2013 Calendar of Events
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Il =' II I-·I·III--· I- I II · I -- - I --- L- Ir I , · -'--r- · I - I · I 2 CAZIING HOME FOR MONEY TUST GOT CHEAPER. r ^M~~rli~ftlilll~~l^Jinl~~lia~~iI~syilli^^ii~~~nj~ia~gjiiiTT^^~ Now there's a cheaper way to call home-or anywhere else. coin and collect calls. You can even use your Home Federal Just buy a Pre-Paid Phone Card at BASED ON A 3 MINUTE CALL FROM NEW YORK TO: Pre-Paid Phone Card for cellular a\ our branch on campus or your Pay Phone AT&T Home Federal phone calls and pagers. At a\ Credit Card Phone Card r- nearest Home Federal branch. Anywhere in the U.S. $5.50 $3.41 $0.75 Home Federal, you don't have France, Germany, Norway, $12.60 $7.44 $1.50 E You'll enjoy savings of 40-70% Sweden, Switzerland and U.K. to go far to call far-for less. Just Italy $19.50 $9.65 $2.25 IQ) on pay phone and credit card Korea $19.50 $8.78 $4.00 think of what you can do with O Brazil $11.30 $11.24 $4.00 O long distance rates, and 150%o on all that spare change. $.- 0 516-689-8900 Student Activities Center, Lower Level Monday-Friday 9:00AM-4:30PM, Thursdays 9:00AM-7:00PM di o c> (&I0 4-^0 <^ YOu DON'T HAVE To CO FAR To GET FAR:m * < $4 I;'eniber r)IC 31 CONVENIENT BRANCH LOCATIONS THROUGHOUT BROOKLYN, QUEENS, NASSAU, SUFFOLKAND STATEN ISLAND EQUALHOUSING LENDER k-I I 3 at lIving Pla za Sold~~~~~~~~~~~~~~1Sold OuJrsOut Jars of ClaClay ConerConcert L at Irin zt7a BY DIANA GINGO through the set with energy and strong lead Statesmant Editor _ _ vocals. -
Southern Black Gospel Music: Qualitative Look at Quartet Sound
LIBERTY UNIVERSITY SOUTHERN BLACK GOSPEL MUSIC: QUALITATIVE LOOK AT QUARTET SOUND DURING THE GOSPEL ‘BOOM’ PERIOD OF 1940-1960 A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF MUSIC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY BY BEATRICE IRENE PATE LYNCHBURG, V.A. April 2014 1 Abstract The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the ‘Southern’ gospel music distinction. The quartet sound was the most popular form of music during the Golden Age of Gospel, a period in which there was significant growth of public consumption of Black gospel music, which was an explosion of black gospel culture, hence the term ‘gospel boom.’ The gospel boom period was from 1940 to 1960, right after the Great Depression, a period that also included World War II, and right before the Civil Rights Movement became a nationwide movement. This work will evaluate the quartet sound during the 1940’s, 50’s, and 60’s, which will provide a different definition for gospel music during that era. Using five black southern gospel quartets—The Dixie Hummingbirds, The Fairfield Four, The Golden Gate Quartet, The Soul Stirrers, and The Swan Silvertones—to define what southern black gospel music is, its components, and to identify important cultural elements of the music. -
Sammy Strain Story, Part 4: Little Anthony & the Imperials
The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103). -
Bass Passion Office Is Asking for the Public’S Help in Identifying Any Possible Victims of Alleged Child Molester Kenneth Davidson, 65, of Redwood Valley
Community RELIGION sports digest Saturday Faith community news ...................................Page 3 .............Page 6 Aug. 4, 2007 INSIDE Mendocino County’s Obituaries The Ukiah local newspaper ..........Page 2 Sunday: Clouds, then sunshine; cooler 7 58551 69301 0 Monday: Clouds, then sunshine 50 cents tax included DAILY JOURNAL ukiahdailyjournal.com 14 pages, Volume 149 Number 117 email: [email protected] Defendant told police he ‘felt threatened’ By BEN BROWN attacked him moments before. first-degree murder in Syfert’s death. D.J. Miller interviewed Flitcroft The Daily Journal Flitcroft fired seven times into the “I think I felt threatened,” he said hours after the shooting took place In a videotaped interview with MURDER TRIAL group, killing his girlfriend, Brittany on the video. “I felt I needed to do during Syfert’s birthday party in police, Caleb Flitcroft said he fired Syfert, who would have turned 20 something.” Potter Valley. into a group of people at his girl- of 2005, because he felt threatened two days later, and wounding one Mendocino County Sheriff’s friend’s birthday party in November by three men who he said had other man. Flitcroft is charged with Detective James Schnitzes and Lt. See TRIAL, Page 14 Public help ‘The defining moment of my fishing came when I joined the Mendo Bassers. Everyone there wants you to succeed. The simpler you can keep it, the better off you’ll be.’ sought in DAN KORNEGAY child sexual assault case The Daily Journal The Mendocino County Sheriff’s Bass passion Office is asking for the public’s help in identifying any possible victims of alleged child molester Kenneth Davidson, 65, of Redwood Valley. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
Wholemegillah
Congregation Beth Shalom Rodfe Zedek The WholeMegillah September & October 2017 10 Elul, 5777 – 11 Heshvan, 5778 Inside this issue Reflections and Schedule for the High Holy Days pg 6–7 Rabbi Bellows’ Teaching for Sukkot................................3 Editorial on the Sh’ma by Andy Schatz...................4–5 Ellen Nodelman Presents House of Peace and Justice, the History of CBSRZ at Books & Bagels.................10–11 News from the Kivvun Korner...................12–13 Baruch Zvi Ring, Memorial Tablet and Omer Calendar, Jewish Museum, New York City (Google Art Project) www.cbsrz.org T H A N K Y O U IN THIS ISSUE to the following donors from 6/6/2017 to 8/6/2017 2nd Century Campaign Carol, Sofia and Eva LeWitt: in memory of From Our Rabbi Rita Christopher & David Frank Dr. Abraham LeWitt & Nellie LeWitt Edward & Linda Pinn Carol LeWitt & Bruce Josephy: in memory of 3 Rabbi Marci Bellows Michael Roth & Kari Weil Phil Burzin, Bernie Slater, Bennett Millstein and 860-526-8920 Andy Schatz & Barbara Wolf Harvey Redak [email protected] Natalie Lindstrom: in memory of Lee Marcus Sh’ma Editorial Tzedakah Collective Norman Needleman: in memory of Ann Needleman Cantor Belinda Brennan Cantor Educator Sophie & Maurice Khaski Norman Needleman: in memory of Karen Joy 4–5 Berfond 860-526-8920 Harvey Payton: in memory of William Payton [email protected] Food/Beverage Fund Saul & Hila Rosen: in memory of Susan Cohen Ethan Goller & Rona Malakoff High Holiday Maxine Klein Glassberg, Harry Rosen, Mildred Rosen and President Debra Landrey Frances -
2012–2013 Season Sponsors
2012–2013 SEASON SPONSORS The City of Cerritos gratefully thanks our 2012–2013 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. ENCORE Terry Bales Patricia and Mitchell Childs Bryan A. Stirrat & Associates Sallie Barnett Drs. Frances and Philip Chinn The Capital Group Companies Alan Barry Nancy and Lance Chontos Charitable Foundation Cynthia Bates Patricia Christie Jose Iturbi Foundation Dennis Becker Richard “Dick” Christy National Endowment for the Arts Barbara S. Behrens Rozanne and James Churchill Eleanor and David St. Clair Aldenise Belcer Neal Clyde Yvette Belcher Mark Cochrane HEADLINER Peggy Bell Michael Cohn Chamber Music Society of Detroit Morris Bernstein Claire Coleman The Gettys Family Norman Blanco Mr. and Mrs. Joseph Consani II Los Cerritos Center James Blevins Patricia Cookus Preserved TreeScapes International, Michael Bley Christina and Robert Copella Dennis E. Gabrick Kathleen Blomo Nancy Corralejo Marilynn and Art Segal Karen Bloom Virginia Correa Triangle Distributing Company Marilyn Bogenschutz Ron Cowan United Parcel Service Linda and Sergio Bonetti Patricia Cozzini Yamaha Patricia Bongeorno Pamela and John Crawley Gloria and Lester Boston, Jr. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
The Gift of Israel Jars of Clay Open up at UMBC Books, Java and Happy
I • Sept. 2000 ' ' J I PAGE 15 Jamie Peck trudges Curio Shoppe 20 through Survivor tell-all becomes She-Ra 23 Adam Craigmiles reach- Getting personal 20 es Sunny California with Persiflage 24 (insert name here] b y a n n a k a p I a n week has passed, and Andrew's second week of con a small green plastic test entries. Andrew, [INH] is Ahippo is still sitting very sorry that you did not get around the Retriever Weekly the prize. You really do office, wondering why no one deserve one for your consisten has come to pick it up yet. cy. Tune in next week for fur Where are you, Sal Paradise? ther prize announcements. Why won't you pick up your The official winner and the prize? If you can, please stop recipient of a book about cho by the office on Friday after lesterol whose title [INH] can noon. [Insert Name Here] is not recall at the moment is dying to meet a fellow someone named BigDon. His Kerouac fan. entry is as follows: Now on to the contest busi "Classes and their slogans ness. This is the second week Art: Where homicidal rages in a row that people have sub and clay can earn you a degree. mitted entries, which makes Greek Mythology: Large [INH] feel all warm and fuzzy naked men are the norm. inside. If this keeps happening, History: Undeniable proof it will just have to melt into a that people like to kill each big happy puddle on the floor. -
MB Sept 2 2018 FINAL PUB Filer (Pdf) Download
Vol. XXIV No. 15 September 16-31, 2018 Jim Crow Museum of Racist Memorabilia: Using objects of The intolerance to teach tolerance and promote social justice 411 Keeping The Dream Alive SEPTEMBER 2018 EVERY TUESDAY AND MONTHLY SECOND FRIDAYS Ballroom Dancing with Sterling Armstrong at Grego- ry’s 2510 N. MLK Jr. BLVD. Lansing. MI for more info call 517-256-8051 Fridays Dates: 9/14, 10/12 & 11/9 SEPTEMBER 14-16, 2018 “ST. STEPHEN COMMUNITY CHURCH UCC ANNIVERSI- TY” 1007 Kimberly Dr. Lansing, MI. for more infor- mation call 517-484-2180 Jim Crow Museum of Racist memorabilia-Using objects of intolerance to teach and promote social justice at Ferris State University The Jim Crow Museum is open and is FREE to the public. The Museum features six exhibit areas -- Who and What is Jim Crow, Jim SEPTEMBER 18-23, 2018 Crow Violence, Jim Crow and Anti-Black Imagery, Battling Jim Crow Imagery, Attacking Jim Crow Segregation, and Beyond Jim Crow. “SCHOOL OF ROCK The Musical” Great Cobb Hall The Museum also offers a comprehensive timeline of the African American experience in the United States. The timeline is divided For Times and Ticket info call 1-800-WHARTON into six sections: Africa Before Slavery, Slavery in America, Reconstruction, Jim Crow, Civil Rights and Post Civil Rights. The Jim Crow Museum at Ferris State University strives to become a leader in social activism and in the discussion of race and race SEPTEMBER 21-22, 2018 relations. This facility will provide increased opportunities for education and research. Please join us as we embark on this mission. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings.