Performances.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Performances.Pdf Live performances – raison d’être and side projects (Updated 2019-12-12) raison d’être...............................................................................................................2 Stratvm Terror............................................................................................................7 Atomine Elektrine........................................................................................................7 Panzar.......................................................................................................................7 Bocksholm.................................................................................................................8 Grismannen................................................................................................................9 Other performances...................................................................................................10 1 Live performances – raison d’être and side projects (Updated 2019-12-12) raison d’être - 1 June, 1996, at Théatre Municipal, Nevers, France, on the "Festival Musique Ultimes" 1-2 June. - 21 July, 1996, at E-werk, Erlangen, Germany, on the "Cold Meat Industry Festival" 20-21 July. - 24 July, 1996, at Roxy, Prague, Czech Republic. - 16 November, 1996, at Eldslandet, Jönköping, Sweden. - 13 December, 1996, at M/S Stubnitz, Rostock, Germany. Live at the Eurorock Festival 2000 in Belgium. - 14 December, 1996, at Talschock, Chemnitz, Germany. - 22 March, 1997, at Lava Kulturhuset, Stockholm, Sweden. - 26 July, 1997, at The Steeple, Waregem, Belgium, at the "Nights of the Abyss Festival" 25- 26 July. - 29 November, 1997, at K23, Stockholm, Sweden. (A medley performance with raison d'être, Necrophorus, Stratvm Terror and Svasti- ayanam). - 1 October, 1999, at Bug Club, Athens, Greece at the Cold Meat Industry Festival 1-2 October. Live at the Eurorock Festival 2000 in Belgium. - 4 August, 2000, at Neerpelt, Belgium, at the Eurorock Festival 3-6 August. - 21 July, 2001, in Cosenza, Italy at the Festival Invasioni. (A medley performance with raison d'être, Necrophorus and Atomine Elektrine). - 12 August, 2001, at Skeppsholmen, Stockholm, Sweden at the Electric Gathering Festival. - 13 October, 2001, at Hard Club, Porto, Portugal. Live at the Festival Invasioni 2001 in Italy. - 2 November, 2001, at Blue Garden, Trondheim, Norway. - 1 December, 2001, at Red Club, St. Petersburg, Russia at the Heilige Feuer II Festival. 2 Live performances – raison d’être and side projects (Updated 2019-12-12) - 12 January, 2002, at Club Metropolis, Copenhagen, Denmark. - 3 May, 2002, at Bergsbron, Norrköping, Sweden, at the industrial night with raison d’être, Irm, Institut and Skin Area. - 19 May, 2002, at Wave Gotik Treffen, Parkbühne, Leipzig, Germany. - 23 November, 2002, at Siddharta, Temple of Rock, Prato, Italy. - 14 December, 2002, at Slaughterhouse, Berlin, Germany, at the GERÄUSCHINFUSION XV CONFUSION 3 festival with raison d'être, Panzar, Irm, Live at Red Rose 2003 in London UK Institut, Skin Area, Sharons Lost Party. - 14 March, 2003, at Red Rose London, UK. Raison d'être, Deutsch Nepal, Der Feuerkreiner and Bocksholm. - 28 March, 2003, at Darkside Elektronika, H62, Stockholm, Sweden. - 8 June, 2003, at Wave-Gotik-Treffen, Werk II, Leipzig, Germany. - 23 August, 2003, at Skyltenfestivalen, Skylten, Live at Basement 2004 in Denmark Linköping, Sweden. - 13 September, 2003, at Vogon Variety, Malmo, Sweden - 9 January, 2004, at Sleeping Bag Concert, Fylkingen, Stockholm, Sweden. - 24 January, 2004, at Opus Öresund (day 1), Basement, Copenhagen, Denmark. - 25 January, 2004, at Opus Öresund (day 2), Malmö Konsthall, Malmö Sweden. Live at Basement 2004 in Denmark - 6 March, 2004, at 'Nordic Audio Modern' festival, Vilnius, Lithuania. - 30 April, 2004, at Kulturkammaren, Norrköping, Sweden. - 12 June, 2004, at Shock Club, Torino, Italy. - 15 August, 2004, at the 'Summer Darknes 04 Festival' in Utrecht, Holland. - 21 August, 2004, at the DP Arts & Music festival, Oslo, Norway. - 9 October, 2004, at Totem Club, Vizenca, Italy. - 21 October, 2004, at Siberian, New York, USA. - 22 October, 2004, at Elysium Nightclub, Austin, USA. 3 Live performances – raison d’être and side projects (Updated 2019-12-12) - 24 October, 2004, at The DNA Longue, San Francisco, USA. - 11 December, 2004, at Mannheim, Germany. - 19 February, 2005, on the SE3D-Festival at CC Luchtbal, Antwerpen, Belgium. - 5 March, 2005, at Piwnica 21, Poznan, Poland. - 15 March, 2005, at Strahov, Praha, Czech Republic. Live at Elysium club 2004 in Austin, USA - 9 July, 2005, at Subway, Edinburgh, UK. - 6 January, 2006, at Werk21, Zürich, Switzerland. - 4 February, 2006, at Corner Hotel, Melbourne, Australia. - 15 April, 2006, at Old School, Bucarest, Romania. - 16 April, 2006, Fans, Sofia, Bulgaria. - 23 April, 2006, at KOKO, London, UK. - 7 May, 2006, at Vooruit, Gent, Belgium. - 1 July, 2006, at Lumous Gothic Festival, Tampere, Finland. - 11 August, 2006, at 12 Tonar, Reykjavik, Iceland. Special promotional performance that also included songs from Necrophorus, Bocksholm and Necrophorus. - 27 April, 2007, Barcelona, Spain. - 28 April, 2007, Madrid, Spain. - 21 December, 2007, at Rauhnacht Festival, The Cave Club, Salzburg, Austria - 19 January, 2008, at Industrial#12 festival, MJC Picaud, Cannes, France Live at CC Luchtbal, Antwerpen, Belgium - 8 March, 2008, at Dark:Live:Fest:5, Photos by Lucas Geeniar © 2005 Rock Club, Praha, Czech Republic - 17 May, 2008, at V Congresso Post Industriale festival, Siddharta, Prato, Italy. - 20 June, 2008, at Atak Poppodium, Enschede, The Netherlands. - 21 June, 2008, at Parkhof, Alkmaar, The Netherlands. - 18 July, 2008, at Hyperborea VII, Gyar – Music Factory, Budapest, Hungary. 4 Live performances – raison d’être and side projects (Updated 2019-12-12) - 2 October, 2010, at Bazillus Club, Zürich, Switzerland. - 8 October, 2010, at Club Noise, St. Petersburg, Russia. - 10 October, 2010, at DOM Club, Moscow, Russia. - 13 November, 2010, at Phobos II dark ambient festival, at Sophienkirche, Wuppertal, Germany. - 18 March, 2011, at Baroeg, Rotterdam, The Netherlands. - 19 March, 2011, at JH de Klinker, Aarschot, Belgium. Live at the DOM Club 2010, Moscow, Russia. - 20 March, 2011, at Werkstatt, Cologne, Germany. - 30 April, 2011, at Club Revolver, San Dona di Piave, Italy. - 12 June, 2011, at Schaubühne Lindenfels, Wave-Gotik-Treffen, Leipzig, Germany. - 26 June, 2011, at Energy Open Air Festival, Cherkassy, Ukraine. - 12 October, 2012, at DOM Club, Moscow, Russia. Live at Baroeg, Rotterdam Club 2011, Rotterdam, The Netherlands. - 14 October, 2012, at da:da: club, St. Photos by Xavier Marquis © 2011. Petersburg, Russia. - 25 January, 2013, at Club PRKL, Helsinki, Finland. - 5 July, 2013, at Hradby Samoty IV festival, Castle Veveri, Brno, Czech Republic. - 29 March, 2014, at Wrotycz Records 10 Years Anniversary Festival, Poznan, Poland. - 19 April, 2014, at The Valhalla Festival, Norrköping, Sweden. - 3 August, 2014, at Schlagstrom Festival, Live at The Valhalla Festival, Berlin, Germany. Norrköping, Sweden. Photo by Henrik Stolt © 2014. - 15 October, 2014, at Casa del Popolo, Montreal, Canada. - 17 October, 2014, at Machines with Magnets, Pawtucket RI, USA. - 18 October, 2014, at The Acheron, Brooklyn/New York NY, USA. - 19 October, 2014, at Kung Fu Necktie, Philadelphia PA, USA. 5 Live performances – raison d’être and side projects (Updated 2019-12-12) - 21 October, 2014, at Belveders Ultra-Drive, Pittsburgh PA, USA. - 23 October, 2014, Special on air performance at WCSB 89.3 college radio station, Cleveland OH, USA. - 23 October, 2014, at Now That's Class, Cleveland OH, USA. - 25 October, 2014, at Club Rectum, Chicago IL, USA. - 28 October, 2014, at Rubber Gloves, Denton TX, USA. - 29 October, 2014, at Elysium, Austin TX, USA. - 30 October, 2014, at Gramps, Miami FL, USA. - 15 November, 2014, at Shokoladnaya Fabrika, Moscow, Russia. - 6 December, 2014, SE:UK INDUSTRIAL ALLIANCE festival at The Dome, London, UK. - 16 January, 2015, IX Congresso Post Industriale at Magazzino RED, Bologna, Italy. - 17 January, 2015, at Sala BeCool, Barcelona, Spain. - 7 February, 2015, at Rekisteri, Turku, Finland. - 3 April, 2015, at Fylkingen, Stockholm, Sweden. - 4 April, 2015, at Chemnitzer Gewölbegängen, Chemnitz, Germany. - 8 May, 2015, at Levontin 7, Tel Aviv, Israel. - 9 May, 2015, at Ha-Mazkeka, Jerusalem, Israel. - 18 July, 2015, at Castle Party, Bolkow, Poland. - 5 September, 2015, at Nocturnal-Culture- Night-10-festival, Leipzig, Germany. - 7 May, 2016, at Etor Dark Ambient Fest I, Death Disco, Athens, Greece. - 4 November, 2017, at Cold Meat Industry - A 30 Years Anniversary Live, Klubben, Stockholm, Sweden. - 10 March, 2018, Phobos IX at Citykirche Elberfeld, Wuppertal, Germany. Troum and raison d'être first collaboration performance. - 18 May, 2018, at Wave Gotik Treffen, Schauspielhaus, Leipzig, Germany. - 29 March , 2019, at Place Club, St. Petersburg, Russia - 30 March, 2019, at Dom Club, Mosow, Russia. - 16 August, 2019, at Midgardsblot, Borre/Horten, Norway. - 30 November, 2019, at KONTAKT-festival, Dynamo, Norrköping, Sweden. 6 Live performances – raison d’être and side projects (Updated 2019-12-12) Stratvm Terror - 1993-1994, a number of performances in Mjölby, Sweden. No further details. - 28 October, 1995, at Eldslandet, Jönköping, Sweden. - 20 June, 1998, at M/S Stubnitz, Stockholm, Sweden, on the ‘Nursery Injection Festival’. - 1 October, 1999, at Bug Club, Athens, Greece, at the Cold Meat Industry Festival 1-2 October.
Recommended publications
  • August Highlights at the Grant Park Music Festival
    FOR IMMEDIATE RELEASE Contact: Jill Hurwitz,312.744.9179 [email protected] AUGUST HIGHLIGHTS AT THE GRANT PARK MUSIC FESTIVAL A world premiere by Aaron Jay Kernis, an evening of mariachi, a night of Spanish guitar and Beethoven’s Ninth Symphony on closing weekend of the 2017 season CHICAGO (July 19, 2017) — Summer in Chicago wraps up in August with the final weeks of the 83rd season of the Grant Park Music Festival, led by Artistic Director and Principal Conductor Carlos Kalmar with Chorus Director Christopher Bell and the award-winning Grant Park Orchestra and Chorus at the Jay Pritzker Pavilion in Millennium Park. Highlights of the season include Legacy, a world premiere commission by the Pulitzer Prize- winning American composer, Aaron Jay Kernis on August 11 and 12, and Beethoven’s Symphony No. 9 with the Grant Park Orchestra and Chorus and acclaimed guest soloists on closing weekend, August 18 and 19. All concerts take place on Wednesday and Friday evenings at 6:30 p.m., and Saturday evenings at 7:30 p.m. (Concerts on August 4 and 5 move indoors to the Harris Theater during Lollapolooza). The August program schedule is below and available at www.gpmf.org. Patrons can order One Night Membership Passes for reserved seats, starting at $25, by calling 312.742.7647 or going online at gpmf.org and selecting their own seat down front in the member section of the Jay Pritzker Pavilion. Membership support helps to keep the Grant Park Music Festival free for all. For every Festival concert, there are seats that are free and open to the public in Millennium Park’s Seating Bowl and on the Great Lawn, available on a first-come, first-served basis.
    [Show full text]
  • PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and Works in Zurich, Switzerland
    PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and works in Zurich, Switzerland EDUCATION 1986–1988, Audiovisual communications (video), School of Design, Basel, Switzerland 1982–1986, Commercial art, illustration, and photography, University of Applied Arts Vienna, Vienna, Austria PROFESSIONAL ACTIVITIES 2002-2003, Visiting professor, UCLA, Los Angeles, CA 1988–1994, Member, Les Reines Prochaines (band), concerts, performances, and LPs/CDs 1987–1994,Computer graphics designer, various industrial video studios, Basel, Switzerland 1986–present, Freestyle video/audio works and installations AWARDS AND HONORS 2018, 18th Aurora Award, Aurora Picture Show, Houston, TX 2014, Prix Meret Oppenheim, Switzerland 2014, Willi Reber Art Price, Chur, Switzerland 2014, Baukoma Award for Marketing and Architecture, Best Site Development, Kerzers, Switzerland 2012, Bazaar Art International Artist of the Year, Hong Kong, China 2013, Zurich Festival Prize, Zurich, Switzerland 2011, Best Architects 11 Award, Dusseldorf, Germany 2010, Cutting Edge Award, Miami International Film Festival, Miami FL 2009, Best Exhibition of Digital, Video, or Film Award, The International Association of Art Critics (AICA), New York, NY 2009, Joan Miró Prize, Fundació Caixa Girona, Spain 2009, President of the Jury's Extraordinary Award, 6th Seville European Film Festival, Seville, Spain 2007, St.Galler Kulturpreis der St.Gallischen Kulturstiftung, St. Gallen, Switzerland 2006, Honoree, Solomon R. Guggenheim Museum Young Collector’s Council Annual Artist’s Ball, New York, NY 2004, Universität der Künste, 01award, Berlin, Germany 2001, Zürcher Kunstpreis, Stadt Zürich, Switzerland 1999, Wolfgang Hahn Preis, Museum Ludwig, Cologne, Germany 1997, Premio '2000' della Biennale di Venezia , Venice, Italy1997, Kwangiu Biennale Award, Korea 1997, Prenta Preis der Kunsthalle Nürnberg 1996, DAAD, Berlin, Germany 1994, Manor-Kunstpreis, St.
    [Show full text]
  • Canal Convergence Events
    Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1.
    [Show full text]
  • Neotrance and the Psychedelic Festival DC
    Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.
    [Show full text]
  • [email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October.
    [Show full text]
  • Armin Medosch (1962-2017)
    ARMIN MEDOSCH 1962—2017 Aus den Erinnerungen und dem Gedenken von so vielen Menschen an so vielen Orten entsteht das Bild eines engagierten Lebens, verbunden mit der Welt, den Künsten, der Technologie, der Politik und — mehr als alles andere — mit den Menschen. Wir erinnern uns an einen Pioneer, einen Freund, einen Partner und einen Sohn. From memories and remembrances of so many people in so many places, an image emerges of a life in deep engagement with the world, the arts, technology and politics and, above all, with people. We remember a pioneer, a friend, a husband and a son. 2 3 <nettime> Armin Medosch (1962-2017) From: FELIX STALDER <[email protected]> Date: Fri, 24 Feb 2017 09:12:56 +0100 Armin Medosch died yesterday, on the day two months after being diagnosed with cancer. I’m sure many people on nettime knew him very well. He was a real pioneer of the media arts and network culture scene in Europe. Indeed for much longer than even nettime exists. I first learned of Armin not as a person, but a legend. In the early 1990s, he was one of a band of artists of an unqualifiable streak who roamed the Baltic sea on the Kunst-Raum-Schiff, MS Stubnitz. An 80m former freeze & transport vessel of the GDR high seas fishing fleet, they had re-purposed as a moving center for experimental electronic culture. He curated and organised exhibitions and symposia in Rostock, Hamburg, Malmö and St. Petersburg. The project was incredibly evocative, even for someone like me who had never seen the ship, because it fused many of the ideas that would come to define network culture, namely nomadism, disregard for established culture institutions, DIY and an exploration of the wild wastelands opened by the breakdown of the Soviet system, after 1989.
    [Show full text]
  • 47 Report to Planning Committee Date 10 May 2018 by Director Of
    Agenda Item Agenda Item 10 Report PC28/18 Report to Planning Committee Date 10 May 2018 By Director of Planning Local Authority Winchester City Council Application Number SDNP/18/00939/CND Applicant Mr Peveril Bruce Applications Variation of Conditions 2, 9, 10 and 11 on Planning Consent SDNP/15/06486/FUL Address The Matterley Estate, Alresford Road, Ovington Hampshire SO24 0HU Recommendation: 1. That temporary planning approval be granted subject to a deed of variation to the Section 106 Agreement being completed to incorporate the application details and subject to the conditions set out in Paragraph 10.1 of this report, and; 2. That authority be delegated to the Director of Planning to refuse the application with appropriate reasons if the Section 106 Agreement is not completed within 2 months of the 10 May 2018 Planning Committee meeting. Executive Summary Temporary planning approval was granted in 2016 to allow one music festival and one sports endurance event to be held each year on the Matterley Estate. The temporary approval was for a limited period expiring on 31 December 2019 to allow the impact of the additional number of attendees to the music festival event on the amenities of the area and the special qualities and enjoyment of the National Park to be reviewed. Currently the permission allows for two more festivals to take place until the permission expires. The applicant now seeks a variation to a number of conditions on the planning permission. In summary the main variations proposed are: An increase in the number of attendees from 59,999 to 64,999 (plus an additional 1,000 on Sunday tickets for local residents) (Condition 2).
    [Show full text]
  • Henrik Håkansson
    HENRIK HÅKANSSON Born in 1968, Helsingborg, Sweden Lives and works in Falkenberg (Sweden) and Berlin SELECTED SOLO EXHIBITIONS 2018 ‘A Hundred Pieces of a Tree’, Kode Art Museum - Kode 2, Bergen, Norway ‘The Beetle’, Korjaamo, IHME Contemporary Art Festival, Helsinki, Finland ‘NATURvitenskap’ (Video screening), Trondheim Kunstmuseum, Norway 2016 ‘A Tree (Suspended)’, Kunstverein Freiburg, Freiburg, Germany ‘The End’, Auditorium Grimaldi III, “Nuit Blanche Monaco 2016” curated by Jorg Heiser, Monaco; Principality of Monaco 2015 Swedish Institute, Paris, France 2014 ‘Indefinite Swarms - A Presentation of Selected Works 2009 – 2012’, Meyer Riegger Berlin, Germany 2012 ‘AUG.11,2012 The Symptoms of the universe studies. (6min 29 sec)’, Meyer Riegger, Berlin, Germany Art Parcours, Art Basel, Basel (Screening of ‘Monarch - The Eternal’), Basel, Switzerland ‘A Forest Divided’, Lunds Konsthall, Lund, Sweden 2011 Hors Les Murs at Jardins Des Plantes, Fiac Art Fair, Paris, France ‘The End’, The Modern Institute/Toby Webster Ltd, Glasgow, UK 2010 Galleria Franco Noero, Torino, Italy 2009 ‘Henrik Håkansson’, Middlesbrough Institute of Modern Art – MIMA, Middlesbrough, UK 2008 ‘Henrik Håkansson. Novelas de la selva’, Museo Tamayo Arte Contemporáneo, Mexico DF*, Mexico 2007 ‘Aug.26,2003 - Aug.27,2003 (Vespa vulgaris), CAG, Vancouver, Canada ‘Three days of the condor’, Kettles Yard, Cambridge, UK 2006 ‘Cyanopsitta spixii Case Study #001‘, Isabella Stewart Gardner Museum, artist-in- residence exhibition, Boston, USA ‘A travers bois pour trouver la forêt’,
    [Show full text]
  • Boom Festival | Rehearsing the Future
    Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies .........................................................................................
    [Show full text]
  • Resetting the Stage PUBLIC THEATRE BETWEEN the MARKET and DEMOCRACY
    KLAIC DRAGAN KLAIC Resetting the Stage PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY By Dragan Klaic Resetting the Stage Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption – as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public. Dragan Klaic was a well-respected theatre scholar and cultural analyst. In his versatile career, he was professor and lecturer at universities in Amsterdam, Belgrade, Bologna, Budapest, Istanbul and Leiden, and held various positions in numerous institutions and foundations world-wide – from director to board member or permanent fellow. Intellect is honoured to be publishing his final book. intellect | www.intellectbooks.com PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY Resetting the Stage 05473_FM_pi-xx.indd i 8/29/12 5:25:31 PM 05473_FM_pi-xx.indd ii 8/29/12 5:25:32 PM Resetting the Stage Public Theatre Between the Market and Democracy Dragan Klaic intellect Bristol, UK / Chicago, USA 05473_FM_pi-xx.indd iii 8/29/12 5:25:32 PM First published in the UK in 2012 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2012 by Intellect, The University of Chicago Press, 1427 E.
    [Show full text]
  • Ava Mendoza Curriculum Vitae TWO PAGE
    Ava Mendoza, B.A. [email protected] ~ www.avamendozamusic.com EDUCATION Mills College, Oakland, Bachelor of Arts in Intermedia Arts, 2006 California Institute of the Arts, Valencia, CA 2001-02 Interlochen Arts Academy, Interlochen, MI 1998-2001 GRANTS, RESIDENCIES, COMMISSIONS, AND AWARDS 2020 New Music Solidarity Fund 2020 Seven Star Arts Centre Violin-Building for Musician Aid 2018 Film Score Commission by Kino Lorber 2018 Composition Commission by Living Earth Show 2016 Bimhuis Carte Blanche (Amsterdam, NE) 2016 The Stone NYC Artist Residency (NY, NY) 2015 Eminent Artist in Residence MONA FOMA Festival (Tasmania, AU) 2012 Live Score Commission by SF International Film Festival 2011 Live Score Commission by SF Film Society 2009 Dah Teatar Residence w/ Theater of Yugen (Belgrade, RS) PROFESSIONAL ASSOCIATIONS: Happy Lucky No. 1 Community Arts Space (Brooklyn, NY) Music Curator 2019-2020 355 BAR (Oakland, CA) Music Curator 2013-2014 Theater of Yugen (SF, CA) Music Curator 2010-2011 SELECTED PERFORMANCES 2020 LaMama NYC (NY, NY) w/ Travis Just’s Object Collection • Ramapo College (Ramapo, NJ) w/ Marc Ribot’s Young Philadel- phians • The Stone at the New School (NY, NY) w/ Jon Irabagon’s I Don’t Hear Nothin’ But the Blues 2019 National Sawdust, The Stone Commissioning Series curated by John Zorn (Brooklyn, NY) duo w/ Nels Cline • Vision Festival, Roulette Intermedium, (Brooklyn, NY) w/ Ava Mendoza Quartet • Rockefeller Center (NY, NY) w/ Nick Zinner’s (Yeah Yeah Yeahs) 41 STRINGS • The Stone at the New School (NY, NY) w/ William Parker’s
    [Show full text]
  • PALMER/RAE ASSOCIATES International Cultural Advisors
    PALMER/RAE ASSOCIATES International Cultural Advisors European Cities and Capitals of Culture - City Reports Study Prepared for the European Commission PART II Palmer/Rae Associates Rue de la Croix de Pierre 74, B-1060 Brussels, Belgium Tel. +32 (0)2 5343484 - Fax +32 (0)2 5348161 E-mail: [email protected] - Web site: http://www.palmer-rae.com PALMER/RAE ASSOCIATES, BRUSSELS August 2004 Palmer/Rae Associates REPORT ON EUROPEAN CITIES AND CAPITALS OF CULTURE PART II Project Team Director Robert Palmer Research Manager Susie Jones Senior Researcher Caspar Will Assistants Sofie Sweygers Susanna Malzacher Raphael Bosch-Joubert Database Consultant Stephanie Racette Cover Design Julie Doutrelepont Expert Advisers Tourism Perspectives Greg Richards Social Perspectives François Matarasso Economic Perspectives Stuart Gulliver External Advisers Eric Corijn Rod Fisher Beatriz Garcia Brit Holtebekk Gottfried Wagner European Cities and Capitals of Culture - City Reports Table of Contents PART II Table of Contents INTRODUCTION 8 EUROPEAN CAPITALS AND CITIES OF CULTURE 1995 - 2004 LUXEMBOURG 1995 11 COPENHAGEN 1996 27 THESSALONIKI 1997 47 STOCKHOLM 1998 63 WEIMAR 1999 81 AVIGNON 2000 97 BERGEN 2000 112 BOLOGNA 2000 129 BRUSSELS 2000 147 CRACOW 2000 167 HELSINKI 2000 182 PRAGUE 2000 203 REYKJAVIK 2000 219 SANTIAGO DE COMPOSTELA 2000 235 PORTO 2001 248 ROTTERDAM 2001 267 BRUGES 2002 287 Palmer/Rae Associates, Brussels Page 6 SALAMANCA 2002 303 GRAZ 2003 319 GENOA 2004 341 LILLE 2004 346 EUROPEAN CULTURAL MONTHS 1995-2003 NICOSIA 1995 353 ST. PETERSBURG 1996 AND 2003 359 LJUBLJANA 1997 364 LINZ 1998 367 VALLETTA 1998 372 PLOVDIV 1999 376 BASEL 2001 379 RIGA 2001 383 ANNEX: QUESTIONNAIRE 387 Table of Contents European Cities and Capitals of Culture - City Reports Introduction Part II comprises reports on each of the 21 ECOC and the 8 cities that hosted European cultural months in the period 1995-2004.
    [Show full text]