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English National Ballet 2018-2019 Season
English National Ballet 2018-2019 Season www.ballet.org.uk • English National Ballet and English National Ballet School set to move into joint state-of- the-art home in Canning Town, East London • Christopher Wheeldon to create a new in-the-round version of Cinderella for English National Ballet and the Royal Albert Hall • ENB’s second bill featuring female choreographers, She Persisted includes a new work inspired by Ibsen’s A Doll’s House by First Artist Stina Quagebeur • She Persisted also features Pina Bausch’s Le Sacre du printemps and Annabelle Lopez Ochoa’s Broken Wings • Lest We Forget returns to mark the centenary of the end of the First World War • Akram Khan’s Giselle tours internationally to the Harris Theater, Chicago and to the Chekov International Festival at the Bolshoi Theatre, Moscow • Sir Kenneth MacMillan’s Manon performed on tour and at the London Coliseum • ENB in Paris, following the Company’s performances at the Palais Gariner, to be released via YouTube English National Ballet has today announced its 2018-2019 season at a press conference at London City Island, the site of its future home. English National Ballet’s 2018-2019 season begins as the Company prepares to move to its new purpose-built home at London City Island in Canning Town, a new neighbourhood from EcoWorld Ballymore. The Company is thrilled to announce it has been successful in its stage two application to Arts Council England’s Capital Large Grants programme, funded by the National Lottery, for a £3 million investment in its future home. -
Press Release
04 January 2021 English National Ballet’s BalletActive English National Ballet’s on-demand video platform hosts a wide variety of ballet-based online classes for all levels and abilities. Whether trying ballet for the first time, rediscovering a passion for dance, maintaining your bal- let practice or just looking to build fitness at home, English National Ballet’s BalletActive has something for everyone. Building on the popular series of classes which ENB made available online during the UK’s first lockdown, BalletActive offers an even wider variety of classes from beginners to advanced level. The classes are especially designed for those participating at home and in smaller spa- ces, giving people the opportunity to actively engage with ballet-based exercise from home with a monthly or annual subscription.. The recently launched ‘Beginners Ballet’ series with English National Ballet dancer Sarah Kundi covers the basics of ballet, introducing first to fifth positions and starting at the barre. There are improver to advanced level Ballet Masterclasses run by the Company’s ballet mas- ter Renato Paroni de Castro and ballet mistress Mayumi Ganley, advanced level classes with ENB’s Artistic Director Tamara Rojo, Barre Fit classes, a contemporary series which explores the core fundamentals of contemporary dance, a beginners series for young people and much more. Also available on BalletActive is a range of yoga, meditation and strength and conditioning sessions available to complement ballet practice and help to build ballet strength. All classes on the BalletActive platform are pre-recorded, with new classes added periodically. New classes this month include seated workout classes for those with limited mobility, aimed to improve a range of motion, developing coordination and musicality, and a contemporary se- ries with Alleyne Dance, a multi-disciplinary dance company based in London. -
English National Ballet 2019-2020 Season Ballet.Org.Uk
Amended: June 2019 English National Ballet 2019-2020 Season ballet.org.uk • English National Ballet says ‘Thank You’ as it celebrates its 70th Anniversary • Akram Khan to create second full-length production for English National Ballet • Le Corsaire returns with performances at Milton Keynes Theatre and the London Coliseum • Christopher Wheeldon’s Cinderella to be performed in Manchester and Southampton • The Company’s first full Season after moving to their new home at London City Island • Mayor of London awards £1million grant through his Good Growth Fund to support English National Ballet’s ‘Bridging Neighbourhoods – Growing Talent’ project • English National Ballet appoints first Medical Director to maximise the benefits of the new building’s state-of-the-art fitness and rehabilitation facilities English National Ballet today announces plans for its 2019-2020 Season and updates on their new home at London City Island: 2020 marks English National Ballet’s 70th Anniversary with celebrations taking place throughout the 2019-2020 Season that give opportunities for the Company to say, ‘Thank You’ to its audiences, fans, friends and partners. The 70th Anniversary will be celebrated with three special Gala performances at the London Coliseum featuring extracts from a diverse range of repertoire spanning English National Ballet’s history. Tamara Rojo CBE, English National Ballet’s Artistic Director said: “Our 70th Anniversary Gala performances are a rare opportunity to showcase in one place a huge variety of brilliant work from our extraordinarily rich history. This will be a Gala that celebrates the sheer love of dance, both on and off the stage, that has been part of our vision from the beginning. -
Allah Elohim | Shye Ben Tzur, Jonny Greenwood and The
15/11/2016 libri – PROGETTO MARTE | Cristina Bellon - ArcipelagoMilano Storia di Uomini e di Astronavi edizione italiana e prefazione a cura di Giovanni Bignami UNA INTRODUZIONE A C40 - IN Edizioni Dedalo, 2016 BICICLETTA IN CINQUE METROPOLI 2+1 Ideas Agency pag. 264, euro 17,50 C40 è una rete delle più importanti città del mondo impegnate nella sfida del cambiamento climatico. "Le città si Voglia di volare, voglia di esplorare. Anche se scambiano buone pratiche, il lander Schiaparelli si è schiantato su Marte informazioni e suggerimenti, si associano in piccole cordate per scrivere o, come dice scherzosamente Giovanni progetti e cercare nuovi finanziamenti. Si Bignami è stato abbattuto dai marziani, il aiutano a vicenda nei momenti di desiderio di scoprire Marte è diventato un empasse, condividono documenti e soluzioni efficaci". obiettivo realizzabile. Tanto che Obama, agli inizi di ottobre, ha dichiarato: “Gli Stati Uniti Leggi l'articolo di Stefania Amato invieranno uomini su Marte entro il decennio Milano un nodo al centro delle reti di che inizia nel 2030”. Somiglia molto città per la Food Policy sul numero di oggi all’annuncio che John Kennedy fece nel 1962: portare l’uomo sulla Luna entro dieci anni. Lui ci riuscì. ALLAH ELOHIM | SHYE BEN TZUR, JONNY GREENWOOD AND THE RAJASTHAN L’idea di mettere piede sul quarto pianeta del EXPRESS Sistema Solare e di andarci per davvero non è una novità. Alla fine degli anni Quaranta, lo scienziato tedesco Wernher von Braun – pioniere dei programmi spaziali tedeschi e americani – aveva ideato un viaggio umano di andata e ritorno su Marte con navi spaziali d’avanguardia. -
British Ballet Charity Gala
BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of -
Prospectus 2 About Us Rambert School, Is Recognised Internationally As One of the Small Group of First-Level Professional Dance Schools of the World
Director: Ross McKim MA PhD NBS (IDP) Patrons: Lady Anya Sainsbury CBE Robert Cohan CBE Prospectus 2 About Us Rambert School, is recognised internationally as one of the small group of first-level professional dance schools of the world. In order to remain so, and to support its students (given the demands they must confront), Rambert School provides a contained, bordered and protected environment through which an unusual and intense level of energy and professionalism is created, respected, treasured and sustained. “Rambert School is a place of education and training in Ballet, Contemporary Dance and Choreography. It seeks to cause or allow each student to achieve his or her unique potential personally and professionally. It encourages learning, reflection, research and creative discovery. Through these processes, as they relate to performance dance, all those at the school are provided with the opportunity to develop their vision, awareness, knowledge and insight into the world and the self. They may thus advance in terms of their art form and their lives.” Principal and Artistic Director Dr Ross McKim MA PhD NBS (IDP) Conservatoire for Dance and Drama Clifton Lodge, St Margaret’s Drive, Twickenham TW1 1QN Telephone: 020 8892 9960 Fax: 020 8892 8090 Mail: [email protected] www.rambertschool.org.uk 3 History Marie Rambert began teaching in London in 1919. In her autobiography she wrote, “In 1920 I collected the various pupils I had into a class and began teaching professionally.” This was the beginning of Rambert School which, in these early days, was based at Notting Hill Gate. Out of it grew Rambert Dance Company. -
Paul Taylor Dance Company’S Engagement at Jacob’S Pillow Is Supported, in Part, by a Leadership Contribution from Carole and Dan Burack
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Suzanne Carbonneau TO OUR VISIONARY LEADERS The PillowNotes comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through It is said that the body doesn’t lie, but this is wishful thinking. All earthly creatures do it, only some more artfully than others. annual gifts of $10,000 and above. —Paul Taylor, Private Domain Their deep affiliation ensures the success and longevity of the It was Martha Graham, materfamilias of American modern dance, who coined that aphorism about the inevitability of truth Pillow’s annual offerings, including educational initiatives, free public emerging from movement. Considered oracular since its first utterance, over time the idea has only gained in currency as one of programs, The School, the Archives, and more. those things that must be accurate because it sounds so true. But in gently, decisively pronouncing Graham’s idea hokum, choreographer Paul Taylor drew on first-hand experience— $25,000+ observations about the world he had been making since early childhood. To wit: Everyone lies. And, characteristically, in his 1987 autobiography Private Domain, Taylor took delight in the whole business: “I eventually appreciated the artistry of a movement Carole* & Dan Burack Christopher Jones* & Deb McAlister PRESENTS lie,” he wrote, “the guilty tail wagging, the overly steady gaze, the phony humility of drooping shoulders and caved-in chest, the PAUL TAYLOR The Barrington Foundation Wendy McCain decorative-looking little shuffles of pretended pain, the heavy, monumental dances of mock happiness.” Frank & Monique Cordasco Fred Moses* DANCE COMPANY Hon. -
Governor Biographies 29 August 2018 14:25:41 Name Appointment Date Member Type Biography
Governor Biographies 29 August 2018 14:25:41 Name Appointment Date Member Type Biography Mark Baker 21/07/2016 Co-opted - Staff Mark is the Theatre and Production Manager at NSCD.Mark has worked in theatre for 35 years, starting off Support in stage management before becoming a lighting technician at the Newcastle Playhouse. He was appointed as Production Manager for the Newcastle Dance Festival in 1990 and has specialised in lighting for dance ever since. He designed and toured nationally and internationally with Miranda Tufnell and dance companies such as Bi Ma and David Massingham Dance. Since joining NSCD he has lit work by many leading choreographers including Hofesh Schecter, Mark Baldwin, Wayne MacGregor, Ben Wright, Darshan Singh- Bhuller, Lea Anderson, Henri Oguike and Kim Brandstrup. He has over 20 years’ experience of teaching lighting and sound for stage, stage management and video production at all levels. He also works as a digital filmmaker and has produced videos for Phoenix Dance Theatre and Balbir Singh. Mark has a Higher Diploma in Film & Video Production and an MA in Film Studies from the University of Newcastle upon Tyne. Pam Bone 11/07/2013 Independent Pam Bone is an independent adviser for the cultural industries. Over the past 17 years she has secured significant funding to enable new and refurbished arts buildings, artistic and learning programmes and individual projects. She advises organisations on strategic and business planning including fundraising and resource development. Prior to this she was employed in senior management roles in performing arts organisations, major theatre venues and the funding system and is currently a trustee of the Theatres Trust. -
Wayne Mcgregor | Random Dance
WAYNE MCGREGOR | RANDOM DANCE FEBRUARY 13, 2014 OZ SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler A MESSAGE FROM OZ Welcome and thank you for joining us for our first presentation as a new destination for contemporary performing and visual arts in Nashville. By being in the audience, you are not only supporting the visiting artists who have brought their work to Nashville for this rare occasion, you are also supporting the growth of contemporary art in this region. We thank you for your continued support. We are exceptionally lucky and very proud to have with us this evening, one of the worlds’ most inspiring choreographic minds, Wayne McGregor. An artist who emphasizes collaboration and a wide range of perspectives in his creative process, McGregor brings his own brilliant intellect and painterly vision to life in each of his works. In FAR, we witness the mind and body as interconnected forces; distorted and sensual within the same frame. As ten stunning dancers hyperextend and crouch, rapidly moving through light and shadow to a mesmerizing score, the relationship between imagination and movement becomes each viewer’s own interpretation. An acronym for Flesh in the Age of Reason, McGregor’s FAR investigates self-understanding and exemplifies the theme from Roy Porter’s novel by the same name, “that we outlive our mortal existence most enduringly in the ideas we leave behind.” Strap in. -
The Royal Ballet Present Romeo and Juliet, Kenneth Macmillan's
February 2019 The Royal Ballet present Romeo and Juliet, Kenneth MacMillan’s dramatic masterpiece at the Royal Opera House Tuesday 26 March – Tuesday 11 June 2019 | roh.org.uk | #ROHromeo Matthew Ball and Yasmine Naghdi in Romeo and Juliet. © ROH, 2015. Photographed by Alice Pennefather Revival features a host of debuts from across the Company, including Akane Takada, Beatriz Stix-Brunell, Anna Rose O’Sullivan, William Bracewell, Marcelino Sambé and Reece Clarke. Principal dancer with American Ballet Theater, David Hallberg makes his debut in this production as Romeo opposite Natalia Osipova as Juliet. Production relayed live to cinemas and on Tuesday 11 June 2019. This Spring, The Royal Ballet revives Kenneth MacMillan’s 20th-century dramatic masterpiece, Romeo and Juliet. Set to Sergey Prokofiev’s seminal score, the ballet contrasts romantic pas de deux with a series For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of vibrant ensemble scenes, set against the backdrop of 16th-century Verona as evoked by Nicholas Georgiadis’s designs. A work which has been performed by The Royal Ballet more than 400 times since it was premiered at Covent Garden in 1965, Romeo and Juliet is a classic of the 20th-century ballet repertory, and showcases the dramatic ability of the Company, as well as incorporating a plethora of MacMillan’s signature challenging choreography. During the course of this revival, Akane Takada, Beatriz Stix-Brunell and Anna Rose O’Sullivan debut as Juliet. Also performing the role during this run are Principal dancers Francesca Hayward, Sarah Lamb and Marianela Nuñez. -
4-15 Novembre 2016
UN PROGETTO IN COLLABORAZIONE CON 1 FESTIVAL 320 ARTISTI 80 CONCERTI 25 EVENTI 1 CITTÀ 4-15 NOVEMBRE 2016 INFO BIGLIETTERIA SOCIAL www.jazzmi.it facebook: JAZZMIMILANO INFORMAZIONI [email protected] spotify: JAZZMI infoline 345 5170594 instagram: JAZZMIMILANO dalle 14 alle 18 dal lunedì al venerdi #myjazzmi2016 dalle 10 alle 20 nei giorni del festival INDIRIZZI TEATRO DELL’ARTE CONSERVATORIO DI MILANO BASE MILANO viale Alemagna 6 via Conservatorio 12 via Bergognone 34 T 02 72434258 TEATRO NAZIONALE SALUMERIA DELLA MUSICA BLUE NOTE MILANO via Giordano Rota 1 via Pasinetti 2 via Borsieri 37 T 02 69016888 SANTERIA SOCIAL CLUB ANGURERIA CHIARAVALLE viale Toscana 31 via San Bernardo 17 TEATRO DAL VERME via S. Giovanni sul Muro 2 CIRCOLO MAGNOLIA TEATRO MANZONI via Circ. Idroscalo 41, Segrate via Manzoni 42 CREDITI UN PROGETTO UFFICIO STAMPA IN COLLABORAZIONE CON Teatro dell’Arte Sara Mehrjoei L’Assessorato alla Cultura Ponderosa Music & Art Fabio Vergani del Comune di Milano IN COLLABORAZIONE CON Alessia Bianchi La Direzione e lo staff del Teatro dell’Arte Blue Note Milano (Casta Diva Group) e Triennale Milano DIREZIONE ARTISTICA Parole e Dintorni Lo staff di Blue Note Milano (Blue Note Milano) e Casta Diva Group Luciano Linzi Titti Santini SOCIAL & WEB Enrico Intra, Maurizio Franco, Stefano Fileti Sarah Volpi - Associazione Culturale RELAZIONI ESTERNE E PROGETTI ARTISTICI Musica Oggi e Civici Corsi di Jazz Monica Vanini PARTNER & SUPPORTER Lo staff della Civica Scuola di Musica DIREZIONE ORGANIZZATIVA Monica Vanini e Lorenzo Carni Claudio Abbado (Ponderosa Music & Art) Lorenzo Carni Lo staff del Touring Club Italiano Fulvio Rossi e Maurizio Gallo e i volontari di Aperti per Voi BOOKING (Casta Diva Group) Giuseppe Ponti Paolo Caiani DIREZIONE ARTISTICA BLUE NOTE GRAZIE Nick The Nightfly A tutti i partner coinvolti nella rete di PRODUZIONE questa prima edizione di JAZZMI. -
Harlequin News SPR 2012 V4 .Indd
BRITISH HARLEQUIN NEWS SPRING 2012 FLOORS FOR DANCE, PERFORMING ARTS, ENTERTAINMENT & DISPLAY With the growing popularity of dance, largely thanks to television shows, it is important to consider the facilities required for learning and teaching dance. High on the list for a dance studio or stage is a suitable fl oor. For dancers at all levels, the fl oor is where dancers TDM courtesy Photo of Photo: will spend most of their time. Not only is the dance fl oor central to a dancer’s training and working environment, but the wrong fl oor can lead to injuries sustained from slips and falls, or to longer term stress related injury. In this issue of Harlequin News we feature stories from Britain and around the world. See how the printed Harlequin Cascade fl oor transformed the set at the grand reopening of the newly restored Bolshoi Theatre in Moscow. Read snippets of interviews with Riverdance and Sydney Dance Company, then why not download the full length version using the QR code. Find out about the latest measures being taken to reduce dancer injury. Plus much more. Harlequin News is one way of us communicating with our customers but don’t forget, there are many ways to get in touch. Join us on Facebook (/harlequinfl oors), follow us on Twitter (@DanceFloors), comment on our blog, keep up to date with the latest developments on our website, which features a Live Chat link, meet the team at exhibitions or call us free on 0800 28 99 32. Bolshoi’s sumptuous set design Whichever way you choose to get in touch, we look forward to hearing from you!