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School Day Teacher Reference School Day Teacher Reference Web Resources www.luminarium.org britannia.com/history/ www.siue.edu/COSTUMES/COSTUME8_INDEX.HTML englishhistory.net/tudor.html tudorhistory.org/people/ Books The Private Life of Henry VIII by Lajos Biro The Medieval Village by G.G. Coulton Bruegel by Jacques Dopange Great Harry by Carolyn Erickson A Complete Guide to Heraldry by A.C. Fox-Davies Life in the Renaissance by Marzieh Gail Royal Gambit by Hermann Gressieker The Rose and the Thorn: The Lives of Mary and Margaret Tudor by Nancy Lenz Harvey Anne Boleyn by E.W. Ives Katherine of Aragon by Jean Plaidy The Six of Henry VIII by Paul Rival King Henry VII's Mary Rose by Alexander McKee Elizabethan England (How'd They Do That in) (How'd They Do That? Lifestyle, Culture, Holidays) by Russell Robert The Countryside (Life in Elizabethan England) by Kathryn Hinds The City (Life in Elizabethan England) by Kathryn Hinds Who Was Queen Elizabeth? by June Eding Who Was William Shakespeare? by Celeste Davidson Mannis Video Tapes or CDs A Man for All Seasons (rated G) A Matter of Conscience: Henry VIII and Sir Thomas Moore Anne of the Thousand Days (rated PG) Henry VIII (BBC Production - rated G) Biography - Elizabeth I (A&E Production - rated G) Young Bess (rated G) Fire Over England (rated G) Mary of Scotland (rated G) The Virgin Queen (rated G) Mailing Address: 5027 Irwindale Ave.; Suite 200 Irwindale, CA 91706 Faire Site: Santa Fe Dam Recreation Area | 15501 E. Arrow Highway; Irwindale, CA 91706 Ph: 626.969.4750 | RENFAIR.COM The Santa Fe Dam Recreation Area is a United States Army Corps of Engineers’ Facility and a unit of the County of Los Angeles Department of Parks and Recreation System .
Recommended publications
  • Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
    December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942).
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  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
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  • The British Monarchy on Screen
    6 Elizabeth I: the cinematic afterlife of an early modern political diva Elisabeth Bronfen and Barbara Straumann In the American TV mini-series Political Animals (2012), Sigourney Weaver plays Elaine Barrish Hammond, a divorced former First Lady who serves as Secretary of State. In a trailer for the series, Hammond explains her own will to power by invoking a comparison to historical female politicians: ‘I took this job as Secretary of State because I feel I can make a diff erence. Eleanor Roosevelt, Cleopatra, Elizabeth the First. That’s the kind of company I want to keep.’ 1 Because it traces the imaginary legacy of its protagonist not only to the tragic last pharaoh of ancient Egypt but also to the last of the Tudors, this recent TV drama serves as a useful point of departure for this essay, which aims to look at Elizabeth I in relation to cultural anxieties regarding women and public power in the twentieth century. Discussing Elizabeth I as an early modern political media diva may seem preposterous, and yet our claim is that she anticipates the very enmeshment between celebrity culture and political power that is so particular to the charisma of celebrities in the public arena in the twentieth and early twenty-fi rst century. What is at stake in our discussion is, therefore, a self-consciously ahistorical reading of Elizabeth I through the lens of her subse- quent recycling as a fi lm icon. In proposing to look at Elizabeth through her cinematic refi gurations, we take our cue from Mieke Bal’s notion of doing a preposterous history, by which she means reversing chronological order and looking at the past through the lens of its subsequent recyclings.
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  • Firpdfwuod! HOLLYWOOD
    **THE EVENING STAR, Washington, D. C. AMUSEMENTS. AMUSEMENTS. B-10 MONDAY. JULY 13. 1983 His Effect Frets 'High Noon' Song The Passing Show Spillane's Hero Served as Horse •y ths Associated Press By tha Associated Pras» HOLLYWOOD. HOLLYWOOD. Man James Stewart Biff Elliott, a onetime re- Dmitri Tiomkin, composer I mnum VftTHiYIiTR&Ji Quiet the ballad, “High Noon,” porter of the Bangor (Me.) of hit gives an ' insight on how to i mm *' Daily News, - mrmrnrm Prospers in Movies now admits that write successful songs. Still he has graduated into public « MEDINA By Jay Carmody sadist No. 1. “When I first saw the pic- quiet of. Hollywood Is a fellow play Hammer, ture before scoring it, I knew AIR CQNfttTMNtD JJiHlii The real man named James Biff will Mike || fV//J fj Stewart. He is so inconspicuous, despite his height, that it just the gory detective of the that music would have to take - *£.' place l' . '. now is occuring to everybody he is making more money than any- Mickey Spillane thrillers which the of horse’s hooves.’’ ’ ,ilU lQSi£Sf . ' The movie is the only one in Hollywood . Stewart’s deals for pictures are on the basis are devoured by millions of west- percentage profits, mystery ern ever made in which the of a generous of the as much as 50 per cent , .. book fans. never gets usually good, for reason because Stewart has currently hero astride a horse. «¦»* o.|ii The profits are one He is making “1, IBBiWffflißl i mm »w«i It Lost few days! 4 one of Hollywood’s sharpest eyes for not merely good roles for the the Jury,” the first of the The ballad corrected that slap QUEEN star, good stories for the pa- Spillane at Hollywood convention.
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  • PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
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    Journal of the Learning Sciences ISSN: 1050-8406 (Print) 1532-7809 (Online) Journal homepage: http://www.tandfonline.com/loi/hlns20 Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors Jolie Christine Matthews To cite this article: Jolie Christine Matthews (2016) Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors, Journal of the Learning Sciences, 25:1, 4-50, DOI: 10.1080/10508406.2015.1112285 To link to this article: http://dx.doi.org/10.1080/10508406.2015.1112285 Accepted author version posted online: 29 Oct 2015. Published online: 29 Oct 2015. Submit your article to this journal Article views: 420 View related articles View Crossmark data Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hlns20 Download by: [Northwestern University] Date: 02 March 2017, At: 05:25 THE JOURNAL OF THE LEARNING SCIENCES, 25: 4–50, 2016 Copyright © Taylor & Francis Group, LLC ISSN: 1050-8406 print / 1532-7809 online DOI: 10.1080/10508406.2015.1112285 LEARNING OUTSIDE OF SCHOOL STRAND Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors Jolie Christine Matthews Department of Learning Sciences Northwestern University This article examines an informal online community dedicated to The Tudors, a his- torical television show, and the ways in which its members engaged with a variety of sources in their discussions of the drama’s real-life past. Data were collected over a 5-month period.
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  • My Young Bess 2
    My Young Bess Deborah had wanted to play the self-willed, astute young Princess Elizabeth in this Tudor drama Young Bess, and a fine one she would have made. But MGM gave the part to Jean Simmons, and assigned her, instead, Catherine Parr. Deborah never thought much of that role, and later critics ignored it, too. ...But it all depends on your point of view. If it is the summer you are twelve, and you are an intelligent, sensitive girl wondering what sort of grownup you will be, looking for role models in the small town world of 1953, and, with your new hormones, feeling the first stirrings of a new kind of love, seeing Deborah Kerr play Catherine Parr could alter your life.! I know now that the movie I saw was not quite the one MGM had in mind: I was too young, then, to know what was not possible. Here is the movie I saw: For Princess Elizabeth"s whole life she has alternately been King Henry VIII"s favored child, or banished as bastard to hateful Hatfield Castle, depending on Henry"s love-life. Any bonds she made with her succession of stepmothers were broken with the King"s next whim. Now, in adolescence, she has lived for a while at Hatfield, in self- chosen exile. One day Bess is summoned back to the royal palace, to meet the latest queen, who sends as envoy Tom Seymour (Stewart Granger), of great charm, who had known and loved Anne Boleyn, Bess"s mother. And in spite of Elizabeth"s determination not to lose her heart to another doomed stepmother, or anyone else, she returns to court.
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  • WARNER ARCHIVE DVD COLLECTION – Informal Collection List As of Winter 2013
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  • Representing History
    Representing History The Pianist To Kill A King Why use film? History is currently `in vogue’ with the media. Documentaries cover the five terrestrial channels, historical non-fiction tops the best selling charts and Simon Schama, Michael Wood and David Starkey are now superstar presenters. Time Team and Restoration positively encourage us to take a `hands on’ approach – we can now affect what happens to our heritage directly. Historical films are also as popular as ever, with Pirates of the Caribbean currently topping the UK Box Office (although historians may argue exactly which historical period it is from!) and there are still many costume drama classics that draw in audiences across the world. Films that attempt to show history are sometimes derided by historians and critics for their lack of accuracy and sometimes hilariously bad casting - John Wayne as Genghis Khan anyone? However, if we view historical films as documents to begin an investigation, and if we look at how the film itself works, as well as examining how it purports to tell us about the past, the result can be a rewarding and enjoyable journey. A film can capture a feeling for a time; can create a mood and a picture of the past that perhaps, with further historical research and examination of the other contemporary art forms (drama, literature, painting, music etc.) can make that world come to life. © Film Education 2003 1 Curriculum Links The case study films below have been chosen both for their specific links to historical topics but also because of their filmic interest, either as a new take on a particular subject or an innovative way of telling a story.
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  • Sci-Fi Suspense
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  • Collezione 16Mm
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  • For Additions to This Section Please See the Media Resources Desk. for Availability Check the Library Catalog
    UNLV LIBRARY Abraham Lincoln: In His Own Words. MEDIA RESOURCES CATALOG Teaching Co. (1999) HISTORY Presents an analysis of the speeches Summer 2011 of Abraham Lincoln. pt. 1. A. Philip Randolph: For Jobs & Freedom. lecture 1. Lincoln and rhetoric California Newsreel (1996) lecture 2. The Lyceum speech, 1838 Biography of African-American labor lecture 3. The temperance speech, leader, journalist, and civil rights activist, A. 1842 Philip Randolph. lecture 4. Lincoln as a young Whig Video Cassette (1 hr. 27 min.) lecture 5. Lincoln returns to politics E 185.97 R27 A62 lecture 6. The Peoria speech, 1854 lecture 7. Lincoln's rhetoric and Abraham and Mary Lincoln: A House politics, 1854-1857 Divided. lecture 8. The Springfield speech, WGBH Educational Foundation (2001) 1857 A six-part program which examines lecture 9. The House divided speech, the Lincolns' family life and marriage, 1858 Abraham Lincoln's presidency, and the Civil lecture 10. The Chicago speech, July War era. 1858 disc 1. Ambition ; We are elected lecture 11. The Springfield speech, disc 2. Shattered ; Dearest of all July 1858 things lecture 12. The debate about the disc 3. This frightful war ; Blind with debates weeping pt. 2. 3 videodiscs (360 min.) lecture 13. The Lincoln-Douglas E457.25 .A37 2001 discs 1-3 debates I lecture 14. The Lincoln-Douglas Abraham Lincoln: A New Birth of debates II Freedom. lecture 15. The Lincoln-Douglas Quest Productions (1993) debates III Describes Abraham Lincoln as a lecture 16. The aftermath of the person and tells of his responsibility in debates bringing an end to slavery in the U.S.
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