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Aikido XXXIX
Anno XXXIX(gennaio 2008) Ente Morale D.P.R. 526 del 08/07/1978 Periodico dell’Aikikai d’Italia Associazione di Cultura Tradizionale Giapponese Via Appia Nuova 37 - 00183 Roma ASSOCIAZIONE DI CULTURA TRADIZIONALE GIAPPONESE AIKIKAI D’ITALIA 30 ANNI DI ENTE2008 MORALE 3NOVEMBRE0 Sommario 02 - Editoriale 03 - Comunicati del fondo Hosokawa 04 - Nava, estate 2007... 05 - Ricordi:Giorgio Veneri - Cesare Abis 07 - ..a proposito di Ente Morale 10 - Lezione agli insegnanti dell’Aikikai d’Italia del maestro Hiroshi Tada Composizione dell’Aikikai d’Italia 14 - Le due vie del Budo: Shingaku no michi e Shinpo no michi Presidente 15 - Premessa allo studio dei principi Franco Zoppi - Dojo Nippon La Spezia di base di aikido 23 - La Spezia, Luglio 2007 Vice Presidente 25 - Roma, Novembre 2007 Marino Genovesi - Dojo Fujiyama Pietrasanta 26 - I giardini del Maestro Tada Consiglieri 28 - Nihonshoki Piergiorgio Cocco - Dojo Musubi No Kai Cagliari 29 - Come trasformarsi in un enorme macigno Roberto Foglietta - Aikido Dojo Pesaro Michele Frizzera - Dojo Aikikai Verona 38 - Jikishinkage ryu kenjutsu Cesare Marulli - Dojo Nozomi Roma 39 - Jikishinkageryu: Maestro Terayama Katsujo Alessandro Pistorello - Aikikai Milano 40 - Nuove frontiere: il cinema giapponese Direttore Didattico 52 - Cinema: Harakiri Hiroshi Tada 55 - Cinema: Tatsuya Nakadai Vice Direttori Didattici 58 - Convegno a Salerno “Samurai del terzo millennio” Yoji Fujimoto Hideki Hosokawa 59 - Salute: Qi gong Direzione Didattica 61 - Salute: Tai ji quan- Wu Shu - Aikido Pasquale Aiello - Dojo Jikishinkai -
Newsletter 09/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/07 DIGITAL EDITION Nr. 206 - April 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/07 (Nr. 206) April 2007 editorial Hallo Laserdisc- und DVD-Fans, und Fach. Wie versprochen gibt es dar- diesem Editorial auch gar nicht weiter liebe Filmfreunde! in unsere Reportage vom Widescreen aufhalten. Viel Spaß und bis zum näch- Es hat mal wieder ein paar Tage länger Weekend in Bradford. Also Lesestoff sten Mal! gedauert, aber nun haben wir Ausgabe satt. Und damit Sie auch gleich damit 206 unseres Newsletters unter Dach beginnen können, wollen wir Sie mit Ihr LASER HOTLINE Team LASER HOTLINE Seite 2 Newsletter 09/07 (Nr. 206) April 2007 US-Debüt der umtriebigen Pang-Brüder, die alle Register ihres Könnens ziehen, um im Stil von „Amityville Horror“ ein mit einem Fluch belegtes Haus zu Leben zu erwecken. Inhalt Roy und Denise Solomon ziehen mit ihrer Teenager-Tochter Jess und ihrem kleinen Sohn Ben in ein entlegenes Farmhaus in einem Sonnenblumenfeld in North Dakota. Dass sich dort womöglich übernatürliche Dinge abspielen könnten, bleibt von den Erwachsenen unbemerkt. Aber Ben und kurz darauf Jess spüren bald, dass nicht alles mit rechten Dingen zugeht. Weil ihr die Eltern nicht glauben wollen, recherchiert Jess auf eigene Faust und erfährt, dass sich in ihrem neuen Zuhause sechs Jahre zuvor ein bestialischer Mord abgespielt hat. Kritik Für sein amerikanisches Debüt hat sich das umtriebige Brüderpaar Danny und Oxide Pang („The Eye“) eine Variante von „Amityville Horror“ ausgesucht, um eine amerikanische Durchschnittsfamilie nach allen Regeln der Kunst mit übernatürlichem Terror zu überziehen. -
P38-39 Layout 1
lifestyle THURSDAY, SEPTEMBER 5, 2013 MUSIC & MOVIES True Blood to end its run next year Photo shows Japanese actor Ken Watanabe gestures during an interview in Tokyo. — AP race yourselves, “True Blood” fans; dents of Bon Temps, but I look forward to the end is near. HBO Programming what promises to be a fantastic final Watanabe stars in Bpresident Michael Lombardo said chapter of this incredible show.” on Tuesday that the vampire drama will Brian Buckner, who took the reins for end its run next year following its sev- the show’s sixth season, said that he was enth season, which will launch next sum- “enormously proud” to be part of the Eastwood’s ‘Unforgiven’ remake mer. In a statement, Lombardo called series.”I feel enormously proud to have “True Blood” - which saw the departure been a part of the ‘True Blood’ family he Japanese remake of Clint Eastwood’s really good versus evil, according to self. And they were asking me: Who are of showrunner Alan Ball prior to its sixth since the very beginning,” says Brian ‘Unforgiven’ isn’t a mere cross-cultural Watanabe.The remake examines those issues you?”Watanabe stressed he was proud of the season - “nothing short of a defining Buckner. “I guarantee that there’s not a Tadaptation but more a tribute to the uni- further, reflecting psychological complexities legacy of Japanese films, a legacy he has helped show for HBO.”‘True Blood’ has been more talented or harder-working cast versal spirit of great filmmaking for its star Ken and introducing social issues not in the original, create in a career spanning more than three nothing short of a defining show for and crew out there, and I’d like to extend Watanabe.”I was convinced from the start that such as racial discrimination.”It reflects the decades, following legends like Toshiro Mifune HBO,” Lombardo said. -
Port of Flowers Hanasaku Minato
Retrospectiva de Keisuke Kinoshita Port of Flowers Hanasaku minato B&W / Standard / 1943 / 82 min / Shochiku Cast: Director: Kinoshita Keisuke Shuzo: Ozawa Eitaro Script: Tsuji Yoshihiro Tomekichi: Uehara Ken Based on a play by: Kikuta Kazuo Okano: HiGashiyama Chieko CinematoGraphy: Kusuda Hiroshi Nobatama: Ryu Chishu Art Director: Motoki Isamu Hayashida: Tono Eijiro Music: Abe Sakari Okuda, villaGe chief: Sakamoto Takeshi Ryoji, his assistant: Hanzawa Yosuke Producer: Endo ShinGo Oharu, Ryoji’s sister: Mito Mitsuko Setsuyo: Maki Fusako Yuki: Murase Sachiko SettinG: A small island in Kyushu in 1941 Synopsis: A patriotic comedy about two con men arrivinG suddenly to work a scam on the inhabitants of a small Japanese island just as the nation beGins its entrance into World War II. The men claim to be the orphan sons of Watase Kenzo, who had come to the island and initiated a project to construct a shipyard 15 years prior. He left with the project half-completed but is remembered with Great fondness by the mayor and the Group of people who hold the most influence on the island, includinG Nobatama who runs the horse and carriaGe shop; Hayashida, the boss of the fishermen; and Okano, the owner of the inn. Okano had once chased Watase all the way to PenanG, still to find her love unrequited. Because of this history, she takes care of the two con men she has just met as if they were her own sons. The more experienced of the two, Shuzo, takes the name Kensuke (Watase), GivinG his partner Tomekichi the name Kenji. They announce their desire to revive the shipyard project, a proposal met with enthusiastic support from all but Hayashida, who is forever concerned with money. -
Japanese Videos - (Last Update September 13, 2019) Use the Find Function to Search This List
Japanese Videos - (last update September 13, 2019) Use the Find function to search this list Aspects of the Kabuki Theater of Japan 198?, 20 minutes, English. Shows costumes, make up, and examples of Kabuki productions. Accompanied by traditional Kabuki music. JCU Library CALL NO. PN2924.5.K3.A86 Career Escalator, The – with notes Education and Job Competition. LLC Library CALL NO. JP 008 – C Double Suicide Double Suicide Director: Masahiro Shinoda. 1969, 105 minutes, B&W, Japanese with English subtitles. Compelling drama based on a traditional Bunraku puppet play which is performed within the film itself about a married man who plans a suicide pact with his mistress. LLC Library CALL NO. JP 012 Funeral, The Director: Juzo Itami. with Nobuko Miyamoto, Tsutomu Yamazaki. 1985, 114 minutes, Japanese with English subtitles. Darkly funny tale of a contemporary Japanese family’s skewed attempts to conduct a traditional Buddhist service for their late patriarch. Controversial, compelling comic effort on the part of director and actors. LLC Library CALL NO. JP 009 Japan Invades China PBS Video, 1989, 51 minutes. 1. Highlights Japan’s expansion into French Indochina, the Dutch Indies, Burma, Malaya and the Philippines. 2. Focuses on the diplomatic and economic pressure placed on Japan prior to the attack on Pearl Harbor. JCU Library CALL NO. D443.J36 Japanese Version, The 1991, 56 minutes. The film explores Japan’s fascination with things American, pointing out that in borrowing from other cultures, there emerges a distinct Japanese slant on such things as American baseball, the 1950’s, weddings, and love hotels. JCU Library CALL NO. -
Japanische Meisterregisseure
präsentiert JAPANISCHE MEISTERREGISSEURE Vier japanische Regisseure, die Kinogeschichte schrieben, erstmals in Europa Japans Filmgeschichte ist vielfältig. Mit unserer Reihe Japanische Meisterregisseure werden wir als erstes DVD-Label europaweit auf die unglaubliche Bandbreite des japanischen Kinos aufmerksam machen und hoffen, damit vor allem Cineasten und Fans des klassischen japanischen Kinos zu begeistern. Ab Herbst 2009 präsentieren wir Filme, die zum großen Teil erstmals in Europa auf DVD erscheinen werden und nur sehr selten bei Filmfestivals zu sehen waren. Um dem ursprünglichen Charakter der Filme möglichst nahe zu kommen, bieten wir alle erscheinenden Filme im Originalton mit deutschen Untertiteln an und verzichten weitgehend auf deutsche Synchronisationen. Vorerst stehen insgesamt 22 Titel von vier Regisseuren auf dem Programm: Das provokante Frühwerk Nagisa Ōshimas wird mit vier Filmen präsentiert. Europaweit noch völlig unveröffentlicht ist das düstere Werk eines der vielseitigsten japanischen Regisseure, Yoshitaro Nomura . Der Schleier um einen weiteren großen Unbekannten des japanischen Kinos, Keisuke Kinoshita , wird mit fünf Filmen aus seinem vielschichtigen Oeuvre gelüftet. Unter anderem befindet sich auch der allererste japanische Farbfilm in der Auswahl. Die meditativen Familiendramen Yasujiro Ozus stehen im Mittelpunkt unserer Reihe: Wir veröffentlichen eine Auswahl von elf Filmen, die die Schaffensperiode von 1936 bis 1962 abdecken. Informationen zu den ausgewählten Filmen und Regisseuren finden Sie etwas weiter unten im Text. Informationen zu den jeweiligen Veröffentlichungen erhalten Sie in Zukunft regelmäßig einzeln. Pressekontakt, Medienkooperationen: Österreich polyfilm video – Florian Widegger – mail: [email protected] phon: +43 (0)1 581 39 00 13 oder +43 (0) 676 575 63 88 Deutschland ATMedien – Axel Gallep – mail: [email protected] phon: +49 (0)2 28 368 37 05 2 INHALTSVERZEICHNIS Oshima Nagisa – Rebell und Provokateur ………………………………………. -
This Project by Patricia J
TEACHING ADULT EFL LEARNERS IN JAPAN FROM A JAPANESE PERSPECTIVE SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ARTS IN TEACHING DEGREE AT THE SCHOOL FOR INTERNATIONAL TRAINING BRATTLEBORO, VERMONT BY PATRICIA JEAN GAGE SEPTEMBER 2004 © PATRICIA JEAN GAGE 2004 This project by Patricia J. Gage is accepted in its present form. The author hereby grants the School for International Training the permission to electronically reproduce and transmit this document to the students, alumni, staff, and faculty of the World Learning Community. © Patricia Jean Gage, 2004. All rights reserved. Date _________________________________ Project Advisor _________________________________ (Paul LeVasseur) Project Reader _________________________________ (Kevin O’Donnell) Acknowledgements There are so many people that contributed to this project and without their help this project would not have been possible. First, I would like to thank my Sakae and Taiyonomachi classes for always being patient with me and for taking time out of their busy schedules to write feedback about each of the topics. Second, I am very grateful to Toshihiko Kamegaya, Mayumi Noda, Katsuko Usui, Terukazu Chinen and Naoko Ueda for providing the anecdotes in the section titled “Voices from Japan.” Third, I would like to give a special thanks to Paul LeVasseur, my advisor and teacher, whose Four Skills class inspired me to do this project and whose insightful comments about this paper were invaluable. I would also like to thank the summer faculty at SIT for their dedication and commitment to the teaching profession and to their students. Next, I would like to acknowledge my reader, Kevin O’Donnell, for guiding me in the right direction and for spending time, in his already hectic schedule, to read my paper. -
Movie Museum JULY 2011 COMING ATTRACTIONS
Movie Museum JULY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY LA CHÈVRE KAMOME SHOKUDO 13 ASSASSINS CEDAR RAPIDS Hawaii Premiere! aka The Goat aka Seagull Diner aka Juusan-nin no Shikaku (2011) L'EMMERDEUR (1981-France/Mexico) (2006-Japan) (2010-Japan/UK) in widescreen (1973-France/Italy) in French with English in Japanese with English in French with English in Japanese/Finnish w/English subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen with Ed Helms, John C. Reilly, with Pierre Richard, Gérard Isiah Whitlock Jr., Anne w/Lino Ventura, Jacques Brel with Satomi Kobayashi, Hairi Koji Yakusho, Takayuki 12:30, 2:00, 3:30. 5:00 & Depardieu, Pedro Katagiri, Masako Motai, Yamada, Yusuke Iseya, Goro Heche, Kurtwood Smith, Armendariz Jr., Michel Stephen Root, Alia Shawkat. 6:30pm only Jarkko Niemi, Tarja Markus. Inagaki, Masachika Ichimura, ---------------------------------- Robin, Corynne Charbit. Tsuyoshi Ihara. Directed by LA CHÈVRE Directed and Co-written by (1981-France/Mexico) Written and Directed by Directed by Takashi Miike. Miguel Arteta. Francis Veber. Naoko Ogigami. French w/Eng subtitles & w.s. Pierre Richard, Gérard 12:15, 2:30, 4:45, 7:00 & 12:15, 2:00, 3:45, 5:30, 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & Depardieu, Corynne Charbit. 9:15pm 7:15 & 9:00pm 8pm only & 8:30pm 7 8:30pm 8 9 10 11 LA NUIT DE VARENNES TAMPOPO SIN VERGÜENZA RANGO Hawaii Premiere! LES FUGITIFS (1982-France/Italy) (1985-Japan) (2001-Spain) (2011) animation & widescreen voiced by Johnny Depp, Bill (1986-France) in French with English in Japanese with English Spanish w/Eng subtitles & w.s. -
Chronology of Events 2019—2020
CHRONOLOGY OF EVENTS 2019—2020 In mid-March, 2020, Japan Society closed its doors to staff, guests and the public in compliance with the COVID-19 pandemic shutdown. All onsite programs were cancelled or postponed, including the newly opened spring Gallery exhibition, with virtual events and other digital initiatives replacing physical programming. 2020 Japan Society Annual Dinner: LEADERSHIP BRIEFINGS SPECIAL EVENTS Reimagined Gala and Awards An ongoing series of C-suite invitational 18 June briefings brings together influential 2019 Bash + Benefit Auction executives and other thought leaders from 7 November Japan Society’s first ever virtual 2020 Annual Dinner: Reimagined Gala and Awards led the way the U.S. and Japan to discuss industry- Japan Society’s seventh annual benefit auction, an for fundraising events in New York during the COVID specific topics defining and driving the U.S. evening of festive food, drink and entertainment with pandemic, with New York and Tokyo co-hosts and and Japan. live and online auctions, was held in support of the approximately 350 guests—20 percent of the Society’s Arts & Culture programming. Following a audience joined from Japan. The program featured VIP dinner with special guests David Bouley, Candice presentations by Keynote Speaker Daniel P. Amos, Leadership Briefing Kumai, Shohei Shigematsu, Hiroshi Sugimoto and Chairman and CEO, Aflac Incorporated and kyogen 21—22 May Basil Twist, Christy Williams Coombs of Sotheby’s actor Mansaku Nomura, the Japan Society Award Online invitational program. Co-presented with conducted the live auction. Guests enjoyed Recipient. TV personality and international model Brunswick Group. With Neil Wolin, CEO, Brunswick installations, live performances, and projections Mika Ahn was the Master of Ceremonies Tokyo and Group. -
Louxor Palais Du Cinéma Semaine Du 26 Août Au 1 Septembre 2020
Louxor Palais du cinéma Semaine du 26 août au 1 septembre 2020 Chien Pourri, la vie à Paris ! EN AVANT-PREMIÈRE Durée : 1:00 Genre : Animation Réalisé par Davy Durand, Vincent Patar, Stéphane Aubier MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VF Dans un jardin qu'on dirait éternel Durée : 1:40 Genre : Comédie dramatique Réalisé par Tatsushi Omori Avec Kiki Kirin, Haru Kuroki, Mikako Tabe, Mayu Harada, Saya Kawamura MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO Tenet Durée : 2:30 Genre : Action, science-fiction Réalisé par Christopher Nolan Avec John David Washington, Robert Pattinson, Elizabeth Debicki, Aaron Taylor-johnson, Himesh Patel MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO Les horaires sont susceptibles de changer, n'hésitez pas à venir vérifier sur le site avant votre séance. -
A Royal Succession at the KING and I (88.3
FOR IMMEDIATE RELEASE, PLEASE LONG LIVE THE KINGS! LINCOLN CENTER THEATER ANNOUNCES THE ROYAL SUCCESSION SET TO REIGN IN ITS TONY AWARD-WINNING PRODUCTION OF RODGERS & HAMMERSTEIN’S “THE KING AND I” DIRECTED BY BARTLETT SHER TONY AWARD NOMINEE KEN WATANABE RETURNS TO STAR OPPOSITE TONY AWARD-WINNER KELLI O’HARA FOR SEVEN WEEKS ONLY TUESDAY, MARCH 1 THROUGH SUNDAY, APRIL 17 * * * * * * * * JOSE LLANA TO RETURN AS THE KING OF SIAM FOR TWO WEEKS ONLY TUESDAY, APRIL 19 THROUGH SUNDAY, MAY 1 * * * * * * * * * DANIEL DAE KIM TO MAKE HIS BROADWAY DEBUT AS THE KING OF SIAM FOR A STRICTLY LIMITED 8-WEEK ENGAGEMENT TUESDAY, MAY 3 TO SUNDAY, JUNE 26 AT THE VIVIAN BEAUMONT THEATER Lincoln Center Theater (under the direction of André Bishop, Producing Artistic Director) has announced the casting of a succession of Kings to star this spring in its Tony Award-winning production of Rodgers & Hammerstein’s THE KING AND I, directed by Bartlett Sher, at the Vivian Beaumont Theater (150 West 65 Street). Hoon Lee, who is currently starring as the King of Siam, will play his final performance in the role on Sunday, February 28. For seven weeks only, from Tuesday, March 1, through Sunday, April 17, Tony Award nominee Ken Watanabe, who created the role of the King of Siam in the LCT production, will return to once again star opposite Tony Award-winner Kelli O’Hara as Anna Leonowens. On Tuesday, May 3, Daniel Dae Kim, the popular star of the long-running television series “Lost” and “Hawaii Five-0,” will make his Broadway debut when he assumes the role of the King of Siam for a strictly limited eight-week engagement through Sunday, June 26. -
AN AUTUMN AFTERNOON (Sanma No Aji) Directed by Yasujiro Ozu Japan, 1962, 112 Mins, Cert PG
AN AUTUMN AFTERNOON (Sanma no aji) Directed by Yasujiro Ozu Japan, 1962, 112 mins, Cert PG With Chishu Ryu, Shima Iwashita, Keiji Sada, Mariko Okada New 2K restoration Opening on 16 May 2014 at BFI Southbank and selected cinemas nationwide 17/3/14 – Now ravishingly restored by Shochiku Studios, Japan’s National Film Centre and the National Museum of Modern Art, Tokyo, An Autumn Afternoon is the final work of Japanese master filmmaker Yasujiro Ozu (1903 – 1963). One of the greatest last films in all of cinema history, it is released by the BFI in cinemas nationwide on 16 May. While the film’s original Japanese title (which translates as ‘The Taste of Mackerel’) is less obviously elegiac than its English one, Ozu’s masterpiece is truly autumnal, charting the inevitable eclipse of older generations by irreverent youth. Revisiting the storyline of his earlier Late Spring (1949), Ozu collaborates once more with his regular screenwriter Kogo Noda and casts the familiar face of Chishu Ryu in the role of Hirayama, an elderly widower worried about the unmarried daughter who keeps house for him. Counselled on all sides to marry her off before it is too late, Hirayama plays matchmaker and reluctantly prepares to bid his old life farewell. The themes throughout are familiar from much of the director’s greatest work: everyday life with all its ups and downs – at home, at work, in local bars, with family, with old friends. These are ordinary people whose stories may not have big melodramatic moments, but whose concerns – loneliness, ageing parents, family responsibility – resonate deeply with us all.