THE TEMPTATIONS Friday, May 22, 2009, 8:00 PM Saturday, May 23, 2009, 8:00 PM
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
ARNOLD MITTELMAN Producer/Director 799 Crandon
ARNOLD MITTELMAN Producer/Director 799 Crandon Boulevard, #505 Key Biscayne, FL 33149 [email protected] ARNOLD MITTELMAN is a producer and director with 40 years of theatrical achievement that has resulted in the creation and production of more than 300 artistically diverse plays, musicals and special events. Prior to coming to the world famous Coconut Grove Playhouse in 1985, Mr. Mittelman directed and produced Alone Together at Broadway's Music Box Theatre. Succeeding the esteemed actor José Ferrer as the Producing Artistic Director of Coconut Grove Playhouse, he continued to bring national and international focus to this renowned theater. Mr. Mittelman helped create more than 200 plays, musicals, educational and special events on two stages during his 21-year tenure at the Playhouse. These plays and musicals were highlighted by 28 World or American premieres. This body of work includes three Pulitzer Prize-winning playwrights directing their own work for the first time in a major theatrical production: Edward Albee - Seascape; David Auburn - Proof; and Nilo Cruz - Anna In the Tropics. Musical legends Cy Coleman, Charles Strouse, Jerry Herman, Jimmy Buffett, John Kander and Fred Ebb were in residence at the Playhouse to develop world premiere productions. The Coconut Grove Playhouse has also been honored by the participation of librettist/writers Herman Wouk, Alfred Uhry, Jerome Weidman and Terrence McNally. Too numerous to mention are the world famous stars and Tony award-winning directors, designers and choreographers who have worked with Mr. Mittelman. Forty Playhouse productions, featuring some of the industry's greatest theatrical talents and innovative partnerships between the not-for-profit and for-profit sectors, have transferred directly to Broadway, off-Broadway, toured, or gone on to other national and international venues (see below). -
May 2018 Welcome Mike Hausberg
MAY 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Native Gardens. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
Nitty Gritty Dirt Band Greatest Hits Live
Nitty Gritty Dirt Band Greatest Hits Live This incredible footage from a 1984 performance at the Church Street Station Theatre in Orlando features The Nitty Gritty Dirt Band with special guests Stella Parton and Gus Harding. One of the few bands to have success on both the rock and pop as well as the country charts, The Nitty Gritty Dirt band has had hit records in five different decades and has lasted longer than virtually any other country-based rock group of their era. Younger contemporaries of the Byrds, they played an almost equally important role in the transformation from folk-rock into country-rock, and were an influence on such bands as the Eagles and Alabama and released the seminal triple album, Will the Circle Be Unbroken, in January of 1973, that became a million-seller. The band have since performed and recorded with any number of country/bluegrass crossover artists whose career paths were made easier by that first record, including John Hiatt, Mary Chapin Carpenter, and Rosanne Cash. Track Listing • High Horse • Home Again In My Heart • Long Hard Road • Partners, Brothers, Friends • Cadillac Ranch • Dance Little Jean • Randy Lynn • Scruggs Rag • Mr Bojangles • STELLA PARTON 'Standard Lie #1' & 'Danger of a Stranger' • GUS HARDING 'Walls of Tears' & 'All Tangled Up' Artist Nitty Gritty Dirt Band Title Greatest Hits Live Selection # QLDVD6697 UPC 022891669791 Prebook 10/16/2007 Street Date 11/20/2007 Bonus Retail $12.95 • Quantum Leap Propaganda Genre Country/Rock Run Time $12.95 • Bonus Track Quiz Box Lot 30 • Fanzone Label QUANTUM Audio 5.1 Surround Sound Format DVD T: 800-888-0486 | F: 610-650-9102 | PO Box 280 | Oaks, PA 19456 | www.MVDb2b.com Publicity Contact: Clint Weiler | 610.650.8200 x115 | [email protected]. -
© 2020 Kaitlyn Wentz All Rights Reserved
© 2020 KAITLYN WENTZ ALL RIGHTS RESERVED ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION A Thesis PresenteD to The GraDuate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts KAITLYN WENTZ May, 2020 ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION Kaitlyn Wentz Thesis ApproveD: AccepteD: ______________________________ ___________________________ Advisor School Director James Slowiak Dr. Marc ReeD ______________________________ ___________________________ Committee Member Interim Dean of the College ArnolD Tunstall Dr. LinDa Subich ______________________________ ___________________________ Committee Member Acting Dean of the GraDuate Courtney Cable School Dr. Marnie SaunDers ___________________________ Date ii ABSTRACT In a time of constant threat to funDing, elimination of the National EnDowment, anD competition over resources, philanthropy in the arts anD culture sector is inDispensable to the vibrancy anD economic Development of a city’s core. The arts anD culture sector is consiDereD to take away from an economy’s financial resources. However, it is the exact opposite. It is a thriving sector that contributes to the economy by creating jobs, spenDing money at local businesses, anD bringing in cultural tourists. FreD BiDwell anD Rick Rogers have a long history of philanthropy in this sector, anD their DemonstrateD support has leD to efforts of revitalization, vibrancy, anD Dollars spent in the cities of Akron anD ClevelanD. This thesis explores the history, issues, and successes of the two cultural proDucers’ philanthropy efforts in the sector anD the impact that their support has brought to the Northeast Ohio region. iii TABLE OF CONTENTS CHAPTER I. -
Equity News Summer 2019
SUMMER 2019 | VOLUME 104 | ISSUE 3 ACTORS’ EQUITY ASSOCIATION Equity NEWS A CENTURY OF SOLIDARITY CELEBRATING THE 100TH ANNIVERSARY OF THE VERY FIRST EQUITY STRIKE EquityDIRECTORY EASTERN REGION WESTERN REGION BUSINESS THEATRE Kaitlyn Hoffman [email protected], x322 SPECIAL APPEARANCE, GUEST AND DINNER THEATRE ARTIST Philip Ring [email protected], x106 CABARET Kaitlyn Hoffman [email protected], x322 WITHIN LA - 99 SEAT Albert Geana-Bastare [email protected], x118 CASINO Doria Montfort [email protected], x334 TYA, STOCK, LOA TO COST & LOA TO WCLO Christa Jackson [email protected], x129 DINNER THEATRE Gary Dimon [email protected], x414 SPT, HAT Gwen Meno [email protected], x110 DINNER THEATRE ARTIST Austin Ruffer [email protected], x307 LORT Ethan Schwartz [email protected], x150 DISNEY WORLD Donna-Lynne Dalton [email protected], x604 Buckly Stephens [email protected], x602 LOA TO LORT Lyn Moon [email protected], x119 GUEST ARTIST Austin Ruffer [email protected], x307 CONTRACTS WITHIN NORTHERN CALIFORNIA Ethan Schwartz [email protected], x150 LABS/WORKSHOPS Corey Jenkins [email protected], x325 CONTRACTS WITHIN SOUTHERN CALIFORNIA Albert Geana-Bastare [email protected], x118 LOA-NYC Raymond Morales [email protected], x314 CONTRACTS WITHIN TEXAS & UTAH Christa Jackson [email protected], x129 LOA-PP Timmary Hammett [email protected], x376 Gary Dimon [email protected], x414 CONTRACTS -
HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis Mccall
HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis McCall Published in Texas, United States of America DEDICATION To the Hollands and Jacksons of today, with the hope and prayer that they may live up to the best of their forbears. FOREWORD This is factual history of our Hollands and Jacksons since the American War for Independence. Records have been established by the General Services Ad ministration, the United States census rolls, county court house documents and historical sections of Texas libraries. Blank pages have been placed after each part of the book so that additional material may be entered. Hundreds of family members, scattered from the New England states to California, have sent in their data and urged that they be preserved in permanent form. Grateful acknowledgment is made to every relative and friend who supplied information and inspiration, and above all, deep appreciation is expressed toward our im mediate family whose encouragement and active assistance have enabled us to compile and publish this record. PEARL DAVIS McCALL Temple, Texas November, 1959 CONTENTS DIRECTORY • 16 PART I THOMAS HOLLAND, R. s. 17 Harrison P. Holland, Thomas Holland, Jr., James Holland, John Rickman Holland, William Holland, Robert Holland, Benjamin Holland, Sarah Rickman Holland. OUR FAMILY ALBUM 133 PART II JACKSON FAMILY RECORD 145 John Jackson and Eve Still Jackson. Henry Lyda Jackson, Alison Jackson, Andrew J. Jackson, Robert Jackson, John Jackson, Jr., Eva Isabel Jackson. PART III HOYLE-SWOFFORD HISTORY 247 William Swofford and Elizabeth Hoyle Swofford. John Hoyle Swofford and Eady Pruett Swofford. Benjamin Franklin Jackson and Eady Elvena Swof- ford Jackson. -
Seattle Symphony
SEPTEMBER 2017 LUDOVIC MORLOT, MUSIC DIRECTOR OPENING NIGHT WITH LU D OV I C MORLOT & RENÉE FLEMING MAHLER RESURRECTION SYMPHONY JOHN WILLIAMS MARC-ANDRÉ HAMELIN CHRIS BOTTI CONTENTS My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM CONTENTS SEPTEMBER 2017 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / THE VIVALDI PROJECT 14 / WELCOME NEW MUSICIANS! CONCERTS 15 / September 13 STAR TREK BEYOND LIVE IN CONCERT 17 / September 16 OPENING NIGHT CONCERT & GALA WITH LUDOVIC MORLOT & RENÉE FLEMING 20 / September 21, 23 & 24 MAHLER RESURRECTION SYMPHONY 25 / September 27 JOHN WILLIAMS CONDUCTS WILLIAMS 27 / September 28 MARC-ANDRÉ HAMELIN IN RECITAL 30 / September 29–October 1 CHRIS BOTTI WITH THE SEATTLE SYMPHONY 17 / RENÉE FLEMING Photo: Andrew Eccles, Decca Eccles, Andrew Photo: 42 / GUIDE TO THE SEATTLE SYMPHONY 43 / THE LIS(Z)T 27 / MARC-ANDRÉ HAMELIN 30 / CHRIS BOTTI Photo courtesyPhoto of the artist Photo: Sim Canetty-Clarke Sim Photo: ON THE COVER: Ludovic Morlot by Brandon Patoc COVER DESIGN: Helen Hodges EDITOR: Heidi Staub © 2017 Seattle Symphony. -
Lison Brown Née Le 7 Août 1962 À Hartford Dans Le Connecticut, Est Une Musicienne Américaine, Spécialiste Du Banjo, Mais Aussi De La Guitare
La Jolla – San Diego lison Brown née le 7 Août 1962 à Hartford dans le Connecticut, est une musicienne Américaine, spécialiste du Banjo, mais aussi de la guitare. Alison est connue pour sa maitrise du Banjo, elle a A gagné et a été nommée et obtenu plusieurs Grammy Awards; elle est souvent comparée à un autre prodige du Banjo, ‘’Béla Fleck’’, pour son style de jeu unique. Elle impressionne ses parents par sa capacité à chanter et jouer des chansons qu'elle apprend entièrement à l'oreille. À 10 ans, après avoir entendu ‘’Flatt & Scruggs’’, elle décide d’apprendre à jouer du Banjo. Un an plus tard, sa famille déménage à La Jolla (un quartier de San Diego) et Alison entre dans la San Diego Bluegrass Society, dans laquelle elle donne aujourd’hui des cours de Banjo. Le père, John, la mère, Barbara et sa sœur, Meredith Brown, ont un cabinet d’avocats ‘’Brown & Brown’’, à La Jolla. Alison est le seul membre de la famille qui ne soit pas devenu avocat; elle fait des études en économie et management à UCLA (L'université de Californie à Los Angeles). A l'université d'Harvard, elle étudie l'histoire et la littérature puis obtient un MBA de l'Université de Californie. Son diplôme en économie facilite la gestion de ses affaires et Alison, cette étoile du Banjo à la voix douce, outre la musique, est mère de deux enfants, Hannah et Brendan. La famille habite à Nashville. Reconnue pour sa virtuosité au banjo, elle joue dans un style mêlant jazz, bluegrass, rock et blues.