The Pioneers

Total Page:16

File Type:pdf, Size:1020Kb

The Pioneers THE PIONEERS IS^AAAAAA^*iAA^A^AA^*^AA/^W^AAAAA#WV^VS^w*^,VMSA^S^AWSA^^*A^VVVVSAA^^MS<\ ,-.- «• «■•••■ »» <■ « ^^<^M^^(-l<^^u-u^v-u-^n-rL<^vny>Jru-^>/vvv>/v>/^^vv>^^ ,_r^-xrxf-u--^y^/>/■^Kr^^^ ^^^,^^0j-LrLr^^-u-u-uru-LrLru-uf^^n_r^,-^^^^ _^n ] All (Copyright, 1914, by Irving King. gave his name as Oliver lie beth and Louisa at their In Edwards; sewing the strange, weird look was in rights reserved.) deepening nad but come to live with manorial hall were recently apparently uninter- his eyes. He began a low, Cooper called “The Pioneers" a descrip- crooning Leather-Stocking in the latter's hut ested and looked. It possible, more In- song—the death song of the Delawares tive tale, and a lot of good descriptive across lake from the than the village some nocent usual. —and when he had ceased it his soul work did he put into It. But it has, also, three miles from Templeton, the village They did not catch Natty that night. had fled. a vast amount of action in it; and, as which Marmaduke had established in the Edwards had got him through the vil- Tenderly did In writing It. Cooper was dealing with valley. lage hidden In the straw of the cart, carry the body to the scenes with which lie had been familiar And there was a mystery about that and both of them were now In the cover it with a from boyhood, and with the traditions of young man and about the hut of Natty mountain wilderness. his family and his family estate of ~ Bumppo also. Early the next day Elizabeth went to The First Cooperstown. he made it, for many peo- As soon as Recently no one had been allowed the Frenchman's store and, when M. Le the ple, the most interesting of his famous left by the fire enter the hut, the door of* which had Quol was otherwise engaged with an- allowed “Beather-Stocking Tales"—as it was the guided Elizabeth heretofore, been hospitably open’t and i‘ other customer, she craftily bought the to first of them. forest and set her on her was rumored that Edwards was a half- can of powder from his you assistant. The character of Leather-Stocking was well-beaten path breed—for Indian John always spoke 01 Then, some time before noon, she , such a success that Cooper afterward had allowed of an him as Young Eagle and made allusions started for the hill across the lake exit took up his creation as a young man walked on when the fallen to his being of the race of the Dela- which her father had named Mt. Veni- and carried him through many adven- brushed away before wares. son. Louisa was with her, but as they tures, until finally he let him die in “The wards. came to the bridge which spanned the Prairie." On Road 'Elizabeth," said the Mountain stream which fed th^ lake Louisa said: Most of the characters in "The Pio- The took the injured Edwards to her, "I shall, probably, Judge "O, I can go no further. I am afraid. neers" are and fictitious, Natty Bumppo his manorial house—a square, stone again. But—I may call you large, The last time we went Into the woods— of a of was, course, only child the au- structure of which nom- may I not?" ugly proportions that fearful panther—I cannot go." thor’s brain. But some of the main pei- inated the settlement, hut did not get him "Yes," she said. "Then wait for me here," said Eliza- sonages In the have been traced to "I story there without another adventure. cannot explain now," beth and walked on. real and the character of popple, Judge For. going down the mountain road, th sometime you may know.” Temple is supposed to have been drawn a kisa sleigh of the judge met another sleigh— The Snub Direct upon her cheek—a kiss which from Cooper’s grandfather. horses—com- she returned—and was a large one drawn by four Just before she reached the verge of gone. When up the hill to meet him. Louisa, awaiting at the bridge, A Test of ing the forest she encountered Edwards. Marksmanship the cousin—an eccen- had seen the woods on fire she In it were judge’s "Miss said are had JLD UP, there, Aggl I" cried Temple,” he, “you go- ttLI Richard Jones, who rushed hysterically to the tric person named ing Into the forest. It Is not safe for settlement) Judge Marmaduke Temple to and announced J | was of an idea that he could that Elizabeth was on possessed you to go alone. Permit me to act as the hlack driver of the the sleigh do and do it well, and was the mountain. everything your escort. Your father would not in which the judge was seated with his factotum—and three other gen- Judge Temple, greatly alarmed, judge’s like that you should venture alone Into had, daughter, the blooming Elizabeth, Just with some tlemen. these mountains." volunteers, started out oii from New York fresh boarding School in One of the others was Mr. Grant, the* a rescue party but had been able to “Did my father commission Mr. Ed- —"hold up. And Bess, If you can stand who looked after the spir- get no trace of Elizabeth., The clergyman, wards to act as escort?” Judge fire my I will give you a saddle of ven- of settlement; one was returned, blackened and to the itual needs the but—” burned, sion for Christmas dinner." "No, manor your a French refugee, M Le Quoi, who had house and with tears of joy. "It Is Mr. Edwards. I need no The let first enough, Judge go one barrel and opened a shop in the village, and the found his daughter already there and escort. I thank you, but have no need then the other of his shotgun at a deer other Maj Hartman, a German, who uninjured. of or desire for your company.” which had sprung out into the open. had drifted to the new world dur- So on she went alone, leaving Ed- The deer did not seem to mind, hut ing the war, and stayed here. He was Leaf her-Stocking’s Secret wards standing there—snubbed. The next instantly there came the sound of a rifie on his annual Christmas visit to the day Judge Temple went with, If Edwards felt, for a moment, as If a of his and the deer fell dead as an aged hunter, judge. body neighbors to the point of would to he like take the capricious rocks in the burned forest clad in buckskins, stepped out from oe« These last two men are mere ad- where Eliza- t girl by the shoulders and shake her he beth had been hind a tree. juncts to the story, but Mr. Grant has taken as to a sanctuary soon subdued that feeling and, after a from the It was the celebrated trapper, hunter a deeper interest. For Mr. Grant had Are. while, followed her secretly at a dis- and guide, Natty Bumppo, otherwise one fair daughter and no other child. Leather-Stocking was an escaped crim- tance. inal—there was known as Leather-Stocking. Following no doubt about that—but At noon Elizabeth came to the top the him was a young man of 23 or 24 years A Hero judge would see that he was par- Richard, in to turn his of Mt. Venison. But there was no of age. dressed like the hunter, but of a trying horses, doned; would entreat him to corfie andv t them all mixed and frightened, there to manner and bearing which showed that got up Leather-Stocking meet her. live In peace In the settlement. On the so that his 4lnd all in it would She sat he had not, like his companion, been bred sleigh down and gazed out over the rocks they found Leather-Stocking and have been dashed over a precipice to to the woods, and a complexion whicn valley. ^ Edwards standing. death had not Edwards from showed that he had not been sprung "I will surrender,” said long ex- V jrnvx Bumppo when the judge’s sleight and, in spite of his Indian John’s Lament the cordon had posed to the rigors of an out-of-door life. PA*** JCAAZXT been drawn about tha the At length she heard a In the wounded shoulder, grasped leaders Pass AWAy pa?/* rustling cave and the rocks above It. by the bits, and brought them to order PA* PSA* -J3ADBA hushes and old Indian John stood be- By Whose Shot? "Wait a moment. Judge Marmaduko jgsxp as* &anr side “Ha, Natty,” cried the judge, “that was and the sleigh to safety. her, Aad at* karsts ■soA Temple—I will show you one who will It was a close call—almost half of “Daughter,” said the old man, “look a good shot of mine. I heard your dog, S confront you.” the over the brow of the out over this to where the old Hector, baying and knew be was-on sleigh hung valley wig- Edwards and Leather-Stocking disap. when Edwards seized the the wam of peared into the trail of a deer. Had I known you precipice slow-arriving; spring had come, f’.e “.Judge Temple!” exclaimed the young and the panther was a fierce one, but your father stands. John was the cave and then came out horses.
Recommended publications
  • The Writings of James Fenimore Cooper •Fl an Essay Review
    Studies in English, New Series Volume 5 Special American Literature Issue, 1984-1987 Article 15 1984 The Writings of James Fenimore Cooper — An Essay Review Hershel Parker The University of Delaware Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Parker, Hershel (1984) "The Writings of James Fenimore Cooper — An Essay Review," Studies in English, New Series: Vol. 5 , Article 15. Available at: https://egrove.olemiss.edu/studies_eng_new/vol5/iss1/15 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Parker: The Writings of James Fenimore Cooper — An Essay Review THE WRITINGS OF JAMES FENIMORE COOPER - AN ESSAY REVIEW HERSHEL PARKER THE UNIVERSITY OF DELAWARE Of the nine volumes under review I have already reviewed two, The Pioneers and The Pathfinder, in the September 1981 Nineteenth- Century Fiction. I will not repeat myself much. Working from the outside in, I praise first the dust jackets. The cover illustrations are striking, even gorgeous reproductions of early illustrations of scenes from Cooper’s novels and of scenes he describes in his travel books: for The Pioneers, “Turkey Shoot” by Tompkins H. Matteson; for The Pathfinder, a depiction by F. O. C. Darley of Natty Bumppo and his friends hiding, in Natty’s case not very furtively, from the “accursed Mingos”; for Wyandotte, a depiction by Darley of Nick escorting Major Willoughby and Maud to the Hut; for The Last of the Mohicans a sumptuous reproduction of Thomas Cole’s “Cora Kneeling at the Feet of Tamenund”; for Lionel Lincoln an engraving by John Lodge of a drawing by Miller called “View of the Attack on Bunker’s Hill, with the Burning of Charles Town, June 17, 1775”; for Switzerland the Castle of Spietz, Lake of Thun, by W.
    [Show full text]
  • An Exploration of Environmental Issues Anjali
    P: ISSN No. 0976-8602 RNI No. UPENG/2012/42622 VOL.-III, ISSUE-III, JULY-2014 E: ISSN No. 2349-9443 Asian Resonance Arcadian Wilderness in James Fenimore Cooper - An Exploration of Environmental Issues Abstract The paper examines the idea of Arcadian wilderness in the Leather stocking tales of James Fenimore Cooper in the light of eco- criticism. What exactly is eco-criticism? How can we define it? Eco- criticism is a study of literature that focuses on the relationship between humans and their natural world. It believes that humanity‘s disconnection from the natural world is the reason for the environmental crisis today. Eco-criticism believes that nature, non-human beings have been side- lined because of our anthropocentric biases, which tends to exploit the non-human as a resource for our personal gains and comforts. Eco- criticism also values bio-ethics above cultural ethics. It values tribal, aboriginal values as these people lived close to the soil. The American Indian despite all his violence was steeped in his environment in a way modern man never can be. As Cheryll Glotfelty has said in1994 that eco- criticism has one foot in literature and one in land (Glotfelty).Therefore, th Cooper, this 19 century novelist, said to be the father of American fiction, will be evaluated in the context of the current day environmental concerns. Keywords: Eco-criticism, Environment, Nature, non-human, animals, red Indians, wilderness Anjali Raman Introduction Assistant Professor Eco-criticism primarily examines the nature of our interaction with our Shivaji College, environment and its non-human inhabitants.
    [Show full text]
  • American Culture of Servitude: the Problem of Domestic Service in Antebellum Literature and Culture
    University of Kentucky UKnowledge Theses and Dissertations--English English 2017 AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE Andrea Holliger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.391 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Holliger, Andrea, "AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE" (2017). Theses and Dissertations--English. 61. https://uknowledge.uky.edu/english_etds/61 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • "Indian" Novels of Jose De Alencar
    7 Nationality and the "Indian" Novels of Jose de Alencar Cooper's Leather-stocking series was read most attentively and fruitfully not in Europe but in other parts of the Americas, where a collection of Spanish colonies and the single Portuguese one were pupating into nations and, like the United States, creating national lit­ eratures. They too, looking for autochthonous subjects, found the opu­ lent scenery and the original inhabitants sanctioned by the European discourse of the exotic and began to fashion from them a way of repre­ senting a non-European identity. Cooper showed that it could be done and was admired for it.1 His works were aligned with European exam­ ples of how to use exotic materials and seen as patterns for adapting a discourse of the exotic to the production of an American literature of nationality. The Cooper with whom other American literatures of nationality es­ tablished an intertextual relationship was strictly the creator of the Leather-stocking. Neither his sea novels nor those in which he conducts an acerbic argument with his contemporaries were taken as models. Certainly the choice in Notions of the Americansto assert national identity by opposing exoticism, its assumption that the power relation on which 1 According to Doris Sommer Cooper's "Latin-American heirs . reread and rewrote him" (Foundational Fictions, p. 52). The Argentinian Domingo Faustino Sarmiento, indeed, "copied" Cooper (p. 65). 186 The "Indian" Novels of Alencar 187 the exotic rests can be renegotiated through a shortcut that avoids it, does not enter the repertoire of these other literatures of nationality.
    [Show full text]
  • From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature” Mark Niemeyer
    “From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature” Mark Niemeyer To cite this version: Mark Niemeyer. “From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature”. Transatlantica. Revue d’études améri- caines/American Studies Journal, Association Française d’Études Américaines, 2016, 2015 (2), http://transatlantica.revues.org/7727. hal-01417834 HAL Id: hal-01417834 https://hal.archives-ouvertes.fr/hal-01417834 Submitted on 2 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Transatlantica Revue d’études américaines. American Studies Journal 2 | 2015 The Poetics and Politics of Antiquity in the Long Nineteenth-Century / Exploiting Exploitation Cinema From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature Mark Niemeyer Electronic version URL: https://journals.openedition.org/transatlantica/7727 DOI: 10.4000/transatlantica.7727 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Brought to you by Centre national de la recherche scientifique (CNRS) Electronic reference Mark Niemeyer, “From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature”, Transatlantica [Online], 2 | 2015, Online since 01 June 2016, connection on 01 June 2021.
    [Show full text]
  • A STUDY of the WORKS of CÂTHARIÎÎE Ivîâriâ SEDGWICK
    A STUDY OF THE WORKS OF CÂTHARIÎÎE IvîÂRI SEDGWICK DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By RICHARD BANUS GIDEZ, B.A., A, ***** THE OHIO STATE UNIVERSITY 1958 Approved by Aaviselr Department of English ACKNOWLEDGMENTS The author wishes to express his thanks to Mrs. Grace Wilcox of the Stockbridge Public Library for her information on the Sedgwick family, the staff of The Massachusetts His­ torical Society, and Professor William Charvat of The Ohio State University for his guidance and patience. - 11 - TABLE OF CONTENTS Chapters Page I ......................................... 1 II ............................ 32 III .......................................... 135 IV .......................................... 229 V .......................................... 285 Bibliographies ............................... 310 111 CHAPTER I Catharine Maria Sedgwick (1789 - 1867) of Berkshire County, Massachusetts, wrote six novels, six long didactic tales devoted to the education of young people and social reform, two short biographies, a novella, a travel tale about Canada, four collections of short stories, and two volumes of letters concerning her European trip of 1839» In addition, she contributed one hundred stories, sketches, and didactic tales to various annuals and periodicals. Her first book appeared in 1822, her last in 1857» During her lifetime she enjoyed both critical and popular success: "No equal this side of the Atlantic"
    [Show full text]
  • Download File
    Marion Leonard Lived: June 9, 1881 - January 9, 1956 Worked as: film actress, producer, screenwriter Worked In: United States by Sarah Delahousse It is well known that Florence Lawrence, the first “Biograph Girl,” was frustrated in her desire to exploit her fame by the company that did not, in those years, advertise their players’ names. Lawrence is thought to have been made the first motion picture star by an ingenious ploy on the part of IMP, the studio that hired her after she left the Biograph Company. But the emphasis on the “first star” eclipses the number of popular female players who vied for stardom and the publicity gambles they took to achieve it. Eileen Bowser has argued that Lawrence was “tied with” the “Vitagraph Girl,” Florence Turner, for the honorific, “first movie star” (1990, 112). In 1909, the year after Lawrence left Biograph, Marion Leonard replaced her as the “Biograph Girl.” At the end of 1911, Leonard would be part of the trend in which favorite players began to find ways to exploit their popularity, but she went further, establishing the first “star company,” according to Karen Mahar (62). Leonard had joined the Biograph Company in 1908 after leaving the Kalem Company, where she had briefly replaced Gene Gauntier as its leading lady. Her Kalem films no longer exist nor are they included in any published filmography, and few sources touch on her pre-Biograph career. Thus it is difficult to assess her total career. However, Marion Leonard was most likely a talented player as indicated by her rapid ascension to the larger and more prominent studio.
    [Show full text]
  • The Early American Novelists , Who Were Laboring Zeal O U Sl O F Own Fo R Y to Give Their Country a fiction Its , the Need
    THE EA RLY AM ERIC AN N O VEL LILLIE D EMING LO S HE IN P ARTIAL FU LFILMENT O F THE RE! UIREMENTS FO R D GR OF D C R O F P L P FACU L E EE O TO HI OSO HY, IN THE TY O F P L P C LU MB A U R HI OSO HY, O I NIVE SITY NEW Y O RK 1 9 0 7 P REFACE To present a fairly comprehensive account of the earliest attempts at novel writing in America has been the aim Of this — 1 8 18 0— study . The period covered that from 7 9 to 3 Opens with the publication o f the first tentative and amateurish American novels and at its close leaves the novel an established form in American literature . Indealing with these early tales much space has been given to description of the stories themselves . This method o f treat — ment seemed to be necessary for two reasons because these t tales are little known , indeed , wi h a few exceptions , they are e generally unknown , and b cause most of them are rare , and some o f them almost inaccessible . m o f The early A erican drama has , course , received much attention and investigation , but the corresponding period in the history Of fiction has been neglected . Yet the first forty years m o f Of A erican fiction produced two novelists real importance , C F C o harles Brocken Brown and James enimore o per, while the drama produced no playwright Of lasting interest or in fl uence.
    [Show full text]
  • Drawn Into Unknown Lands“: Frontier
    “DRAWN INTO UNKNOWN LANDS”: FRONTIER TRAVEL AND POSSIBILITY IN EARLY AMERICAN LITERATURE Except where reference is made to the work of others, the work described in this dissertation is my own or was done in collaboration with my advisory committee. This dissertation does not include proprietary or classified information. ___________________________________ Derrick Loren Spradlin Certificate of Approval: _____________________________ _____________________________ Constance Relihan Hilary Wyss, Chair Professor Associate Professor English English _____________________________ _____________________________ Chris Keirstead Kathryn Braund Assistant Professor Associate Professor English History _____________________________ Stephen McFarland Dean Graduate School “DRAWN INTO UNKNOWN LANDS”: FRONTIER TRAVEL AND POSSIBILITY IN EARLY AMERICAN LITERATURE Derrick Loren Spradlin A Dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama December 16, 2005 ii “DRAWN INTO UNKNOWN LANDS”: FRONTIER TRAVEL AND POSSIBILITY IN EARLY AMERICAN LITERATURE Derrick Loren Spradlin Permission is granted to Auburn University to make copies of this dissertation at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. ______________________________ Signature of Author ______________________________ December 16, 2005 iii DISSERTATION ABSTRACT “DRAWN INTO UNKNOWN LANDS”: FRONTIER TRAVEL AND
    [Show full text]
  • Fenimore Cooper's Literary Offences
    Fenimore Cooper’s Literary Offences Mark Twain 1895 The Pathfinder and The Deerslayer stand at the head of Cooper’s novels as artistic creations. There are others of his works which contain parts as perfect as are to be found in these, and scenes even more thrilling. Not one can be compared with either of them as a finished whole. The defects in both of these tales are comparatively slight. They were pure works of art. –Prof. Lounsbury The five tales reveal an extraordinary fulness of invention. One of the very greatest characters in fiction, Natty Bumppo. The craft of the woodsman, the tricks of the trapper, all the delicate art of the forest, were familiar to Cooper from his youth up. –Prof. Brander Matthews Cooper is the greatest artist in the domain of romantic fiction yet produced by America. –Wilkie Collins It seems to me that it was far from right for the Professor of English Literature in Yale, the Professor of English Literature in Columbia, and Wilkie Collins to deliver opinions on Cooper’s literature without having read some of it. It would have been much more decorous to keep silent and let persons talk who have read Cooper. Cooper’s art has some defects. In one place in Deerslayer and in the restricted space of two- thirds of a page, Cooper has scored 114 offences against literary art out of a possible 115. It breaks the record. There are nineteen rules governing literary art in the domain of romantic fiction—some say twenty-two. In Deerslayer Cooper violated eighteen of them.
    [Show full text]
  • Jack Kerouac's Spontaneous Prose: a Performance Genealogy of the Fiction
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Jack Kerouac's spontaneous prose: a performance genealogy of the fiction Justin Thomas Trudeau Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Trudeau, Justin Thomas, "Jack Kerouac's spontaneous prose: a performance genealogy of the fiction" (2006). LSU Doctoral Dissertations. 3772. https://digitalcommons.lsu.edu/gradschool_dissertations/3772 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JACK KEROUAC’S SPONTANEOUS PROSE: A PERFORMANCE GENEALOGY OF THE FICTION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by Justin Trudeau B.S., Oregon State University, 1995 M.A.I.S., Oregon State University 1999 August 2006 Acknowledgments It gives me great pleasure to thank the following people for their help in allowing me to produce this work. Dr. Michael Bowman, for acting as my Dissertation Chair and for his insight and wisdom over the course of my graduate education. Thanks for putting me in the chicken suit. Dr. Ruth Laurion Bowman, whose commitment to performance praxis has taught me that play is one of the most underestimated words in the academy.
    [Show full text]
  • The Deerslayer Or, the First War-Path
    1841 THE DEERSLAYER OR, THE FIRST WAR-PATH James Fenimore Cooper Cooper, James Fenimore (1789-1851) - American novelist best known for his Leatherstocking Tales, five novels which follow the life of the American frontiersman, Natty Bumppo. Despite his often poor literary craftsmanship, Coo- per was the first American novelist to gain international fame. The Deerslayer: or, The First War-Path (1841) - Chronologically the first of “The Leatherstocking Tales,” it was the last to be written. The Deerslayer is a record of Natty Bumppo’s youth. Chief Chingachgook is introduced here. Table Of Contents THE DEERSLAYER OR THE FIRST WAR-PATH . 7 PREFACE TO THE DEERSLAYER . 7 FIRST EDITION . 7 PREFACE TO THE LEATHER-STOCKING TALES . 11 PREFACE TO THE DEERSLAYER 1850 EDITION . 17 CHAPTER I . 20 CHAPTER II . 41 CHAPTER III . 63 CHAPTER IV . 86 CHAPTER V . 110 CHAPTER VI . 136 CHAPTER VII . 157 CHAPTER VIII . 181 CHAPTER IX . 206 CHAPTER X . 232 CHAPTER XI . 257 CHAPTER XII . 281 CHAPTER XIII . 308 CHAPTER XIV . 334 CHAPTER XV . 358 CHAPTER XVI . 383 CHAPTER XVII . 408 CHAPTER XVIII . 434 CHAPTER XIX . 451 CHAPTER XX . 478 CHAPTER XXI . 502 CHAPTER XXII . 528 CHAPTER XXIII . 548 CHAPTER XXIV . 574 CHAPTER XXV . 603 CHAPTER XXVI . 630 CHAPTER XXVII . 655 CHAPTER XXVIII . 680 CHAPTER XXIX . 700 CHAPTER XXX . 716 CHAPTER XXXI . 737 CHAPTER XXXII . 756 THE END . 773 THE DEERSLAYER OR THE FIRST WAR-PATH PREFACE TO THE DEERSLAYER FIRST EDITION THIS book has not been written, without many misgivings as to its probable reception. To carry one and the same character through five several works would seem to be a wilful over drawing on the good nature of the public, and many per- sons may very reasonably suppose it an act, of itself, that ought to invite a rebuke.
    [Show full text]