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Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942). -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
The British Monarchy on Screen
6 Elizabeth I: the cinematic afterlife of an early modern political diva Elisabeth Bronfen and Barbara Straumann In the American TV mini-series Political Animals (2012), Sigourney Weaver plays Elaine Barrish Hammond, a divorced former First Lady who serves as Secretary of State. In a trailer for the series, Hammond explains her own will to power by invoking a comparison to historical female politicians: ‘I took this job as Secretary of State because I feel I can make a diff erence. Eleanor Roosevelt, Cleopatra, Elizabeth the First. That’s the kind of company I want to keep.’ 1 Because it traces the imaginary legacy of its protagonist not only to the tragic last pharaoh of ancient Egypt but also to the last of the Tudors, this recent TV drama serves as a useful point of departure for this essay, which aims to look at Elizabeth I in relation to cultural anxieties regarding women and public power in the twentieth century. Discussing Elizabeth I as an early modern political media diva may seem preposterous, and yet our claim is that she anticipates the very enmeshment between celebrity culture and political power that is so particular to the charisma of celebrities in the public arena in the twentieth and early twenty-fi rst century. What is at stake in our discussion is, therefore, a self-consciously ahistorical reading of Elizabeth I through the lens of her subse- quent recycling as a fi lm icon. In proposing to look at Elizabeth through her cinematic refi gurations, we take our cue from Mieke Bal’s notion of doing a preposterous history, by which she means reversing chronological order and looking at the past through the lens of its subsequent recyclings. -
Firpdfwuod! HOLLYWOOD
**THE EVENING STAR, Washington, D. C. AMUSEMENTS. AMUSEMENTS. B-10 MONDAY. JULY 13. 1983 His Effect Frets 'High Noon' Song The Passing Show Spillane's Hero Served as Horse •y ths Associated Press By tha Associated Pras» HOLLYWOOD. HOLLYWOOD. Man James Stewart Biff Elliott, a onetime re- Dmitri Tiomkin, composer I mnum VftTHiYIiTR&Ji Quiet the ballad, “High Noon,” porter of the Bangor (Me.) of hit gives an ' insight on how to i mm *' Daily News, - mrmrnrm Prospers in Movies now admits that write successful songs. Still he has graduated into public « MEDINA By Jay Carmody sadist No. 1. “When I first saw the pic- quiet of. Hollywood Is a fellow play Hammer, ture before scoring it, I knew AIR CQNfttTMNtD JJiHlii The real man named James Biff will Mike || fV//J fj Stewart. He is so inconspicuous, despite his height, that it just the gory detective of the that music would have to take - *£.' place l' . '. now is occuring to everybody he is making more money than any- Mickey Spillane thrillers which the of horse’s hooves.’’ ’ ,ilU lQSi£Sf . ' The movie is the only one in Hollywood . Stewart’s deals for pictures are on the basis are devoured by millions of west- percentage profits, mystery ern ever made in which the of a generous of the as much as 50 per cent , .. book fans. never gets usually good, for reason because Stewart has currently hero astride a horse. «¦»* o.|ii The profits are one He is making “1, IBBiWffflißl i mm »w«i It Lost few days! 4 one of Hollywood’s sharpest eyes for not merely good roles for the the Jury,” the first of the The ballad corrected that slap QUEEN star, good stories for the pa- Spillane at Hollywood convention. -
PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 1 AUTO RACING AND CLASSIC AUTOS IN FILM (14) VINTAGE PHOTOGRAPHS. $350 2 SEX IN CINEMA (55) VINTAGE PHOTOGRAPHS. $4,500 3 LILLIAN GISH VINTAGE PORTRAIT PHOTOGRAPH BY HARTSOOK STUDIO. $200 4 COLLECTION OF (19) PORTRAIT PHOTOGRAPHS OF LUCILLE BALL, TALLULAH $325 BANKHEAD, THEDA BARA, JOAN CRAWFORD, AND OTHERS. 5 ANNA MAY WONG SIGNED PORTRAIT PHOTOGRAPH BY CECIL BEATON. $4,000 6 MABEL NORMAND (7) SILENT-ERA VINTAGE PHOTOGRAPHS. $200 7 EARLY CHILD-STARS (11) VINTAGE PHOTOGRAPHS INCLUDING OUR GANG AND $225 JACKIE COOGAN. 9 BARBARA LA MARR (3) VINTAGE PHOTOS INCLUDING ONE ON HER DEATHBED. $325 10 ALLA NAZIMOVA (4) VINTAGE PORTRAIT PHOTOGRAPHS. $300 11 SILENT-FILM LEADING LADIES (13) VINTAGE PHOTOGRAPHS. $200 13 SILENT-FILM LEADING MEN (10) VINTAGE PHOTOGRAPHS. $200 14 PRE-CODE BLONDES (24) VINTAGE PHOTOGRAPHS. $325 15 CHARLIE CHAPLIN AND PAULETTE GODDARD (2) VINTAGE PHOTOGRAPHS. $350 16 COLLECTION OF (12) OVERSIZE PORTRAIT PHOTOGRAPHS OF RENÉE ADORÉE, $400 MARCELINE DAY, AND OTHERS. 17 COLLECTION OF (17) OVERSIZE PORTRAIT PHOTOGRAPHS OF EVELYN BRENT, $1,200 NANCY CARROLL, LILI DAMITA, MARLENE DIETRICH, MIRIAM HOPKINS, MARY PICKFORD, GINGER ROGERS, GLORIA SWANSON, FAY WRAY AND OTHERS. 18 MYRNA LOY (14) VINTAGE PHOTOGRAPHS INCLUDING SEVERAL RARE $375 PRE-CODE IMAGES. Page 1 of 85 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 19 PREMIUM SELECTION OF LEADING MEN (32) VINTAGE PHOTOGRAPHS. -
Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show the Tudors
Journal of the Learning Sciences ISSN: 1050-8406 (Print) 1532-7809 (Online) Journal homepage: http://www.tandfonline.com/loi/hlns20 Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors Jolie Christine Matthews To cite this article: Jolie Christine Matthews (2016) Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors, Journal of the Learning Sciences, 25:1, 4-50, DOI: 10.1080/10508406.2015.1112285 To link to this article: http://dx.doi.org/10.1080/10508406.2015.1112285 Accepted author version posted online: 29 Oct 2015. Published online: 29 Oct 2015. Submit your article to this journal Article views: 420 View related articles View Crossmark data Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hlns20 Download by: [Northwestern University] Date: 02 March 2017, At: 05:25 THE JOURNAL OF THE LEARNING SCIENCES, 25: 4–50, 2016 Copyright © Taylor & Francis Group, LLC ISSN: 1050-8406 print / 1532-7809 online DOI: 10.1080/10508406.2015.1112285 LEARNING OUTSIDE OF SCHOOL STRAND Historical Inquiry in an Informal Fan Community: Online Source Usage and the TV Show The Tudors Jolie Christine Matthews Department of Learning Sciences Northwestern University This article examines an informal online community dedicated to The Tudors, a his- torical television show, and the ways in which its members engaged with a variety of sources in their discussions of the drama’s real-life past. Data were collected over a 5-month period. -
WARNER ARCHIVE DVD COLLECTION – Informal Collection List As of Winter 2013
WARNER ARCHIVE DVD COLLECTION – informal collection list as of Winter 2013. For updated information or to arrange viewing, please e-mail [email protected]. Item # Title DVD8925 2 WEEKS IN ANOTHER TOWN [1962] DVD7519 20,000 YEARS IN SING SING [1933] DVD9691 24 HOURS TO KILL [1965] DVD7301 3 SAILORS AND A GIRL [1953] DVD8754 -30- [1959] DVD10749 5 TIME CHAMPION [2012] DVD9877 7 FACES OF DR. LAO [1963] DVD9174 ABBOTT AND COSTELLO MEET CAPTAIN KIDD [1952] DVD7192 ABDICATION, THE [1974] DVD7206 ABE LINCOLN IN ILLINOIS [1940] DVD7171 ABOVE AND BEYOND [1952] DVD7934 ABOVE SUSPICION [1943] DVD9781 ACROSS THE WIDE MISSOURI [1951] DVD7520 ACROSS TO SINGAPORE [1928] DVD7201 ACTRESS, THE [1953] DVD10743 ADA [1961] DVD8764 ADAM’S WOMAN [1969] DVD9634 ADVANCE TO THE REAR [1963] DVD9780 ADVENTURE [1945] DVD7191 ADVENTURES OF HUCKLEBERRY FINN, THE [1939] DVD7216 ADVENTURES OF MARK TWAIN, THE [1944] DVD7743 ADVENTURES OF ONE ESKIMO, THE [2009] DVD9976 AFFAIRS OF DOBIE GILLIS, THE [1953] DVD8554 AGATHA [1978] DVD10336 AGE OF CONSENT, THE [1932] DVD9136 AGE OF INNOCENCE, THE [1934] DVD7195 AH, WILDERNESS! [1935] DVD7669 AIRBORNE [1993] DVD9800 AKIRA KUROSAWA’S DREAMS [1990] DVD7226 AL CAPONE [1959] DVD9807 ALEX IN WONDERLAND [1970] DVD8845 ALIAS THE DOCTOR [1932] DVD8118 ALIBI IKE [1935] DVD10532 ALICE [THE COMPLETE FIRST SEASON] [DISC 1 OF 3] DVD10533 ALICE [THE COMPLETE FIRST SEASON] [DISC 2 OF 3] DVD10534 ALICE [THE COMPLETE FIRST SEASON] [DISC 3 OF 3] DVD10772 ALICE [THE COMPLETE SECOND SEASON] [DISC 1 OF 3] DVD10773 ALICE [THE COMPLETE SECOND SEASON] -
Representing History
Representing History The Pianist To Kill A King Why use film? History is currently `in vogue’ with the media. Documentaries cover the five terrestrial channels, historical non-fiction tops the best selling charts and Simon Schama, Michael Wood and David Starkey are now superstar presenters. Time Team and Restoration positively encourage us to take a `hands on’ approach – we can now affect what happens to our heritage directly. Historical films are also as popular as ever, with Pirates of the Caribbean currently topping the UK Box Office (although historians may argue exactly which historical period it is from!) and there are still many costume drama classics that draw in audiences across the world. Films that attempt to show history are sometimes derided by historians and critics for their lack of accuracy and sometimes hilariously bad casting - John Wayne as Genghis Khan anyone? However, if we view historical films as documents to begin an investigation, and if we look at how the film itself works, as well as examining how it purports to tell us about the past, the result can be a rewarding and enjoyable journey. A film can capture a feeling for a time; can create a mood and a picture of the past that perhaps, with further historical research and examination of the other contemporary art forms (drama, literature, painting, music etc.) can make that world come to life. © Film Education 2003 1 Curriculum Links The case study films below have been chosen both for their specific links to historical topics but also because of their filmic interest, either as a new take on a particular subject or an innovative way of telling a story. -
Sci-Fi Suspense
The Sentinel Stress Free - Sedation Dentistr y tvweekSeptember 28 - October 4, 2019 George Blashford,Blashford, DMD 35 Westminster Dr. Carlisle (717) 243-2372 www.blashforddentistry.com Sci-fi suspense INTRODUCING Alexa Swinton Benefits & Perks For Our Subscribers in a scene from “Emergence” Introducing News+ Membership, a program for our subscribers, dedicated to ooering perks and benefits taht era only available to you as a member. News+ Members will continue to get the stories and information that makes a dioerence to them, plus more coupons, ooers, and perks taht only you as a member nac .teg Giveaways Sharing Events Classifieds Deals Plus More COVER STORY / CABLE GUIDE ...............................................2 SUDOKU / VIDEO RELEASES ..................................................8 CROSSWORD ....................................................................3 WORD SEARCH...............................................................16 SPORTS...........................................................................4 rescue your face from summer sun damage Laser Skin Rejuvenation, Red/Brown Spot Removal, Skin Tightening, Wrinkle Reduction, Skin Smoothing Botox®, Dysport®, Restylane®, Juvéderm®, Clear+Brilliant®, Microneedling®, Facials, Chemical Peels, Microdermabrasion, Skin Care caLL Today To fInd our WHIcH Procedure Is IdeaL for you! deborah farrell, m.d., Laser and Aesthetic Medicine Specialist dee Biller, Licensed Aesthetician MODEL www.Since1853.com 630 South Hanover Street Carlisle • 717-243-2421 FinancingFinancing Available -
Collezione 16Mm
Elenco pellicole collezione “16mm GEH” TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI 20.000 YEARS IN SING SING 20.000 YEARS IN SING SING Michael Curtiz USA 1932 16 3 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 3 GODFATHERS 3 GODFATHERS John Ford USA 1948 16 3 3 MEN IN WHITE THREE IN WHITE Willis Goldbeck USA 1944 16 2 36 HOURS 36 HOURS George Seaton USA 1965 16 4 42ND STREET 42ND STREET Lloyd Bacon USA 1933 16 3 7 FACES OF DR. LAO 7 FACES OF DR. LAO George Pal USA 1964 16 3 7 WOMEN 7 WOMEN John Ford USA 1966 16 3 A CHRISTMAS CAROL A CHRISTMAS CAROL Edwin L. Marin USA 1938 16 2 A DATE WITH JUDY A DATE WITH JUDY Richard Thorpe USA 1948 16 3 A DAY AT THE RACES A DAY AT THE RACES Sam Wood USA 1937 16 3 A FAMILY AFFAIR A FAMILY AFFAIR George B. Seitz USA 1937 16 2 Elenco pellicole collezione “16mm GEH” Pagina 1 TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI A FREE SOUL A FREE SOUL Clarence Brown USA 1931 16 3 A GUY NAMED JOE A GUY NAMED JOE Victor Fleming USA 1943 16 3 A KISS IN THE DARK A KISS IN THE DARK Delmer Daves USA 1949 16 3 A LIFE FOR A LIFE A LIFE FOR A LIFE Stephen Whittaker UK 1998 16 2 A MIDSUMMER NIGHTʼS DREAM A MIDSUMMER NIGHTʼS DREAM William Dieterle, Max Reinhardt USA 1935 16 3 A MODERN HERO A MODERN HERO G.W. -
For Additions to This Section Please See the Media Resources Desk. for Availability Check the Library Catalog
UNLV LIBRARY Abraham Lincoln: In His Own Words. MEDIA RESOURCES CATALOG Teaching Co. (1999) HISTORY Presents an analysis of the speeches Summer 2011 of Abraham Lincoln. pt. 1. A. Philip Randolph: For Jobs & Freedom. lecture 1. Lincoln and rhetoric California Newsreel (1996) lecture 2. The Lyceum speech, 1838 Biography of African-American labor lecture 3. The temperance speech, leader, journalist, and civil rights activist, A. 1842 Philip Randolph. lecture 4. Lincoln as a young Whig Video Cassette (1 hr. 27 min.) lecture 5. Lincoln returns to politics E 185.97 R27 A62 lecture 6. The Peoria speech, 1854 lecture 7. Lincoln's rhetoric and Abraham and Mary Lincoln: A House politics, 1854-1857 Divided. lecture 8. The Springfield speech, WGBH Educational Foundation (2001) 1857 A six-part program which examines lecture 9. The House divided speech, the Lincolns' family life and marriage, 1858 Abraham Lincoln's presidency, and the Civil lecture 10. The Chicago speech, July War era. 1858 disc 1. Ambition ; We are elected lecture 11. The Springfield speech, disc 2. Shattered ; Dearest of all July 1858 things lecture 12. The debate about the disc 3. This frightful war ; Blind with debates weeping pt. 2. 3 videodiscs (360 min.) lecture 13. The Lincoln-Douglas E457.25 .A37 2001 discs 1-3 debates I lecture 14. The Lincoln-Douglas Abraham Lincoln: A New Birth of debates II Freedom. lecture 15. The Lincoln-Douglas Quest Productions (1993) debates III Describes Abraham Lincoln as a lecture 16. The aftermath of the person and tells of his responsibility in debates bringing an end to slavery in the U.S. -
Queen Elizabeth
The British monarchy on screen oving images of the British monarchy, in fact and fiction, are almost as M old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new ‘animated photography’ from 1896. Half a The British century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century’s end, Princess Diana’s funeral was viewed by 2.5 billion worldwide. monarchy Historians have argued that the power of the image has bolstered the British monarchy as its political power has waned, but media scholars have been slow to examine how that power has been secured by royal self-promotion, entrepreneurial on screen deference, narrative sympathy, reportorial discretion and spectacular exhibition. In the first book-length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyse the screen representations of royalty from Henry VIII to ‘William and Kate’. Among their concerns are the commercial value of royal representations, the convergence of the monarch and the movie star, and the historical use of the moving image to maintain the Crown’s legitimacy. Seventeen essays by international commentators examine the portrayal of royalty in the ‘actuality’ picture, the early extended feature, amateur cinema, Edited by Mandy Merck the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set.