The Lone Exile in Conrad's Lord
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THE CONCEPT of the DOUBLE JOSEPH'conrad by Werner
The concept of the double in Joseph Conrad Item Type text; Thesis-Reproduction (electronic) Authors Bruecher, Werner, 1927- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:33:07 Link to Item http://hdl.handle.net/10150/318966 THE CONCEPT OF THE DOUBLE JOSEPH'CONRAD by Werner Bruecher A Thesis Snbmitted to tHe Faculty of the .' DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Graduate College THE OTHERS TTY OF ' ARIZONA ' STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable with out special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below ^/viz. -
Rickbeecroft 1Stad CV Credits Toptechs2
st RICK BEECROFT - 1 Assistant Director CURRICULUM VITAE Film, Television & Commercial Production Mobile: +61 427 973 348 email: [email protected] or [email protected] Website: http://www.imdb.com/name/nm0066361 Booking Agent: Top Techs +61299581611 email: [email protected] FEATURE FILMS (FF) / TELE-MOVIES (TM)/ DRAMA DOCO (DD) / WEB SERIES (WS) 2020 Sissy FF Prod: Lisa Shaunessy Dirs: Kane Senes, Hannah Barlow Arcadia, Sincerely Cecilia Pty Ltd Kidnapped in Paradsie FF Prods: Kim Roberts, Steve Jaggi Dir: Vic Sarin Sepia Films Unsolved Cases – JFK Assassination DD Prods; Mio Ietomi, Bennett Walsh Dir: Takegoro Nishimura NHK Japan 2019 The Flood FF - Prod: Amadeo Marquez-Perez Dir: Victoria Wharfe/McIntrye Wagtail Films Pty Ltd Honour FF – (development) Films & Casting Temple Pty Ltd, Prod: Anupam Sharma Smashing FF – (development) Producer/Director: Juliet Darling 2018 2067 FF Prods: Lisa Shaunessy, Kate Crosser Dir: Seth Larney Subject 14 Pty Ltd, Arcadia Pty Ltd Locusts FF Prod: Angus Watt Dir: Heath Davis Estranged Films Pty Ltd The Furies FF Prods: Andy Marriot, Lisa Shaunessy Dir: Tony D’Aquino Killer Instinct The Movie Pty Ltd 2017 Pet Killer WS Prod: Enzo Tedeschi Dir: Tibo Pinsard Killer Films 2099- The Soldier Protocol FF Prods: Veronica Sive, Silvio Salom Dir: Dee MacLachlan Sunjive Studios Pty Ltd 2016 Event Zero FF Prod: Cathey Rechichi Dir: Enzo Tedeschi Deadrock Films Pty Lid, Killer Films Pty Ltd Harmony FF Prods: Abe Tabone, Peter Drinkwater Dir: Cory Pearson FilmGrit Pty Ltd 1 2015 Killing Ground FF Prod: Joe Weatherstone Dir: Damien Power Campfire Films Pty Ltd 2014 UnIndian FF Prods: Lisa Duff, Anu Sharma Dir: Anu Sharma Films & Casting Temple Pty Ltd 2013 All About E FF Prod: Jay Rutovitz Dir: Louise Wadley Girls Own Pictures Pty Ltd. -
WINNIE VERLOC and HEROISM in the SECRET AGENT THESIS Presented to the Graduate Council of the University of North Texas in Parti
7w WINNIE VERLOC AND HEROISM IN THE SECRET AGENT THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of Master of Arts By Cynthia Joy Henderson, B.A. Denton, TX May, 1993 Henderson, Cynthia Joy. Winnie Verloc and Heroism in The Secret Agent. Master of Arts (English), May 1993, 77 pp., bibliography, 65 titles. Winnie Verloc's role in The Secret Agent has received little initial critical attention. However, this character emerges as Conrad's hero in this novel because she is an exception to what afflicts the other characters: institutionalism. In the first chapter, I discuss the effect of institutions on the characters in the novel as well as on London, and how both the characters and the city lack hope and humanity. Chapter II is an analysis of Winnie's character, concentrating on her philosophy that "life doesn't stand much looking into," and how this view, coupled with her disturbing experience of having looked into the "abyss," makes Winnie heroic in her affirmative existentialism. Chapters III and IV broaden the focus, comparing Winnie to Conrad's other protagonists and to his other female characters. TABLE OF CONTENTS INTRODUCTION . - - - - - - - 1 CHAPTER I THE PLAYERS AND THEIR SETTING . 5 CHAPTER II WINNIE . .......... 32 CHAPTER III WINNIE AMONG CONRAD'S MEN AND WOMEN . 60 CHAPTER IV MADNESS AND DESPAIR . 71 WORKS CITED . ... 76 WORKS CONSULTED . ...... 79 iii INTRODUCTION The Secret Agent, although primarily approached by the critics as a political novel, is also a social and a domestic drama played out in the back parlour of a secret agent's pornography shop, and on the dreary streets of London. -
1 “Sudden Holes in Space and Time”: Trauma, Dissociation, and the Precariousness of Everyday Life Carola M. Kaplan, Ph.D., P
“Sudden Holes in Space and Time”: Trauma, Dissociation, and the Precariousness of Everyday Life Carola M. Kaplan, Ph.D., Psy.D. Encino, CA In the close‐woven stuff of relations between conspirator and police there occur unexpected solutions of continuity, sudden holes in space and time. A given anarchist may be watched inch by inch and minute by minute, but a moment always comes when somehow all sight and touch of him are lost for a few hours, during which something (generally an explosion) more or less deplorable does happen” (italics mine). ‐‐Joseph Conrad, The Secret Agent She had a perpetual sense . of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day. ‐‐Virginia Woolf, Mrs. Dalloway Famous early on for his tales of the sea and exotic adventure, Joseph Conrad, in the course of his literary career, became increasingly interested in the difficulties of domestic life—and he focuses on this topic in many works, notably Nostromo (1904), The Secret Agent (1907), Chance (1914), and Victory (1915). In none of his works, however, does Conrad so relentlessly expose the dangers and deficiencies of family life, particularly in its failure to protect women and children, as in his acidly satirical novel The 1 Secret Agent. When he turns from exploring the dangers of life at sea to the hazards of life at home, he underlines and highlights in bold many of the problems that psychoanalysts encounter in current clinical practice. For this reason, the extremities of affect and trauma that Conrad presents in this novel may serve to illuminate the murkier and less extreme versions of trauma and consequent dissociation, as encountered in contemporary psychoanalytic treatment. -
<I>Victory Garden</I>
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 8-2012 Reading Ineffability and Realizing Tragedy in Stuart Moulthrop's Victory Garden Michael E. Gray Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the English Language and Literature Commons, and the Modern Literature Commons Recommended Citation Gray, Michael E., "Reading Ineffability and Realizing Tragedy in Stuart Moulthrop's Victory Garden" (2012). Masters Theses & Specialist Projects. Paper 1188. http://digitalcommons.wku.edu/theses/1188 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. READING INEFFABILITY AND REALIZING TRAGEDY IN STUART MOULTHROP’S VICTORY GARDEN A Thesis Presented to The Faculty of the Department of English Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment Of the Requirements for the Degree Master of Arts By Michael E. Gray August 2012 I would like to thank my wife, Lisa Oliver-Gray, for her steadfast support during this project. Without her love and the encouragement of my family and friends, I could not have finished. I would also like to thank my committee for their timely assistance this summer. Last, I would like to dedicate this labor to my father, Dr. Elmer Gray, who quietly models academic excellence and was excited to read a sprawling first draft. CONTENTS Introduction…………………………………………………………………………..1-30 Chapter One…………………………………………………………………………31-57 Chapter Two…………………………………………………………………………58-86 Chapter Three………………………………………………………………………87-112 Appendix: List of Screenshots...………………………………………………….113-121 Notes………………………………………………………………………………122-145 Works Cited……………………………………………………………………….146-149 iv TABLE OF FIGURES Figure 1. -
Nostromo a Tale of the Seaboard
NOSTROMO A TALE OF THE SEABOARD By Joseph Conrad "So foul a sky clears not without a storm." —SHAKESPEARE TO JOHN GALSWORTHY Prepared and Published by: Ebd E-BooksDirectory.com AUTHOR'S NOTE "Nostromo" is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the "Typhoon" volume of short stories. I don't mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the "Typhoon" volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for "Nostromo" came to me in the shape of a vagrant anecdote completely destitute of valuable details. As a matter of fact in 1875 or '6, when very young, in the West Indies or rather in the Gulf of Mexico, for my contacts with land were short, few, and fleeting, I heard the story of some man who was supposed to have stolen single-handed a whole lighter-full of silver, somewhere on the Tierra Firme seaboard during the troubles of a revolution. -
Hanging Together1. Not the How but the Why: Lord Jim and the Function of Intertextuality2
Yearbook of Conrad Studies (Poland) Vol. VIII 2013, pp. 7–30 doi: 10.4467/20843941YC.13.001.1323 HANGING TOGETHER1. NOT THE HOW BUT THE WHY: LORD JIM AND THE FUNCTION OF INTERTEXTUALITY2 Peter Vernon Université François Rabelais de Tours Abstract: This paper fi rst examines what kind of texts Conrad cites in his novels, and how they function and goes on to ask why Hamlet and the Bible are so signifi cant in Lord Jim. We will argue that Hamlet and Lord Jim have something in them that will not be transformed into art and that ac- counts, in part, for Conrad’s saying that he has been “satanically ambitious” in writing this novel, which analyses the human condition, its hopes and shames, courage and cowardice, to a profound depth at the limit of language and artistic expression. The intertext, indirectly, enables Conrad to bestow a heightened rhetoric onto his protagonist, which he would otherwise have found impossi- ble in the Modern period. Conrad frequently states his diffi culty in fi nding language to express the reality of Jim; he also has recourse to different narrative genres – adventure, gothic, romance – to give consolation to those looking for narrative closure. The intertext of Hamlet and the Bible enable the reader to perceive beyond closure that there are areas of existence that cannot be expressed in words. However, whether we perceive the silence beyond the text as ineffable or unsayable must, fi nally, depend on the individual reader. Conrad loads Jim’s presence with Christian imagery in order to show that this very young, fl awed, incoherent seaman is fated to atone for sin in self-sacri- fi ce. -
Declaring Victory and Admitting Defeat
Declaring Victory and Admitting Defeat Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Thomas Michael Dolan Jr. Graduate Program in Political Science The Ohio State University 2009 Dissertation Committee: Richard K. Herrmann, Advisor Daniel Verdier Theodore Hopf Copyright by Thomas Michael Dolan Jr. 2009 Abstract When do wartime events cause state leaders to change their political or military approach to a war, or try to end it? This study answers this question by focusing on leaders’ beliefs about how war advances their political aims and the changes those beliefs undergo, and the role of emotions in motivating or suppressing those changes. These key beliefs are conceptualized as Theories of Victory, and three key types of theory of victory—oriented toward demonstrating capability, wearying their opponent, or directly acquiring the aims—are identified. These types are used to explain how leaders interpret wartime events and, if they conclude their approach has failed, what further options (if any) will seem plausible. The motivation to learn associated with anxiety (produced by novel bad news) and the suppression of learning associated with anger and contentedness (produced by familiar bad news and good news) are used to explain when particular series of events lead to these key changes. Three cases are used to test the theory—the Winter War (Finland-USSR 1939-1940), the Pacific War (US-Japan 1941-1945) and the Battle of France (France-Germany 1940). ii Dedication For my Parents iii Acknowledgements It has been a long journey. -
Conquest of Paradise Frequently Asked Questions
Conquest of Paradise Frequently Asked Questions Version 2.2 Introduction This document used as its basis an unofficial FAQ compiled by Sonja Elen Kisa and posted on the boardgamegeek.com message boards on January 7, 2008. The contents of that FAQ were edited and re- ordered to form the nucleus of this document. Additional questions and answers were added, after referencing further threads on the boardgamegeek.com forums. In certain places in this document, there are italicized comments from the game designer, Kevin McPartland, that give the reader a sense of why certain rules are interpreted as they are, either from a game-design standpoint, or from a historical perspective. However, it should be noted that all of the answers contained in this FAQ were either provided by Mr. McPartland, or were approved by him after reviewing this document. Table of Contents 1.0 General Questions 1.0.1 Definition of a “known hex” 1.0.2 Definition of Open Ocean 1.0.3 Pre-Printed Open Ocean hexes 1.0.4 Island Group Capacity 1.0.5 Dashed squares on atolls 1.0.6 Orientation of Island Groups 1.0.7 Discovering an island in its real-life location 2.0 Turn Order Step 3.0 Exploration Step 3.1 Pre-Move 3.1.1 Pre-movement across face-down hexes 3.2 Discovery 3.2.1 Play of off-course chits 3.2.2 Definition of “discovery marker” 3.2.3 Discarding discovery markers 3.3 Resolution 4.0 Movement & Battle Step 4.1 Transit 4.1.1 Transport Canoe Chain carrying capacity 4.2 Movement 4.2.1 Combined movement from multiple hexes 4.2.2 Turning transport canoes face up 4.2.3 Using -
Mapping Axel Heyst's Island: the Limits of Allegory in Conrad's Victory
MAPPING AXEL HEYST'S ISLAND: THE LIMITS OF ALLEGORY IN CONRAD'S VICTORY John Derrick "It is not down in any map,tnie places never are." Melville, Moby Dick "Minute discrimination is Not Accidental.All sublimity is founded on Minute Discrimination." Blake's annotation to Reynolds' Discourses Readers of Treasure Island may remember Stevenson's observa- tion that his novel grew up around the treasure map he had one day draw in a mood of daydream. The map preceeded and incited his prose, providing not only atmosphere, but stimulus for plot. Thus Jim Hawkins discovers Stevenson's map (attributed to Captain Flint) in Billy Bones' tarry trunk, and the game is afoot. Having invented such places as the anchorage, the stockade, Spyglass Hill and the like, the author was at pains to connect them in a story that converges in time as well as space at the X that marks the spot of Flint's silver. One might question whether the inventors of fictional islands are not more than usually apt to think of their settings in cartographic terms. Though their geography may not be as explicit as Stevenson's, such works as Robinson Cntsoe, Typee, or Lord of the Flies imply background maps that are detailed and highly consistent. The closed world of the island setting seems to call for a gestalt in the mind of writer and reader, a greater graphic and geographic coherence than the vaster spaces one customarily finds in the realistic novel, where the roads lead in every direction outward, into the chaos of actual history. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
Conrad's Nostromo: Reception, Theme, Technique
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1961 Conrad's Nostromo: Reception, Theme, Technique Jerome A. Long Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Long, Jerome A., "Conrad's Nostromo: Reception, Theme, Technique" (1961). Master's Theses. 1624. https://ecommons.luc.edu/luc_theses/1624 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1961 Jerome A. Long CONRAD'S NOSTROMO: RECEPTION, THEME .. TECHNIQUE By Jerome A. Long A Thesis Submitted to the Faculty ot the Graduate School ot Loyola University in Partial Fulf11lment ot the Requ1rements for the Degree of Master of Arts February 1961 LIPS Jerome A. Long wa. born in Chicago. Illinois. December 20. 1935. He wa. graduated from Loyola Academy, Chioago. Illinois, June. 1953. and .a. graduated trom Loyola University. Chicago, June. 1957. with the degree ot Bachelor ot Sclence. , He .as enrolled in the Graduate School of Lolol a university in June. 1957. as a candidate tor the degree ot Master of Arts. The following lear he .8S an Instructor in English at Xavier university ot Loui.iana. lew Orleans. In 1959. he became a text book editor at Scott ,oresman and Company.