1 Baaba Maal

Total Page：16

File Type：pdf, Size：1020Kb

FEBRUARY 2016 1 Baaba Maal 11 Sam Lee & Friends The Traveller - Marathon Artists / Palm The Fade in Time - The Nest Collective (2 ) Recordings (- ) 12 Las Hermanas Caronni 2 Shye Ben Tzur, Jonny Greenwood & The Navega Mundos - Les Grands Fleuves (- ) Rajasthan Express Junun - Nonesuch Records (8 ) 13 Bareto Impredecible - World Village (- ) 3 Čači Vorba Šatrika - Oriente Musik (11 ) 14 Oratnitza Folktron - Fusion Embassy (12 ) 4 Lura Herança - Lusafrica (1 ) 15 Michael Messer's Mitra Call of the Blues - Knife Edge Records (- ) 5 Sidestepper Supenatural Love - Real World Records (- ) 16 Dimitris Mystakidis Esperanto - Fishbowl (- ) 6 Dizu Plaatjies and Friends Ubuntu-The Common String - Mountain 17 Kandia Kouyaté Records (7 ) Renascence - Sterns Music (5 ) 7 Vieux Farka Touré & Julia Easterlin 18 Sahra Halgan Trio Touristes - Six Degrees Records (3 ) Faransiskiyo Somalilan - Buda Musique (13 ) 8 Bixiga 70 19 Bayarbaatar Davaasuren III - Glitterbeat Records (9 ) The Art of Mongolian Khöömii (Throat Singing) - ARC Music (- ) 9 L’Attirail La Route Interieure - Les Chantiers 20 Zulya and the Children of the Underground Sonores (4 ) On Love and Science - Zulya and the Children of the Underground (- ) 10 Kreiz Breizh Akademi 5ed Round - Innacor (6 ) Members of the TWMC panel (February 2016 vote): Juan Antonio Vázquez (ES), Ángel Romero (US), Araceli Tzigane (ES), Seth Jordan (AU), Tony Hillier (AU), Charlie Crooijmans (NL), Nigel Wood (IE), Dore Stein (US), Roger Holdsworth (AU), Madan Rao (IN), Gil Medovoy (US), Chris Heim (US), Ciro De Rosa (IT), Scott Stevens (US), Hendrick T.S. Foh (MY), Cliff Furnald (US), Rob Weisberg (US), Toni Polo (FR/ES), Nicolás Falcoff (AR), Masakazu Kitanaka (JP), Jordi Demésenllà (ES), Rafael Mieses (DO), Luís Rei (PT), Jean Trouillet (DE), Evangeline Kim (US), Willi Klopottek (LU/DE), Betto Arcos (MX/US), Thorsten Bednarz (DE), Alejandro López (ES), Jon Kertzer (US), Ken Stowar (CA), Jiří Moravčík (CZ), Ian Anderson (GB), Mu Qian (CN), Carlos Ferreira (PT), Dubi Lenz (IL), Anna Rzhevina(RU), Gil Rouvio (IL), Bouna Ndiaye (SN), João Flávio Lima (BR), Kutay Derin Kugay (TR), Robert Gregor (SK), Ponxo Taifa Ángeles (MX), Yatrika Shah-Rais (IR/US), Armen Manukyan (AM), Rolf Beydemüller (DE) www.transglobalwmc.com Contact and digital albums submission: [email protected] .

Copy Link

Recommended publications

Allah Elohim | Shye Ben Tzur, Jonny Greenwood and The
15/11/2016 libri – PROGETTO MARTE | Cristina Bellon - ArcipelagoMilano Storia di Uomini e di Astronavi edizione italiana e prefazione a cura di Giovanni Bignami UNA INTRODUZIONE A C40 - IN Edizioni Dedalo, 2016 BICICLETTA IN CINQUE METROPOLI 2+1 Ideas Agency pag. 264, euro 17,50 C40 è una rete delle più importanti città del mondo impegnate nella sfida del cambiamento climatico. "Le città si Voglia di volare, voglia di esplorare. Anche se scambiano buone pratiche, il lander Schiaparelli si è schiantato su Marte informazioni e suggerimenti, si associano in piccole cordate per scrivere o, come dice scherzosamente Giovanni progetti e cercare nuovi finanziamenti. Si Bignami è stato abbattuto dai marziani, il aiutano a vicenda nei momenti di desiderio di scoprire Marte è diventato un empasse, condividono documenti e soluzioni efficaci". obiettivo realizzabile. Tanto che Obama, agli inizi di ottobre, ha dichiarato: “Gli Stati Uniti Leggi l'articolo di Stefania Amato invieranno uomini su Marte entro il decennio Milano un nodo al centro delle reti di che inizia nel 2030”. Somiglia molto città per la Food Policy sul numero di oggi all’annuncio che John Kennedy fece nel 1962: portare l’uomo sulla Luna entro dieci anni. Lui ci riuscì. ALLAH ELOHIM | SHYE BEN TZUR, JONNY GREENWOOD AND THE RAJASTHAN L’idea di mettere piede sul quarto pianeta del EXPRESS Sistema Solare e di andarci per davvero non è una novità. Alla fine degli anni Quaranta, lo scienziato tedesco Wernher von Braun – pioniere dei programmi spaziali tedeschi e americani – aveva ideato un viaggio umano di andata e ritorno su Marte con navi spaziali d’avanguardia.
[Show full text]
4-15 Novembre 2016
UN PROGETTO IN COLLABORAZIONE CON 1 FESTIVAL 320 ARTISTI 80 CONCERTI 25 EVENTI 1 CITTÀ 4-15 NOVEMBRE 2016 INFO BIGLIETTERIA SOCIAL www.jazzmi.it facebook: JAZZMIMILANO INFORMAZIONI [email protected] spotify: JAZZMI infoline 345 5170594 instagram: JAZZMIMILANO dalle 14 alle 18 dal lunedì al venerdi #myjazzmi2016 dalle 10 alle 20 nei giorni del festival INDIRIZZI TEATRO DELL’ARTE CONSERVATORIO DI MILANO BASE MILANO viale Alemagna 6 via Conservatorio 12 via Bergognone 34 T 02 72434258 TEATRO NAZIONALE SALUMERIA DELLA MUSICA BLUE NOTE MILANO via Giordano Rota 1 via Pasinetti 2 via Borsieri 37 T 02 69016888 SANTERIA SOCIAL CLUB ANGURERIA CHIARAVALLE viale Toscana 31 via San Bernardo 17 TEATRO DAL VERME via S. Giovanni sul Muro 2 CIRCOLO MAGNOLIA TEATRO MANZONI via Circ. Idroscalo 41, Segrate via Manzoni 42 CREDITI UN PROGETTO UFFICIO STAMPA IN COLLABORAZIONE CON Teatro dell’Arte Sara Mehrjoei L’Assessorato alla Cultura Ponderosa Music & Art Fabio Vergani del Comune di Milano IN COLLABORAZIONE CON Alessia Bianchi La Direzione e lo staff del Teatro dell’Arte Blue Note Milano (Casta Diva Group) e Triennale Milano DIREZIONE ARTISTICA Parole e Dintorni Lo staff di Blue Note Milano (Blue Note Milano) e Casta Diva Group Luciano Linzi Titti Santini SOCIAL & WEB Enrico Intra, Maurizio Franco, Stefano Fileti Sarah Volpi - Associazione Culturale RELAZIONI ESTERNE E PROGETTI ARTISTICI Musica Oggi e Civici Corsi di Jazz Monica Vanini PARTNER & SUPPORTER Lo staff della Civica Scuola di Musica DIREZIONE ORGANIZZATIVA Monica Vanini e Lorenzo Carni Claudio Abbado (Ponderosa Music & Art) Lorenzo Carni Lo staff del Touring Club Italiano Fulvio Rossi e Maurizio Gallo e i volontari di Aperti per Voi BOOKING (Casta Diva Group) Giuseppe Ponti Paolo Caiani DIREZIONE ARTISTICA BLUE NOTE GRAZIE Nick The Nightfly A tutti i partner coinvolti nella rete di PRODUZIONE questa prima edizione di JAZZMI.
[Show full text]
Fusión De Rock Y Música Clásica De La India Juan David Orduz Samudio
Bhadrakālī – “Un Periplo de Emociones”: Fusión de Rock y Música Clásica de la India Juan David Orduz Samudio Pontificia Universidad Javeriana Facultad de Artes, Departamento de Música Composición Comercial Bogotá D.C. 2019 Bhadrakālī – “Un Periplo de Emociones”: Fusión de Rock y Música Clásica de la India Juan David Orduz Samudio Asesor: Juan Sebastián Monsalve Castaño Pontificia Universidad Javeriana Facultad de Artes, Departamento de Música Composición Comercial Bogotá D.C. 2019 2 Contenido: 1. Introducción……………………………………………………………………………....5 2. Objetivos…………………………………………………………………….…………....7 2.1. Objetivo general…………………………………...……………….…………....7 2.2. Objetivos específicos……………………………...……………….…………....7 3. Marco teórico……………………………………………………….…………………….8 3.1. Contexto histórico y conceptos básicos de la teoría de la música clásica de la India………...………………………………………………………………………...8 3.2. Artistas de la tradición………...……………………………………………….15 3.3. Artistas de la fusión………...……………………………………………..........16 4. Metodología………...……………………………………………...................................20 5. “Un Periplo de Emociones”: Análisis musical………………………………………..…24 5.1. Alap…………………………………………………………………………….24 5.2. Do Chehare……………………………………………………………………..25 5.3. Introspección…………………………………………………………………...30 5.4. Raga Espinal…………………………………………………………………....34 5.5. Verdadero Trance……………………………………………………………....38 5.6. Bhadrakālī……………………………………………………………………...44 5.7. 18……………………………………………………………………………….51 5.8. Vive Ahora……………………………………………………………………..55 6. Conclusiones…………………………………………………………………………….62
[Show full text]
Free Rajasthani Music
Free rajasthani music click here to download Rajasthani stock music and background music 38 stock music clips and loops. Production music starting at $ Download and buy high quality tracks. Why download Rajasthani MP3 songs when you can listen to the latest Rajasthani songs online! Meera - Rajasthani Lok Bhajan Raj Music Masuda. rajasthani music page 4. Rajasthani Music Royalty-free Music, SFX, and Loops. Filter your results. Music, Sound Effects, Loops, All. All. Music; Sound Effects. Rajasthan Folk - Music of The Desert - Langas & Manganiars | Audio Jukebox | Folk | Vocal | - Duration: 8tracks radio. Online, everywhere. - stream 5 rajasthani playlists including Indian, Gulabi, and Taraf de Haïdouks music from your desktop or mobile device. Discover Rajasthani Music. Play Rajasthani Radio. Genres. ComedyCompilationsDevotionalFolkHoli SongsMovie SongsPopVivah Geet. Albums. CKRS. Free Download Rajasthani Single Remix Rajasthani Single RemixMusic Mp3 Songs, Rajasthani Mp3 Songs, From www.doorway.ru Royalty free rajasthani Music, Sound Effects, Stock Footage and Photos for use in multimedia projects. Download stock music immediately for film and. To download top 50 rajasthani folk songs for free, all you need is. Rajasthani Songs Download New Top Rajasthani Songs Albums www.doorway.ru free music Rajasthani Songs download album Rajasthani Songs djjohal latest. Veena Music,Rajasthani Songs Download,Marwari Songs Download,Rajasthani Music,Marwari Music,Downloads,MP3 Music Downlaod,MP3 Songs Downlaod. Top rajasthani artists: Musafir, Ila Arun, Seema Mishra, The Dharohar Project, Vishwa Mohan Bhatt Do you know anything about this type of music? Start the. See a rich collection of stock images, vectors, or photos for rajasthani music you can buy on Shutterstock. Explore quality images, photos, art & more.
[Show full text]
Festival Report
Festival of India FESTIVAL REPORT 1 From the desk of the HIGH COMMISSIONER I am delighted to have this opportunity to introduce organisations in both countries will serve us well in the year-long celebration of India-UK cultural ties. the years to come. The decision to organize the India-UK Year of Culture in 2017 was taken by the Prime Ministers of India I am grateful to Her Majesty The Queen for hosting and UK in November 2015 during the visit of Prime a grand reception at Birmingham Palace to launch Minister Narendra Modi to the UK, a commitment the Year of Culture in February 2017. I would that was reiterated during Prime Minister Theresa like to also thank the British government and May’s visit to India in November 2016. In April various organizations on both sides with whom we 2018, both Prime Ministers lauded the successful partnered to make this year truly successful. The completion of the India-UK Year of Culture. This India-UK Year of Culture was indeed a colourful year-long programme saw an unprecedented level and vibrant cultural extravaganza celebrating the of cultural exchanges, showcasing artistic, cultural rich and multi-faceted ties between India and the and literary traditions in both countries and was UK. a fitting celebration of the symbolic ties that bind India and the UK. Y.K. Sinha High Commissioner of India The Year of Culture assumed a special significance in light of the 70th Anniversary of India’s independence. These celebrations indeed offered to our two countries a unique opportunity of renewing and revitalizing our inextricable threads of cultural heritage and to enhance our engagement at a people to people level.
[Show full text]
Indian Sufism in Israel: a Musically Orchestrated Interaction
Indian Sufism in Israel: A Musically Orchestrated Interaction by David Landau and Nina Rageth Abstract This paper explores Indian Sufi influences in Shye Ben Tzur’s music. Ben Tzur is a Jew- ish Israeli musician who composes Sufi poetry in Hebrew and plays it toqawwālī music, the traditional North Indian Sufi music. Ben Tzur’s songs are devotional and there are many Sufi references that invoke Islamic terminology. His music has been reviewed in numerous newspapers and his Jewish identity, coupled with Sufi themes, evokes questions regarding religious belonging. Even though Ben Tzur openly discusses Sufi influences, his music has remained uncontroversial. This article interprets this as a sign that the symbolic repertoire of Ben Tzur’s music evokes associations with India and not with Islam and more specifically with India as a spiritual rather than religious space. The image of India as a spiritual land manages to subsume references to Islam and render them part of the “mystical East” allowing Ben Tzur’s audience to consume Muslim themes outside Middle Eastern politics. Zusammenfassung Dieser Aufsatz fragt nach Einflüssen des indischen Sufismus auf die Musik von Shye Ben Tzur. Ben Tzur ist ein jüdischer Israeli, der auf Hebräisch sufistische Poesie schreibt, welche er zu qawwālī Musik, der traditionellen nordindischen Sufi-Musik spielt. Ben Tzurs Lieder haben devotionalen Charakter und spielen mit sufistischen Referenzen und islamischen Konzepten. Obschon die sufistischen Elemente in Ben Tzurs Musik deutlich sind, hat seine Musik zu keinen Kontroversen geführt. Dieser Aufsatz inter- pretiert diesen Umstand als ein Zeichen dafür, dass Ben Tzurs Musik nicht in erster Linie mit dem Islam, sondern mit Indien, und zwar mit Indien als einem spirituellen Land assoziiert wird.
[Show full text]
27FKZ Program EN.Pdf
Rynek Głowny a k s r a l o t S 11 Dominikańska Grzegórzecka Festival Office, ul. Józefa 36 S t r 2 Cheder – Festival Official Club, ul. Józefa 36 a s z 14 e w 3 Ticket Office, Information Centre, ul. Jakuba (next to Cheder) s k i e y g Mi st d o 4 Spółdzielnia Ogniwo, ul. Paulińska 28, 1 floor u r c t r h a ł Ge a 5 Tempel Synagogue, ul. Miodowa 24 . S w i ś e d l 6 High Synagogue, ul. Józefa 38 e la t c e k i i e D 7 Popper Synagogue, ul. Szeroka 16 g o św. Seb 8 Alchemia Club, ul. Estery 5 astiana 9 Secondary School no. 6, ul. Wąska 7 ś w . S e b 10 CKŻ (Centre for Jewish Culture), ul. Meiselsa 17 a s t ia n 11 Dominican Monastery, ul Stolarska 12 Wawel a S t a r o w B i 12 Teatr Nowy, ul. Krakowska 41 rz ś oz ln o a w a l a a w t o d e io i 13 Galeria BB, ul. Skałeczna 5 M D H a li ck la 14 Market Square near the Market Hall, ul. Grzegórzecka 3 S t 24 a t e r i ad D o 15 a m ow 15 Jewish Community Centre (JCC), ul. Miodowa 24 5 d o s Mi k a 28 a r e 16 Galicia Jewish Museum, ul. Dajwór 18 E J 27 u a a s h k t c e s u L S r ar ba e z y a W w e 17 Jerusalem Boulevard / BARKA, vis-à-vis ul.
[Show full text]
Festival Program
VANCOUVER’S ANNUAL A FESTIVAL WHERE WORLDS MEET JULY 7–16, 2016 POWERED BY INDIANSUMMERFEST.CA SHOWS + EVENTS What Not to Wear 6 ISF2016 Opening Gala 8 Songs of the Desert Sufis 10 Border Crossings 11 Don’t Let Them Know 12 MANAGING DIRECTOR LAURA BYSPALKO (LEFT) WITH SIRISH RAO Seeding the Future 14 Dangerous Silences 15 Maple Leaf Islam 16 5x15 17 Tropitaal ISF2016 Closing Party 18 EVENT CALENDAR 19 Welcome from the Bharti Kher - Matter 22 Artistic Director FUSE 23 What We Hold Dear 24 Sirish Rao The Cartographer’s Tale 25 (be)longing 26 The Indian Summer Festival is really not a festival at all. I say this because the word Merchant of Images 27 ‘festival’ conjures up something temporary, perhaps even fleeting. To all of us at 2 Echo 28 Indian Summer, the festival really is a model for the kind of society we’d like to When Morning Comes 29 see. A society that is creative, diverse, inclusive and innovative. As the world builds let’s heal the divide 30 more and more walls and as societies get more suspicious and afraid of people F-Grass 31 who don’t look like them and think like them, we believe in the transformative Engagement 32 power of the arts and the festival is our way of reaffirming these beliefs. And so for ten days this July, we invite you to gather around a series of provocative FESTIVAL INFO multi-disciplinary events that feature some of the finest artists and visionaries from Artistic Director’s Letter 2 Canada, South Asia and beyond.
[Show full text]
Junun Freesheet.Indd
Junun © Shin Katan Shye Ben Tzur + Jonny Greenwood + The Rajasthan Express Junun Fri 11 Mar, 8pm 8pm Ah! Kosmos Shye Ben Tzur is an Israeli poet, singer and 8.40pm interval composer who has spent many years studying 9pm Junun and composing with Sufi Qawwali musicians in India. His music blends western, Middle These times are approximate and Eastern and sub-continental traditions, sung are subject to change in Urdu and Hindi as well as Hebrew, into a heady brew of trans-cultural euphoria. Ah! Kosmos Basak Gunak laptop and synths Profoundly influenced by witnessing Indian classical Yigit Bülbül guitar maestros Zakir Hussain and Hariprasad Chaurasia Ana Roman guest in concert, Ben Tzur says of his moment of musical epiphany: ‘It touched my heart so deeply,’ he Junun explains. ‘Indian music is so vast and so deep, Jonny Greenwood guitar, keyboards, electronics and the more I learn different things about it, I Shye Ben-Tzur guitar, flute, vocals realise how ignorant I was. It just doesn’t stop.’ Zaki Nizami vocals Mohammed Zakir Aliase Aghan vocals Ben Tzur invited Radiohead’s guitarist – and Ajmeri Khan dholak drum renowned composer in his own right – Jonny Hasmat tuba Greenwood to play at a performance in London, Aamir Damami trumpet and they resolved to record an album together in Ajaj Damami trombone India. Eschewing conventional studio surroundings, Narsi Lal Solanki nagara drum Greenwood and Radiohead producer Nigel Nathoo Solanki nagara drum Godrich joined Ben Tzur and The Rajasthan Express Chugge Khan Rajasthani percussion at the imposing fifteenth century Mehrangarh Fort, an atmospheric location Ben Tzur arranged the use of via the Maharaja of Jodhpur.
[Show full text]
Annual Report April 2015 – March 2016
. INDIAN COUNCIL FOR CULTURAL RELATIONS Annual Report April 2015 – March 2016 :1: Contents S. No. Particulars Page No. 1 INTRODUCTION AND SYNOPSIS 4-5 2 HIGHLIGHTS OF THE YEAR 2015-2016 6-7 3 THE ACTIVITIES OF THE COUNCIL (i) Scholarships and Welfare of International Students 7-8 (ii) Indian Cultural Centres Abroad 9-10 (iii) Chairs of Indian Studies abroad 10-11 (iv) Conferences and Seminars 11 (v) Fellowships 11-12 (vi) Outgoing /Academic Visitors Programme 12 (vii) Busts/Statutes 12 (viii) Forum of Friends of ICCR (FFOI) 13 (ix) Outgoing Cultural Delegations/Festivals abroad 13-14 (x) Incoming Cultural Delegations and Cultural Performances by 15-17 Indian artistes in India (xi) Foreign Cultural Centres 17-18 (xii) Distinguished/Important Visitors Programme 18 (xiii) Exhibitions 19 (xiv) Publications 19 (xv) Hindi and Related Activities 20 (xvi) Library 21-22 (xvii) Regional Offices 22-23 (xviii) Awards 23 4 ACCOUNTS 24-25 5 FUTURE PLANS (2016-17) 26-27 :2: LIST OF ANNEXURES (i) List of General Assembly Members of the ICCR 28-34 (ii) List of Governing Body Members of the ICCR 35-36 (iii) List of Finance Committee Members of the ICCR 37 (iv) Details of Scholarships 38 (v) Indian Cultural Centres Abroad 39-40 (v) (i) List of Missions provided Yoga Teachers as Resource Persons 41 on long term basis (vi) Chairs of Indian Studies Abroad 42-46 (vii) Conferences and Seminars 47-49 (viii) Outgoing/ Academic Visitors Programme 50-52 (ix) Busts/Statues 53 (x) Outgoing Cultural Delegations 54-72 (xi) Incoming Cultural Delegations and Cultural Performances by 73-77 Indian artistes in India (xii) Distinguished Visitors Programme/ Important Visitors 78-79 Programme (xiii) Exhibitions 80-82 (xiv) List of Regional Offices of the ICCR 83-84 :3: 1.
[Show full text]
Film Calendar June 8 - August 9, 2018
FILM CALENDAR JUNE 8 - AUGUST 9, 2018 DAMSEL, starring Robert Pattinson & Mia Wasikowska Opening June 29 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 AMERICAN CINEPOCALYPSE ROBIN WILLIAMS FREE LOONEY TUNES STEPHEN KING ANIMALS GENRE FILM FESTIVAL SERIES ON 35MM FEST OPENS JUNE 8 JUNE 21-28 TUESDAYS IN JULY JULY 14 & 15 JULY 27 & 28 Welcome TO THE MUSIC BOX THEATRE! bartonperreira.com bartonperreira.com exclusively available at Custom Eyes exclusively available at Custom Eyes FEATURE FILMS 5 AMERICAN ANIMALS OPENS JUNE 8 6 COLD WATER OPENS JUNE 8 6 MOUNTAIN OPENS JUNE 15 8 DAMSEL OPENS JUNE 29 10 THREE IDENTICAL STRANGERS OPENS JULY 6 10 WESTWOOD: PUNK, ICON, ACTIVIST OPENS JULY 13 12 THE KING OPENS JULY 20 12 MAQUIA OPENS JULY 27 14 THE CAPTAIN OPENS AUGUST 3 16 COMMENTARY SERIES 22 CLASSIC MATINEES 26 CHICAGO FILM SOCIETY 28 SILENT CINEMA 29 FROM STAGE TO SCREEN 35393539 N. N. SOUTHPORT SOUTHPORT AVE.AVE. CHICAGO, ILIL 6065760657 | 773.871.2773 871 2020020 30 MIDNIGHTS www.customeyes2www.customeyes2020.com020.com SINCE 2003 SPECIAL EVENTS 5 MUSIC BOX MOVIES AT GALLAGHER WAY MAY 16-SEPTEMBER 19 7 CINEPOCALYPSE JUNE 21-28 8 JUNUN JULY 5 9 TUESDAYS WITH ROBIN WILLIAMS TUESDAYS IN JULY 11 LOONEY TUNES ON 35MM JULY 14 & 15 11 SUMMER ON SOUTHPORT JULY 14 & 15 13 STEPHEN KING FILM FESTIVAL JULY 27 & 28 14 48 HOUR FILM FESTIVAL JULY 29-AUGUST 2 Brian Andreotti, Director of Programming VOLUME 36 ISSUE 150 Ryan Oestreich, General Manager Copyright 2018 Southport Music Box Corp.
[Show full text]
“Bad Girls Do It Well”
“Bad Girls Do It Well” Musical Exoticism and Commodifying Difference in the 21st Century ____________________________________________________________________ Pauline Hunse (3995364) MA Thesis - Applied Musicology June 2017 Supervisor: Dr. O. Panteleeva Faculty of Humanities Utrecht University Table of contents Introduction 3 1. Musical exoticism: musicology and postcolonial studies 5 1.1 Exoticism as a Musical Borrowing 5 1.2 From “Exotic-Style Only” to “All the Music in Full Context" 5 1.3 Timothy Taylor: Beyond Exoticism 6 1.4 Music as a Signifier of Exoticism 7 1.5 Orientalism and Postcolonial Analysis 8 1.6 The 21st Century: Authenticity, Hybridity, Global Bass 8 1.7 M.I.A.: a Hybrid Musician 9 2. “Bad Girls:” Exotic Signifiers or Sonic Stereotypes? 11 2.1 Mathangi, Maya, M.I.A 11 2.2 The Music 11 2.3 The Video 13 2.4 The Reception of “Bad Girls” 14 3. Commodifying Others: Musical Borrowings and Collaborations 16 3.1 “Jimmy”: Signifying a Global East 17 3.2 The Aboriginal Voice on a Record 18 4. Discussion 20 4.1 Autoexoticism in the 21st Century 20 5. Conclusion 22 Bibliography 23 Online sources 24 Discography 25 List of figures 26 Appendices Appendix 1. Abstract 27 Appendix 2. Lyrics “Bad Girls” 28 2 Introduction “Musical exoticism” is a term that I got familiar with during the bachelor programme Musicology at Utrecht University. We studied exoticism as a stylistic phenomenon which gained most of its popularity in eighteenth century opera. When I became interested in the subject, I noticed that the focus on exoticism as a stylistic label and as a phenomenon of the past seemed to be the standard for most of the available literature on the subject.
[Show full text]