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Máster En Formación Del Profesorado De Educación Secundaria Obligatoria, Bachillerato Y Formación Profesional
Universidad de Oviedo Facultad de Formación del Profesorado y Educación Máster en Formación del Profesorado de Educación Secundaria Obligatoria, Bachillerato y Formación Profesional Enseñando Educación Ético-Cívica a través del ágora virtual TRABAJO FIN DE MÁSTER Autor: Thais Férnandez Pérez Tutor: Vicente Peña Calvo Junio de 2014 Título: Enseñando Educación Ético-Cívica a través del ágora virtual. Autora: Thais Fernández Pérez Tutor académico: Vicente Peña Calvo Mes y año de presentación: Junio del 2014 2 ÍNDICE 1. Introducción …………………………………………………………… 4 2. Reflexión sobre el Prácticum …………………………………………. 6 3. Propuesta de innovación ……………………………………………... 11 4. Programación Didáctica ……………………………………………… 28 5. Unidades didácticas desarrolladas para la exposición del TFM …….. 103 6. Referencias Bibliográficas ………………………………………….. 133 3 1. INTRODUCCIÓN En general, siempre se ha considerado a la Filosofía como una disciplina austera ocupada por temas estrictamente abstractos y principios universales casi ininteligibles, que ofrece preguntas pero nunca proporciona respuestas. Consecuencia de ello es, probablemente, el declive progresivo que ha ido sufriendo en nuestro país y, sobretodo, dentro del mundo de la enseñanza, donde si ya no existía demasiado interés por las asignaturas de ámbito filosófico, las nuevas medidas educativas propuestas por la LOMCE las deja directamente en un segundo plano. Todo ello pone en peligro la pervivencia de la filosofía no sólo en Educación Secundaria y Bachillerato, sino también en la educación superior, puesto que buena parte de los estudiantes de las facultades de Filosofía obtienen su vocación en Secundaria o Bachillerato. Por tanto, es indiscutible que la Filosofía está sufriendo una grave crisis en España, no sólo en el ámbito social, sino también en el relativo a la enseñanza. -
Seattle Symphony
SEPTEMBER 2017 LUDOVIC MORLOT, MUSIC DIRECTOR OPENING NIGHT WITH LU D OV I C MORLOT & RENÉE FLEMING MAHLER RESURRECTION SYMPHONY JOHN WILLIAMS MARC-ANDRÉ HAMELIN CHRIS BOTTI CONTENTS My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM CONTENTS SEPTEMBER 2017 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / THE VIVALDI PROJECT 14 / WELCOME NEW MUSICIANS! CONCERTS 15 / September 13 STAR TREK BEYOND LIVE IN CONCERT 17 / September 16 OPENING NIGHT CONCERT & GALA WITH LUDOVIC MORLOT & RENÉE FLEMING 20 / September 21, 23 & 24 MAHLER RESURRECTION SYMPHONY 25 / September 27 JOHN WILLIAMS CONDUCTS WILLIAMS 27 / September 28 MARC-ANDRÉ HAMELIN IN RECITAL 30 / September 29–October 1 CHRIS BOTTI WITH THE SEATTLE SYMPHONY 17 / RENÉE FLEMING Photo: Andrew Eccles, Decca Eccles, Andrew Photo: 42 / GUIDE TO THE SEATTLE SYMPHONY 43 / THE LIS(Z)T 27 / MARC-ANDRÉ HAMELIN 30 / CHRIS BOTTI Photo courtesyPhoto of the artist Photo: Sim Canetty-Clarke Sim Photo: ON THE COVER: Ludovic Morlot by Brandon Patoc COVER DESIGN: Helen Hodges EDITOR: Heidi Staub © 2017 Seattle Symphony. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Welcome to the Carnegie Reporter
Volume 8 / Number 1 / Spring 2016 CARNEGIE REPORTER WELCOME TO THE Volume 8 / Number 1 / Spring 2016 TABLE OF CONTENTS CARNEGIE REPORTER Chief Communications and Digital Strategies Officer Deanna Lee uclear annihilation. It’s a frightening, almost existential notion that many Director of Communications and Content Strategy of us—especially those born before or during the Cold War—have had Robert Nolan to consider at some point in our lives. Duck and cover drills and fallout Editor/Writer shelters, command and control procedures, the concept of mutually Kenneth C. Benson assured destruction—these once seemed to offer at least a veneer of Principal Designer Daniel Kitae Um security for Americans. But today’s nuclear threat has evolved and is somehow even more 06 14 N Researcher terrifying. As Carnegie Corporation President Vartan Gregorian writes in this issue of the Ronald Sexton Carnegie Reporter, “There is no longer a single proverbial ‘red phone’ in the event of a Production Assistant nuclear crisis.” Natalie Holt Carnegie Corporation of New York is a philanthropic foundation created by Nuclear security—and, more specifically, the threat of nuclear terrorism—was the Andrew Carnegie in 1911 to promote the subject of the fourth and final international Nuclear Security Summit organized by the advancement and diffusion of knowledge and understanding among the people of White House in Washington, D.C., last March, and is a focus point in this issue of the United States. Subsequently, its charter the Corporation’s flagship publication. In addition to the president’s letter, we feature was amended to permit the use of funds for the same purposes in certain countries that a graphic novel-like retelling of the dramatic 2007 break-in at the Pelindaba Nuclear are or have been members of the British Overseas Commonwealth. -
Ammast 03 Lettrhd Press 3 Holed
offset usage 4-color process Output is set for 2500dpi 450 West 33rd Street New York NY 10001-2605 thirteen.org press information AMERICAN MASTERS BRINGS BIG SCREEN MAGIC TO THE SMALL SCREEN WITH YOU MUST REMEMBER THIS: THE WARNER BROS. STORY Series from Thirteen/WNET Premieres This Fall on PBS AMERICAN MASTERS is produced for PBS by Thirteen/WNET The colorful 85-year legacy of Warner Bros. is documented in an unprecedented film project, New York AMERICAN MASTERS You Must Remember This: The Warner Bros. Story, narrated by Clint Eastwood. The five-hour film, a Lorac production in partnership with AMERICAN MASTERS and Warner Bros. Entertainment, premieres nationally, September 23, 24 and 25 at 9 p.m. (ET) on PBS (check local listings). The film is directed, written and produced by award-winning filmmaker and film critic Richard Schickel. Eastwood is executive producer. “I think it’s wonderful and fitting that Richard Schickel, who produced his first big series The Men Who Made the Movies for public television in 1973, is returning to public television with this project – the epic and historic and thoroughly juicy Warner Bros. story,” says Susan Lacy, creator and Executive Producer of AMERICAN MASTERS, a five-time winner of the Emmy Award for Outstanding Primetime Non-Fiction Series. Through movie clips, rare archival interviews, newly photographed material, and insightful on-camera discussions with talent such as Martin Scorsese, Steven Spielberg, George Clooney, Warren Beatty, Sidney Lumet, Jack Nicholson, and many others, You Must Remember This gives us the history of 20th century America on the big screen. -
FOCUS™ Edit Search
Home Sources How Do I? Site Map What's New Help Search Terms: "corporation for public broadcasting", "new york times" FOCUS™ Edit Search Document 4 of 34. Copyright 2005 Los Angeles Times All Rights Reserved Los Angeles Times May 29, 2005 Sunday Home Edition SECTION: SUNDAY CALENDAR; Calendar Desk; Part E; Pg. 17 LENGTH: 1305 words HEADLINE: MEDIA MATTERS / DAVID SHAW; There's a 'nuclear option' for PBS' woes as well BYLINE: DAVID SHAW BODY: The growing controversy over the Bush administration's attempts to replace what it sees as a "liberal bias" in PBS programming with what would appear to be "conservative bias" has forced me to think the unthinkable -- or at least the heretical, certainly in my cultural/ideological circle: Do we really want or need PBS anymore? I am not defending the Bush administration's assault on PBS, which is as appalling as it is predicable, nor do I mean to denigrate the fine, often brilliant work PBS has done through the years -- "Masterpiece Theater," "Firing Line," "Bill Moyers' Journal," Ken Burns' epic documentaries on the Civil War, baseball and jazz, among many others. But when the Corporation for Public Broadcasting, the parent of PBS, was created by the Public Broadcasting Act of 1967, we lived in a television world largely limited to three commercial networks, a world quite accurately characterized as a "vast wasteland" by Newton Minow, then chairman of the FCC. We now live in a cable world, a "500-channel universe," and while I would not argue that many of these cable offerings match PBS at its best, they (and Fox) do provide many alternatives to the three original networks we had in 1967. -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
Annual Report FY15: July 1, 2014–June 30, 2015
COLLEGE OF THE ATLANTIC Annual Report Fiscal Year 2015 COA Development Office College of the Atlantic 105 Eden Street Bar Harbor, Maine 04609 Dean of Institutional Advancement Lynn Boulger 207-801-5620, [email protected] Development Associate Amanda Ruzicka Mogridge 207-801-5625, [email protected] Development Officer Kristina Swanson 207-801-5621, [email protected] Alumni Relations/Development Coordinator Dianne Clendaniel 207-801-5624, [email protected] Manager of Donor Engagement Jennifer Hughes 207-801-5622, [email protected] Every effort has been made to ensure accuracy in preparing all donor lists for this annual report. If a mistake has been made in your name, or if your name was omitted, we apologize. Please notify the development office at 207-801-5625 with any changes. www.coa.edu/support COA ANNUAL REPorT FY15: July 1, 2014–June 30, 2015 I love nothing more than telling stories of success and good news about our We love to highlight the achievements of our students, and one that stands out incredible college. One way I tell these stories is through a series I’ve created for from last year is the incredible academic recognition given to Ellie Oldach '15 our Board of Trustees called the College of the Atlantic Highlight Reel. A perusal of when she received a prestigious Fulbright Research Scholarship. It was the first the Reels from this year include the following elements: time in the history of the college that a student has won a Fulbright. Ellie is spending ten months on New Zealand’s South Island working to understand and COA received the 2014 Honor Award from Maine Preservation for our model coastal marsh and mussel bed communities. -
Faces of America with Henry Louis Gates, Jr
February 2010 Faces of america With Henry Louis Gates, Jr. Wed 10th, 17th, 24th and Mar 3rd at 8 p.m. Featured tHis montH innott s Joseph Joseph CuriousLy Human Faces of America With henry Louis Gates, Jr. Wed 10th, 17th, 24th and Mar 3rd at 8 p.m. on thiRteen and thiRteen hD ntertainment; ntertainment; sun 14th, 21st, 28th and Mar 7th at 9 p.m. on WLiW21 e oor n HoW did tHe immigrant experience Building upon the success of his two M Queen Queen M ony BMG Music Music BMG ony h shape America? how did our African American Lives series, harvard s ancestors affect who we are today? University professor henry Louis Gates, these questions are at the heart of Jr. again turns to the latest tools of eill/Courtesy eill/Courtesy n ’ Faces of America With Henry Louis genealogy and genetics to unravel o Gates, Jr., a new four-part series the American tapestry. he follows the roductions, LLC; Courtesy of of Courtesy LLC; roductions, tracing the intersecting genealogy threads of his guests’ lives back to p of 12 renowned Americans. their earliest origins around the globe— the series features actress Meryl streep, and even becomes, with his father, mages; CJ Gunther; Michael Michael Gunther; CJ mages; i cellist Yo-Yo Ma, comedian stephen the first African American to have da Astute, ABC; ZoCo ZoCo ABC; Astute, da Colbert, Desperate Housewives star eva his full genome sequenced using this i innott; innott; Longoria, poet elizabeth Alexander, chef extraordinary technology to learn more s Mario Batali, novelist Louise erdrich, writer about his own family heritage. -
Bill Moyers' Speech to the National Conference for Media Reform
Bill Moyers' speech to the National Conference for Media Reform From Free Press, May 16, 2005 By Bill Moyers The following is the prepared text for Bill Moyers’ speech to the National Conference for Media Reform on May 15, 2005. The event in St. Louis was organized and hosted by Free Press (www.freepress.net). Click here to listen an audio recording of the speech. Click here to watch a video of the speech. To join Free Press’ campaign to put the public back into PBS, please add your name to our petition calling for the resignation of Kenneth Tomlinson and the creation of a series of town meetings across the country on the future of public broadcasting. I CAN’T IMAGINE BETTER COMPANY ON THIS BEAUTIFUL SUNDAY MORNING IN ST. LOUIS. You’re church for me today, and there’s no congregation in the country where I would be more likely to find more kindred souls than are gathered here. There are so many different vocations and callings in this room — so many different interests and aspirations of people who want to reform the media — that only a presiding bishop like Bob McChesney with his great ecumenical heart could bring us together for a weekend like this. What joins us all under Bob’s embracing welcome is our commitment to public media. Pat Aufderheide got it right, I think, in the recent issue of In These Times when she wrote: “This is a moment when public media outlets can make a powerful case for themselves. Public radio, public TV, cable access, public DBS channels, media arts centers, youth media projects, nonprofit Internet news services … low-power radio and webcasting are all part of a nearly invisible feature of today’s media map: the public media sector. -
April 2010 Quarterly Program Topic Report
April 2010 Quarterly Program Topic Report Category: Aging NOLA: SMIT 000000 Series Title: Smitten Length: 30 minutes Airdate: 4/19/2010 1:30:00 AM Service: PBS Format: Other Segment Length: 00:26:46 Meet Rene: at age 85, this unusual art collector continues to search for the work of northern California artists, hoping to make his next great discovery. SMITTEN follows Rene as he opens his private collection to the public, displaying the work without wall labels, so that people are empowered to interact with the art in a direct, personal, and more democratic way. Category: Agriculture NOLA: NOVA 003603 Series Title: NOVA Episode Title: Rat Attack Length: 60 minutes Airdate: 4/4/2010 12:00:00 PM Service: PBS Format: Documentary Segment Length: 00:56:46 Every 48 years, the inhabitants of the remote Indian state of Mizoram suffer a horrendous ordeal known locally as mautam. An indigenous species of bamboo, blanketing 30 percent of Mizoram's 8,100 square miles, blooms once every half-century, spurring an explosion in the rat population which feeds off the bamboo's fruit. The rats run amok, destroying crops and precipitating a crippling famine throughout Mizoram. NOVA follows this gripping tale of nature's capacity to engender human suffering, and investigates the botanical mystery of why the bamboo flowers and why the rats attack with clockwork precision every half-century. Category: Agriculture NOLA: AMDO 002301 Series Title: POV Episode Title: Food, Inc. Length: 120 minutes Airdate: 4/21/2010 8:00:00 PM Service: PBS Format: Documentary Segment Length: 01:56:46 In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation's food industry, exposing the highly mechanized underbelly that's been hidden from the American consumer with the consent of our government's regulatory agencies, USDA and FDA. -
March 2009 Guide
Magazine MARCH 2009 David Foster joins us in the AETN studios for the airing of HIT MAN: DAVID FOSTER AND FRIENDS, March 11, 2009, 7:00 p.m., with special guest Renee Olstead SpringMembershipCampaign Arkansas Educational Television Network Contents On The Cover.... AETN MAGAZINE Staff Editor in Chief Reserve your SpringMembershipCampaign Allen Weatherly seats and On the Cover........2 Editors Mona Dixon mark your Concert HIT MAN: DAVID FOSTER AND FRIENDS Kathy Atkinson “Dear Friends,” 15-time Grammy Award- calendars . April of winner David Foster calls them, “some of Editorial & Creative Directors Information.........3 Elizabeth duBignon 2009 - From the my favorite people in the world.” To you Sara Willis Doo Wop and me, however, they’re better known as in Concert Andrea Bocelli, Josh Groban and Michael Editorial Panel Director...............4 Rowena Parr, Pam Wilson, Dan Koops Don’ t Miss Bublé. The gilded trio leads a parade of Tiffany Verkler Digital Transition entertainers nurtured by the Canadian-born The AETN producer, honoring him in the gala concert Copy Editors Foundation, Questions............5 Darbi Blencowe, Catherine Mays, “Hit Man: David Foster & Friends” on Shirley Bowen, Pat Pearce in partnership On AETN..............6 GREAT PERFORMANCES. Airs Wednesday, with Celebrity March 11, 7:00 p.m. AETN Offices Music in March.....8 350 S. Donaghey Ave. - Conway, AR - Attractions, presents 72034 Spring Pledge MASTERPIECE: “David Copperfield”, Airs 800/662-2386 - Doo Wop in Concert Sunday, March 8, 8:00 p.m. and Sunday, [email protected] - www.aetn.org at the Robinson Center Music Highlights..........10 March 22, 9:00 p.m. Hall in Little Rock, Saturday, Daytime AETN Mission April 18 at 7 p.m.