars, which Each leader also has a marker without a rating but occurred in Italy and Sicily in the second and first centuries before with his name, this is his Action Points marker. It records our era. A player represents the rebels and controls the revolting the number of Action Points of that leader remaining slaves, the other player commands the armies of Rome. for that Season. It is placed on the map, in the relevant If you have questions about the rules, we recommend you read Action Points column. them in parallel with the example of play. 0.2.2 – Military units A military unit represents a unit of 500 to 2,000 foot or 500 to 1,000 0 - THE COMPONENTS cavalrymen. In the following rules, the terms military unit and unit mean the same thing. 0.1 – The game board An army is composed of one or more units with or without a leader. The game board is reversible depending on whether the scenarios Name of unit that you play are on the map of Italy (Italia) or Greater Greece The black letter S circled Shooting CombatValue: (Magna Græcia) including Sicily and southern Italy. in yellow means that the 0 to 3 arrows unit is only used in the scenario with Spartacus. Melee Combat Value: Each map is composed of: 0 to 3 swords • Mountain zones (maroon marble), • Plains zones (gray marble), The majority of units have a coloured • Cities (red square) and, square around their Melee Value. -
Shadow Games Written by Miranda Kwok 1
Shadow Games Written by Miranda Kwok 1. FADE IN: EXT. TRAINING SQUARE - BATIATUS' LUDUS - DAY SPARTACUS, reinstated from the Pits, spars with HAMILCAR in a rotating drill with the other GLADIATORS. Bruises and scrapes still mar his flesh, but he trains with focus and determination. DOCTORE cracks his whip. DOCTORE Switch! The Gladiators switch partners. Every man is drenched in sweat, lips cracked from lack of water. The drought has taken its toll. VARRO grins, crossing sword and shield with Spartacus. After a few beats, Doctore cracks his whip. DOCTORE (cont'd) Switch! CRIXUS moves into position opposite Spartacus, attacking. Spartacus tries to keep a steady pace, but Crixus strikes hard, pressing beyond the exercise. Doctore cracks his whip. DOCTORE (cont'd) Switch! GNAEUS, exhausted and winded, moves to face Spartacus -- but Crixus doesn’t give way. He continues to press, catching Spartacus by surprise. Spartacus stumbles back, barely deflecting the blows. Crixus raises his practice sword to crack Spartacus' skull. DOCTORE (cont'd) Crixus! Crixus freezes. Doctore steps closer, displeased. DOCTORE (cont'd) Did you not hear the command? CRIXUS Apologies, Doctore. I hope I did not frighten the rabbit. Snickers from the men. Doctore glares. DOCTORE The games of the Magistrate approach. Listen carefully to my instructions, and every man chosen will see victory in the arena. (CONTINUED) 2. CONTINUED: Gnaeus swoons from the heat in the background, collapses to the ground. DOCTORE (cont'd) Perhaps not every man. PIETROS rushes over to Gnaeus with a skin of water. DOCTORE (cont'd) Save rations for men who deserve them. -
Rebellion: (Spartacus 2) Pdf, Epub, Ebook
SPARTACUS: REBELLION: (SPARTACUS 2) PDF, EPUB, EBOOK Ben Kane | 528 pages | 25 Jun 2013 | Cornerstone | 9781848092341 | English | London, United Kingdom Spartacus: Rebellion: (Spartacus 2) PDF Book Very Highly recommended. Like Spartacus: The Gladiator it was filled with action, battles, love and betrayal. A force of escaped German slaves under Crixus was soundly beaten at Mt. I was then fairly stunned by Hannibal, which I consider to be one of the finest pieces of ancient Historical fiction written. Batiatus purchases Spartacus to either win patronage from Glaber by having him killed, or use the Thracian's popularity for his own ends. In the spring of 72 bc, the gladiator army trekked northward, pursued by the consuls and their legions. The number of slaves killed during revolt of Spartacus, stretched to more than seventy thousand. I thank him for that because I love nothing more than getting lost in a book. That's just a taste of a gory moment. I had just recently finished watching Spartacus on Starz when I picked up a copy of Spartacus: Rebellion to read. He lives in North Somerset, England, with his family. I read it only so I could say that I finished the series, and now I know for certain that I won't be picking up another book by Ben Kane any time soon. In the brutal battle Spartacus reached Crassus but was speared numerous times by a group of Roman soldiers and finally killed. Their army guards overpowered them before the revolt could spread, according to one historian, but the Roman public, as always terrified or fascinated by revolution, were already talking of ancient calamities such as the rising of Spartacus.