Institutional Presentation Rostock 2009 the Mission

Total Page:16

File Type:pdf, Size:1020Kb

Institutional Presentation Rostock 2009 the Mission ms stubnitz institutional presentation Rostock 2009 the mission Since its inception in 1994, Stubnitz has been and remains a unique cross-cultural project of its kind, committed to the research and documentation of the contemporary music and performance art across different European regions, for the benefit of the artists, their audiences and cultural exchange. As the Culture Ark, it is our mission to chronicle the innovation and diversity of contemporary youth culture and communicate it to the present and future generations. Doing so, we keep the maritime cultural heritage of Stubnitz the ship, and the millennia-old tradition of maritime cultural exchange alive and accessible to the people. the profile Motorschiff Stubnitz e.V. is a registered non-profit association, which operates an 80m former freeze & transport vessel of the GDR high seas fishing fleet. Built in 1964 at the Volkswerft Stralsund, MS Stubnitz is the sole surviving specimen of its type and is listed as a Monument of German Shipbuilding by the city of Rostock. In 1993 it was transformed into a mobile platform for music, cultural production, documentation and communication. The three converted cargo holds have excellent acoustic qualities, can accommodate around 700 people in total and are ideally suited as venues for live music, exhibitions, performances and media art. The main part of the maintenance and cultural work is done on a voluntary basis, the artists and coworkers lodged and fed on board. Since 1994 Stubnitz has visited 15 different ports across 10 European countries, researching and presenting innovative youth culture and forming partnerships with local culture organizations and promoters. More than 430 000 people have attended more than 1500 events hosted by Stubnitz. More than 3000 live performances by artists from 30 countries all over the world have been documented and preserved in an on-board audio/video archive. Each performance is recorded by 2-3 cameras, live mix and biophonic audio equipment, then edited and catalogued in an on-board multi-media lab. Stubnitz maintains a file server and a web site where fragments of this vast archive material are now gradually being offered for public viewing. We are constantly looking for new joint projects with authorities of European port cities, local and international culture organizations, to bring this fascinating environment and a diverse cultural program to the full access of the local public. the team Name Year Country Department Supervisory Board: Angelica Voland 1944 Germany Christel Fuchs 1953 Germany Operations: Axel Brodzinski 1968 Germany administration, head of the Board Anne Runge 1983 Germany administration, boardmember Falk Rugies 1979 Germany media, boardmember Björn Iggensen 1976 Germany IT, boardmember Ronald Koch 1975 Germany media, catering, boardmember Gernot Labahn 1983 Germany media technology, boardmember Manfred Bendrich 1951 Germany technical manager, chief engineer Werner Burmeister 1963 Germany naval engineer, corrosion prevention Cofounder and Manager: Urs Blaser 1960 Switzerland administration, events, security Coworkers: Jörg Tessenow 1970 Germany electrical engineer Carl Weidner 1975 Netherlands booking, media Christian Schulle 1980 Germany welder Matti Romey 1977 Germany metalworker Pablo Dudenhoefer 1980 Germany metalworker Trainees: Andreas Gerdel 1983 Germany education in cultural administration Madlen Koark 1981 Germany education in cultural administration Florian Hübel 1987 Germany education in event technology Joachim Gerdel 1987 Germany education in event technology Moritz Fink, 1989 Germany education in event technology Volunteers: Ulrike Bartels 1982 Germany merchandising Claudia Blank 1984 Germany hospitality Mary Koss, 1985 Germany assistant Aaron Meier 1981 Switzerland media assistant Anja Bresemann 1985 Germany assistant Bram Graafland 1982 Netherlands assistant Daniel Zimmer 1977 Germany photographer Jeremie Foulquier 1987 France archive work Valters Verners 1973 Latvia marketing investigator National Service Interns: Christian Gubalke 1989 Germany assistant Fabian Ketzler 1989 Germany assistant Volunteers, the Crew: Günter Bedrich 1941 Germany chief engineer Reinhard Zietz 1947 Germany mechanic Peter Paul 1941 Germany captain Heinz Scherbinske 1943 Germany captain Sven Herberg 1966 Germany navigational officer Wolfhard Rust 1954 Germany engineer officer and many others… the history Year City Period Organizer Event Documented Visitors Visitors Total Performances 1994 St. Petersburg Jul Stubnitz / Ost-West Kontakt Art in Transit Malmö Aug City of Malmö Baltic Jubilee Hamburg Aug-Sep Stubniz / Kulturbehörde Das Boot in Hamburg Hamburg Rostock Sep-Dec 11 1 708 1995/97 Rostock 315 36 552 1998 Rostock Jan-May 55 13 078 Stockholm May-Aug Nursery & Nursery Injection; 103 8 676 City of Stockholm Stockholm European Culture Capital 1998 Rostock Aug-Dec 90 5 396 27 150 1999 Rostock 210 15 536 2000 Rostock Jan-May 43 6 607 Hamburg May-Jul Zentralkommitee Der 94. Deutscher 90 6 156 Deutschen Katholiken Zdk Katholikentag Hamburg 2000; Festival an der Überseebrücke Lübeck Jul Mobiles Büro Für Markt der Träume und 16 1 889 Erdangelegenheiten Visionen Rostock Jul-Dec 92 14 442 29 093 2001 Rostock Jan-Jun 86 12 125 Hamburg Jun-Jul 54 6 431 Rotterdam Jul-Sep Adrift Foundation Rotterdam European 101 5 378 Culture Capital 2001 Rostock Sep-Dec 41 9 742 33 676 Year City Period Organizer Event Documented Visitors Visitors Total Performances 2002 Rostock Jan-Aug 91 14 673 Brugge Aug-Sep Kaapstad – Youth Festival Brugge European Culture 95 5 670 Brugge 2002 Capital 2002 Amsterdam Sep-Oct Stichting Kinetisch Noord Stubnitz.nl 63 5 330 Rostock Oct-Dec 43 8 117 33 791 2003 Rostock Jan-Jun 66 14 430 Szczecin Jun-Aug Wojewodztwo Joint Presentation by 56 3 691 Zachodniopomorskie the West Pomeranian Region and Mecklenburg Vorpommern Rostock Aug Hansesail 2 3 817 Hamburg Aug-Sep Ladyfest Hamburg 2003 Ladyfest Hamburg 2003 74 6 598 Rostock Sep-Dec 61 11 104 39 639 2004 Rostock Jan-Aug 95 20 462 Riga Aug Melo Records & City of Riga Riga City Festival 2004 15 2 250 Klaipeda Aug-Sep 600 Rostock Sep-Dec 84 10 435 33 747 2005 Rostock Jan-May 50 9 279 Copenhagen May Stubnitz 73 6 158 Rostock May 2 987 Rotterdam Jun Sound Architecture Sound Architecture 44 5 853 Newcastle Jun-Jul Amino / Forma / No.Fi Navigate Festival; 24 3 403 Version Festival Amsterdam Jul-Sep 124 10 080 Dunkerque Sep-Oct City of Dunkerque Stubnitz à Dunkerque 57 7 983 Rostock Oct-Dec 20 6 225 49 968 2006 Rostock Jan-Jul 59 10 722 Copenhagen Jul-Aug Jazzclub Loco / Distortion Copenhagen Jazz Festival 55 12 408 Rostock Aug Hansesail 2 1 641 Hamburg Aug-Sep 17 2 947 Amsterdam Sep-Jan 111 15 163 42 881 2007 Rostock Jan-Sep 112 18 091 Amsterdam Sep-Dec 124 13 048 Hamburg Dec 40 6 238 37 377 2008 Rostock Jan-Jun 98 18 353 Copenhagen Jun-Jul Jazzclub Loco / Distortion Copenhagen Jazz Festival 72 8 110 Nykøbing/ Jul-Aug Foreningen Artitide KulturKlash Festival 2008 18 1 029 Falster Rostock Aug 1 2 040 Amsterdam Aug-Dec Nimk, Steim Uitmarkt 102 21 080* 50 611 Total Documented Performances: 3299 Visitors: 431 729 * Additional number of visitors upon free admission, while the ship was moored in the city centre: ~ 23 000 pers. (Aug 29 – Sep 01, 2008). technical data Type: former freeze and transport vessel SAS 501 / ROS 701 listed as Unique Monument by the Hanseatic City of Rostock Class: GL+ 100A5 E with freeboard 2.210m IW Exhibition Ship Power: 2 engines, 984 kW Propulsion: single variable-pitch propeller, induction clutch, profile rudder balance Name: STUBNITZ Call sign: Y4HK Homeport: Rostock, Germany IMO-Number: 6513774 Built: 1964, Volkswerft Stralsund Length: 79.78 m Beam: 13.20 m Height: 29.54 m Max. draught: 5.50 m Gross tonnage: 2541 Total visitors: 700 persons Guests on-board: 12 persons contacts General manager and event coordinator: Urs Blaser [email protected] +45 5280 7862 Motorschiff Stubnitz e.V. Trägerverein Rostocker Kulturschiff Stubnitz e.V. Stadthafen LP 82 18057 Rostock · Germany fax: +49 381 201 00 00 e-mail: [email protected] www.stubnitz.com Currently moored at: . .
Recommended publications
  • PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and Works in Zurich, Switzerland
    PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and works in Zurich, Switzerland EDUCATION 1986–1988, Audiovisual communications (video), School of Design, Basel, Switzerland 1982–1986, Commercial art, illustration, and photography, University of Applied Arts Vienna, Vienna, Austria PROFESSIONAL ACTIVITIES 2002-2003, Visiting professor, UCLA, Los Angeles, CA 1988–1994, Member, Les Reines Prochaines (band), concerts, performances, and LPs/CDs 1987–1994,Computer graphics designer, various industrial video studios, Basel, Switzerland 1986–present, Freestyle video/audio works and installations AWARDS AND HONORS 2018, 18th Aurora Award, Aurora Picture Show, Houston, TX 2014, Prix Meret Oppenheim, Switzerland 2014, Willi Reber Art Price, Chur, Switzerland 2014, Baukoma Award for Marketing and Architecture, Best Site Development, Kerzers, Switzerland 2012, Bazaar Art International Artist of the Year, Hong Kong, China 2013, Zurich Festival Prize, Zurich, Switzerland 2011, Best Architects 11 Award, Dusseldorf, Germany 2010, Cutting Edge Award, Miami International Film Festival, Miami FL 2009, Best Exhibition of Digital, Video, or Film Award, The International Association of Art Critics (AICA), New York, NY 2009, Joan Miró Prize, Fundació Caixa Girona, Spain 2009, President of the Jury's Extraordinary Award, 6th Seville European Film Festival, Seville, Spain 2007, St.Galler Kulturpreis der St.Gallischen Kulturstiftung, St. Gallen, Switzerland 2006, Honoree, Solomon R. Guggenheim Museum Young Collector’s Council Annual Artist’s Ball, New York, NY 2004, Universität der Künste, 01award, Berlin, Germany 2001, Zürcher Kunstpreis, Stadt Zürich, Switzerland 1999, Wolfgang Hahn Preis, Museum Ludwig, Cologne, Germany 1997, Premio '2000' della Biennale di Venezia , Venice, Italy1997, Kwangiu Biennale Award, Korea 1997, Prenta Preis der Kunsthalle Nürnberg 1996, DAAD, Berlin, Germany 1994, Manor-Kunstpreis, St.
    [Show full text]
  • Armin Medosch (1962-2017)
    ARMIN MEDOSCH 1962—2017 Aus den Erinnerungen und dem Gedenken von so vielen Menschen an so vielen Orten entsteht das Bild eines engagierten Lebens, verbunden mit der Welt, den Künsten, der Technologie, der Politik und — mehr als alles andere — mit den Menschen. Wir erinnern uns an einen Pioneer, einen Freund, einen Partner und einen Sohn. From memories and remembrances of so many people in so many places, an image emerges of a life in deep engagement with the world, the arts, technology and politics and, above all, with people. We remember a pioneer, a friend, a husband and a son. 2 3 <nettime> Armin Medosch (1962-2017) From: FELIX STALDER <[email protected]> Date: Fri, 24 Feb 2017 09:12:56 +0100 Armin Medosch died yesterday, on the day two months after being diagnosed with cancer. I’m sure many people on nettime knew him very well. He was a real pioneer of the media arts and network culture scene in Europe. Indeed for much longer than even nettime exists. I first learned of Armin not as a person, but a legend. In the early 1990s, he was one of a band of artists of an unqualifiable streak who roamed the Baltic sea on the Kunst-Raum-Schiff, MS Stubnitz. An 80m former freeze & transport vessel of the GDR high seas fishing fleet, they had re-purposed as a moving center for experimental electronic culture. He curated and organised exhibitions and symposia in Rostock, Hamburg, Malmö and St. Petersburg. The project was incredibly evocative, even for someone like me who had never seen the ship, because it fused many of the ideas that would come to define network culture, namely nomadism, disregard for established culture institutions, DIY and an exploration of the wild wastelands opened by the breakdown of the Soviet system, after 1989.
    [Show full text]
  • Henrik Håkansson
    HENRIK HÅKANSSON Born in 1968, Helsingborg, Sweden Lives and works in Falkenberg (Sweden) and Berlin SELECTED SOLO EXHIBITIONS 2018 ‘A Hundred Pieces of a Tree’, Kode Art Museum - Kode 2, Bergen, Norway ‘The Beetle’, Korjaamo, IHME Contemporary Art Festival, Helsinki, Finland ‘NATURvitenskap’ (Video screening), Trondheim Kunstmuseum, Norway 2016 ‘A Tree (Suspended)’, Kunstverein Freiburg, Freiburg, Germany ‘The End’, Auditorium Grimaldi III, “Nuit Blanche Monaco 2016” curated by Jorg Heiser, Monaco; Principality of Monaco 2015 Swedish Institute, Paris, France 2014 ‘Indefinite Swarms - A Presentation of Selected Works 2009 – 2012’, Meyer Riegger Berlin, Germany 2012 ‘AUG.11,2012 The Symptoms of the universe studies. (6min 29 sec)’, Meyer Riegger, Berlin, Germany Art Parcours, Art Basel, Basel (Screening of ‘Monarch - The Eternal’), Basel, Switzerland ‘A Forest Divided’, Lunds Konsthall, Lund, Sweden 2011 Hors Les Murs at Jardins Des Plantes, Fiac Art Fair, Paris, France ‘The End’, The Modern Institute/Toby Webster Ltd, Glasgow, UK 2010 Galleria Franco Noero, Torino, Italy 2009 ‘Henrik Håkansson’, Middlesbrough Institute of Modern Art – MIMA, Middlesbrough, UK 2008 ‘Henrik Håkansson. Novelas de la selva’, Museo Tamayo Arte Contemporáneo, Mexico DF*, Mexico 2007 ‘Aug.26,2003 - Aug.27,2003 (Vespa vulgaris), CAG, Vancouver, Canada ‘Three days of the condor’, Kettles Yard, Cambridge, UK 2006 ‘Cyanopsitta spixii Case Study #001‘, Isabella Stewart Gardner Museum, artist-in- residence exhibition, Boston, USA ‘A travers bois pour trouver la forêt’,
    [Show full text]
  • Resetting the Stage PUBLIC THEATRE BETWEEN the MARKET and DEMOCRACY
    KLAIC DRAGAN KLAIC Resetting the Stage PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY By Dragan Klaic Resetting the Stage Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption – as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public. Dragan Klaic was a well-respected theatre scholar and cultural analyst. In his versatile career, he was professor and lecturer at universities in Amsterdam, Belgrade, Bologna, Budapest, Istanbul and Leiden, and held various positions in numerous institutions and foundations world-wide – from director to board member or permanent fellow. Intellect is honoured to be publishing his final book. intellect | www.intellectbooks.com PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY Resetting the Stage 05473_FM_pi-xx.indd i 8/29/12 5:25:31 PM 05473_FM_pi-xx.indd ii 8/29/12 5:25:32 PM Resetting the Stage Public Theatre Between the Market and Democracy Dragan Klaic intellect Bristol, UK / Chicago, USA 05473_FM_pi-xx.indd iii 8/29/12 5:25:32 PM First published in the UK in 2012 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2012 by Intellect, The University of Chicago Press, 1427 E.
    [Show full text]
  • Ava Mendoza Curriculum Vitae TWO PAGE
    Ava Mendoza, B.A. [email protected] ~ www.avamendozamusic.com EDUCATION Mills College, Oakland, Bachelor of Arts in Intermedia Arts, 2006 California Institute of the Arts, Valencia, CA 2001-02 Interlochen Arts Academy, Interlochen, MI 1998-2001 GRANTS, RESIDENCIES, COMMISSIONS, AND AWARDS 2020 New Music Solidarity Fund 2020 Seven Star Arts Centre Violin-Building for Musician Aid 2018 Film Score Commission by Kino Lorber 2018 Composition Commission by Living Earth Show 2016 Bimhuis Carte Blanche (Amsterdam, NE) 2016 The Stone NYC Artist Residency (NY, NY) 2015 Eminent Artist in Residence MONA FOMA Festival (Tasmania, AU) 2012 Live Score Commission by SF International Film Festival 2011 Live Score Commission by SF Film Society 2009 Dah Teatar Residence w/ Theater of Yugen (Belgrade, RS) PROFESSIONAL ASSOCIATIONS: Happy Lucky No. 1 Community Arts Space (Brooklyn, NY) Music Curator 2019-2020 355 BAR (Oakland, CA) Music Curator 2013-2014 Theater of Yugen (SF, CA) Music Curator 2010-2011 SELECTED PERFORMANCES 2020 LaMama NYC (NY, NY) w/ Travis Just’s Object Collection • Ramapo College (Ramapo, NJ) w/ Marc Ribot’s Young Philadel- phians • The Stone at the New School (NY, NY) w/ Jon Irabagon’s I Don’t Hear Nothin’ But the Blues 2019 National Sawdust, The Stone Commissioning Series curated by John Zorn (Brooklyn, NY) duo w/ Nels Cline • Vision Festival, Roulette Intermedium, (Brooklyn, NY) w/ Ava Mendoza Quartet • Rockefeller Center (NY, NY) w/ Nick Zinner’s (Yeah Yeah Yeahs) 41 STRINGS • The Stone at the New School (NY, NY) w/ William Parker’s
    [Show full text]
  • PALMER/RAE ASSOCIATES International Cultural Advisors
    PALMER/RAE ASSOCIATES International Cultural Advisors European Cities and Capitals of Culture - City Reports Study Prepared for the European Commission PART II Palmer/Rae Associates Rue de la Croix de Pierre 74, B-1060 Brussels, Belgium Tel. +32 (0)2 5343484 - Fax +32 (0)2 5348161 E-mail: [email protected] - Web site: http://www.palmer-rae.com PALMER/RAE ASSOCIATES, BRUSSELS August 2004 Palmer/Rae Associates REPORT ON EUROPEAN CITIES AND CAPITALS OF CULTURE PART II Project Team Director Robert Palmer Research Manager Susie Jones Senior Researcher Caspar Will Assistants Sofie Sweygers Susanna Malzacher Raphael Bosch-Joubert Database Consultant Stephanie Racette Cover Design Julie Doutrelepont Expert Advisers Tourism Perspectives Greg Richards Social Perspectives François Matarasso Economic Perspectives Stuart Gulliver External Advisers Eric Corijn Rod Fisher Beatriz Garcia Brit Holtebekk Gottfried Wagner European Cities and Capitals of Culture - City Reports Table of Contents PART II Table of Contents INTRODUCTION 8 EUROPEAN CAPITALS AND CITIES OF CULTURE 1995 - 2004 LUXEMBOURG 1995 11 COPENHAGEN 1996 27 THESSALONIKI 1997 47 STOCKHOLM 1998 63 WEIMAR 1999 81 AVIGNON 2000 97 BERGEN 2000 112 BOLOGNA 2000 129 BRUSSELS 2000 147 CRACOW 2000 167 HELSINKI 2000 182 PRAGUE 2000 203 REYKJAVIK 2000 219 SANTIAGO DE COMPOSTELA 2000 235 PORTO 2001 248 ROTTERDAM 2001 267 BRUGES 2002 287 Palmer/Rae Associates, Brussels Page 6 SALAMANCA 2002 303 GRAZ 2003 319 GENOA 2004 341 LILLE 2004 346 EUROPEAN CULTURAL MONTHS 1995-2003 NICOSIA 1995 353 ST. PETERSBURG 1996 AND 2003 359 LJUBLJANA 1997 364 LINZ 1998 367 VALLETTA 1998 372 PLOVDIV 1999 376 BASEL 2001 379 RIGA 2001 383 ANNEX: QUESTIONNAIRE 387 Table of Contents European Cities and Capitals of Culture - City Reports Introduction Part II comprises reports on each of the 21 ECOC and the 8 cities that hosted European cultural months in the period 1995-2004.
    [Show full text]
  • Urs Blaser DER SCHWEIZER URS BLASER - Chef Des Kulturschiffs „Stubnitz“ KULTURMANAGER UND STUBNITZ - KAPITÄN
    Urs Blaser DER SCHWEIZER URS BLASER - Chef des Kulturschiffs „Stubnitz“ KULTURMANAGER UND STUBNITZ - KAPITÄN 2002 erhielt - für viele überraschend - der Berner Europa- bürger Urs Blaser den Kulturpreis der Hansestadt Rostock. Für die Freie Szene seit 1991/92 hier längst kein Unbekannter mehr, wuchs das Interesse in Stadt und Land für das Leben und Wirken dieses Mannes immens. In Bern 1960 geboren, besuchte BLASER von 1966-1975 die Primär- und Sekundärschule in Uettlingen/Bern. Seit 1970 lernte er am Berner Musikkonservatorium Querflöte und acht Jahre später Saxophon spielen. Das 1975 besuchte Neufeld- Gymnasium verließ Urs Blaser schon ein Jahr später freiwillig und probierte sich bis 1977 in verschiedenen Jobs aus. 1982 schloss er erfolgreich eine vierjährige Ausbildung zum diplo- mierten Krankenpfleger ab. Danach war er bis 1986 als Musikstudent und Musiker in Graz, Wien und Genf aktiv. Mit improvisierter und elektroakustischer Musik probierte er sich in verschiedenen Formationen unter dem Künstlernamen Oil Blo aus. Gemeinsam mit Armin Medosch produzierte er 1986 auch einen 12-teiligen Radio-Comic, der u.a. im ORF, bei 01 und 3 und Radio 100, Berlin, gesendet wurde. In den achtziger Jahren war Blo in den verschiedensten euro- päischen Projekten (Tonstudio, Beschallungsanlagen, Organisation, Medien-Kunst, Musik, Performances, Radio Subcom) mit unterschiedlichen Partnern (Medien, Aka- demien, Museen) u.a. in Berlin, Köln, Bern, Wien, London, Mailand und Frankfurt/Main zu erleben. Bevor Urs Blaser also im Sommer 1991 nach Rostock kam, war er bereits über sechs Jahre mit dem Medien-Kunst- Projekt „Radio Subcom“ in Europas Freier Kulturszene unter- wegs. Jedes Jahr wurden an unterschiedlichsten Orten bisher Foto: Thomas C.
    [Show full text]
  • From the Northern Ice Shield to the Alpine Glaciations a Quaternary Field Trip Through Germany
    DEUQUA excursions Edited by Daniela Sauer From the northern ice shield to the Alpine glaciations A Quaternary field trip through Germany GEOZON From the northern ice shield to the Alpine glaciations Preface Daniela Sauer The 10-day field trip described in this excursion guide was organized by a group of members of DEUQUA (Deutsche Quartärvereinigung = German Quaternary Union), coordinated by DEUQUA president Margot Böse. The tour was offered as a pre-congress field trip of the INQUA Congress in Bern, Switzerland, 21– 27 July 2011. Finally, the excursion got cancelled because not enough participants had registered. Apparently, many people were interested in the excursion but did not book it because of the high costs related to the 10-day trip. Because of the general interest, we decided nevertheless to finish the excursion guide. The route of the field trip follows a section through Germany from North to South, from the area of the Northern gla- ciation, to the Alpine glacial advances. It includes several places of historical importance, where milestones in Quaternary research have been achieved in the past, as well as new interesting sites where results of recent research is presented. The field trip starts at Greifswald in the very North-East of Germany. The first day is devoted to the Pleistocene and Ho- locene Evolution of coastal NE Germany. The Baltic coast with its characteristic cliffs provides excellent exposures showing the Late Pleistocene and Holocene stratigraphy and glaciotectonics. The most spectacular cliffs that are located on the island of Rügen, the largest island of Germany (926 km2) are shown.
    [Show full text]
  • Pipilotti Rist
    PIPILOTTI RIST BORN 1962 in Grabs, Switzerland. Lives and works in Zürich, Switzerland EDUCATION 1982-86 Studies of commercial art, illustration and photography at the Institute of Applied Arts in Vienna, Austria 1986-88 Studies of audio visual communications (video) at the School of Design in Basel, Switzerland , Professor René Pulfer Institute of Applied Arts in Vienna, Austria FREELANCE Since 1986 Freestyle video/audio works and installations 1987-94 Grafic computer operator in different industrial videostudios 1988-94 Member of the music band Les Reines Prochaines, concerts, performances and LP/CD’s AWARDS & GRANTS 2004 Universität der Künste, 01award, Berlin, Germany 2001 Zürcher Kunstpreis, Stadt Zürich, Swizterland 1999 Wolfgang Hahn Preis, Museum Ludwig, Köln, Germany 1997 Premio 2000 of the Venice Biennal for ’Ever Is Over All’ Kwangiu Biennale Award for ‘Sip my Ocean’ (choosen by the other artists) Prenta Preis der Kunsthalle Nürnberg 1996 DAAD, Berlin (D) 1994 Manor-Kunstpreis, St. Gallen Video-Kunstpreis des Schweizerischen Bankvereins Prix d’art contemporain de la BC Genève 1993 Förderungspreis der Jubiläumstiftung der SBG Eidgenössisches Kunststipendium 1992 Züricher Filmpreis for ‘Pickelporno’, Video and Film 1991 Eidgenössisches Kunststipendium 1989 VIPER Luzern for ‘Die Tempodrosslerin saust’, video and installation 1988 Feminale Köln for ‘Japsen’, video 1987 Film und Videotage Basel, for ‘I’m Not The Girl Who Misses Much’, video ART IN ARCHITECTURE 2001 Swiss Embassy, Kunstintervention am Bau, Berlin, Germany 1999 Bahnhof Basel Ost, Basel, Switzerland 1998 Hof zu Wil, Will, Switzerland 1995 UBS BUCHS, St. Gallen, Switzerland TEACHING POSITION 2002 Visiting professor at UCLA, Los Angeles, CA SOLO EXHIBITIONS 2007 “Gravity, Be My Friend,” (cur.
    [Show full text]
  • National Parks in Germany: Wild and Beautiful
    NATIONAL PARKS IN GERMANY Wild and Beautiful Western-Pomerania Lagoons National Park Bavarian Forest National Park Jasmund National Park Im Forst 5 Freyunger Straße 2 Stubbenkammer 2 a D-18375 Born /Germany D-94481 Grafenau /Germany D-18546 Sassnitz /Germany Phone: +49 (0)38234 502-0, fax -24 Phone +49 (0)8552 9600-0, fax -100 Phone: +49 (0)38392 350-11, fax -54 [email protected] [email protected] [email protected] www.nationalpark-vorpommersche- www.nationalpark-bayerischer-wald.de/english www.nationalpark-jasmund.de boddenlandschaft.de Berchtesgaden National Park Kellerwald-Edersee National Park Doktorberg 6 Laustraße 8 Hamburg Wadden Sea National Park D-83471 Berchtesgaden /Germany D-34537 Bad Wildungen /Germany Neuenfelder Straße 19 Phone: +49 (0)8652 9686-0, fax -40 Phone: +49 (0)5621 75249-0, fax -19 D-21109 Hamburg /Germany [email protected] [email protected] Phone: +49 (0)40 42840-3392, fax -3552 www.nationalpark-berchtesgaden.de www.nationalpark-kellerwald-edersee.de/en/home/ www.nationalpark-wattenmeer.de Müritz National Park Lower Saxony Wadden Sea National Park Eifel National Park Schloßplatz 3 Virchowstraße 1 Urftseestraße 34 D-17237 Hohenzieritz /Germany D-26382 Wilhelmshaven /Germany D-53937 Schleiden-Gemünd /Germany Phone: +49 (0)39824 252-0, fax -50 Phone: +49 (0)4421 911-0, fax -280 Phone: +49 (0)2444 9510-0, fax -85 [email protected] [email protected] [email protected] www.mueritz-nationalpark.de/cms2/MNP_prod/ www.nationalpark-wattenmeer.de www.nationalpark-eifel.de/go/eifel/english.html MNP/en/Homepage/index.jsp www.nationalpark-wattenmeer-erleben.de Saxon Switzerland National Park Hainich National Park An der Elbe 4 Schleswig-Holstein Wadden Sea National Park Bei der Marktkirche 9 D-01814 Bad Schandau /Germany Schlossgarten 1 D-99947 Bad Langensalza /Germany Phone: +49 (0)35022 900-600, fax -666 D-25832 Tönning /Germany Phone: +49 (0)361 5739140-00, fax -20 poststelle.sbs-nationalparkverwaltung@smul.
    [Show full text]
  • Meyer Riegger Henrik Håkansson 1968 Born in Helsingborg, SE Lives
    Meyer Riegger Henrik Håkansson 1968 born in Helsingborg, SE lives and works in Falkenberg, Sweden and Berlin, DE Solo Exhibitions (selection) 2021 Paintings of Trees for Birds, Galleria Franco Noero, Turin, IT A Painting of A Tree, Meyer Riegger, Berlin, DE 2019 BLINDED BY THE LIGHT, Galleria Franco Noero, Turin, IT One Hundred and One Pieces of a Tree (Norwegian Wood), Kode Art Museum Kode 4, Bergen, NO 2018 A Hundred Pieces of a Tree, Kode Art Museum - Kode 2, Bergen, NO The Beetle, Korjaamo, IHME Contemporary Art Festival, Helsinki, FI NATURvitenskap (Video screening), Trondheim Kunstmuseum, NO 2016 A Tree Suspended, Kunstverein Freiburg, Freiburg, DE The End, Auditorium Grimaldi III, “Nuit Blanche Monaco 2016” curated by Jorg Heiser, Monaco 2014 Indefinite Swarms, Selected Works 2009 – 2012, Meyer Riegger, Berlin, DE 2015 Swedish Institute, Paris, FR 2012 AUG.11, 2012 The Symptoms of the Universe Studies, Meyer Riegger, Berlin, DE Art Parcours, Art Basel, Basel (Screening of Monarch - The Eternal), CH A Forest Divided, Lunds Konsthall, Lund, SE 2011 The End, The Modern Institute Osborne Street, Glasgow, UK 2010 Galleria Franco Noero, Torino, IT 2009 Henrik Håkansson, Middlesbrough Institute of Modern Art – MIMA, Middlesbrough, UK 2008 Henrik Håkansson. Novelas de la selva, Museo Tamayo Arte Contemporáneo, Mexico City, MX 2007 Aug. 26, 2003 - Aug. 27, 2003 (Vespa vulgaris), CAG, Vancouver, CA Three days of the condor, Kettles Yard, Cambridge, UK 2006 Cyanopsitta spixii Case Study #001, Isabella Stewart Gardner Museum, artist-in-residence exhibition, Boston, US A travers bois pour trouver la forêt (with Allora-Calzadilla and Sergio Vega), Palais de Tokyo, Paris, FR Henrik Håkansson & Edward J.
    [Show full text]
  • Rostock 2009 Mission
    ms stubnitz projekt - präsentation Rostock 2009 mission Das Motorschiff Stubnitz ist ein einzigartiges, multikulturelles Projekt, welches sich der Erforschung und Dokumentation zeitgenössischer Musik und darstellender Kunst in verschiedenen europäischen Regionen widmet. Seit seiner Gründung im Jahre 1994 kommt es somit Künstlern, Publikum und kulturellem Austausch zugute. Als “Kultur-Arche” besteht unsere Mission in der Bestandsaufnahme der Innovation und Vielfalt der jungen Kultur der Gegenwart, um diese heutigen und zukünftigen Generationen näherzubringen. Somit verpflichten wir uns gleichzeitig, sowohl die jahrhunderte alte Tradition des kulturellen Austauschs auf dem Seeweg, als auch das maritime Erbe der Stubnitz als Schiff lebendig und für die Menschen erlebbar zu machen. profil Der Motorschiff Stubnitz e.V. ist ein eingetragener, gemeinnütziger Verein, der das 80 Meter lange Kühl- und Transportschiff der ehemaligen Hochsee-Fischfangflotte der DDR betreibt. Das Schiff, welches 1964 in der Volkswerft Stralsund gebaut wurde, ist das einzige noch existierende Zeugnis dieser Zeit und ist als solches in die Liste technischer Denkmäler der Hansestadt Rostock eingetragen. 1993 wurde es in eine mobile Plattform für Musik, kulturellen Austausch, Dokumentation und Kommunikation umgebaut. Die drei zu diesem Zweck umgestalteten ehemaligen Frachträume bieten ein einmalige, hervorragende Akkustik und können bis zu 700 Personen aufnehmen. Somit ist das Schiff für jegliche Art von musikalischen Darbietungen, Ausstellungen, Medien-Kunst und Performances gerüstet. Dabei wird der Großteil sowohl der kulturellen Arbeit als auch des Schiffserhalts von ehrenamtlichen Mitarbeitern gestemmt. Die Künstler und Mitarbeiter werden an Bord untergebracht und verpflegt. Seit 1994 hat die Stubnitz 15 verschiedene Häfen in 10 Ländern Europas besucht. Dabei lag der Schwerpunkt auf der Erforschung und Präsentation einer innovativen Jugendkultur und dem Aufbau von Partnerschaften zu kulturellen Organisationen und Veranstaltern vor Ort.
    [Show full text]