Vessels Insured Between 20Th February 2013 and 20Th February 2014
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Press Release
Press Release The Night Sky in the Age of Vermeer: The Astronomer in Context August 8, 2009 through January 10, 2010 Gallery 344 MINNEAPOLIS, JULY 27, 2009 To coincide with the Minneapolis Institute of Arts’ (MIA) exhibition “The Louvre and the Masterpiece” this fall, the museum is mounting a related exhibition that focuses on the Louvre show’s painting, The Astronomer (1668), by Johannes Vermeer (1632–1675). “The Night Sky in the Age of Vermeer: The Astronomer in Context,” on view August 8, 2009, through January 10, 2010, will bring visitors into the scientific and cultural world of 17th-century astronomy through an examination of the prints, books, scientific instruments, and other objects Vermeer depicted in his intriguing and beautiful masterpiece. It is fitting that the museum is presenting an exhibition on this topic, as 2009 is the International Year of Astronomy (IYA), designated by the United Nations, UNESCO, and the International Astronomical Union, to help the citizens of the world rediscover and reflect on Johannes Vermeer, Dutch, 1632–75, The Astronomer, 1668, oil on canvas, Musée du Louvre, the 400 years of changing perspectives Department of Paintings, RF 1983-28, Photo: Erich Lessing/Art Resource, NY about the universe since Galileo first Image files of these artworks and others featured in the exhibition are available. used the telescope to study the skies. Visit the MIA Press Room to log in for access. “The Night Sky” will be presented in one gallery, creating an intimate environment filled with objects similar to those shown in Vermeer’s painting. Drawing mainly on the MIA’s strong collection of large, hand-colored prints, the exhibition presents a range of interpretations of the cosmos. -
Diapositiva 1
CTA (Aerospace Technology Center) UID G.E.M.A. [Research And Development Unit - Applied Mechanics Testing Group] UID GFC [Research And Development Unit – Computational Fluid Dynamic Group] UID LaCLyFA [Research And Development Unit – Boundary Layer Laboratory] Departamento de Aeronáutica – Facultad de Ingeniería Universidad Nacional de La Plata Our Experience in Design, Analysis, Manufacturing, Integration and Tests of Satellites, Components, Instruments and Space Launchers Ing. Pablo L. Ringegni (UID GEMA Director) ITU Symposium and Workshop, Santiago de Chile, Chile, 7-9 Nov. 2016 CTA STRUCTURE UNIVERSIDAD NACIONAL DE LA PLATA Facultad de Ingeniería Departamento de Aeronáutica UID G.E.M.A. UID GFC UID LaClyFa Ing. Pablo L. Ringegni UID G.E.M.A. Research and Development Unit Applied Mechanics Testing Group (Since 1997 …..) WORKING TEAM (60 people) - Professors: Doctors, Masters, Specialists, Engineers - Professionals - Technicians - Students TYPE OF ACTIVITIES - Applied Research - Technical Development - Technical Assistance - Design, Analysis, Integration and Testing Ing. Pablo L. Ringegni UID GEMA STRUCTURE Professors Professionals Working Group Technicians Students Administratives Applied Research Technical Assistance Main Activities Testing On site Measurements - Design Structural - Analysis Mechanical - Simulation Working Areas Materials and Composites - Integration Thermal - Manufacturing - Testing Aeronautical Aerospace Industries Electric Automotive Ing. Pablo L. Ringegni CAPABILITIES Design, Simulation and Structural / Mechanical Analysis of componentes and systems. Design, Simulation and Thermal Analysis of componentes and systems. Development, manufacturing and integration (Structural y Thermal) of Aerospace Components. Structural, Mechanical and Thermal Testing over components, instruments and structures. Design and Analysis of Mechanical Ground Supports Equipment. Laboratory and on site strain, displacement, position, aceleration and temperature measurements on components, systems and structures Ing. -
Or Later, but Before 1650] 687X868mm. Copper Engraving On
60 Willem Janszoon BLAEU (1571-1638). Pascaarte van alle de Zécuften van EUROPA. Nieulycx befchreven door Willem Ianfs. Blaw. Men vintfe te coop tot Amsterdam, Op't Water inde vergulde Sonnewÿser. [Amsterdam, 1621 or later, but before 1650] 687x868mm. Copper engraving on parchment, coloured by a contemporary hand. Cropped, as usual, on the neat line, to the right cut about 5mm into the printed area. The imprint is on places somewhat weaker and /or ink has been faded out. One small hole (1,7x1,4cm.) in lower part, inland of Russia. As often, the parchment is wavy, with light water staining, usual staining and surface dust. First state of two. The title and imprint appear in a cartouche, crowned by the printer's mark of Willem Jansz Blaeu [INDEFESSVS AGENDO], at the center of the lower border. Scale cartouches appear in four corners of the chart, and richly decorated coats of arms have been engraved in the interior. The chart is oriented to the west. It shows the seacoasts of Europe from Novaya Zemlya and the Gulf of Sydra in the east, and the Azores and the west coast of Greenland in the west. In the north the chart extends to the northern coast of Spitsbergen, and in the south to the Canary Islands. The eastern part of the Mediterranean id included in the North African interior. The chart is printed on parchment and coloured by a contemporary hand. The colours red and green and blue still present, other colours faded. An intriguing line in green colour, 34 cm long and about 3mm bold is running offshore the Norwegian coast all the way south of Greenland, and closely following Tara Polar Arctic Circle ! Blaeu's chart greatly influenced other Amsterdam publisher's. -
PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and Works in Zurich, Switzerland
PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and works in Zurich, Switzerland EDUCATION 1986–1988, Audiovisual communications (video), School of Design, Basel, Switzerland 1982–1986, Commercial art, illustration, and photography, University of Applied Arts Vienna, Vienna, Austria PROFESSIONAL ACTIVITIES 2002-2003, Visiting professor, UCLA, Los Angeles, CA 1988–1994, Member, Les Reines Prochaines (band), concerts, performances, and LPs/CDs 1987–1994,Computer graphics designer, various industrial video studios, Basel, Switzerland 1986–present, Freestyle video/audio works and installations AWARDS AND HONORS 2018, 18th Aurora Award, Aurora Picture Show, Houston, TX 2014, Prix Meret Oppenheim, Switzerland 2014, Willi Reber Art Price, Chur, Switzerland 2014, Baukoma Award for Marketing and Architecture, Best Site Development, Kerzers, Switzerland 2012, Bazaar Art International Artist of the Year, Hong Kong, China 2013, Zurich Festival Prize, Zurich, Switzerland 2011, Best Architects 11 Award, Dusseldorf, Germany 2010, Cutting Edge Award, Miami International Film Festival, Miami FL 2009, Best Exhibition of Digital, Video, or Film Award, The International Association of Art Critics (AICA), New York, NY 2009, Joan Miró Prize, Fundació Caixa Girona, Spain 2009, President of the Jury's Extraordinary Award, 6th Seville European Film Festival, Seville, Spain 2007, St.Galler Kulturpreis der St.Gallischen Kulturstiftung, St. Gallen, Switzerland 2006, Honoree, Solomon R. Guggenheim Museum Young Collector’s Council Annual Artist’s Ball, New York, NY 2004, Universität der Künste, 01award, Berlin, Germany 2001, Zürcher Kunstpreis, Stadt Zürich, Switzerland 1999, Wolfgang Hahn Preis, Museum Ludwig, Cologne, Germany 1997, Premio '2000' della Biennale di Venezia , Venice, Italy1997, Kwangiu Biennale Award, Korea 1997, Prenta Preis der Kunsthalle Nürnberg 1996, DAAD, Berlin, Germany 1994, Manor-Kunstpreis, St. -
Interiors and Interiority in Vermeer: Empiricism, Subjectivity, Modernism
ARTICLE Received 20 Feb 2017 | Accepted 11 May 2017 | Published 12 Jul 2017 DOI: 10.1057/palcomms.2017.68 OPEN Interiors and interiority in Vermeer: empiricism, subjectivity, modernism Benjamin Binstock1 ABSTRACT Johannes Vermeer may well be the foremost painter of interiors and interiority in the history of art, yet we have not necessarily understood his achievement in either domain, or their relation within his complex development. This essay explains how Vermeer based his interiors on rooms in his house and used his family members as models, combining empiricism and subjectivity. Vermeer was exceptionally self-conscious and sophisticated about his artistic task, which we are still laboring to understand and articulate. He eschewed anecdotal narratives and presented his models as models in “studio” settings, in paintings about paintings, or art about art, a form of modernism. In contrast to the prevailing con- ception in scholarship of Dutch Golden Age paintings as providing didactic or moralizing messages for their pre-modern audiences, we glimpse in Vermeer’s paintings an anticipation of our own modern understanding of art. This article is published as part of a collection on interiorities. 1 School of History and Social Sciences, Cooper Union, New York, NY, USA Correspondence: (e-mail: [email protected]) PALGRAVE COMMUNICATIONS | 3:17068 | DOI: 10.1057/palcomms.2017.68 | www.palgrave-journals.com/palcomms 1 ARTICLE PALGRAVE COMMUNICATIONS | DOI: 10.1057/palcomms.2017.68 ‘All the beautifully furnished rooms, carefully designed within his complex development. This essay explains how interiors, everything so controlled; There wasn’t any room Vermeer based his interiors on rooms in his house and his for any real feelings between any of us’. -
Law and Military Operations in Kosovo: 1999-2001, Lessons Learned For
LAW AND MILITARY OPERATIONS IN KOSOVO: 1999-2001 LESSONS LEARNED FOR JUDGE ADVOCATES Center for Law and Military Operations (CLAMO) The Judge Advocate General’s School United States Army Charlottesville, Virginia CENTER FOR LAW AND MILITARY OPERATIONS (CLAMO) Director COL David E. Graham Deputy Director LTC Stuart W. Risch Director, Domestic Operational Law (vacant) Director, Training & Support CPT Alton L. (Larry) Gwaltney, III Marine Representative Maj Cody M. Weston, USMC Advanced Operational Law Studies Fellows MAJ Keith E. Puls MAJ Daniel G. Jordan Automation Technician Mr. Ben R. Morgan Training Centers LTC Richard M. Whitaker Battle Command Training Program LTC James W. Herring Battle Command Training Program MAJ Phillip W. Jussell Battle Command Training Program CPT Michael L. Roberts Combat Maneuver Training Center MAJ Michael P. Ryan Joint Readiness Training Center CPT Peter R. Hayden Joint Readiness Training Center CPT Mark D. Matthews Joint Readiness Training Center SFC Michael A. Pascua Joint Readiness Training Center CPT Jonathan Howard National Training Center CPT Charles J. Kovats National Training Center Contact the Center The Center’s mission is to examine legal issues that arise during all phases of military operations and to devise training and resource strategies for addressing those issues. It seeks to fulfill this mission in five ways. First, it is the central repository within The Judge Advocate General's Corps for all-source data, information, memoranda, after-action materials and lessons learned pertaining to legal support to operations, foreign and domestic. Second, it supports judge advocates by analyzing all data and information, developing lessons learned across all military legal disciplines, and by disseminating these lessons learned and other operational information to the Army, Marine Corps, and Joint communities through publications, instruction, training, and databases accessible to operational forces, world-wide. -
Author Index MEDICINE & SCIENCE in SPORTS & EXERCISE®
S794 Author Index MEDICINE & SCIENCE IN SPORTS & EXERCISE® Agu-Udemba, Chinonye C. 205 Alkhathami, Khalid 2997 Anand, Ashmeet S. 789, 1473 Araújo, Leandro O. 3011 Awodele, Adeola 479 A Ahearn, Lisa 1192 Allada, Ravi 1557 Andelfinger, Gregoir 3564 Araújo, Murilo A. 2264 Axtell, Robert 2496 Aaby, David 2003 Ahmad, Anam 1587 Allaway, Heather C. 1485, 1486 Andelfinger, Gregor 600, 1553 Araujo, Timoteo L. 847, 1191, Ayers, Colby 1093 Aagaard, Per 1214, 3522 Ahmad, Christopher 83 Allegretti, Gustavo 3060 Anders, John Paul V. 1309 3349, 3391 Äyrämö, Sami 555 Aaronson, Neil K. 1547 Ahmad, Sabrina 216 Allegretti João, Gustavo 1241 Andersen, Anders H. 3519 Araya-Ortega, Luis E. 3361 Azevedo, Ana M. 2533 Aasdahl, Lene 1355 Ahmadi, Matthew N. 685 Allen, Anne 108 Andersen, Christina 72 Araya-Ramirez, Felipe 287 Azevedo, Liane B. 2610 Abadin, Andre A. 2299 Ahmed, Irfan H. 1822 Allen, Answorth 2745 Andersen, Jody C. 3344 Araya-Ramírez, Felipe 1430 Azevedo, Rafael d. 1153 A.B. Cruz, Ariel 456 Ahmed, Shakeel 104 Allen, Answorth A. 2747, 2748 Andersen, Lars B. 3572 Araya-Vargas, Gerardo A. 2044 Azuma, Ayako 2412, 2417, 2420 Abdon, Ana Paula 3328 Ahmetov, Ildus I. 2111 Allen, Charles R. 808 Andersen, Ross 309 Arballo, Joseph 222 Azurdia, Daniel 699 Abe, Takashi 519, 1427, 2406, Ahn, Kwang Woo 3076 Allen, Jason D. 176 Andersen, Ross E. 1406 Arbet, Jaron 603 2407, 3520, 3521, 3523, 3524, Ahn, Sun Joo 1443 Allen, Norrina B. 1632 Andersen, Thomas B. 3585 Arboix-Alió, Jordi 164 B 3528 Ahn, Yeonsoon 3372 Allen, Patton 2269 Anderson, Christopher 1940 Arboleda, Victor H. 2613 Babault, Nicolas 3418 Abel, Garrett 2434 Aholu, Calixte 186 Allerton, Timothy 3606 Anderson, Courtney L. -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
April 2019 Issue 118 Price $9.35 (Incl Gst)
22ND YEAR OF PUBLICATION ESTABLISHED 1998 APRIL 2019 ISSUE 118 PRICE $9.35 (INCL GST) Andrea Bocelli (right) and son Matteo Bocelli Hollywood Icon Sophia Loren Cirque du Soleil A Starry, Starry Night in Southhampton NAMING CEREMONY OF MSC BELLISSIMA Featuring a comprehensive coverage of Global Cruising for Cruise Passengers, the Trade and the Industry www.cruisingnews.com discover what makes Princess #1 cruise line in australia* 4 years running New Zealand 13 Australia & New Zealand 12 Majestic Princess® | Ruby Princess® Nights Majestic Princess® Nights Sydney Bay of Islands Sydney South Pacific Ocean AUSTRALIA AUSTRALIA 2015 - 2018 South Pacific Auckland Ocean Melbourne Auckland Tauranga Tauranga NEW ZEALAND Tasman Tasman Wellington Hobart Sea NEW ZEALAND Sea Akaroa Akaroa Fiordland National Park Dunedin Scenic cruising Dunedin Fiordland National Park (Port Chalmers) Scenic cruising (Port Chalmers) 2019 DEPARTURES 30 Sep, 1 Nov, 14 Nov, 22 Nov 2019 DEPARTURES 15 Dec, 27 DecA 2020 DEPARTURES 8 Jan, 11 Feb, 24 FebA, 8 Mar A Itinerary varies: operates in reverse order 2014 - 2018 A Itinerary varies: operates in reverse order *As voted by Cruise Passenger Magazine, Best Ocean Cruise Line Overall 2015-2018 BOOK NOW! Visit your travel agent | 1300 385 631 | www.princess.com 22ND YEAR OF PUBLICATION ESTABLISHED 1998 APRIL 2019 ISSUE 118 PRICE $9.35 (INCL GST) The Cruise Industry continues to prosper. I attended the handover and naming ceremony recently for the latest MSC ship, MSC Bellissima. It was an incredible four day adventure. Our front cover reveals the big event and you can read reports on page 5 and from page 34. -
The European Launchers Between Commerce and Geopolitics
The European Launchers between Commerce and Geopolitics Report 56 March 2016 Marco Aliberti Matteo Tugnoli Short title: ESPI Report 56 ISSN: 2218-0931 (print), 2076-6688 (online) Published in March 2016 Editor and publisher: European Space Policy Institute, ESPI Schwarzenbergplatz 6 • 1030 Vienna • Austria http://www.espi.or.at Tel. +43 1 7181118-0; Fax -99 Rights reserved – No part of this report may be reproduced or transmitted in any form or for any purpose with- out permission from ESPI. Citations and extracts to be published by other means are subject to mentioning “Source: ESPI Report 56; March 2016. All rights reserved” and sample transmission to ESPI before publishing. ESPI is not responsible for any losses, injury or damage caused to any person or property (including under contract, by negligence, product liability or otherwise) whether they may be direct or indirect, special, inciden- tal or consequential, resulting from the information contained in this publication. Design: Panthera.cc ESPI Report 56 2 March 2016 The European Launchers between Commerce and Geopolitics Table of Contents Executive Summary 5 1. Introduction 10 1.1 Access to Space at the Nexus of Commerce and Geopolitics 10 1.2 Objectives of the Report 12 1.3 Methodology and Structure 12 2. Access to Space in Europe 14 2.1 European Launchers: from Political Autonomy to Market Dominance 14 2.1.1 The Quest for European Independent Access to Space 14 2.1.3 European Launchers: the Current Family 16 2.1.3 The Working System: Launcher Strategy, Development and Exploitation 19 2.2 Preparing for the Future: the 2014 ESA Ministerial Council 22 2.2.1 The Path to the Ministerial 22 2.2.2 A Look at Europe’s Future Launchers and Infrastructure 26 2.2.3 A Revolution in Governance 30 3. -
Redalyc.Status and Trends of Smallsats and Their Launch Vehicles
Journal of Aerospace Technology and Management ISSN: 1984-9648 [email protected] Instituto de Aeronáutica e Espaço Brasil Wekerle, Timo; Bezerra Pessoa Filho, José; Vergueiro Loures da Costa, Luís Eduardo; Gonzaga Trabasso, Luís Status and Trends of Smallsats and Their Launch Vehicles — An Up-to-date Review Journal of Aerospace Technology and Management, vol. 9, núm. 3, julio-septiembre, 2017, pp. 269-286 Instituto de Aeronáutica e Espaço São Paulo, Brasil Available in: http://www.redalyc.org/articulo.oa?id=309452133001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative doi: 10.5028/jatm.v9i3.853 Status and Trends of Smallsats and Their Launch Vehicles — An Up-to-date Review Timo Wekerle1, José Bezerra Pessoa Filho2, Luís Eduardo Vergueiro Loures da Costa1, Luís Gonzaga Trabasso1 ABSTRACT: This paper presents an analysis of the scenario of small satellites and its correspondent launch vehicles. The INTRODUCTION miniaturization of electronics, together with reliability and performance increase as well as reduction of cost, have During the past 30 years, electronic devices have experienced allowed the use of commercials-off-the-shelf in the space industry, fostering the Smallsat use. An analysis of the enormous advancements in terms of performance, reliability and launched Smallsats during the last 20 years is accomplished lower prices. In the mid-80s, a USD 36 million supercomputer and the main factors for the Smallsat (r)evolution, outlined. -
Armin Medosch (1962-2017)
ARMIN MEDOSCH 1962—2017 Aus den Erinnerungen und dem Gedenken von so vielen Menschen an so vielen Orten entsteht das Bild eines engagierten Lebens, verbunden mit der Welt, den Künsten, der Technologie, der Politik und — mehr als alles andere — mit den Menschen. Wir erinnern uns an einen Pioneer, einen Freund, einen Partner und einen Sohn. From memories and remembrances of so many people in so many places, an image emerges of a life in deep engagement with the world, the arts, technology and politics and, above all, with people. We remember a pioneer, a friend, a husband and a son. 2 3 <nettime> Armin Medosch (1962-2017) From: FELIX STALDER <[email protected]> Date: Fri, 24 Feb 2017 09:12:56 +0100 Armin Medosch died yesterday, on the day two months after being diagnosed with cancer. I’m sure many people on nettime knew him very well. He was a real pioneer of the media arts and network culture scene in Europe. Indeed for much longer than even nettime exists. I first learned of Armin not as a person, but a legend. In the early 1990s, he was one of a band of artists of an unqualifiable streak who roamed the Baltic sea on the Kunst-Raum-Schiff, MS Stubnitz. An 80m former freeze & transport vessel of the GDR high seas fishing fleet, they had re-purposed as a moving center for experimental electronic culture. He curated and organised exhibitions and symposia in Rostock, Hamburg, Malmö and St. Petersburg. The project was incredibly evocative, even for someone like me who had never seen the ship, because it fused many of the ideas that would come to define network culture, namely nomadism, disregard for established culture institutions, DIY and an exploration of the wild wastelands opened by the breakdown of the Soviet system, after 1989.