Spartacus by Vickie Chao
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Screening the Male: Exploring Masculinities in Hollywood Cinema I
SCREENING THE MALE Exploring masculinities in Hollywood cinema Edited by Steven Cohan and Ina Rae Hark London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1993 Routledge, collection as a whole Individual chapters © 1993 respective authors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Screening the Male: Exploring Masculinities in Hollywood Cinema I. Cohan, Steven II. Hark, Ina Rae 791.4309 Library of Congress Cataloguing in Publication Data Screening the male: exploring masculinities in Hollywood cinema/edited by Steven Cohan and Ina Rae Hark. p. cm. 1. Men in motion pictures. 2. Sex in motion pictures. I. Cohan, Steven. II. Hark, Ina Rae. PN1995.9.M46S36 1993 791.43´652041–dc20 92–5815 ISBN 0–415–07758–3 (hbk) ISBN 0–415–07759–1 (pbk) ISBN 0–203–14221–7 Master e-book ISBN ISBN 0–203–22072–2 (Glassbook Format) 8 ANIMALS OR ROMANS Looking at masculinity in Spartacus Ina Rae Hark When Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ detailed how the cinematic apparatus and the conditions of cinema spectatorship invariably place woman as an object of the desiring male gaze, required to present herself as spectacle, its argument did not necessarily exclude the possibility that the apparatus could similarly objectify men who symbolically if not biologically lacked the signifying phallus. -
Phases of Irish History
¥St& ;»T»-:.w XI B R.AFLY OF THE UNIVERSITY or ILLINOIS ROLAND M. SMITH IRISH LITERATURE 941.5 M23p 1920 ^M&ii. t^Ht (ff'Vj 65^-57" : i<-\ * .' <r The person charging this material is re- sponsible for its return on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. University of Illinois Library • r m \'m^'^ NOV 16 19 n mR2 51 Y3? MAR 0*1 1992 L161—O-1096 PHASES OF IRISH HISTORY ^.-.i»*i:; PHASES OF IRISH HISTORY BY EOIN MacNEILL Professor of Ancient Irish History in the National University of Ireland M. H. GILL & SON, LTD. so UPPER O'CONNELL STREET, DUBLIN 1920 Printed and Bound in Ireland by :: :: M. H. Gill &> Son, • • « • T 4fl • • • JO Upper O'Connell Street :: :: Dttblin First Edition 1919 Second Impression 1920 CONTENTS PACE Foreword vi i II. The Ancient Irish a Celtic People. II. The Celtic Colonisation of Ireland and Britain . • • • 3^ . 6i III. The Pre-Celtic Inhabitants of Ireland IV. The Five Fifths of Ireland . 98 V. Greek and Latin Writers on Pre-Christian Ireland . • '33 VI. Introduction of Christianity and Letters 161 VII. The Irish Kingdom in Scotland . 194 VIII. Ireland's Golden Age . 222 IX. The Struggle with the Norsemen . 249 X. Medieval Irish Institutions. • 274 XI. The Norman Conquest * . 300 XII. The Irish Rally • 323 . Index . 357 m- FOREWORD The twelve chapters in this volume, delivered as lectures before public audiences in Dublin, make no pretence to form a full course of Irish history for any period. -
Past Transgressions Written by Steven S
Past Transgressions Written by Steven S. DeKnight 1. FADE IN: INT. BATIATUS' VILLA - NIGHT (EP 113 SEASON 1) [NEW MATERIAL] A SWIRL OF RED fades into existence. Beautiful. Mesmerizing. We PULL BACK to reveal BLOOD spewing in slow motion as a ROMAN GUARD lazily flies through the FRAME, dying from massive wounds. RAMP TO NORMAL SPEED as he crashes to the ground, dead. THREE MORE GUARDS rush in, stepping over their fallen comrade to confront the cause of his brutal end. SPARTACUS greets them, his sword drawing fresh blood. He moves with deadly purpose, striking the Guards down in a gory display. NOBLE ROMANS scream as they rush to flee the slaughter. Spartacus ignores them, bellowing for the only man he seeks. SPARTACUS Batiatus! A threat. A challenge. A promise of impending doom... INT. TROPHY ROOM - BATIATUS' VILLA - NIGHT (EP 113 SEASON 1) [MATERIAL SHOT IN SEASON 1] Batiatus hustles through the carnage with Lucretia, Domitia, Numerius, and Aurelia. They stumble upon a dying Guard. GUARD (gurgling blood) The doors... Glaber’s men... sealed the doors... LUCRETIA (realizing) Ilithyia. DOMITIA (coming apart) Why would she do such a thing -- A Gladiator surges behind her, slicing her open in an eruption of blood. NUMERIUS Mother! (CONTINUED) 2. CONTINUED: Batiatus grabs the dead Guard’s sword and runs the Gladiator through. Batiatus rips his sword free, shouts to Lucretia and the others. BATIATUS Go! LUCRETIA Quintus -- BATIATUS GO! Batiatus hustles off, sword clenched in trembling hand. INT. BATIATUS’ VILLA - NIGHT (EP 113 SEASON 1) [NEW MATERIAL] Several NOBLE ROMANS flee from two blood- splattered GLADIATORS. -
Spartacus: Thrid Servile War (Joint Crisis)
CRISIS COMMITTEES | 2014e SPARTACUS: THRID SERVILE WAR (JOINT CRISIS) Dear delegates, To first clarify, I am not really the director who will be sitting in with you, instead I am the Crisis director, in charge of making sure both committees run well in parallel. I am delighted you have chosen to partake in our Classical adventure. And if you had no choice and your delegation forced this upon you, then I guarantee you could have found yourself in something much, much worse. This committee will be both engaging and subtly educational for a few reasons. A) Nothing beats the Classical period for drama, high stakes and general epicness (sic). B) This particular phase of Roman history may seem somewhat obscure, but in fact it sets the scene for the most dramatic changes in the history of the soon-to-be Empire (hint hint). C) If you haven’t been in a crisis committee before, get ready to leave the realm of mind-numbing GAs forever. If you have, then get excited to plot, devise and conquer to your heart’s content. Your staff are very experienced with crises, and this isn’t my first rodeo either. Or chariot race at the hippodrome I guess. Good luck, please in the name of Jupiter read the whole guide, and have fun! Liam Brister Crisis Manager - 3rd Servile War GENERAL ASSEMBLIES SPECIALIZED COMMITTEES CRISIS COMMITTEES Tips The key to success in crisis committees is improvisation. You simply won’t be able to come with a plan that covers more than the first hour at most. -
Giants of the Past: Compressive History in the Duel of Scipio and Crixus in Punica 4
Giants of the Past: Compressive History in the Duel of Scipio and Crixus in Punica 4 The battle scenes of Silius Italicus’ Punica make up more than twenty percent of the Flavian poet’s epic, 2,461 (counting only the major scenes) of the poem’s roughly 12,000 lines. Yet, few works in the now flourishing field of Flavian scholarship approach these passages as worthy of extended study. This paper proposes that the battle scenes of the Punica are far more important than presently thought and offers a scene from the battle of Ticinus in book four as a test case for a new reading of the Silian battlefield. At the midpoint of the battle of Ticinus in Punica 4, the consul Scipio (father to the future Africanus) challenges the Gallic chieftain Crixus to a duel. In so doing, Silius activates a number of important resonances from Roman history and myth, creating a nexus of allusions that elevates this short duel into a highly symbolic reenactment of the Roman past and counterfactual representation of the near future. I argue that Silius conceptualizes these early defeats through allusions to mytho-historical moments of Roman victories. I approach this duel through the lens of three important moments: the sack of Rome after the battle of Allia in 390 BC, the Spartacus revolt in the late 70s BC, and the Titanomachy of myth. The sack of Rome by Brennus and the Gauls in 390 BC is directly referenced in the description of Crixus’ shield (Pun. 4.152-53: vertice sacro / pensantes aurum Celtas umbone gerebat). -
Shadow Games Written by Miranda Kwok 1
Shadow Games Written by Miranda Kwok 1. FADE IN: EXT. TRAINING SQUARE - BATIATUS' LUDUS - DAY SPARTACUS, reinstated from the Pits, spars with HAMILCAR in a rotating drill with the other GLADIATORS. Bruises and scrapes still mar his flesh, but he trains with focus and determination. DOCTORE cracks his whip. DOCTORE Switch! The Gladiators switch partners. Every man is drenched in sweat, lips cracked from lack of water. The drought has taken its toll. VARRO grins, crossing sword and shield with Spartacus. After a few beats, Doctore cracks his whip. DOCTORE (cont'd) Switch! CRIXUS moves into position opposite Spartacus, attacking. Spartacus tries to keep a steady pace, but Crixus strikes hard, pressing beyond the exercise. Doctore cracks his whip. DOCTORE (cont'd) Switch! GNAEUS, exhausted and winded, moves to face Spartacus -- but Crixus doesn’t give way. He continues to press, catching Spartacus by surprise. Spartacus stumbles back, barely deflecting the blows. Crixus raises his practice sword to crack Spartacus' skull. DOCTORE (cont'd) Crixus! Crixus freezes. Doctore steps closer, displeased. DOCTORE (cont'd) Did you not hear the command? CRIXUS Apologies, Doctore. I hope I did not frighten the rabbit. Snickers from the men. Doctore glares. DOCTORE The games of the Magistrate approach. Listen carefully to my instructions, and every man chosen will see victory in the arena. (CONTINUED) 2. CONTINUED: Gnaeus swoons from the heat in the background, collapses to the ground. DOCTORE (cont'd) Perhaps not every man. PIETROS rushes over to Gnaeus with a skin of water. DOCTORE (cont'd) Save rations for men who deserve them. -
Rebellion: (Spartacus 2) Pdf, Epub, Ebook
SPARTACUS: REBELLION: (SPARTACUS 2) PDF, EPUB, EBOOK Ben Kane | 528 pages | 25 Jun 2013 | Cornerstone | 9781848092341 | English | London, United Kingdom Spartacus: Rebellion: (Spartacus 2) PDF Book Very Highly recommended. Like Spartacus: The Gladiator it was filled with action, battles, love and betrayal. A force of escaped German slaves under Crixus was soundly beaten at Mt. I was then fairly stunned by Hannibal, which I consider to be one of the finest pieces of ancient Historical fiction written. Batiatus purchases Spartacus to either win patronage from Glaber by having him killed, or use the Thracian's popularity for his own ends. In the spring of 72 bc, the gladiator army trekked northward, pursued by the consuls and their legions. The number of slaves killed during revolt of Spartacus, stretched to more than seventy thousand. I thank him for that because I love nothing more than getting lost in a book. That's just a taste of a gory moment. I had just recently finished watching Spartacus on Starz when I picked up a copy of Spartacus: Rebellion to read. He lives in North Somerset, England, with his family. I read it only so I could say that I finished the series, and now I know for certain that I won't be picking up another book by Ben Kane any time soon. In the brutal battle Spartacus reached Crassus but was speared numerous times by a group of Roman soldiers and finally killed. Their army guards overpowered them before the revolt could spread, according to one historian, but the Roman public, as always terrified or fascinated by revolution, were already talking of ancient calamities such as the rising of Spartacus. -
Sallust's Histories and Triumviral Historiography
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Sallust's Histories and Triumviral Historiography Jennifer Gerrish University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classics Commons Recommended Citation Gerrish, Jennifer, "Sallust's Histories and Triumviral Historiography" (2012). Publicly Accessible Penn Dissertations. 511. https://repository.upenn.edu/edissertations/511 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/511 For more information, please contact [email protected]. Sallust's Histories and Triumviral Historiography Abstract This dissertation explores echoes of the triumviral period in Sallust's Histories and demonstrates how, through analogical historiography, Sallust presents himself as a new type of historian whose "exempla" are flawed and morally ambiguous, and who rejects the notion of a triumphant, ascendant Rome perpetuated by the triumvirs. Just as Sallust's unusual prose style is calculated to shake his reader out of complacency and force critical engagement with the reading process, his analogical historiography requires the reader to work through multiple layers of interpretation to reach the core arguments. In the De Legibus, Cicero lamented the lack of great Roman historians, and frequently implied that he might take up the task himself. He had a clear sense of what history ought to be : encomiastic and exemplary, reflecting a conception of Roman history as a triumphant story populated by glorious protagonists. In Sallust's view, however, the novel political circumstances of the triumviral period called for a new type of historiography. To create a portrait of moral clarity is, Sallust suggests, ineffective, because Romans have been too corrupted by ambitio and avaritia to follow the good examples of the past. -
The Antikythera Shipwreck and Sinope's Culture During The
The Antikythera Shipwreck and Sinope’s Culture during the Mithridatic Wars Attilio Mastrocinque During the last years my curiosity has been kept alive by the research of Giovanni Pastore, a great expert in engineering, who has studied all the possibilities of an instrument, which was found in the shipwreck of Anti- kythera.1 This instrument is a box into which a series of 31 gear wheels have been placed in order to make astronomic calculations with a precision and of a complication that one had thought could only be attained in modern times.2 In the 1950’s D. de Solla Price studied this machine and reached the conclusion that it was a sort of clock, which had been adjusted in about 80 BC.3 He put forward the hypothesis that two boards existed on the main surfaces. On the first side pointers indicated the placement of both the Sun and the Moon in the Zodiac, and on the other side other astrological conjunc- tions were shown. The pointers were moved by means of a driving wheel or handle. Michael T. Wright has recently put forward new results for the instrument, noting that it was more complex than was previously thought, since it is not complete and we do not know how many pieces are missing.4 According to his reconstruction, the first side of the instrument was used to indicate the motion of the Sun, probably following the heliocentric theory of Aristarchos, and the motion of other planets. The opposite clock-face was perhaps a year calculator, which gave equivalences between the Egyptian year and other calendars and allowed the calculations of eclipses. -
Leadership Lessons from Spartacus
LEADERSHIP LESSONS FROM SPARTACUS Spartacus was a Thracian gladiator, who led a slave revolt and defeated the Roman forces several times as he marched his army up and down the Italian peninsula until he was killed in battle in April 71 BC. He is a figure from history who has inspired revolutionaries and filmmakers, although scholars do not have significant amounts of information about him. Only accounts from a few ancient writers have survived to this day, and none of these reports were written by Spartacus or his supporters. Background According to the main two sources at the time, Appian of Alexandria and Plutarch of Chaeronea, Spartacus was born around 111 BC. in Thrace, whose boundaries today would encapsulate parts of Bulgaria, Greece and Turkey. This was an area in Southeast Europe that the Roman’s were often trying to subjugate in the first century. Spartacus appears to have served in a Roman auxiliary unit for a time, and he either deserted or became an insurgent against the Romans. He was therefore captured and forced into enslavement. Due to his strength and stature, he was sold as a slave to Lentulus Batiatis, owner of the gladiatorial school, Ludus in Capua, 110 miles from Rome. Spartacus was considered a heavyweight gladiator called a “murmillo”. However, Spartacus was a rebel. In 73 BC, Spartacus was among a group of 78 gladiators who plotted an escape from Ludus. Spartacus and his co-leaders, Gaul’s Oenomaus and Crixus broke out of the barracks, seized kitchen utensils, and took several wagons of weapons and armour. -
The Official Position of Imperator Caesar Divi Filius from 31 to 27 Bce*
THE SECRET HISTORY: THE OFFICIAL POSITION OF IMPERATOR CAESAR DIVI FILIUS FROM 31 TO 27 BCE* Abstract: In Res Gestae 7.1, Augustus claims to have been Triumvir for Constituting the Republic for ten consecutive years (43-33 BCE), whereas the foundations of the so-called Principate were not estab- lished before 13 and 16 January 27. Since a magnificent aureus from 28 BCE corroborates Augustus’ boastful statement (Res Gestae 34.1) that he returned the Res Publica to the Senate and the People in his sixth and seventh consulships (28 & 27 BCE), the question of his official position from 32 to 27 has become more pertinent than ever. The main aim of this inquiry is to demonstrate that Octavianus/ Augustus, who at this stage was formally called Imperator Caesar Divi filius, continued to govern the Republic as triumvir r.p.c. well after 31 December 32, the historical end date of the second triumvi- ral quinquennium. There is every indication that he only abdicated this plenipotentiary magistracy on 13 January 27, the very day he declared to have completed his triumviral assignment. 1. A SIMPLE QUESTION In what official capacity did Caesar’s adopted son and self-proclaimed political heir stage the momentous transition from the age of civil war to his august New Order? This question has been catapulted to the fore- front again ever since J. Rich and J. Williams published a magnificent * The genesis of this paper can be traced back to peripheral inquiries made at the time of my doctoral research on the so-called potestates extraordinariae of the Roman Repub- lic (submitted at Ghent University, 2002) and my study on The Lex Valeria and Sulla’s Empowerment as Dictator (82-79 BCE), CCG 15 (2004) – see, esp., p. -
The Treaty Between Rome and Lycia of 46 BC, the Law of Caesar
The Treaty Between Rome and Lycia of 46 BC, the Law of Caesar, and the Coming of the Principate Lily W. van Diepen New York, NY BA, New York University, 2012 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Corcoran Department of History University of Virginia May, 2015 van Diepen 1 On 24 July 46 BC, during the third dictatorship of Julius Caesar, an alliance between Rome and Lycia was ratified in the comitium at Rome by means of a formal treaty. The text of the treaty, which was engraved on a bronze plaque, is the longest surviving inscribed Roman treaty, and can further shed light on the nature, form, and content of Roman foedera, as well as on Rome’s relations with her allies and her diplomatic role in the wider Mediterranean world. But perhaps of greater significance is the treaty’s ability to improve our understanding of the political atmosphere during the uncertain period following Caesar’s victory over Pompey (48 BC), as well as the nature of Caesar’s power and authority during his final years. This treaty between Rome and Lycia falls at a pivotal moment of transition from Republic to Principate, only two years before Caesar’s assassination in 44 BC, following which – after a period of civil war and uncivil peace – the Roman world was dramatically and permanently changed by the emperor Augustus, who replaced the traditional Republican form of government with an autocracy. Scholars have traditionally focused on the years following Caesar’s death and during Augustus’ rise to power as the period of greatest social and political change; this transformation, however, began earlier than this, and Rome’s treaty with Lycia can provide a glimpse of the first stirrings of what was eventually realized under Augustus, namely, a world-dominating empire consolidated under one man.