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Printing of Pigments and Special Effects
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1017 PRINTING OF PIGMENTS AND SPECIAL EFFECTS This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. Copyright 2007, Cotton Incorporated INTRODUCTION Of the print systems used on cotton in the textile industry, pigment printing accounts for as much as seventy percent of the total1. This system requires no pre or post treatment other than drying the fabric. The color gamut is wide, and the sharpness of prints is excellent. Pigments do not react with the cotton fiber and must be adhered to the fabric with a film forming binder, which may detract from the hand of the fabric. However, advances in binder systems have made positive contributions to print performance. Special effects are used in addition to or in combination with pigments to impart a unique look to fabrics. Some of the special effects examined in this bulletin include resist, discharge, and burnout techniques. Alternative pigment types such as thermotropic, phototropic, puff, and plastisol technologies will also be described. PIGMENT PRINTING A textile pigment print system includes the following parameters: • Pigment: A pigment colorant is a colored organic substance that is not readily soluble in most common solvents and imparts coloration to textile substrates only when incorporated with an adequate binder system. • Binder: A pigment binder is the latex polymer resin that forms a three-dimensional film on the surface of the fiber. This film contains the dispersion of textile pigment and will act to adhere the pigment to the surface of the substrate. -
Low Crown Visor High Crown Visor
LOW CROWN VISOR VISOR SPECIFICATIONS • Low Crown (TV1) • Velcro Adjustable Closure Only • Pre-Curved Visor Only FABRIC OPTIONS VISOR 02 • Cotton Twill Black / Texas Orange Cotton Twill • Level Three • Army, Tiger, Snow Camo (TV103): Woven Label w/ Zig-Zag Stitch (Drop • Digital Camo (Available in 7 Colors) #TG149) + Heavy Wash Upgrade • Lightweight Cotton (Oxford or Solid) • Active Heather • Performance Mesh • Performance Wick • ProHex • ProMax • Nylon VISOR 01 VISOR 03 • UV Lite Vegas UV Lite / Black / White Perforated UV Lite Cut & Sew • Level One Red / Navy / White Performance Mesh • Level (TV101): Raised & Flat Embroidery (Drop #TG098) + Double Visor Cut One (TV101): Raised & Flat Embroidery (Drop • Perforated UV Lite & Sew Upgrade (VCS009) #TG112) + Double Panel Cut & Sews Upgrade • Mossy Oak Break-Up Country® (FCS002/FCS003) + Visor Sandwich Upgrade • Mossy Oak Shadow Grass Blades® EMBELLISHMENT LEVELS • Specialty Fabrics (See Page 36) LEVEL ONE (TV101) LEVEL TWO (TV102) • Sport Mesh (Back Panels Only) 1 Front Embroidery Option 1 Front Embroidery Option • Trucker Mesh (Back Panels Only) + 1 Additional Graphic Location LEVEL THREE (TV103) LEVEL FOUR (TV104) ADDITIONAL OPTIONS 1 Front Custom Applique 1 Front Custom Applique • Custom Add-Ons + 1 Additional Graphic Location HIGH CROWN VISOR VISOR SPECIFICATIONS • High Crown (TV3) • Metal Slider Adjustable Closure Only • Pre-Curved Visor Only • Terry Cloth Headband VISOR 05 FABRIC OPTIONS Maroon Performance Mesh • Level One (TV301): Raised Embroidery (Font: Ballpark • Cotton Twill Weiner) -
Australian Superfine Wool Growers Association Inc
AustrAliAn superfine Wool Growers’ Association inc. AustrAliAn superfine Wool Growers Association inc. AnnuAl 2015-2016 www.aswga.com 1 | Annual 2015/2016 Australian Wool Innovation On-farm tools for woolgrowers Get involved in key initiatives such as: • Join an AWI-funded Lifetime Ewe Management group to lift production - www.wool.com/ltem • Join your state’s AWI extension network - www.wool.com/networks • Benchmark your genetic progress with MERINOSELECT - www.wool.com/merinoselect • Reducing wild dog predation through coordinated action - www.wool.com/wilddogs • Training shearers and woolhandlers - www.wool.com/shearertraining • Enhanced worm control through planning - www.wool.com/wormboss • Getting up to scratch with lice control - www.wool.com/lice • Flystrike protection and prevention - www.wool.com/fl ystrike VR2224295 www.wool.com | AWI Helpline 1800 070 099 Disclaimer: Whilst Australian Wool Innovation Limited and its employees, offi cers and contractors and any contributor to this material (“us” or “we”) have used reasonable efforts to ensure that the information contained in this material is correct and current at the time of its publication, it is your responsibility to confi rm its accuracy, reliability, suitability, currency and completeness for use for your purposes. To the extent permitted by law, we exclude all conditions, warranties, guarantees, terms and obligations expressed, implied or imposed by law or otherwise relating to the information contained in this material or your use of it and will have no liability to you, however arising and under any cause of action or theory of liability, in respect of any loss or damage (including indirect, special or consequential loss or damage, loss of profi t or loss of business opportunity), arising out of or in connection with this material or your use of it. -
KYDEX Notebook Colorpages 8
Library Colours Goal Post Cheerleader Above all else, our new colour palette is designed Pavement Stop Go-Go Mascot to inspire. Populated with the practical solutions 53263 12232 32245 62514 42647 22249 your pursuits demand. You will undoubtedly notice Constant themes, complements, and contrasts within each of the six collections. But there are no rules - pull from the palette as you see fit. Each tab represents a stock colour. Wedding 3AM Wildcard The Chairman Appletini Contact your KYDEX representative Chapel STOCK 42652 22252 42653 32249 for ordering details. 12235 Impulse Railing Ticking Corduroy Linen Flax Seersucker Julep Sugarpuff Old Silver Shade 53235 72946 72940 62518 72939 62515 32247 12236 42649 53234 Repose Parasol Blue Bonnet Teacup Veranda Smoked Bayou Sponge Cake Cotton Porch 22250 42656 32242 53262 42651 53260 12237 62509 53233 Security Wicket Blotter Iron Safe Old Money Wax Seal Bank Note Cash Out 42654 72938 72959 53261 22251 12233 32248 42655 Resolve Fraise Crema Downtown Emerald City After Dark Mostaza Ayers Ocean Riva Bolt 22254 72944 42648 32246 12240 72937 22253 Requiem 32250 42670 32243 Tangents Double Yolk Currant Path Burnt Toast Eiderdown Runway Cumulus Napoleon 22257 12238 72942 72945 62517 72943 62516 42658 ISO 9001 and 14001 Certified 6685 Low St Bloomsburg, PA 17815 USA Cambridge Academy Heather Polo The Cape First Mate Oil Skin Black Watch Phone: 800.325.3133, +1.570.389.5810 Outside the US: +1.570.389.5814 12234 32244 42650 32251 72941 42657 72936 53259 Fax: 800.452.0155, +1.570.387.7786 Tempest www.kydex.com KYDEX® Textures KYDEX® thermoplastics are offered in eight textures. -
African Textiles in the V&A 1852- 2000
Title Producing and Collecting for Empire: African Textiles in the V&A 1852- 2000 Type Thesis URL http://ualresearchonline.arts.ac.uk/6141/ Date 2012 Citation Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum. Creators Stylianou, Nicola Stella Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Producing and Collecting for Empire: African Textiles in the V&A 1852-2000 Nicola Stella Stylianou Submitted to University of the Arts London for PhD Examination October 2012 This is an AHRC funded Collaborative PhD between Research Centre for Transnational Art, Identity and Nation (TrAIN) at UAL and the Victoria and Albert Museum. Volume 1 Abstract Producing and collecting for Empire: African textiles in the V&A 1850-2000 The aim of this project is to examine the African textiles in the Victoria and Albert Museum and how they reflect the historical and cultural relationship between Britain and Africa. As recently as 2009 the V&A’s collecting policy stated ‘Objects are collected from all major artistic traditions … The Museum does not collect historic material from Oceania and Africa south of the Sahara’ (V&A 2012 Appendix 1). Despite this a significant number of Sub-Saharan African textiles have come into the V&A during the museum’s history. The V&A also has a large number of textiles from North Africa, both aspects of the collection are examined. -
Innovation and New-Season Styles Added to Heritage Brands'
Press February 2018 Press Release Liam Rodden Tel +852 2230 9217 Intertextile Shanghai Apparel Fabrics – Spring Edition 2018 [email protected] China International Trade Fair for Apparel Fabrics and Accessories www.messefrankfurt.com.hk www.intertextileapparel.com National Exhibition and Convention Center (Shanghai) ITSAS18 PR3 eng Shanghai, China, 14 – 16 March 2018 Innovation and new-season styles added to heritage brands’ collections in Intertextile Shanghai’s Premium Wool Zone Growing affluence in China drives demand for premium wool fabrics Buyers looking for premium wool fabrics will be spoilt for choice at next month’s Intertextile Shanghai Apparel Fabrics. The epicentre for those with this product on their sourcing checklist is the Premium Wool Zone, with mills from the UK, Italy, France, Peru and elsewhere located here, while the Italy Pavilion also includes a number of quality wool suppliers. Rounding out the sourcing options, and adding further quality and price variety, are the 180-plus domestic wool suppliers in hall 6.1. Some of the notable overseas brands participating this edition include Abraham Moon & Sons, Aris Industrial, Dechamps, Dormeuil, Dugdale Bros & Co, Ferla, Fratelli Piacenza, Holland & Sherry, Huddersfield Fine Worsteds, Lanificio F.lli Cerruti DAL 1881 and Scabal. The Spring Edition of the industry’s most comprehensive sourcing platform for the spring / summer season, Intertextile Shanghai Apparel Fabrics, will feature some 3,300 exhibitors from around 20 countries covering all apparel fabrics and accessories product groups. Messe Frankfurt (HK) Ltd 35/F, China Resources Building 26 Harbour Rd, Wanchai, Hong Kong The Premium Wool Zone is the fair’s epicentre of high-end wool fabrics Growing affluence in China drives demand for premium wool fabrics While a true global marketplace for the industry’s order writers with buyers from around 100 countries expected at Intertextile Shanghai next month, much of the demand for high-end wool at the fair comes from Chinese buyers thanks to growing affluence in the country. -
B.Des. (Fashion Design)
Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
Australian Wool Innovation Limited Annual Report 2015/16
AUSTRALIAN WOOL INNOVATION LIMITED ANNUAL REPORT 2015/16 2 UP FRONT ABOUT AWI WHAT AWI DOES Established in 2001, AWI is a not-for-profit company owned by more than 24,000 wool levy payers who have registered as AWI shareholders. AWI’S MISSION The company invests along the global supply chain for Australian wool – from woolgrowers through to retailers. AWI’s mission is to make AWI’s vision is for it to be a highly valued contributor to a vibrant, strategically targeted profitable and sustainable Australian wool industry. investments to: AWI’s goal is to increase the profitability, and support the 1. enhance the profitability, sustainability of the Australian wool industry through strategically international competitiveness targeted investments in research, development and marketing and sustainability of the designed to optimise return on investment. In working towards this Australian wool industry goal AWI always strives to deliver an appropriate return on woolgrowers’ and Government’s investment of levies. 2. increase demand and market access for Australian wool. AWI invests in: • Research, Development, Extension and skills training from farm to fashion • Marketing CONTENTS • Global Business Services. AWI is not a peak industry body, does not create or execute UP FRONT industry policy, and is not an advocate on issues outside its core 2 About AWI functions. 4 Highlights of 2015/16 HOW AWI IS FUNDED 5 Financial summary 6 AWI Board of Directors AWI investments are funded through a wool levy paid by 8 Chairman’s report woolgrowers (currently two per cent of the sale price received for 9 CEO’s report their shorn greasy wool) and a matching contribution from the Australian Government for eligible R&D activities, capped at 0.5 per cent of the value of gross national value of wool production. -
New Orleans Nostalgia "Civil Suits: a Sucker Born Every Minute" Copyright 2006
NEW O RLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Civil Suits: A Sucker Born Every Minute “There’s a sucker born every minute.” This quote is attributed to P. T. Barnum but was actually made by David Hannum. He and four other investors had purchased a giant fossil man from George Hull, who had engaged in a $30,000 hoax after having had this figure carved from gypsum and buried on a cousin’s property near Cardiff, New York, in 1869. The Cardiff Giant was so popular that Barnum offered $50,000 but Hannum wouldn’t sell. So Barnum had his own fossil man carved by his own artists and called Hannum’s giant a fake. It was then that Hannum made the famous quote referring to Barnum’s giant (not realizing that his was also a fake). A civil suit brought out the truth in court and Hannum lost. Somehow the quote fitted Barnum and stuck. The quote is also apt for the summer season as seersucker suits are seen all around the Crescent City. They are the very essence of civility and gentility. Brooks Brothers (founded 1818) claims that they first introduced this fabric of puckered cotton in America in 1830 in the form of a frock coat. But the company that made the seersucker suit famous was founded in New Orleans in 1909. Joseph Haspel and his brothers created this ubiquitous raiment loved by southern gentlemen (and ladies alike) from an ideal fabric with a most interesting history. In fact, the words sugar and seersucker both come from the same root word. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
Natural Dyed Fabrics – Since 2008! – 100% Water Used in Farming/ Recharging with No Costs
Welcome to The Creative Artisans by HG Group The Creative Artisans by HG Group Future Ready • Has ZDHC (Zero Discharge of Hazardous Chemicals) since start! • Has MADRAS made from windmill energy since start! • Offers GOTS / BCI organic cotton. • Offers GRS ( Global recycle standards) blend with organic in print, madras, digital, rotary print, hand print as buyers needs. • Natural dyed fabrics – since 2008! – 100% Water used in farming/ recharging with no costs, no wastage, no harm to mother earth. • Circularity solutions for long term associations for our partners. • First to offer Zero CARBON foot print fabrics • Our fabrics has LOWEST CARBON foot print as are hand crafted. • We support women artisans and assist them with work, our majority work is doing by Women. • Since 2002, we been a nominated fabric vendor. • Our presence spans across 7 countries and in over 130+ stores worldwide. • We export fabric to China, Hong Kong, Indonesia, The United States of America, United Kingdom, Bangladesh and Sri Lanka https://thecreativeartisans.com/ • We are highly Inspired by Artisanal Textiles. • We proudly serve various Brands including Eileen Fisher, Land’s End, Faherty Brands, Ralph Lauren, Lilly Pulitzer and many others. • At The Creative Artisans, Our Silks, Natural and Organic cotton fabrics and Madras are highly valued and appreciated by our clients https://thecreativeartisans.com/ Embellished Madras Checks Block Print Panel For Wax Print Sheer Natural Dyed Hand Painted Fabric Fabric Fabric Bags Fabric Fabric Fabric Fabric We offer Ikat Shibori Jacquard Embroidery Indigo Handloom Silk Ikat Digital And Screen Fabric Fabric Fabric Fabric Fabric Fabric Fabric Print Fabric https://thecreativeartisans.com/ WOOD BLOCK PRINTED FABRIC https://thecreativeartisans.com/ WOOD BLOCK PRINTED FABRIC Block Printing on textiles refers to the technique by which carved wooden blocks covered with dye are repeatedly pressed along a length of cloth to create patterns.