Dreamed and Made in Italy

DREAMED AND MADE IN ITALY

DREAMED AND MADE IN ITALY NON SI TRATTA SOLO DI BUON DESIGN

Tato nasce con l’intenzione di fare bene le cose. C’è una qualità speciale in certe imprese di design, È questo il suo campo di attività. Esiste un sapere quella di considerare l’istanza estetica come sua base profondo che si costruisce nella pratica del fare. Fare fondativa, anche dal punto di vista economico. bene le cose per un’azienda che produce apparecchi Perché sono sempre più i contenuti culturali d’illuminazione e tutto ciò che si configura come a indicare le scelte delle persone. oggetto di arredamento significa esprimere un modo TATO propone un nuovo modello strutturato di essere e una precisa disposizione: progettare, e poetico in cui la ricerca visiva si combina alla con studiatissimo understatement, una propria idea sperimentalità industriale, la filologia su materiali di libertà, un’idea di nuovo che non si cerca perché e tecniche, nuove e antiche, alla scoperta di nuove è quotidianamente vissuto. geografie produttive per costruire un catalogo Quella di Tato è un’idea di design che traduce in che privilegia gli stimoli contenutistici ai vincoli di un nuovo scenario economico e culturale e declina fabbricazione, i metodi dell’edizione alla ripetitività al futuro la lunga tradizione di abilità manuale, della catena di montaggio. di conoscenza dei gesti e dei materiali, di perizia Non si tratta solo di buon design, ma di una e destrezza del lavoro artigiano che costituisce da concezione più complessa del mondo delle cose sempre un elemento di riconoscibilità dell’Italia nel e dell’abitare, di un’attitudine che mette insieme mondo. Non c’è industria di qualità che possa fare una rete di saperi che comprendono il fatto a mano a meno dell’artigianato. e il fatto a macchina e ha relazioni con gli aspetti Il continuo lavoro manuale sul materiale e sulle forme più antropologici dell’artigianato e dell’industria. che esso può assumere, la sorpresa e l’intima e nuova Per trasferire la fenomenologia dell’arte nell’oggetto familiarità che ne deriva, ci restituisce degli oggetti d’uso e rendere coincidenti le informazioni estetiche che sono, in qualche modo, personaggi e presenze, e funzionali, occorre innanzitutto saper scegliere che conversano dentro a un’architettura, si sentono i propri autori. sempre a loro agio e sanno comportarsi. Tato was conceived to do things well. This is what it’s Praticare con loro quell’intensità delle relazioni IT’S NOT JUST ABOUT GOOD DESIGN Cose capaci di mantenere nel tempo il loro valore. dealing with. There’s a deep knowledge arising from the professionali e affettive tra committente, impresa Il buon design inizia sempre dalle persone. practice. Doing things well for a company producing e designer che appartiene alla cultura del progetto. There is a special quality in some design firms, Tato si circonda di quelle che un poco gli lighting design and furnishing items, means to express a L’oggetto diventa così parte di un vasto e which is considering the aesthetical purpose as their assomigliano ma soprattutto di quelle che sono way to be and a precise attitude. It means to purposely articolatissimo programma narrativo che, nel basic foundation, also from an economic point of view. molto diverse. Non solo di architetti e designer ma design in an understated way a personal idea of what perseguire una propria personale immagine, That’s because cultural contents are more and more an di un circuito intellettuale vasto e caratterizzato da freedom is, a personal idea of new, of something you ridefinisce la relazione tra produzione industriale expression of people’s choices. un’attitudine alla ricerca e alla sperimentazione. Sono don’t look for, because you live with it every day. e produzione del sapere. TATO’s proposal is a newly structured and poetic soprattutto importanti le relazioni legate ai saperi Tato’s design concept results in a new economic and model where the visual research goes together with the artigianali del territorio in cui l’azienda è nata e quelle cultural scenario and in a future-oriented tradition of industrial experimentation, the philology of materials internazionali che contribuiscono a diffondere il suo manual dexterity, knowledge of gestures and materials, and techniques, both new and old, the discovery of new pensiero. Cruciale è poi ascoltare le persone, sempre handicrafts. All those elements that make Italy wellknown production geographies in order to build a catalogue in più numerose e sempre più sofisticate, che cercano in the world. There is no industry that can do which the content stimulus and the edition methods are storia e cultura nelle cose che scelgono. without handicrafts. more privileged than the manufacturing limitations and Per Tato la cultura è importante e s’impegna in The constant manual working the material and the assembly line repetitiveness. diverse operazioni. Gli piace ripescare nella storia the forms it can take, the surprise and the intimate It’s not just about good design: it’s about a more complex perché esistono degli oggetti che sembrano fatti familiarity deriving from it, gives us back a number of vision of the world, of things and of living, it’s about an oggi benché appartengano al nostro ieri o forse objects representing characters, talking to us within an attitude that brings together a network of knowledge all’altroieri. architecture, feeling always comfortable and behaving. including the hand-made and machine-made and that These objects can keep their value over time. is related with the more anthropological aspects A good design begins with people. Tato surrounds himself of craftsmanship and industry. with people who are similar but also with very different Choosing good authors is necessary to transfer the art ones. Not only architects and designers but a large phenomenology in the object and to make aesthetic and intellectual group aiming to research and experiment. functional information be coincident. It’s important Particularly significant are those relationship with the to practice an intense professional and affective local handicrafts in the area where the company was relationship between client, designer and company that born and the international relationship, helping to spread belongs to the culture of the project. its ideas. Listening to people is crucial. More and more So the object becomes a part of a vast and very articulate people, sophisticated people, looking for history and narrative program that, in pursuing a personal image, culture in the things they choose. redefines the relationship between industrial production Tato takes culture into particular account and is engaged and knowledge production. in many processes. Tato likes to dig out from history those objects that are produced today but belong to our recent past or just to our past.

2 3 DESIGNER DESIGNER MODERNI CONTEMPORANEI

Corrado Ignazio Eugenio Gio Alberto Antonia Lorenza Giulia e Guido Hisham Gianluigi Matteo Corradi dell’Acqua Gardella Gerli Ponti Rosselli Astori Bozzoli Guarnieri Kulhanek Landoni Nunziati

Corrado Corradi Dell’Acqua Ignazio Gardella (Milano, 1905 Già sperimentatore di materiali Gio Ponti (Milano, 1891-1979) è Alberto Rosselli (Palermo, Antonia Astori nasce a Lorenza Bozzoli è nata Giulia e Guido Guarnieri Hisham Kulhanek è nato a Gianluigi Landoni è Matteo Nunziati è (Milano 1905 - Varese 1982) - Oleggio, 1999) è uno dei nuovi come il feltro plastico e una delle più importanti figure 1921 - Milano, 1976) si laurea Melzo (Milano) nel 1940. a Milano e ha studiato amano Milano e il design Praga nel 1958. architetto e designer. considerato uno degli conosceva il diritto e praticava protagonisti dell’architettura il compensato curvato prima di dell’architettura e delle arti del nell’immediato dopoguerra Si laurea in Industrial all’Accademia di degli anni Nel 1970 la sua famiglia si Si laurea al Politecnico architetti e designer la scrittura e, senza far rumore, italiana del Novecento. Si diventare architetto, Eugenio XX secolo. Si laurea a Milano presso la Facoltà di Architettura e Visual Design Belle Arti di Brera. Cinquanta e Sessanta. trasferisce ad Amsterdam. di Milano. Dopo diverse internazionali più è diventato designer. Il suo cane laurea prima in Ingegneria Gerli (Milano, 1923 - 2013) apre nel 1921. Dal 1923 al 1930 è del Politecnico di Milano. all’Athenaeum di Losanna Dal 1985 ha iniziato a Dopo una laurea al Dopo gli studi alla Delft esperienze in studi di importanti della sua bassotto si chiamava Azucena civile e poi in Architettura il suo studio nel 1949. Nel 1957 direttore artistico della Richard Dall’inizio della sua carriera e nel 1966. Dal 1968 lavorare come stilista, Politecnico di Milano, University of Technology architettura e industrial generazione. I suoi come l’avventura progettuale al Politecnico di Milano. Già nasce la lunga e straordinaria Ginori. Nel 1928 fonda la rivista parallelamente alla sua attività collabora in qualità di tra gli altri, per Fiorucci, hanno intrapreso diversi decide di trasferirsi a design, dal 1994 svolge progetti, esclusivi e che Corradi aveva iniziato nel prima della guerra svolge una collaborazione con Osvaldo e “Domus”, a cui seguiranno di architetto, ha svolto studi designer con l’azienda Basile, Plein Sud, Sergio percorsi professionali, Milano dove l’attività professionale valorizzati dalla sapiente 1947 con altri due giovani serie di lavori importanti per Fulgenzio Borsani e la Techno altre grandi imprese editoriali teorici e ha progettato come italiana Driade. Realizza Rossi, Camper. anche a livello inizia una lunga in proprio, collaborando selezione di materiali e intellettuali milanesi, Luigi l’alta borghesia piemontese e per cui progetta lo storico come “Stile”. Sono della fine designer, in campi differenti, importanti progetti di Dal 1996 si dedica internazionale, tra design, collaborazione col con diverse aziende di arredi, solitamente scelti Caccia Dominioni e Ignazio lombarda, una committenza sistema operativo Graphic degli anni Venti le prime “case da quello del product design sistemi e di mobili e con passione al design video arte e marketing. designer giapponese design. Ha partecipato tra le eccellenze produttive Gardella. Si divertiva a realizzare che saprà intrepretare in molti (1968) e altre icone come le tipiche”, dove al concetto di a quello dell’arredamento, contribuisce a definire industriale, lavorando Attualmente Makio Hasuike. a mostre e concorsi del design Made in Italy, chintz con Luchino Visconti e gli importanti progetti del periodo sedute PS142 e S142. Dagli italianità si accosta l’interesse fino a quello dei trasporti. l’immagine aziendale con per Antiquità, Viceversa, Giulia è Brand manager Ultimamente lavora con per opere pubbliche e sono stati pubblicati nelle piaceva lavorare la ceramica. Ha della Ricostruzione che lo vedrà anni Settanta i figli, Enrico e per le teorie razionaliste. Fin Nel 1953 inizia, in qualità di allestimenti ed esposizioni. Alessi, Dilmos, Dedon, di un marchio di un team multidisciplinare a private, ricevendo premi e maggiori riviste di settore progettato lampade fatte col in prima linea nella proposta di Guido, affiancano l’attività dalla prime edizioni partecipa direttore, la pubblicazione All’attività di designer Moooi. Ha partecipato a abbigliamento italiano e Milano prevalentemente riconoscimenti. Ha svolto italiane e internazionali. vetro dei tram di Milano e molti una nuova idea di architettura. paterna, occupandosi ora anche alle Triennali di Milano. Con della rivista “Stile Industria”. affianca quella di architetto importanti mostre in Italia Guido è art director per su progetti di industrial attività didattica presso Numerosi e prestigiosi i altri oggetti progettati a partire Nel 1947, con Luigi Caccia dell’Archivio. Antonio Fornaroli e Alberto Nel 1956 è Presidente della d’interni con progetti e all’estero. Vive e lavora un’azienda di design. design. Ha insegnato l’Istituto Europeo riconoscimenti ricevuti per dalla casa con, in filigrana, Dominioni e Corrado Corradi Rosselli, nello studio di via Associazione Italiana Disegno per abitazioni, uffici, a Milano nel suo studio di all’Istituto Europeo di di Design (IED) di Milano. i prodotti di design da lui un’idea precisa dell’abitare. Dell’Acqua, fonda Azucena. Already experimenting with Dezza che diventerà la sua casa, Industriale (ADI). La sua intensa showroom, negozi. design. Giulia and Guido Guarnieri Design (IED) di Milano. disegnati; la sua solida Fino agli anni Novanta, Gardella new materials such as plastic concepisce una straordinaria attività di architetto si è svolta are fond of Milan and Ha tenuto workshops alla Gianluigi Landoni is an esperienza ha poi condotto Corrado Corradi Dell’Acqua continuerà a disegnare mobili e felt and curved plywood before serie di progetti, espressione fin dall’inizio nello studio Antonia Astori was born in Lorenza Bozzoli was 1950s and 60s design. Domus Academy architect and designer. He Nunziati a svolgere attività (Milan 1905 - Varese 1982) oggetti d’arredo, oltre a portare becoming an architect, Eugenio della teoria della “forma finita”, Ponti-Fornaroli-Rosselli alle cui Melzo (Milan) in 1940. born in Milan, where she After graduating from e al Master di Design graduated from didattica presso importanti was a law expert, an amateur avanti la straordinaria attività di Gerli (Milan, 1923 – 2013) nel campo dell’arredo con le realizzazioni ha partecipato a She graduated in studied at the Accademia the Politecnico di Milano, Strategico del Politecnico the Politecnico di Milano. istituzioni come Domus writer, and quietly became a architetto. opened his firm in 1949. 1957 “pareti organizzate”, del design partire dagli anni ‘50. Industrial and Visual di Belle Arti di Brera. they became involved di Milano. After many experiences in Academy, la National designer. His dachshund’s name marked the start of a long and e dell’architettura. Design at the Athenaeum In 1985 she began working in various professional architecture and Taipei University of was Azucena like the company Ignazio Gardella (Milan, 1905 extraordinary partnership with Alberto Rosselli (Palermo, 1921 of Lausanne in 1966. Since as a fashion designer for projects regarding design, Hisham Kulhanek was born industrial design studios, Technology, l’IDI Interior Corradi had started in 1947 - Oleggio, 1999) was one of Osvaldo and Fulgenzio Borsani Gio Ponti is one of the most – Milan, 1976) graduated just 1968 she has worked as Fiorucci, Basile, Plein Sud, video art in Prague in 1958. since 1994 he has Design Institute di Milano with two other young Milanese the leading figures in Italian and Techno, for whom he important figures in twentieth- after the end of the war from a designer for the Italian Sergio Rossi and and marketing, both In 1970 he moved to worked as a freelance e la Tshinghua University intellectuals, Luigi Caccia twentieth-century architecture. designed the historic operating century architecture and the Architecture Faculty of the company Driade, creating Camper among others. in Italy and in Europe. Amsterdam with his family. alongside numerous Shenzhen in Cina. Dominioni and Ignazio Gardella. He graduated first of all in system Graphic (1968) and arts. He graduated in Milan Politecnico di Milano. From the some important system In 1996 she became Giulia is currently a brand After studying at the Delft design companies. He has Corrado Corradi had fun Civil Engineering and then in other icons such as the PS142 in 1921. From 1923 to 1930 start of his career and in parallel and furniture designs passionately involved manager for an Italian University of participated in various Matteo Nunziati is designing chintz with Luchino Architecture at the Politecnico and S142 seats. In the 1970s, he was artistic director of to his activity as architect, he and helping to shape the in industrial design for fashion company and Technology, he decided to exhibitions and contests considered one of Visconti and he liked ceramic. di Milano. Even before the he was joined in the business the Richard Ginori company. carried out theoretical studies corporate image with her Antiquità, Viceversa, Guido is an art director for move to Milan where he for both public and private the most influential He designed lamps made with war he had performed a series by his sons, Enrico and Guido, In 1928 he founded the and worked as a designer in outfitting and exhibitions. Alessi, Dilmos, Dedon a design company. started a long works, receiving international architects glass from Milan’s tramcars of jobs for the upper classes who now also take care of the magazine “Domus”, which different fields, from product Her activity as a designer and Moooi. She has partnership with the awards and and designers of his and many other objects for the of Piedmont and Lombardia, Archive. would be followed by other design to furniture, to goes alongside her work participated in important Japanese designer Makio commendations. generation. He received house, with a precise idea of clients whom he was able to great publishing feats such as transport. In 1953, as director, as interior designer, exhibitions in Italy and Hasuike. Now he runs a He has been a teacher at numerous important living in mind. interpret in many important “Stile”. Dating from the late he brought out the magazine with projects for houses, abroad. She lives and multidisciplinary studio the Istituto Europeo del awards for his works projects in the period of 1920s are the “typical homes”, “Stile Industria”. In 1956 he offices, showrooms and works in Milan where she focused on product Design (IED) in Milan. in product design; his Reconstruction when he was which combined the concept was Chairman of the Italian stores. has her own design studio. design. He has been a projects, exclusive and at the forefront in proposing of Italianness with an interest in Association of Industrial Design teacher at the Istituto enhanced by the skillful a new idea of architecture. In rationalist theories. Right from (ADI). His intense work as Europeo di Design (IED) in selection of materials and 1947, he founded Azucena with the start, he took part in the architect was carried out in the Milan, and has run some furnishings, usually chosen Luigi Caccia Dominioni and Triennale design expositions in Ponti-Fornaroli- Rosselli studio, workshops at the Domus from the production Corrado Corradi Dell’Acqua. Milan. With Antonio Fornaroli becoming a co-creator in Academy and at the excellence of Made in Until the 1990s, Gardella would and Alberto Rosselli, in the its projects in the 1950s. Politecnico di Italy design, have been continue designing furniture and studio in Via Dezza which would Milano for the Master’s published in the major accessories, as well as carrying become his home, he conceived degree in Strategic Italian and international on his extraordinary activity as an extraordinary series of Design. magazines. His solid architect. projects, expressing his “finite experience led Nunziati form” theory in the fields of carry out teaching activities furniture with the “organized at important institutions walls”, design and architecture. such as Domus Academy, the National Taipei University of Technology, the IDI Interior Design Institute of Milan and the Tshinghua University Shenzhen in China.

4 5 LIGHTING LIVING

ALZABILE ANITA ARENZANO BEGHINA 10 14 16 32

ANGOLO LIDO MONTECARLO PIEDI REGOLABILI BIBA COPPA APERTA DE-LUX GALLERIA 148 152 156 158 42 56 64 74

ICONES JIL LADY V LEA LUNA TRECENTOSESSANTA PESTELLO CERAMICS 80 84 86 90 94 162 166 168

NETTA OLLY ORSOLA OTTAVIA 106 110 118 120

QUATTROLATI SIDEREA VOX WALLIE 122 124 126 130

6 7 LIGHTING

8 9 ALZABILE DETAILS DESIGNED BY IGNAZIO GARDELLA • 1948

Type: floor lamp Materials: marble / brass / aluminum Weight: 5,50 kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V

38 21 6 12 4

FINISHINGS

TAL400-1609 TAL400-1509 TAL400-2009 TAL400-1623 TAL400-1523 TAL400-2201 TAL400-1622 Brass Brass Brass Glossy White Glossy White Manganese Manganese Marquinia marble Carrara marble Grey marble Brass Brass Chrome Brass Marquinia marble Carrara marble Marquinia marble Marquinia marble

TAL400-2022 TAL400-1601 TAL400-1501 TAL400-2001 TAL400-1619 TAL400-1519 TAL400-2019 Manganese Chrome Chrome Chrome Copper Copper Copper Brass Marquinia marble Carrara marble Grey marble Chrome Chrome Chrome Grey marble Marquinia marble Carrara marble Grey marble

10 ALZABILE • 11

ANITA DETAILS DESIGNED BY LORENZA BOZZOLI • 2016

Type: table lamp Materials: marble / brass / glass Weight: 7,50 kg Insulation: class II / IP20 Bulbs: 3xLED max 5W E14-220 / E12-110V 53

35 Ø

FINISHINGS

TAN300-0115 TAN300-1217 TAN300-1318 Carrara marble Persian Grey marble Emperador marble Chrome Satin Dark Chrome Satin Brass

14 ANITA • 15 ARENZANO DETAILS DESIGNED BY IGNAZIO GARDELLA • 1956

Type: table lamp Materials: brass / glass Weight: 3,80 Kg Insulation: class II / IP20 Bulbs: 3xLED max 5W E14-220V / E12-110V

28 21 56

FINISHINGS

TAL310-0940 TAL310-0140 TAL310-0540 TAL310-1440 Brass Chrome Satin Nickel Satin Bronze

16 ARENZANO • 17

ARENZANO BASSA DETAILS DESIGNED BY IGNAZIO GARDELLA • 1956

Type: table lamp Materials: brass / glass Weight: 2,40 Kg Insulation: class II / IP20 Bulbs: 3xLED max 5W E14-220V / E12-110V

22 16 34

FINISHINGS

TAL310-0940 TAL310-0140 TAL310-0540 TAL310-1440 Brass Chrome Satin Nickel Satin Bronze

20 ARENZANO BASSA • 21

ARENZANO TRE FIAMME DETAILS DESIGNED BY IGNAZIO GARDELLA • 1963

Type: table lamp Materials: marble / brass / glass Weight: 15,00 Kg Insulation: class II / IP20 Bulbs: 9xLED max 5W E14-220V / E12-110V

13 98

20 53

FINISHINGS

TAR320-1509 TAR320-1501 TAR320-1505 TAR320-1514 Brass Chrome Satin Nickel Satin Bronze Carrara marble Carrara marble Carrara marble Carrara marble

TAR320-1609 TAR320-1601 TAR320-1605 TAR320-1614 Brass Chrome Satin Nickel Satin Bronze Marquinia marble Marquinia marble Marquinia marble Marquinia marble

24 ARENZANO TRE FIAMME • 25

ARENZANO TRE FIAMME DETAILS DESIGNED BY IGNAZIO GARDELLA • 1963

Type: floor lamp Materials: marble / brass / glass Weight: 19,00 Kg Insulation: class II / IP20 Bulbs: 9xLED max 5W E14-220V / E12-110V

13 151

24 53

FINISHINGS

TAR400-1509 TAR400-1501 TAR400-1505 TAR400-1514 Brass Chrome Satin Nickel Satin Bronze Carrara marble Carrara marble Carrara marble Carrara marble

TAR400-1609 TAR400-1601 TAR400-1605 TAR400-1614 Brass Chrome Satin Nickel Satin Bronze Marquinia marble Marquinia marble Marquinia marble Marquinia marble

28 ARENZANO TRE FIAMME • 29

BEGHINA TAVOLO DETAILS DESIGNED BY GIULIA & GUIDO GUARNIERI • 2011

Type: table lamp Materials: brass / aluminum Weight: 2,00 Kg Insulation: class II / IP20 Bulbs: 1xLED max 3W G9 110-220V

22 41

FINISHINGS

TBE300-0923 TBE300-0924 TBE300-0125 TBE300-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

32 BEGHINA TAVOLO • 33 BEGHINA TERRA DETAILS DESIGNED BY GIULIA & GUIDO GUARNIERI • 2011

Type: floor lamp Materials: brass / aluminum Weight: 3,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 3W G9 110-220V

40 127

FINISHINGS

TBE400-0923 TBE400-0924 TBE400-0125 TBE400-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

34 BEGHINA TERRA • 35 BEGHINA APPLIQUE DETAILS DESIGNED BY GIULIA & GUIDO GUARNIERI • 2011

Type: wall lamp Materials: brass / aluminum Weight: 1,00 Kg Insulation: class I / IP20 Bulbs: 1xLED max 3W G9 110-220V

15 14

FINISHINGS

TBE200-0923 TBE200-0924 TBE200-0125 TBE200-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

36 BEGHINA APPLIQUE • 37 BEGHINA DUE BRACCI DETAILS DESIGNED BY GIULIA & GUIDO GUARNIERI • 2011

Type: wall lamp Materials: brass / aluminum Weight: 2,50 Kg Insulation: class I / IP20 Bulbs: 2xLED max 3W G9 110-220V

17 39

147

FINISHINGS

TBE210-0923 TBE210-0924 TBE210-0125 TBE210-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

38 BEGHINA DUE BRACCI • 39 BEGHINA SOSPENSIONE DETAILS DESIGNED BY GIULIA & GUIDO GUARNIERI • 2011

Type: ceiling lamp Materials: brass / aluminum Weight: 1,50 Kg Insulation: class I / IP20 Bulbs: 1xLED max 3W G9 110-220V

17 67 47

FINISHINGS

TBE100-0923 TBE100-0924 TBE100-0125 TBE100-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

TBE110-0923 TBE110-0924 TBE110-0125 TBE110-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

40 BEGHINA SOSPENSIONE • 41 BIBA TAVOLO DETAILS DESIGNED BY LORENZA BOZZOLI • 2017

Type: table lamp Materials: brass / aluminum / glass Weight: 6,00 kg Insulation: class II / IP20 Bulbs: 1xLED max 5W E14-220V / E12-110V 1xLED max 8W E27-220V / E26-110V

39 20 50

FINISHINGS

TBI300-1340 TBI300-0540 TBI300-3540 Satin Brass Satin Nickel Matte Black

42 BIBA TAVOLO • 43

BIBA TERRA DETAILS DESIGNED BY LORENZA BOZZOLI • 2017

Type: floor lamp Materials: brass / aluminum / glass Weight: 6,50 kg Insulation: class II / IP20 Bulbs: 1xLED max 5W E14-220V / E12-110V 1xLED max 8W E27-220V / E26-110V

39 20 160

FINISHINGS

TBI400-1340 TBI400-0540 TBI400-3540 Satin Brass Satin Nickel Matte Black

46 BIBA TERRA • 47 48 BIBA TERRA • 49 BIBA APPLIQUE DETAILS DESIGNED BY LORENZA BOZZOLI • 2017

Type: wall lamp Materials: brass / aluminum / glass Weight: 1,00 kg Insulation: class I / IP20 Bulbs: 1xLED max 5W E14-220V / E12-110V 1xLED max 8W E27-220V / E26-110V

14 39

27 20

FINISHINGS

TBI200-1340 TBI200-0540 TBI200-3540 Satin Brass Satin Nickel Matte Black

50 BIBA APPLIQUE • 51

BIBA SOSPENSIONE DETAILS DESIGNED BY LORENZA BOZZOLI • 2017

Type: ceiling lamp Materials: brass / aluminum / glass Weight: 3,00 / 3,50 / 4,00 / 4,50 Kg Insulation: class I / IP20 Bulbs: 1xLED max 5W E14-220V / E12-110V 1xLED max 8W E27-220V / E26-110V 16 0 14 0 12 0 10 0

39 20

FINISHINGS

TBI100-1340 TBI100-0540 TBI100-3540 TBI120-1340 TBI120-0540 TBI120-3540 100cm 100cm 100cm 120cm 120cm 120cm Satin Brass Satin Nickel Matte Black Satin Brass Satin Nickel Matte Black

TBI140-1340 TBI140-0540 TBI140-3540 TBI160-1340 TBI160-0540 TBI160-3540 140cm 140cm 140cm 160cm 160cm 160cm Satin Brass Satin Nickel Matte Black Satin Brass Satin Nickel Matte Black

54 BIBA SOSPENSIONE • 55 COPPA APERTA APPLIQUE DETAILS DESIGNED BY IGNAZIO GARDELLA & CORRADO CORRADI DELL’ACQUA • 1954

Type: wall lamp Materials: brass / glass Weight: 1,50 kg Insulation: class I / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V

24 16 23 9

FINISHINGS

TCA200-0924 TCA200-0124 TCA200-0524 TCA200-0921 TCA200-0121 TCA200-0521 Brass Chrome Satin Nickel Brass Chrome Satin Nickel Glossy Black Glossy Black Glossy Black Silver Silver Silver

56 COPPA APERTA APPLIQUE • 57

COPPA APERTA PIANTANA DETAILS DESIGNED BY IGNAZIO GARDELLA & CORRADO CORRADI DELL’ACQUA • 1954

Type: floor lamp Materials: brass / glass Weight: 6,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V

16 17 0

FINISHINGS

TCA400-1609 TCA400-1601 TCA400-1509 TCA400-1501 Brass Chrome Brass Chrome Marquinia marble Marquinia marble Carrara marble Carrara marble

60 COPPA APERTA PIANTANA • 61

DE-LUX “A” DETAILS DESIGNED BY GIO PONTI • 1955

Type: floor lamp Materials: aluminum / iron / polypropylene Weight: 5,00 / 6,00 Kg Insulation: class II / IP20 Bulbs: 1xLED max 20W E27-220V / E26-110V

Ø22

Ø45 185 162

A4 A8

FINISHINGS

DE-LUX A4 DE-LUX A4 DE-LUX A8 DE-LUX A8 TDA440-0665 TDA440-2165 TDA410-0606 TDA410-2121 Gold Silver Gold Silver

64 DE-LUX “A” • 65 DE-LUX “B” DETAILS DESIGNED BY GIO PONTI • 1955

Type: floor lamp Materials: aluminum / iron / polypropylene Weight: 3,50 / 4,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 20W E27-220V / E26-110V

Ø48

Ø48 185 162

B4 B8

FINISHINGS

DE-LUX B4 DE-LUX B4 DE-LUX B8 DE-LUX B8 TDB440-0665 TDB440-2165 TDB410-0606 TDB410-2121 Gold Silver Gold Silver

66 DE-LUX “B” • 67

DE-LUX “D” DETAILS DESIGNED BY GIO PONTI • 1955

Type: floor lamp Materials: aluminum / iron / polypropylene Weight: 8,50 / 7,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 20W E27-220V / E26-110V

Ø45 185 152

D4 D8 25

FINISHINGS

DE-LUX D4 DE-LUX D4 DE-LUX D8 DE-LUX D8 TDD440-3365 TDD440-3765 TDD410-3325 TDD410-3725 Matte White Matte White Matte White Matte White Orange tiles Blue tiles Orange tiles Blue tiles

70 DE-LUX “D” • 71

GALLERIA DETAILS DESIGNED BY IGNAZIO GARDELLA • 1958

Type: wall lamp Materials: brass / glass Weight: 2,00 / 3,50 / 5,50 / 7,00 / 8,50 Kg Insulation: class I / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V (each shade)

25 38 34

60 33 34

71 45 51

120 45 53

74 GALLERIA • 75 FINISHINGS

TGA210-0940 TGA210-0140 TGA210-0540 TGA210-1440 1 light 1 light 1 light 1 light Brass Chrome Satin Nickel Satin Bronze

TGA220-0940 TGA220-0140 TGA220-0540 TGA220-1440 2 lights 2 lights 2 lights 2 lights Brass Chrome Satin Nickel Satin Bronze

TGA230-0940 TGA230-0140 TGA230-0540 TGA230-1440 3 lights 3 lights 3 lights 3 lights Brass Chrome Satin Nickel Satin Bronze

TGA240-0940 TGA240-0140 TGA240-0540 TGA240-1440 4 lights 4 lights 4 lights 4 lights Brass Chrome Satin Nickel Satin Bronze

TGA250-0940 TGA250-0140 TGA250-0540 TGA250-1440 5 lights 5 lights 5 lights 5 lights Brass Chrome Satin Nickel Satin Bronze

76 GALLERIA • 77

ICONES DETAILS DESIGNED BY LORENZA BOZZOLI • 2019

Type: table lamp Materials: aluminum / brass / plastic Weight: 8,00 Kg Insulation: class II / IP20 Bulbs: 3xLED max 8W E27-220V / E26-110V

51 75

FINISHINGS

TIC300-0513 TIC300-0522 Satin Nickel Satin Nickel Satin Brass Manganese

80 ICONES • 81

JIL DETAILS DESIGNED BY LORENZA BOZZOLI • 2016

Type: table lamp Materials: marble / brass / glass Weight: 7,50 kg Insulation: class II / IP20 Bulbs: 3xLED max 5W E14-220V / E12-110V 22 54

35 Ø

FINISHINGS

TJL300-1315 TJL300-0115 TJL300-1215 Carrara marble Carrara marble Carrara marble Satin Brass Chrome Satin Dark Chrome

84 JIL • 85 LADY V DETAILS DESIGNED BY ATELIER TATO • 2015

Type: floor lamp Materials: brass / aluminum / iron Weight: 6,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V

23 23 144 144

60 60

FINISHINGS

TLV400-0923 TLV400-0924 TLV400-0125 TLV400-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

TLV410-0923 TLV410-0924 TLV410-0125 TLV410-0126 Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

86 LADY V • 87 LADY V PIANTANA DETAILS DESIGNED BY ATELIER TATO • 2015

Type: floor lamp Materials: brass / aluminum / iron Weight: 6,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V 190 179 23Ø 23Ø

FINISHINGS

TLV430-0923 TLV430-0924 TLV430-0125 TLV430-0126 h179cm h179cm h179cm h179cm Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

TLV440-0923 TLV440-0924 TLV440-0125 TLV440-0126 h190cm h190cm h190cm h190cm Brass Brass Chrome Chrome Glossy White Glossy Black Textured White Textured Black

88 LADY V PIANTANA • 89 LEA DETAILS DESIGNED BY MATTEO NUNZIATI • 2019

Type: table lamp Materials: marble / glass Weight: 11,00 Kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V

30 35 40 26

FINISHINGS

TLE300-1540 TLE300-5040 Carrara Marble Portoro Marble White Glass White Glass

90 LEA • 91 92 LEA • 93 LUNA ORIZZONTALE DETAILS DESIGNED BY GIO PONTI • 1957

Type: floor lamp Materials: brass / steel / plastic Weight: 3,50 kg Insulation: class II / IP20 Bulbs: 3xLED max 8W E27-220V / E26-110V 80

Ø50

FINISHINGS

TLU400-1365 TLU400-0565 TLU400-0967 Satin Brass Satin Nickel Brass Satin White plastic Satin White plastic Glossy White & Blue plastic

94 LUNA ORIZZONTALE • 95

LUNA VERTICALE DETAILS DESIGNED BY GIO PONTI • 1957

Type: floor lamp Materials: brass / steel / plastic Weight: 4,00 kg Insulation: class II / IP20 Bulbs: 4xLED max 5W E14-220V / E12-110V 105

Ø50

FINISHINGS

TLU410-1365 TLU410-0565 Satin Brass Satin Nickel Satin White plastic Satin White plastic

98 LUNA VERTICALE • 99 TRIENNALE MILANO 1957 © GIO PONTI ARCHIVES 100 LUNA VERTICALE • 101 LUNA SOSPENSIONE DETAILS DESIGNED BY GIO PONTI • 2017

Type: ceiling lamp Materials: brass / steel / plastic Weight: 3,00 kg Insulation: class II / IP20 Bulbs: 3xLED max 12W E27-220V / E26-110V

8 10 300 22

Ø50

FINISHINGS

TLU100-1365 TLU100-0565 Satin Brass Satin Nickel Satin White plastic Satin White plastic

102 LUNA SOSPENSIONE • 103 104 LUNA SOSPENSIONE • 105 NETTA PIANTANA DETAILS DESIGNED BY ANTONIA ASTORI • 2016

Type: floor lamp Materials: iron / brass / glass Weight: 8,00 kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V 192 177 163

30Ø 30Ø 30Ø

FINISHINGS

TNE400-3401 TNE410-3401 TNE420-3401 h163cm h177cm h192cm Black Chrome Black Chrome Black Chrome

106 NETTA PIANTANA • 107 NETTA SOSPENSIONE DETAILS DESIGNED BY ANTONIA ASTORI • 2017

Type: ceiling lamp Materials: iron / brass / glass Weight: 2,00 kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V

8 8 0 30 0 30 37 37

Ø20 58

FINISHINGS

TNE100-3401 Black Chrome

108 NETTA SOSPENSIONE • 109 OLLY TAVOLO DETAILS DESIGNED BY LORENZA BOZZOLI • 2016

Type: table lamp Materials: brass / glass Weight: 1,50 / 3,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 3W G9 110-220V 35 25 21

16 Ø 16 Ø 25 Ø

FINISHINGS

TOL300-1341 TOL300-0141 TOL300-1441 TOL310-1341 TOL310-0141 TOL310-1441 h21cm h21cm h21cm h25cm h25cm h25cm Satin Brass Chrome Satin Bronze Satin Brass Chrome Satin Bronze

TOL320-1341 TOL320-0141 TOL320-1441 h35cm h35cm h35cm Satin Brass Chrome Satin Bronze

110 OLLY TAVOLO • 111 OLLY APPLIQUE DETAILS DESIGNED BY LORENZA BOZZOLI • 2017

Type: wall lamp Materials: brass / glass Weight: 0,70 kg Insulation: class I / IP20 Bulbs: 1xLED max 5W E14-220V / E12-110V

23 16 18

FINISHINGS

TOL200-1341 TOL200-0141 TOL200-1441 Satin Brass Chrome Satin Bronze

112 OLLY APPLIQUE • 113

OLLY SOSPENSIONE DETAILS DESIGNED BY LORENZA BOZZOLI • 2017

Type: ceiling lamp Materials: brass / glass Weight: 0,50 kg Insulation: class I / IP20 Bulbs: 1xLED max 5W E14-220V / E12-110V

8 30 0 18

Ø 16

FINISHINGS

TOL100-1341 TOL100-0141 TOL100-1441 Satin Brass Chrome Satin Bronze

116 OLLY SOSPENSIONE • 117 ORSOLA DETAILS DESIGNED BY LORENZA BOZZOLI • 2015

Type: table lamp Materials: marble / brass / fabric Weight: 8,00 kg Insulation: class II / IP20 Bulbs: 3xLED max 5W E14-220V / E12-110V 55

32 Ø

FINISHINGS

TOS300-1509 TOS300-1512 TOS300-1513 TOS300-1534 TOS300-1609 TOS300-1613 TOS300-1634 Brass Satin Black Chrome Satin Brass Black Chrome Brass Satin Brass Black Chrome Carrara marble Carrara marble Carrara marble Carrara marble Marquinia marble Marquinia marble Marquinia marble

118 ORSOLA • 119 OTTAVIA DETAILS DESIGNED BY GIANLUIGI LANDONI • 2011

Type: floor lamp Materials: iron / wood / brass / aluminum Weight: 7,00 kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V min 150 max 210

65 45

FINISHINGS

TOT400-0526 Textured Black Canaletto Walnut Wood Satin Nickel

120 OTTAVIA • 121 QUATTROLATI DETAILS DESIGNED BY HISHAM KULHANEK • 2011

Type: table lamp Materials: marble / aluminum Weight: 10,00 kg Insulation: class II / IP20 Bulbs: 1xLED max 3W G9 110-220V

12 32

FINISHINGS

TQU300-1505 Carrara Marble Satin Nickel

122 QUATTROLATI • 123 SIDEREA DETAILS DESIGNED BY ALBERTO ROSSELLI • 1969

Type: table lamp Materials: iron / glass Weight: 5,00 kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V

35 30

FINISHINGS

TSI300-2244 TSI300-3344 TSI300-3944 Manganese Orange Green Crystal Crystal Crystal

124 SIDEREA • 125 VOX DETAILS DESIGNED BY LORENZA BOZZOLI • 2016

Type: table lamp Materials: marble / brass or aluminum Weight: 2,50 kg Insulation: class II / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V 46 40

12,5 Ø 12,5 Ø

FINISHINGS

h40cm TVO300-2315 TVO300-0950 TVO300-2316 TVO300-2415 TVO300-1418 Glossy White Brass Glossy White Glossy Black Satin Bronze Satin Brass Portoro Marble Chrome Chrome Emperador Marble Carrara Marble Marquinia Marble Carrara Marble

h46cm TVO310-1315 TVO310-0950 TVO310-2316 TVO310-2415 TVO310-1417 Satin Brass Brass Glossy White Glossy Black Satin Bronze Carrara Marble Portoro Marble Chrome Chrome Persian Grey Marble Marquinia Marble Carrara Marble

126 VOX • 127

WALLIE TAVOLO DETAILS DESIGNED BY LORENZA BOZZOLI • 2015

Type: table lamp Materials: marble / brass / steel Weight: 7,00 kg Insulation: class II / IP20 Bulbs: 2xLED max 3W G9 110-220V 100

19 36

FINISHINGS

TWA300-0924 Marquinia Marble Brass Glossy White and Black

130 WALLIE TAVOLO • 131 WALLIE PIANTANA DETAILS DESIGNED BY LORENZA BOZZOLI • 2015

Type: floor lamp Materials: brass / aluminum / iron Weight: 8,50 Kg Insulation: class II / IP20 Bulbs: 1xLED max 20W E27-220V / E26-110V 198 178

34 16 34 16

FINISHINGS

TWA400-0923 TWA400-0924 TWA400-0123 TWA400-0124 h178cm h178cm h178cm h178cm Brass Brass Chrome Chrome Glossy White Glossy Black Glossy White Glossy Black

TWA410-0923 TWA410-0924 TWA410-0123 TWA410-0124 h198cm h198cm h198cm h198cm Brass Brass Chrome Chrome Glossy White Glossy Black Glossy White Glossy Black

132 WALLIE PIANTANA • 133 WALLIE SCULTURA DETAILS DESIGNED BY LORENZA BOZZOLI • 2014

Type: wall lamp Materials: brass / steel Weight: 23,00 kg Insulation: class I / IP20 Bulbs: 5xLED max 3W G9 110-220V 3 11

140 28

FINISHINGS

TWA200-0923 TWA200-0924 Brass Brass Textured and Glossy Black Textured and Glossy Black Glossy White

134 WALLIE SCULTURA • 135

WALLIE APPLIQUE DETAILS DESIGNED BY LORENZA BOZZOLI • 2015

Type: wall lamp Materials: brass / steel Weight: 3,50 kg Insulation: class I / IP20 Bulbs: 2xLED max 3W G9 110-220V

26 80 12

FINISHINGS

TWA210-0923 TWA210-0924 Brass Brass Glossy White Glossy Black

138 WALLIE APPLIQUE • 139

WALLIE CHANDELIER DETAILS DESIGNED BY LORENZA BOZZOLI • 2015

Type: ceiling lamp Materials: brass / aluminum / steel Weight: 13,00 kg Insulation: class I / IP20 Bulbs: 1xLED max 8W E27-220V / E26-110V 3xLED max 3W G9 110-220V max 350 87

74 Ø

FINISHINGS

TWA100-0900 Brass Glossy White Glossy Black

142 WALLIE CHANDELIER • 143

LIVING

146 147 ANGOLO DETAILS DESIGNED BY CORRADO CORRADI DELL’ACQUA • 1963

Type: armchair / pouf Materials: wood / foam / velvet Weight: 16,00 / 13,00 / 12,00 kg 57 72 39 60 66

66 60

FINISHINGS

TPA600 TPA610 TPA620 UPHOLSTERY UPHOLSTERY Armchair Pouf with backrest Pouf Velvet Leather (color of choice) (color of choice)

148 ANGOLO • 149

LIDO DETAILS DESIGNED BY IGNAZIO GARDELLA • 1965

Type: armchair / sofa Materials: wood / foam / velvet or leather Weight: 19,00 / 25,00 kg 74 43

70 88 77 14 0

FINISHINGS

TLI600 TLI601 UPHOLSTERY UPHOLSTERY Armchair Sofa Velvet Leather (color of choice) (color of choice)

152 LIDO • 153

TAVOLINO MONTECARLO DETAILS DESIGNED BY CORRADO CORRADI DELL’ACQUA • 1959

Type: coffee table Materials: brass / glass Weight: 7,00 / 10,00 / 9,00 / 14,00 Kg 65 45

40 or 50

FINISHINGS

TMO600-0909 TMO600-0101 TMO610-0909 TMO610-0101 2 shelves 2 shelves 2 shelves 2 shelves 40x40cm 40x40cm 50x50cm 50x50cm Brass Chrome Brass Chrome

TMO601-0909 TMO601-0101 TMO611-0909 TMO611-0101 3 shelves 3 shelves 3 shelves 3 shelves 40x40cm 40x40cm 50x50cm 50x50cm Brass Chrome Brass Chrome

156 TAVOLINO MONTECARLO • 157 TAVOLO PIEDI REGOLABILI DETAILS DESIGNED BY IGNAZIO GARDELLA • 1951 / 2018

Type: table Materials: wood / iron / brass 5 /7 72 125

200 Ø125 5 /7 72 135

240 Ø140

ROUND VERSION - 2018

158 TAVOLO PIEDI REGOLABILI • 159 VARIANTS

TOP SHAPE TOP PROFILE FEET FINISHING

TPR600-0935 - Brass feet

TPR600-0135 - Chrome feet

TPR610-0935 - Brass feet

TPR610-0135 - Chrome feet round Ø125 cm

TPR601-0935 - Brass feet

TPR601-0135 - Chrome feet

TPR611-0935 - Brass feet

TPR611-0135 - Chrome feet

round Ø140 cm

TPR602-0935 - Brass feet

TPR602-0135 - Chrome feet

TPR612-0935 - Brass feet

TPR612-0135 - Chrome feet oval 200x125 cm

TPR603-0935 - Brass feet

TPR603-0135 - Chrome feet

TPR613-0935 - Brass feet

TPR613-0135 - Chrome feet oval 240x135 cm

TOP FINISHINGS

VENEER LACQUERED Walnut Color of choice (Satin or Glossy) (Matte or Glossy)

160 POLTRONA TRECENTOSESSANTA DETAILS DESIGNED BY EUGENIO GERLI • 1958

Type: armchair Materials: wood / foam / velvet or leather Weight: 9,00 kg

Ø73 65 37 60

FINISHINGS

BODY BODY UPHOLSTERY UPHOLSTERY Brown Oak Wood Black Oak Wood Velvet Leather (color of choice) (color of choice)

162 POLTRONA TRECENTOSESSANTA • 163 164 POLTRONA TRECENTOSESSANTA • 165 PESTELLO DETAILS DESIGNED BY CORRADO CORRADI DELL’ACQUA • 1964

Type: ashtray Materials: marble / brass Weight: 4,00 kg 5, 5

Ø20

FINISHINGS

TCC980-1511 Sivec Marble Brass

166 PESTELLO • 167 CERAMICS DESIGNED BY CORRADO CORRADI DELL’ACQUA • 1960

168 CERAMICS • 169 CERAMICS DESIGNED BY CORRADO CORRADI DELL’ACQUA • 1960

170 CERAMICS • 171 VASES

TCC942-3132 TCC942-3232 TCC940-3132 TCC940-3232 Ampolla Alta Ampolla Alta Ampolla Bassa Ampolla Bassa Platinum Blue Platinum Blue 27x27x40cm 27x27x40cm 27x27x22cm 27x27x22cm

TCC948-3132 TCC948-3232 Ampollina Ampollina Platinum Blue 27x27x40cm 27x27x40cm

TCC920-3132 TCC920-3232 4-vases set 4-vases set Platinum Blue 17x17x36cm 17x17x36cm

TCC946-3132 TCC946-3231 TCC932-3231 Platinum Platinum - Blue Platinum - Blue 32x32x27cm 32x32x27cm 22x22x12cm

172 CERAMICS • 173

CREDITS

Concept & Styling: Alessandro Pasinelli Studio

Graphic Design: Unidea

Photo: Antonio Maniscalco, Tiziano Sartorio

Post Producer: Claudia Zorzi - ZoneLab

Printed by: Tipografia Testori Luigi & C.

Special Thanks: Studio Gardella, Gio Ponti Archives, Lorenza Bozzoli Design

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