PIPILOTTI RIST
BORN 1962 in Grabs, Switzerland. Lives and works in Zürich, Switzerland
EDUCATION 1982-86 Studies of commercial art, illustration and photography at the Institute of Applied Arts in Vienna, Austria
1986-88 Studies of audio visual communications (video) at the School of Design in Basel, Switzerland , Professor René Pulfer Institute of Applied Arts in Vienna, Austria
FREELANCE Since 1986 Freestyle video/audio works and installations
1987-94 Grafic computer operator in different industrial videostudios
1988-94 Member of the music band Les Reines Prochaines, concerts, performances and LP/CD’s
AWARDS & GRANTS 2004 Universität der Künste, 01award, Berlin, Germany
2001 Zürcher Kunstpreis, Stadt Zürich, Swizterland
1999 Wolfgang Hahn Preis, Museum Ludwig, Köln, Germany
1997 Premio 2000 of the Venice Biennal for ’Ever Is Over All’ Kwangiu Biennale Award for ‘Sip my Ocean’ (choosen by the other artists) Prenta Preis der Kunsthalle Nürnberg
1996 DAAD, Berlin (D)
1994 Manor-Kunstpreis, St. Gallen Video-Kunstpreis des Schweizerischen Bankvereins Prix d’art contemporain de la BC Genève
1993 Förderungspreis der Jubiläumstiftung der SBG Eidgenössisches Kunststipendium
1992 Züricher Filmpreis for ‘Pickelporno’, Video and Film
1991 Eidgenössisches Kunststipendium
1989 VIPER Luzern for ‘Die Tempodrosslerin saust’, video and installation
1988 Feminale Köln for ‘Japsen’, video
1987 Film und Videotage Basel, for ‘I’m Not The Girl Who Misses Much’, video
ART IN ARCHITECTURE 2001 Swiss Embassy, Kunstintervention am Bau, Berlin, Germany
1999 Bahnhof Basel Ost, Basel, Switzerland
1998 Hof zu Wil, Will, Switzerland
1995 UBS BUCHS, St. Gallen, Switzerland
TEACHING POSITION 2002 Visiting professor at UCLA, Los Angeles, CA
SOLO EXHIBITIONS 2007 “Gravity, Be My Friend,” (cur. Richard Julin), Stockholm Konsthall, Stockholm, Sweden
2006 The Armory Show Commission (to create the visual identity for the show), New York. “Pröblemäs büenös. 4 obras de Pipilotti Rist y amigäs” (cur. Rafael Doctor Roncero, Agustin Perez Rubio) Museo de Arte Contemporáneo de Castilla y León, Léon, Spain, traveling
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“Stir Heart, Rinse Heart,” (cur. Marie-Claude Beaud) Musée d’Art Moderne Grand Duc Jean‚ Luxembourg “Wishing for Synchronicity: Works by Pipilotti Rist” (cur. Paola Morsiani) Contemporary Arts Museum Houston, Houston, TX GUT & RIST aka GUTARIST [D/CH][Gudrun Gut / Pipilotti Rist], Celle zu zweit selbst 2006, Ehemalige Polnische Botschaft Unter den Linden 72-74.
2005 ARoS (New Aarhus Kunstmuseum) Aarhus, Denmark (one of the 9 rooms curated by Jens Erik Sorensen and Anna Krogh-Nielsen) “PIPILOTTI RIST, Löndön,” Hauser & Wirth, London, UK Pröblemäs büenös. 4 obras de Pipilotti Rist y amigäs” (cur. by Rafael Doctor Roncero, Agustin Perez Rubio) MUSAC – Museo de arte contemporaneo de Castilla y Leon, León, Spain “Stadtlounge St. Gallen” with Carlos Martinez (Permanent Installation), Schweizer Verband Raiffeisenbanken, St. Gallen, Switzerland
2004 (cur. by Fernando Palomar and Patrick Charpene) OPA Oficina para Proyectos de Arte A.C, Guadalajara, Mexico “Stir Heart, Rinse Heart,” San Francisco Museum of Modern Art, San Francisco, CA (cur. by Milada Slizinska) Centre of Contemporary Art - Zamek Ujazdowski Warszawa, Warsaw, Poland Luhring Augustine Gallery, New York, NY
2003 (cur. Maaretta Jauukuri) KIASMA Museum for Contemporary Art, Kontti Gallery 80m2, Helsinki, Finland
2002 “The Cake Is In Flames,” (cur. by Keiko Toyoda) Shiseido Foundation‚ Tokyo, Japan
2001 “Apricots Along the Street,” (cur. by Rafael Doctor Roncero) Museo Nacional de Arte Reina Sofia, Madrid, Spain PADT (Public Art Development Trust), (cur. Sandra Percival) 4th Wall Muscial Theater, London, UK “Pipilotti Rist 54,” (cur. Ranti Tjan) Centraal Museum, Utrecht, Netherlands “Show A Leg,” (cur. Alexia Holt) Tramway, Glasgow, Scotland “Scopophilia: The Pleasure in Looking,” (cur. by Sue Spaid) The Contemporary Arts Center, Cincinnati, OH “Pipilotti Rist,” (cur. by Cornelia Providoli) Galerie Hauser & Wirth, Zurich, Switzerland
2000 “Workshop,” (cur. by Akiko Miyake) CCA Kitakyushu, Kitakyushu, Japan ” Pipilotti Rist, Les monobandes video,” (cur. Bernard Bilodeau) Oboro, Montreal, Canada Musée des Beaux-Arts, Pipilotti Rist, cur. Stephane Acquin, Montreal, Canada “Times Square Open My Glade,” (cur. Tom Eccles) Public Art Fund‚ New York, NY “Pipilotti Rist,” Luhring Augustine, New York, NY “Pipilotti Rist,” (cur. by Lex ter Braak) DeVLeeshal Middleburg, Middlebourg, Netherlands
1999 “Wolfgang Hahn Preis,” (cur. by Jochen Pötter) Museum Ludwig Köln, Cologne, Germany Remake of the Weekend (French),” (cur. Laurence Bossé) Musée d’Art Moderne de la Ville de Paris, Paris, France
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Pitti Immagine (cur. Francesco Bonami) – Projectroom, Florence, Italy (cur. Vicente Todoli) Fundaçao de Serralves, Porto, Portugal “Remake of the Weekend à la Zurichoise,” (cur. Bernhard Bürgi) Kunsthalle Zürich, Zurich, Switzerland
1998 “Pipilotti Rist,” (cur. Louis Grachos) Site Santa Fe, Santa Fe, NM (cur. James Rondeau)Wadsworth Atheneum, Hartford, CT “Remake of the Weekend (auf österreichisch),” Austria (cur. Gerald Matt, Sabine Folie) Kunsthalle Wien, Vienna, “Remake of the Weekend in Berlin,” (cur. Britta Schmitz) Hamburger Bahnhof, Berlin, Germany
1997 “The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Stedelijk Museum Het Domeijn, Sittard, Netherlands; traveled to Museum Villa Stuck München, Munich, Germany “The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Museum Villa Stuck München, Munich, Germany
1996 “The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Kunstmuseum Solothurn, Solothurn, Switzerland “The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Kunsthalle Baden-Baden, Baden-Baden, Germany (cur. Dominic Molon) Museum of Contemporary Art Chicago, Chicago IL “Shooting Divas,” Centre d’Art Contemporain Genève, Geneva, Switzerland “Slept In, Had A Bath, Highly Motivated,” (cur. Judith Nesbitt) Chisenhale Gallery, London, UK
1995 “De kop van de kat is jarig en zijn pootjes vieren feest,” Galerie Akinci, Amsterdam, Netherlands Galerie Franck & Schulte, Berlin, Germany “I‘m Not The Girl Who Misses Much,” Kunstverein Hamburg‚ Germany “Ausgeschlafen, frisch gebadet und hochmotiviert,” St.Gallen, Switzerland (cur. Daniele Fischer) Galerie Lehmann, Lausanne, Switzerland “I‘m Not The Girl Who Misses Much, “ and “Ausgeschlafen, frisch gebadet und hochmotiviert,” Neue Galerie Graz, Graz, Austria
1994 “5 Installations Video,” (cur. Claude Ritschard) Musée d’art et d’histoire, Genève, Switerland “I’m Not The Girl Who Misses Much,” and “Ausgeschlafen, frisch gebadet und hochmotiviert,” Kunstmuseum St.Gallen, St.Gallen, Switzerland 22. Internationale Biennale di Sao Paulo, (Swiss Pavillon with Hannah Villiger und Herzog/DeMeuron), Sao Paulo, Brazil “Yoghurt on Skin. Velvet on T.V.” Galerie Stampa, ART Basel, Basel, Switzerland
1993 “Schwester des Stroms,” Galerie Stampa, Basel, Switzerland
1992 “Nett, dass Du mich begleitest durch die Kanalisation,” Galerie Walcheturm, Zurich, Switzerland
1989
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“Die Tempodrosslerin saust Kunsthalle St.Gallen,” with Muda Mathis (cur. Josef Fellix Müller) St. Gallen, Switzerland
1985 “Über & unter Wasser,” with Ralph Pröll (cur. Edgar Leissing)Kupferdruckwerkstatt Bregenz, Bregenz, Austria
1984 “Stauraum, Bank für Mond & Scheine,” (cur. Karl Friedrich) Galeria Prottore, Vienna, Austria
GROUP EXHIBITIONS 2007-2006 “Into Me/Out of Me,” KW Institute for Contemporary Art, Berlin, Germany.
2006 “Festival für Hören und Sehen,” with Gudrun Gut (cur. Georg Weckwerth), Sonambient, Berlin, Germany. “Preview – Streifzug durch die Schwiez im 20. Jahrnudert,”. Landesmuseum Zurich, Zürich, Swtizerland. (cur. Christina Sonderegger) “Sip My Ocean. International Video Art,” Louisiana Museum of Modern Art, Humlebaek, Denmark. (cur. Anders Kold) “Der Berg in der Schwizer Kunst” Bunkamura Museum of Art, Tokyo, Japan (cur. Beat Wismer) “SHIFTscale” KUMU Art Museum of Estonia, Tallinn, Estonia. (cur. Hanoo Soans) “Die 90er – Vom Künstlerbuch zur CD-ROM,” Neues Museum Weserburg Bremen, Bremen, Germany (cur. Anne Thurman-Jajes) “Der Berg in der Schwizer Kunst,” Shimane Art Museum, Shimane, Japan (cur. Beat Wismer) “Eccentric Modern,” The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, NY. “Into Me / Out of Me,” P.S.1 Contemporary Art Center, June 25 – September 25, Queens, NY. “It’s Time For Action (There’s No Option),” Migrosmuseum, August 26- October 22, Zurich, Switzerland.
2005 Venice Biennale representing Switzerland, San Stae, Venice, Italy “The Gravity in Art,” Sitching De Appel, Amsterdam, Netherlands “Friedhof-Design,” (cur. Eva Afuhs) Museum Bellerive, Zürich, Switzerland “Der Berg in der Schwizer Kunst,” (cur. Beat Wismer) Matsumoto City Museum of Art, Matsumoto, Japan “Loud & Clear & TOO,” (cur. Kasper König) Bifrons Foundation, Art Cologne and Museum Ludwig, Koln, Germany “Guardami. Percezioni del video,” (cur. Sergio Risaliti and Lorenzo Fusi) Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy “Truss Thrust: The Artifice of Space” (cur. by Jane Alison) Museum of Contemporary Art, Denver, TX (cur. Cydney Patyon) “Colour after Klein,” Barbican Centre, London, UK “Fairy Tales Forever,” (cur. Mona Jensens) ARoS Aarhus New Kunstmuseum, Aarhus, Denmark “Kiss the Frog! The Art of Transformation” (cur. Kari Bandtzæg) National Museum of Art, Oslo, Norway “Der Berg,” (cur. Juri Steiner and Pius Tschumi et al.) Weltausstellung Schweizer Pavillion, Aichi, Japan “Der Traum vom Ich, der Traum von der Welt,” (cur. Thomas Seelig) Fotomuseum Winterthur, Winterthur, Switzerland “Blumenmythos – van Gogh bis Jeff Koons,” (cur. Eva Lund, Philippe Boettner, and Ulf Küster) Fondation Beyeler, Riehen, Switzerland “Yoko Ono – Horizontal Memories. Water Event 2005,” (cur. Grete Arbu, Hans-Ulrich Obrist) Astrup Fearnley
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Museum for Modern Art, Oslo, Norway “Contemporary Erotic Drawings,” The Aldrich Contemporary Art Museum, Ridgefield, CT “Ecstasy: In and About Altered States,” The Geffen Contemporary at MOCA, Los Angeles, CA “Istanbul Biennial Eindhoven,” Van Abbemuseum, Eindhoven, Netherlands “Between Skin and Orgasm,” Belfort, Bruges, Belgium “Solo Projects: Mark Dion, Orly Genger, Pipilotti Rist, Roman de Slavo” The Aldrich Contemporary Art Museum, Ridgefield, CT.
2005-2004 Friedrich Christian Flick Collection Im Hamburger Bahnhof, Berlin, Germany
2004 “Einleuchten,” Museum der Moderne Salzburg–Mönchsberg, Salzburg, Austria “The Flower as Image – From Monet to Jeff Koons,” Louisiana Museum of Modern Art, Humlebæk, Denmark “Arti & Architettura,” Genova Palazzo Ducale, Genova, Italy “Monument to Now,” (cur. Jeffrey Deitch, Allison M. Gingeras, Massimiliano Gioni, Nancy Spector) The Dakis Joannou Collection, Athens, Greece “Making Visible,” Galleri Faurschou, Copenhagen, Denmark “Bambini nel tempo,” Centro Internazionale di Palazzo Te, Mantova, Italy “The New Kunsthalle III: real – materiell – virtuell,” Städtische Kunsthalle Mannheim, Mannheim, Germany “Fish Video” (cur. Meta Knol) Centraal Museum, Utrecth, Netherlands “State of Play,” Serpentine Gallery, London, UK “Vis Vitalis,” Centraal Museum, Utrecht, Netherlands “Lastwinterspringnevercame,” Platform Garantie Contemporary Art Center, Istanbul, Turkey “Swiss Videolobby,” Contemporary Art Center Vilnius, Vilnius, Italy “Point of View: An Anthology of the Moving Image,” New Museum, New York, New York, NY “Die Wohltat der Kunst. Feministische Positionen in der Sammlung Goetz,” Fries Museum Leeuwarden, Leeuwarden, Netherlands “Opening Show,” 21st Century Museum of Centemporary Art, Kanazawa, Japan “Flick Collection,” Hamburger Bahnhof, Berlin, Germany “Next Stop,” Lofoten International Art Festival, Lofoten, Norway “Loud & Clear,” The Art Museum of Reykjavik, Reykjavik, Iceland “Loud & Clear,” The Chinese European Art Center, Xiamen, China
2003 “Rhythm is a dancer, it’s a souls companion, you can feel it everywhere,” (cur. Veronica Wiman) Kulturhuset Stockholm, Alexandre Pollazzon, Stockholm, Sweden “Loud & Clear,” Reykjavik Art Museum, Reykjavik, Iceland “Swiss Art Video Lobby,” (cur. Simon Lamunière) 10e Biennale de l’image en mouvementcur, Geneva, Switzerland “Ready Made Custom Made,” Viper Basel 2003, Basel, Switzerland “... lautloses Irren, ways of worldmaking too ... ,“ (cur. Harm Lux) Postbahnhof am Ostbahnhof, Berlin, Germany “Frauen gestalten,” (cur. Hanni Diethelm-Grauer) Textilmuseum St.Gallen, St.Gallen, Switerzland “Cadavre Exquis Videotruck,” (cur. Kurt Stadler) Steirischer Herbst, Graz, Austria “Moving Pictures. Contemporary Photography and Video from the Guggenheim Museum Collections,” (cur. Nancy Spector, Joan Young, Lisa Dennison) Gorney Bravin + Lee, Jessica Stockholder (annex to her show a selection of works/artists appreciated by her), New York NY Guggenheim Museum Bilbao, Bilbao, Spain “Spiritus,” (cur. Richard Julin, Magnus af Petersens) The Douglas Hyde Gallery, Dublin, Ireland
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“Spiritus,” (cur. Richard Julin, Magnus af Petersens) Bomuldsfabriken, Arendal, Norway “Spiritus,” (cur. Richard Julin, Magnus af Petersens) Jönköpings Läns Museum, Jönköping, Sweden “Spiritus,” (cur. Richard Julin, Magnus af Petersens) Länsmuseet Gävleborg, Gävleborg, Sweden (cur. Beat Toniolo) Rheinfall Festifall, Schaffhausen, Switzerland “Just Love Me. Feministic Art of the Goetz Collection,” (cur. Rainald Schumacher) Kunstmuseum Bergen, Bergen, Norway “Nice and Easy,” (cur. Patricia Drück) Sprengelmuseum Hannover, Hannover, Germany “Loud & Clear,” FRAC Languedoc-Roussillon, Montpelier, France “Loud & Clear,” Stedelijk Museum Bureau Amsterdam, Amsterdam, Netherlands “Loud & Clear,” Rosseum Malmö, Malmö, Sweden “Fast - Forward. Media Art aus der Sammlung Goetz,” (cur. Rainald Schuhmacher) ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, “Swedish TV,” (cur. Pontus Kyander) Screen, Stockholm, Sweden “Brightness,” (cur. Francesca von Habsburg) National Museum of Modern Art, Max Wigram, Dubrovnik, Croatia “The 5th Women’s Film Festival,” (cur. Eun-Sun Kwon) Seoul, Korea “Sang Dessus Dessous,” Musee Int. de la Croix-Rouge, Geneva, Switzerland “Altered Spaces,” (cur. Terry Smith) Cheekwood Museum of Art, Nashville, TN (cur. Philipp Kaiser) Museum für Gegenwartskunst Basel, Basel, Switzerland “Kids Are Us,” (cur. Mauriziao Sciaccaluga) Galleria Civica di Arte Contemporanea Trento, Trento, Italy “Striptease,” (cur. Konrad Bitterli) Kunstmuseum St. Gallen, St. Gallen, Switzerland “Extended Play,” (cur. Gregory Burke) Govett-Brewster Art Gallery, New Plymouth, NZ “Spiritus,” (cur. Richard Julin, Magnus af Petersens) Magasin 3 Stockholm Konsthall/Riksutställningar, Stockholm, Sweden “Luoghi non luoghi internet 2003,” (cur. Giacinto di Pietro Antonio) Trento, Italy (cur. Philipp Kaiser) Museum fur Gegenwartskunst Basel, Basel, Switzerland
2002 Museum Bellerive, ‚Werk des Monats @ Museum Bellerive, Zurich, Switzerland “L‘arte del gioco,” (cur. Pietro Bellasi) Museo Archeologico Regionale, Aosta, Italy, “Contemporary Art Project,” (cur. Lisa Corrin) Seattle Art Museum, Seattle WA “Moving Pictures,” (cur. Nancy Spector) Guggenheim Museum, New York NY “Medienkunst im Dialog,” (cur. Barbara Könches) ZKM Karlsruhe, Karlsruhe, Germany “The Benefit of Art. Feminist Positions from the Goetz Collection,” (cur. Rainald Schumacher & Matthias Winzen) Sammlung Goetz, Munich, Germany “Loud & Clear,” Baltic Center for Contemporary Art, Gateshead, UK “Out of the dark. Wechselnde Highlights der St. Galler Kunstsammlung,” (cur. Konrad Bitterli) Kunstmuseum St. Gallen, St.Gallen, Switzerland “Video Acts,” (cur. Klaus Biesenbach) P.S.1 Contemporary Art Center, Barbara London, New York NY “On Intimacy,” (cur. Vitoria Daniela Bousso) Paço das Artes, Sao Paulo, Brazil “Relationship ... ,” (cur. Hugh Mulholland) Ormeau Baths Gallery, Belfast, Ireland “Media Skulptur,” (cur. Ursula Wittmer) Museo de Arte Buenos Aires, Buenos Aires, Argentina “Urban Creation,” (cur. Yuko Hasegawa et al.) Shanghai Biennale, Shanghai, China “Vidéo Topiques,” (cur. Patrick Javault) Musée d’art moderne et contemporain, Strasbourg, France “Thin Skin,” (cur. B. Clausen) Gemeentemuseum Helmond, C. Kuoni, Helmond, Netherlands, “Raum-Bilder” (cur. Bernhard Schwenk) Pinakothek der Moderne, Munich, Germany “The Benefit of Art. Feminist Positions from the Goetz Collection,” (cur. Rainald Schumacher) Kunsthalle Baden-Baden, Matthias Winzen, Baden-Baden, Germany Luhring Augustine, New York NY (cur. John Spiak) Arizona State University Art Museum, Tempe AZ “Public Affairs,” (cur. Bice Curiger) Kunsthaus Zurich, Zurich, Switzerland
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“Doppelung der Bilder im Raum. Aus der Sammlung Eckardt,” (cur. Wolfgang Zeiger) Stadtgalerie Kiel, Reinhard W. Eckhardt, Kiel, Germany “The Big Video Screening,” MEO - Contemporary Art Collection, cur. Barnabas Bencsik, Budapest, Hungary “Tempo ,” (cur. Paulo Herkenhoff) Museum of Modern Art MOMA, New York NY “Another World,” (cur. Peter Fischer) Neues Kunstmuseum Luzern, Lucerne, Switzerland “Thin Skin,” (cur. B. Clausen, C. Kuoni) Scottsdale Museum of Contemporary Art, Scottsdale AZ “The House Of Fiction,” (cur. Michaela Unterdörfer) Sammlung Hauser & Wirth, St. Gallen, Switzerland “Friccions,” (cur. Neus Miro) Fundacion „la Caixa“, Girona, Spain “Claude Monet und die Abstraktion,“ (cur. Markus Brüderlin) Fondation Beyeler, Basel, Switzerland “Videoformes 02,” (cur. Gabriel Soucheyre) Musée d’art Roger Quilliot, Clermont-Ferrand, France “Through Women‘s Eyes,” Museum of Contemporary Art Taipei, Taipei/China “Humid“(cur. Juliana Engberg) Auckland Art Gallery, Auckland, NZ “Manor Kunstpreis,” (cur. Konrad Bitterli) Kunstmuseum St. Gallen, St. Gallen, Switzerland “The Gift. Generous Hofferings, Threatening Hospitality” (cur. Sergio Risaliti) Stadtgalerie Klagenfurt, Klagenfurt, Austria “Instants Bonheur. Etudiants,” Université Franche Comté, Besançon, France “Thin Skin,” (cur. B. Clausen, C. Kuoni) AXA Gallery, New York NY “Friccions,” (cur. Neus Miro) Fundacion “la Caixa“, Lérida, Spain “10 Jahre Galerie Hauser & Wirth,” Galerie Hauser & Wirth, Zurich, Switzerland “Outer and Inner Space,“ (cur. John Ravenal) Virginia Museum of Fine Arts, Richmond VA
2001 “Fresh Flowers,” Bellevue Art Museum, Bellevue WA “Visual Art Festival,” Perth International Art Festival, Perth, Australia “Collaborations with Parkett 1984 to Now,” The Museum of Modern Art, New York NY “Doppelung der Bilder im Raum. Aus der Sammlung Eckardt,” (cur. Reinhard W. Eckardt) Stadtgalerie Kiel, Kiel, Germany “Les Subsistances, Sculpture contemporaine,”Institut d’art Centemporain, Lyon, France “Necessity of relationship,” (cur. Fabio Cavallucci) Galleria Civica di Arte Contemporanea Trento, Trento, Italy “Rumor City,” (cur. Hans Ulrich Obrist) TN Probe Gallery, Tokyo, Japan “M family,“ Migros Museum, Zurich, Switzerland “Rumor City“(cur. Hans Ulrich Obrist) Raffinerie, Brussels, Belgium “The Gift. Generous Hofferings, Threatening Hospitality,” (cur. Sergio Risaliti) Candiani Cultural Center, Mestre/Venice, Italy “9e Biennale de l’image en mouvement,” (cur. Françoise Ninghetto) MAMCO, Musée d’art moderne et contemporain, Geneva, Switzerland “Form Follows Fiction,” (cur. Jeffrey Deitch) Castello di Rivoli, Torino, Italy “ARS 01,” (cur. Maaretta Jaukkuri) KIASMA Museum for Contemporary Art, Helsinki, Finland “Metropolis Now,” (cur. Elga Wimmer) Borusan Artis and Culture Center, Istanbul, Turkey “On Intimacy,” (cur. Vitoria Daniela Bousso) Paço das Artes, Sao Paulo, Brazil “Relationship ...,” (cur. Hugh Mulholland) Ormeau Baths Gallery, Belfast, Ireland “Media Skulptur,” (cur. Ursula Wittmer) Museo de Arte Buenos Aires, Buenos Aires, Argentina “Urban Creation,” (cur. Yuko Hasegawa et al.) Shanghai Biennale, Shanghai, China “Vidéo Topiques,” (cur. Patrick Javault) Musée d’art moderne et contemporain, Strasbourg, France “Thin Skin,” (cur. B. Clausen, C. Kuoni) Gemeentemuseum Helmond, Helmond, Netherlands (cur. Bernhard Schwenk) Pinakothek der Moderne, Munich, Germany “The Benefit of Art. Feminist Positions from the Goetz Collection,“ (cur. Rainald Schumacher, Matthias Winzen) Kunsthalle Baden-Baden, Baden-Baden, Germany Luhring Augustine, New York NY (cur. John Spiak) Arizona State University Art Museum, Tempe AZ
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“Public Affairs,” (cur. Bice Curiger) Kunsthaus Zurich, Zurich, Switzerland “Doppelung der Bilder im Raum. Aus der Sammlung Eckardt,” (cur. Wolfgang Zeiger) Stadtgalerie Kiel, Reinhard W. Eckhardt, Kiel, Germany “The Big Video Screening,” (cur. Barnabas Bencsik) MEO - Contemporary Art Collection, Budapest, Hungary “Tempo,” (cur. Paulo Herkenhoff) Museum of Modern Art MOMA, New York NY “Another World,” (cur. Peter Fischer) Neues Kunstmuseum Luzern, Lucerne, Swizterland “Thin Skin,” (cur. B. Clausen, C. Kuoni) Scottsdale Museum of Contemporary Art, Scottsdale AZ “The House Of Fiction,” (cur. Michaela Unterdörfer) Sammlung Hauser & Wirth, St. Gallen. Swizterland “Friccions,” (cur. Neus Miro) Fundacion „la Caixa“, Girona, Spain, “Claude Monet und die Abstraktion,” (cur. Markus Brüderlin) Fondation Beyeler, Basel, Switzerland “Videoformes 02,” (cur. Gabriel Soucheyre) Musée d’art Roger Quilliot, Clermont-Ferrand, France “Through Women‘s Eyes,” (cur. Mei-Lin Liu) Museum of Contemporary Art Taipei, Taipei, China “Humid,“ (cur. Juliana Engberg) Auckland Art Gallery, Auckland, NZ “Manor Kunstpreis,” (cur. Konrad Bitterli) Kunstmuseum St. Gallen, St. Gallen, Switzerland “The Gift. Generous Hofferings, Threatening Hospitality,” (cur. Sergio Risaliti) Stadtgalerie Klagenfurt, Klagenfurt, Austria “Instants Bonheur. Etudiants,” Université Franche Comté, Besançon/France “Thin Skin,” AXA Gallery, New York NY (cur. B. Clausen, C. Kuoni) “Friccions,” (cur. Neus Miro) Fundacion “la Caixa“, Lérida, Spain “10 Jahre Galerie Hauser & Wirth,” Galerie Hauser & Wirth, Zurich, Switzerland “Outer and Inner Space,” (cur. John Ravenal) Virginia Museum of Fine Arts, Richmond VA “Aus der Sammlung Bank Julius Bar” (Cur. Christian Zingo), Helmhaus Zurich, Zurich, Switzerland “Sur Face,” (cur. Pontus Kyander), Lund Konsthall, Lund, Sweden “Televisions – Kunst sieht fern” (cur. Joshua Decter) Kunsthalle Wien, Vienna, Austria “Ohne Zogern – Without Hesitation” (cur. Peter Friese) Bremen, Germany “Jheronimus Bosch” (cur. Chris Dercon) Museum Boijmans, Rotterdam, Netherlands “Confidences” (cur. Enrico Lunghi, Christine Valenti), Luxembourg “Yokohama 2001: International Triennale of Contemporary Art,” (cur. Shinji Kohmoto) Pacifico Yokohama, Yokohama, Japan “Art/Music: Rock, Pop, Punk, Techno” (cur. Sue Cramer) Museum of Contemporary Art, Sydney, Australia “A Room Of Their Own: From Arbus to Gober”, LA Moca, Los Angeles, CA
2000 “Dada Revival(s),” (cur. Bernhard Fibicher) Kunsthaus Zurich, Zurich, Switzerland “Snapshot,” (Gary Sangster) Contemporarymuseum, Baltimore, MD “Aus der Sammlung der Stadt Zurich,” (cur. Peter Fischli, Christoph Schenker) Helmhaus Zurich, Zurich, Switzerland “Fresh Flowers,” Bellevue Art Museum, Bellevue WA “MOMA 200, Open Ends,” (cur. Barbara London) Museum of Modern Art, New York, NY “Onufri 2000,” (cur. Edi Muka, Gezim Qendro) National Gallery, Tirana Albania “
Pipilotti Rist 9
“12th Biennale of Sydney, Agents of Change,” (cur. Harald Szeeman, Fumio Nanjo, Louise Neri, Hett Perkins, Nicholas Serota, Robert Storr, Nick Waterloo) Sydney, Australia “mit Grill 5: Kathe Walser, Annemarie Bucher, Eva Keller, Caroline Schmidt,” (cur. Jean-Christophe Ammann) Landesgartenschau, Singen, Denmark “Exorcism / Aesthetic / Terrorism,” (cur. Karel Schampers) Museum Boijmans van Beuningen, Rotterdam, Netherlands “New Sitings,” (cur. Jill Kryowski) Los Angeles County Museum, Los Angeles, CA “Visual Art Festival,” Perth International Art Festival, Perth, Australia “Collaborations with Parkett 1984 to Now,” The Museum of Modern Art, New York NY “Doppelung der Bilder im Raum. Aus der Sammlung Eckardt,” (cur. Reinhard W. Eckardt) Stadtgalerie Kiel, Kiel, Germany “Sculpture contemporaine,” Les Subsistances, Lyon, France “Necessity of relationship,” (cur. Fabio Cavallucci) Galleria Civica di Arte Contemporanea Trento, Trento, Italy “Rumor City,” (cur. Hans Ulrich Obrist) TN Probe Gallery, Tokyo, Japan “M family,” Migros Museum, Zurich. Switzerland “Rumor City,” (cur. Hans Ulrich Obrist) Raffinerie, Brussels, Belgium “The Gift. Generous Hofferings, Threatening Hospitality,” (cur. Sergio Risaliti)Candiani Cultural Center, Mestre/Venice/Italy “9e Biennale de l’image en mouvement,” (cur. Françoise Ninghetto) MAMCO, Musée d’art moderne et contemporain, Geneva, Switzerland “Form Follows Fiction,” (cur. Jeffrey Deitch) Castello di Rivoli, Torino, Italy “ARS 01,” (cur. Maaretta Jaukkuri) KIASMA Museum for Contemporary Art, Helsinki, Finland “Metropolis Now,” (cur. Elga Wimmer) Borusan Artis and Culture Center, Istanbul, Turkey “New Sitings,” (cur. Jill Kryowski) Los Angeles County Museum, Los Angeles CA “Hypermental,” (cur. Bice Curiger) Kunsthaus Zürich, Zurich, Switzerland “Cultural Bridge 2000,” (cur. Pontus Kyander) Waterfront, Helsingborg, Sweden, Helsingor, Denmark “Zeitwenden. Rückblick und Ausblick,” (cur. Jan Hoet), Museum für Moderne Kunst, Vienna, Austria “Friends & Neighbours,” (cur. Rosa Martinez), EV+A, ‚Limerick, Ireland “Libres ébats,” (cur. Samon Takahashi), Valence, France “Over the Edges,” (cur. Jan Hoet et al), Stedelijk Museum voor Actuele Kunst, Gent/Belgium “Beauty Now. Evolving Esthetics and Contemporary Art,” (cur. Neal Benezra, Olga Viso, Haus der Kunst) Munich/DE “Presumed Innocent, Contemporary Art and Childhood,” Musee d’art Contemporain, Bordeaux, France.
1999 “Contemporary Swiss Art,” (cur. Hegyi Dora) Ludwig Muzeum Budapest, Budapest, Hungary “Quelques unes des récentes acquisitions de la Collection Frac Rhône- Alpes,” (cur. Chantal Poncet) Institut d’art contemporain, Villeurbanne, France “Opening of the new museum,” (cur. Sjarel Ex, Marja Bosma) Centraal Museum, Utrecht, Netherlands “Zeitwenden. Rückblick und Ausblick,” (cur. Jan Hoet et al.) Kunstmuseum Bonn, Bonn, Germany “Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland,” (cur. Peter Schuster) Neue Nationalgalerie, Berlin, Germany “Le Repubbliche dell‘Arte. Schweiz. Suisse. Svizzera. Svizra,” (cur. Sergio Risaliti) Palazzo delle Papesse, Siena, Italy “dAPERTutto,” (cur. Harald Szeemann) Biennale di Venezia, Venice, Italy “Macht und Fürsorge. ‚Komm iss was‘ Das Bild der Mutter in der zeitgenössischen Kunst,” (cur. Matthias Winzen) Trinitäts-Kirche, Siemens Kulturprogramm, Cologne, Germany “Panorama 2000,” (cur. Sjarel Ex, Maria Bosma) Centraal Museum, Utrecht, Netherlands “Opening of the new museum,” (cur. Jan Hoet) Stedelijk Museum voor Actuele Konst, Gent, Belgium
Pipilotti Rist 10
“Video Cult/ures,” (cur. Ursula Frohne, Konstanze Thümmel) ZKM Karlsruhe, Karlsruhe, Germany “TALK. Show. Die Kunst der Kommunikation,” (cur. Susanne Meyer-Büser) Von der Heydt Museum, Wuppertal, Germany “Beauty Now. Evolving Esthetics and Contemporary Art,” (cur. Neal Benezra) Hirshhorn Museum and Sculpture Garden, Washington D.C. “The Passion and the Waves,” (cur. Paolo Colombo) 6th International Istanbul Biennial, Istanbul, Turkey “Very private. Video screenings,” Galerija Likovnih Umetnosti Slovenj Gradec, Slovenj Gradec, Slovania “Vergriffene und Neue Parkett-Editionen,” Parkett Verlag, Zurich, Switzerland “Parkett. Un musée en appartement. Une exposition de toutes les gravures, multiples et photographies publiés par Parkett,” Centre d’Art Contemporain, Geneva, Switzerland “Endgames. Essays zur Kunst der Jahrhundertpassagen,” Kunstmuseum St. Gallen, St. Gallen, Switzerland “Video. Aus der Sammlung,” (cur. Tobia Bezzola) Kunsthaus Zürich, Zurich, Switzerland 6th Caribbean Biennial, “Blown Away” (cur. Maurizio Cattelan, Jens Hoffmann) St.Kitts “Vision of the Body in Fashion,” (cur. Shinji Kohmoto) Metropolitan Museum of Modern Art, Tokyo, Japan SITE Santa Fe Biennial, “Looking for a Place” (cur. Rosa Martinez) Santa Fe NM “Vision of the Body in Fashion,” (cur. Shinji Kohmoto) National Museum of Modern Art, Kyoto, Japan “Locally interested,” (cur. Nedko Solakov) National Museum for Foreign Art, Sofia, Bulgaria “SITE Santa Fe Biennial, Looking for a Place,” (cur. Rosa Martinez) Santa Fe, NM
1998 “Sammlung Theo und Elsa Hotz,” Museum Jean Tinguely, Basel, Switzerland Luhring Augustine Gallery, New York NY “Realities,” Ydessa Hendeles Art Foundation, Toronto, Canada Städtisches Museum Schloss Morsbroich, ‚Zwischen Kunst und Design‘, cur. Susanne Anna, Leverkusen, Germany “Global Vision. New Art from the 90‘s,” (cur. Katerina Gregos) Deste Foundation, Athens, Greece “Dogdays are over,” (cur. Nicolas Trembley) Centre Culturel Suisse, Béatrice Micheli, Paris/F “Trance,” (cur. Kathleen Forde) Philadelphia Museum of Art, Philadelphia PA “La coscienza luccicante. Arte nell‘età elettronica,” (cur. Paola Sega Serra, Maria Grazia Tolomeo) Palazzo delle Esposizioni, Rome, Italy “Homo Zappiens Zappiens,” (cur. Jean Brihault) Galerie Art & Essai, Rennes, France “Le Printemps de Cahors. Photographie & Arts Visuels. La Sphère de l‘intime,” (cur. Marie-Thérèse Perrin) Nimes, France “Nonchalance Revisited. Junge Schweizer Kunst,” (cur. Christoph Doswald) Akademie der Künste, Berlin, Germany “Freie Sicht aufs Mittelmeer. Junge Schweizer Kunst mit Gästen und Gastmahl,” (cur. Bice Curiger) Schirn Kunsthalle, Frankfurt, Germany “Swiss Contemporary Art,” (cur. Hedy Graber) Sun Gok Museum, Seoul, Korea “Divas,” (cur. Antonia Hirsch) Western Front, Center of the Arts, Vancouver, Canada “Shoot at the Chaos,” (cur. Shimizu Toshio) Wacoal - Spiral Art Center, Tokyo, Japan “Lifestyle,” (cur. Rudolf Sagmeister)Kunsthaus Bregenz, Bregenz,Austria “Szenenwechsel,” (cur. Jean-Christophe Ammann) Museum für Moderne Kunst, Frankfurt, Germany “Strange Days,” (cur. Wayne Tunnicliffe) Art Gallery of New South Wales, Sydney, Australia “Hugo Boss Prize,” (cur. Nancy Spector) Guggenheim Museum Soho, New York NY Berlin Biennale, “Berlin/Berlin,” (cur. Nancy Spector, Klaus Biesenbach, Hans-Ulrich Obrist) Berlin, Germany “Freie Sicht aufs Mittelmeer. Junge Schweizer Kunst mit Gästen und Gastmahl,” (cur. Bice Curiger, Juri Steiner) Kunsthaus Zürich, Zurich, Switzerland “Aids Welten. Zwischen Resignation und Hoffnung,” (cur. Frank Wagner) Centre d‘art contemporain, Geneva, Switzerland “TV-Clip,” (cur. Hans-Ulrich Obrist)ARKIPELAG - Stockholm European Capital of Culture/Swedish National Television, Stockholm, Sweden
Pipilotti Rist 11
“ARKIPELAG - Stockholm European Capital of Culture ,” (cur. Bice Curiger) Seehistorisches Museum Stockholm, Stockholm, Sweden “The King is not the Queen. The Mind against the Eye in Contemporary Film and Video,” (cur. Francesco Bonami) ARKIPELAG - Stockholm European Capital of Culture/Nordic Museum Stockholm, Stockholm, Sweden
1997 “Parkett. Ediciones de Artistas,” Galeria Helga de Alvear, Madrid, Spain “Kunst...Arbeit,” (cur. Stephan Schmidt-Wulffen) Südwest LB, Stuttgart, Germany “619 KBB 75,” (cur. Laurence Hazout) Mobile‘ 2000, Paris, France 5th International Istanbul Biennale, “On Life, Beauty, Translations and other Difficulties,” (cur. Rosa Martinez) Istanbul, Turkey “Screen, surface & narrative space,” (cur. Eija-Liisa Ahtila) Muu Ten Museum of Contemporary Art, Helsinki, Finland “Do-it 1997-2001” [touring exhibition], (cur. Hans-Ulrich Obrist) Independent Curators Incorporated, (ICI) organized by Independent Curators Incorporated (ICI), New York NY “Basel Check-in!,” (cur. Theodora Vischer) Museum für Gegenwartskunst, , Basel, Switzerland “Nonchalance d’attidudes,” (cur. Christoph Doswald) Centre Pasqu’art Biel, Biel, Switzerland “Open October,” (cur. Martin Fritz & Alanna Heiss) P.S. 1 Contemporary Arts Center, New York, NY “Time out,” (cur. Stephan Schmidt-Wulffen) Kunsthalle Nürnberg, , Nuremberg, Germany “Unmapping the Earth,” (cur. Harald Szeemann) Kwangju Biennale, Kwangju, Korea (cur. Martin Fritz, Alanna Heiss) PS1, New York NY Casino Luxembourg, Centre d’art contemporain, Luxembourg “4e Biennale de Lyon‚ L‘autre,” (cur. Harald Szeemann) Lyon, France “Videoforum Art Basel,” (cur. Käthe Walser, Eva Keller) Basel, Switzerland “Unbeschreiblich weiblich. Bilder von Frauen und Frauenbilder von 1800 bis heute,” (cur. Konrad Bitterli) Kunstmuseum St. Gallen, St. Gallen, Switzerland Biennale di Venezia, “Future Present Past,” (cur. Vicente Todoli, Giorgio Verzotti, Nancy Spector, Germano Celant), Venice, Italy “Snowscape,” (cur. Harm Lux) Shed im Eisenwerk, Frauenfeld, Switzerland “Rooms with a View. Environments for Video,” (cur. John G. Hanhardt, Nancy Spector) Guggenheim Museum Soho, New York NY “Epicenter Ljublijana,” (cur. Harald Szeemann) Moderna Galerija Ljublijana, Ljubljana, Slovenia “Medien- Kunstwerk,” Stampa, Basel, Switzerland “Some Kind of Heaven. Ein Stück vom Himmel,” (cur. Sadie Coles) Corner House Manchester, Manchester/GB “Some Kind of Heaven. Ein Stück vom Himmel,” (cur. Sadie Coles)John Hansard Gallery, The University, Southampton/GB “Some Kind of Heaven. Ein Stück vom Himmel,” (cur. Sadie Coles) South London Gallery, London/GB “Some Kind of Heaven. Ein Stück vom Himmel,” (cur. Eva Meyer-Hermann, Sadie Coles) Kunsthalle Nürnberg, Nuremberg, Germany
1996 “European Art Forum,” Galerie Franck & Schulte, Berlin, Germany “Zwischen Hodler und Nelkenmaler [exhibits from the collection],” Kunsthaus Zürich, Zurich, Switzerland “The Scream,” (cur. Kim Levin) Arken Museum of Modern Art, Ishoj, Denmark “I’m your problem,” (cur. Johanna Hofleitner) Kunsthaus Mürz und Kunsthaus Galerie, Mürzzuschlag, Austria “Electronic Undercurrents,” (cur. Marianne Øckenholt) Statens Museum for Kunst, Copenhagen, Denmark “Mirades,” (cur. Maria Antonia Perello) Museo d’Arte Contemporanea, Barcelona, Spain “Nach Weimar,” (cur. Klaus Biesenbach, Niklaus Schafhausen) Neues Museum Weimar, Weimar, Germany “Push-ups,” (cur. Emily Tsingou) Athens Fine Arts School, Athens, Greece
Pipilotti Rist 12
“FremdKörper,” (cur. Theodora Vischer) Museum für Gegenwartskunst, Basel, Switzerland (cur. Anneli Fuchs, Lars Grambye) Louisiana Museum for Modern Art, “NowHere. Get Lost,” Humlebaeck, Denmark “NowHere / Get Lost,” (cur. Anneli Fuchs, Lars Grambye) Louisiana Museum for Modern Art, Humlebaeck, Denmark “Erotika, Kabinettstücke, Kammerkunst & Ko.,” (cur. Bernhard Fibicher) Kunsthaus Zürich, Zurich, Switzerland “Mässig und gefrässig,” (cur. Annemarie Hürlimann, Alexandra Reininghaus) Museum für Angewandte Kunst, Vienna, Austria “Drei Räume. Rist - Finlay - Trockel,” Stampa, Basel, Switzerland “Ich und Du,” (cur. Cecilia Hausheer, Erika Keil) Museum für Gestaltung, Zurich, Switzerland “Wunderbar,” (cur. Stephan Schmidt-Wulffen) Kunstraum Wien, Vienna, Austria
1995 “A Night at the Show,” (cur. Harm Lux) Fields Zürich, Zurich, Switzerland “Infra-Sound. Ausstellungsprojekt für die Woche der bildenden Kunst” (cur. Jérôme Sans, Karin Günther) (various venues), Hamburg, Germany “Salon-Ausstellung,” Kunsthalle Palazzo, Liestal, Switzerland “Femininmasculin. Le sexe de l’art, X/Y,” (cur. Christine Van Assche, Nicolas Trembley, Stéphanie Moisdon) Centre Pompidou, Paris, France “Wild Walls,” (cur. Leontine Coelewij, Matrijn Nieuwenhuyzen) Stedelijk Museum, Amsterdam, Netherlands “How is everything,” (cur. Aurelia Jurtschitsch) Landesmuseum Innsbruck, Nuremberg, Germany “How is everything,” (cur. Aurelia Jurtschitsch) Kunstbunker Nürnberg, Vienna, Austria “How is everything,” (cur. Aurelia Jurtschitsch) Wiener Sezession, Vienna, Austria “Himmel und Erde. Frauen in Gewaltverhältnissen,” (cur. Cornelia Rohloff) Dominikanerkloster, Frankfurt am Main, Germany “Video Visions Cairo,” (cur. Ursula Rindlisbacher) Cairo University, Cairo, Egypt “Signos e milagres,” (cur. Bice Curiger) Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain “Body Smart,” (cur. Annamaria Sandonà) Oratorio di San Rocco, Padua, Italy “I confess,” (cur. Sanne Kofod) Nicolaj Contemporary Art Centre, Copenhagen, Denmark “Ars Lux,” (cur. Silvia Grandi) Public Bologna, Bologna, Italy “Zeichen & Wunder,” (cur. Bice Curiger) Kunsthaus Zürich, Zurich, Switzerland “Menschenbilder,” (cur. Ulrich Gebauer) Galerie Gebauer & Günther, Berlin, Germany “Ohne Titel,” (cur. Stiftung Kunst Heute) Kunsthaus Aarau, Aarau, Switzerland “10 Art-Magazin Jahre,” (cur. Rolf Müller) Galerie Art Magazin, Zurich, Switzerland “Beyond Switzerland,” (cur. Katia Baltera Cravetti) Hong Kong Museum of Art, Hong Kong, China
1994 “Use Your Allusion. Recent Video Art” (cur. Dominic Molon) Museum of Contemporary Art Chicago, Chicago IL “private mix,” (cur. Olaf Nicolai & Frank Erkart) Galerie Eigen+Art, Berlin, Germany “100 Umkleidekabinen. Ein Ambulantes Kunstprojekt,” (cur. Paolo Bianchi, Martin Janda), Steirischer Herbst ’94, Graz, Austria “Dialog met det andet / Dialogue with the other,” (cur. Lene Burkard) Norrkopings Konstmuseum, Norrkoping, Sweden “Dialog met det andet / Dialogue with the other,” (cur. Lene Burkard) Kunsthallen Brandts, Odense, Denmark “Tabu Aids und Liebe,” (cur. Fabian Walter, Aidshilfe Basel) Elisabethenkirche, Basel, Switzerland “Galerie Walcheturm,” (cur. Eva Presenhuber) Galerie im Taxispalais, Innsbruck, Austria “Pro-Creation?,” (cur. Michel Ritter) Kunsthalle Fribourg, Fribourg, Switzerland “Weltmoral,” (cur. Thomas Kellein) Kunsthalle Basel, Basel, Switzerland
Pipilotti Rist 13
“Domestic Violence,” (cur. Alison Jacques) Villa di Gio Marconi, Milano, Italy “No Audience 0.01,” (cur. Helena Kontova) Trevi Flash Art Museum, Trevi, Italy “Suture – Phantasmen der Vollkommenheit” (cur. Silvia Eibelmayr) Salburger Kunstverein, Salzburgh, Austria “Video-Installationen – Szene Schwize,” (cur. Ursula Widmer) Kunsthaus Langenthal, Langenthal, Switzerland “Oh Boy, it’s a Girl! Feminismen in der Kunst,” (cur. Astrid Wege, Hedwig Saxenhuber) Kunstverein Munchen, Munich, Germany “Lokalzeit – Wiener Material im Spiegel des Unbehagens,” (cur. Peter Weibel) Fondazione Querini Venice, Venic, Italy “hauttief,” (cur. Marie=Louise Lienhard, Annelise Zwez, et al.) Helmhaus, Zurich, Switzerland “Projekt Schweiz,” (cur. Eva Keller, Thomas Kellein) Kunsthalle Basel, Basel, Switzerland (cur. Hedy Graber) Kunsthalle Palazzo, Liestal, Switzerland “Fragmenti Intervalli Interfaci,” (cur. Viana Conti) Leonardi V-idea, Genoa, Italy “Überlebenskunst,” (cur. A. Niderhauser, W. Wottreng) Kunsthaus Oerlikon, Zurich, Switzerland “Une séléction de MIT HERTZ,” (cur. Michel Ritter) Kunsthalle Fribourg, YACH, Fribourg, Switzerland “StipendiatInnen 91,” Kunstmuseum Solothurn, Solothurn, Switzerland Kunsthalle Palazzo, “Simone Berger, Pipilotti Rist, Francis Traunig,” (cur. Hedy Graber) Liestal, Switzerland (cur. Eva Presenhuber) Galerie Walcheturm, Zurich, Switzerland “The Metapher of Light. Poliset,” (cur. Lola Bonora) Centro Video Arte, Ferrara, Italy
1993 “Transitt. New Art from Switzerland,” (cur. Jan Brockmann) Museet for Samtidskunst – The National Museum of Contemporary Art, Oslo, Norway “Schirm-Herrschaft Video Kunst,” (cur. Rene Hirner, Wendelin Renn, Herbert Wentscher) Stadtische Galerie Villingen-Schwenningen, Villingen-Schwenningen, Germany “Biennale di Venezia, Aperto,” (cur. Helena Kontova) Venice, Italy “Hellbound,” (cur. Stefano Jermini) Centre d’Art Contemporain, Martigny, Switzerland “Nomad,” (cur. Josef Filipp) Temporare Kunsthalle Munchen, Munich, Germany “Het, Depot,” (cur. Leyla Akinci) Galerie Akinci, Amsterdam, Netherlands “A la recherche du temps present,” (cur. Esther Maria Jungo) Kunsthaus Glarus, Glarus, Stizerland “Changing I dense cities,” (cur. Harm Lux) Shedhalle, Zurich, Switzerland
1992 (cur. Harm Lux) Shedhalle, Zurich, Switzerland “Projekt Schwiez,” (cur. Eva Keller, Thomas Kellein) Kunsthalle Basel, Basel, Switzerland “Frammenti Intervalli Interfacce,” (cur. Viana Conti) Leonardi V-idea, Genova, Italy “Uberlebenskunst” (cur. A. Niderhauser, W. Wottreng) Kunsthaus Oerlikon, Zurich, Switzerland “Une selection de MIT HERTZ,” (cur. Michel Ritter, YACH) Kunsthalle Fribourg, Fribourg, Switzerland “Stipendiatlnnen 91,” Kunstmuseum Solothurn, Solothurn, Switzerland “Simone Berger, Pipilotti Rist, Francis Traunig,” (cur. Hedy Graber) Kunsthalle Palazzo, Liestal, Switzerland (cur. Eva Presenhuber) Galerie Walcheturm, Zurich, Switzerland “The Metaphor of Light / Poliset,” (cur. Lola Bonora) Centro Video Arte, Ferrara, Italy
1991 “Internationales Videoartfestival Locarno” (cur. Robert A. Fischer) Locarno, Switzerland and Cannobbio, Italy “MIT HERTZ,” (cur. YACH) Kulturzentrum Kammgarn, Schaffhausen, Switzerland “Chamer Räume Kunst an Ort,” (cur. Peter Bläuer), Cham, Switzerland
1989 Viper 89 with Muda Mathis, Lucerne, Switzerland
Pipilotti Rist 14
Theaterhaus Gessnerallee with Muda Mathis, Zurich, Switzerland “We can‘t Art Bar,” with Lorenz Hersberger (cur. Baschi Baumberger) Basel, Basel, Switzerland “Basler Künstlerinnen und Künstler,” Kunsthalle Basel, Basel, Switzerland “Muda Mathis Pipilotti Rist und Les Raines Prochaines,” Kunsthalle St. Gallen, St. Gallen, Switzerland
1988 Sevelen Rheinzeichen, Sevelen, Switzerland “UMBRUCH 1978-88”(cur. Josef Felix Müller) Kunsthalle St.Gallen, St.Gallen, Switzerland “Junge Schweizer Kunst,” with Muda Mathis, Muba Basel, Basel, Switzerland
SELECTED FILMS, AUDIOTAPES AND PERFORMANCES 2005 Audio CD: Soundtracks de las video instalaciones de Pipilotti Rist, MUSAC (Museo de Arte Contemporáneo de Castilla y Léon), Subterfuge Records, Madrid.
2002 Audio CD: The Cake is in Flames, featuring Anders Guggisberg, 19 min 44
1995 Video: I’m A Victim Of This Song, 4 min 30 Videoinstallation: Fliegendes Zimmer, SBG Buchs SG Performance: What’s Wild?, with Andreas Guggisberg, Closed Circuit with the public, Stedelijk Museum Amsterdam
1994 Dumme Siech, Single-CD with LPR I’M Not The Girl Who Misses Much, multiple, Ed. Uwe Kraus, Oktagon, Stuttgart, edition Serial, Zürich 1994, videostills, photos 50 x 35cm from monitor Kaffemeer, Sculpure with Coffee automat and interactive monitor, SVB Basel
1993 Video: Blutclip , 3 min Lob Ehre Ruhm Dank LP / CD (BOY) with LRP
1992 Video/Film: Pickelporno, 13 min . Video:+ Alles Andere, © by Seefrauen (Co-autorin), 38 min Video: Als der Bruder meiner Mutter geboren wurde, duftete es nach Birnenblüten vor dem braungebrannten Sims, 3 min Audiotape: Hellgrüne Lyrik, 12 min, with LRP Video: Kompilation videos 86-92 Pipilotti Rist, 62 min., edition Galerie Walcheturm Performance: Snow is falling, with Mio Shirai, “Die geheimsten Träume unsrere Stars/Covergirls”, Rote Fabrik, Zürich
1991 Video: Komm, Helvetia, 2 min Performance: Jawohl, sie kann’s. Sie hat’s geschafft. with LPR, Galerie STAMPA, Basel Performance: Die Lampe, with LRP, Kunsthaus Aarau Performance: Das Haus im Kopf brennt, with LRP for the Werkbund, Sportstadion Basel
Pipilotti Rist 15
1990 Video: You Called Me Jacky, 4 min Audiotape: Les Reines Prochaines, 40 min. with Les Reines Prochaines (LRP) Jawohl, sie kann’s. Sie hat’s geschafft. LP / CD (BOY) and limit. sign. multiple with LRP The Noise Downstairs, concept photography with catrin Freisager and Computergrafik Performance: Seien Sie Flugdame, Prozession and open air performance with LRP, Basel
1989 Video: Die Tempodrosslerin saust, video with Muda Mathis, 14 min Performance: Die Tempodrosslerin saust, with LRP, Kunsthalle St Gallen
1988-94 several performance-concerts with “Les Raines Prochaines”
1988 Video: Japsen, video with Muda Mathis, 12 min Video: (Entlastungen) Pipilottis Fehler, 12 min short version 8 min Performance: Das zornige Lamm, with LRP and others, Stückfärberei Basel
1987 Video: Sexy Sad I, 7 min
1986 Film: Das Gute, orginal S-8, 9 min Film: I’M Not The Girl Who Misses Much, 5 min Performance: Krebsdiagnose, Kunstsalon Basel
1984 Film: St.Marxer Friedhof, orginal S-8, 4 min
VIDEO DISTRIBUTION BY Galerie STAMPA Basel; BdV - Bureau de video, Paris; ART METROPOL, Toronto (CAN); MEDIENWERKSTATT, Wien (A); LVA , London video Access (GB)
VIDEO WORK SCREENINGS & BROADCASTS; LECTURES* 2005 “Ewa Lajer Burcharth on Bill Viola and Pipilotti Rist” Lambert Family Lecture, The Wexner Center for the Arts, Lector Ewa Lajer Burcharth, April 7, 2005.
2004 MAXXI Museo nazionale delle arti del XXI secolo, ‚Pipilotti Rist‘, Lecture May 12, invited by Paolo Colombo, Cristiana Perrella, Rome/IT* San Francisco Art Institute, cur. Bill Berkenson, San Francisco CA/US* Università della Svizzera Italiana, Accademia di Architettura di Mendrisio, invited by Bice Curiger, Mendrisio/CH* ‘Ladyfest Trier‘, cur. Magda Schmukulla, Trier/IT
2003 Fotomuseum Winterthur, ‚Filmkiosk‘, Winterthur/CH
Pipilotti Rist 16
10th Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Geneva/CH (To See How You See) Wort und Bild Festival, Stein am Rhein/CH 183. Jahreskongress SANW Freiburg 03, ‚Aspekte der Kunst. Sieben Videos zum Thema‘, Freiburg/DE Kunstmuseum Basel, invited by Bernhard Bürgi, Basel/CH* Office for Contemporary Art Museum Construction, ‚Talk talk‘, invited by Juko Hasegawa, Kanazawa/JP* Swiss Federal Institute of Technology Zurich, ‚Seminarwoche Kunst und Architektur‘, Zurich/CH Art Academy of Iceland, Reykjavik/IS* Symposium Nordic House, Reykjavik/IS* The 5th Women’s Film Festival in Seoul (WFFIS), Seoul/KR UCLA Arts, Hammer Museum, Los AngelesCA/US* Institut Français d’Istanbul, The Real McCoy, Festival Video et Art Contemporain, Le Vrai De Vrai“’, Istanbul/TR Scala, Frauen Filminitiative, Munich/DE Centre Culturel Suisse, Mursollaici, Paris/FR Gramacy Theater/MOMA NY, presentation of selected music videos by heros, with Barbara London, New York NY/US*
2002 The Arizona State University Art Museum, Tempe AZ/US* Shiseido Gallery, invited by Keiko Toyoda, Tokyo/JP* CalArts, Los Angeles, CA/US* UCLA North Campus, Los Angeles CA/US* The Museum of Modern Art, Titus 1 Theater, ‚A selection from the Last Decade‘, New York NY Le Parvis, Videokiosque 01, Avant-première‘, Pau/F M.ART.A Herford, ‚Fliegen‘, Herford/DE 47. Internationale Musische Tagung, IMTA 2002, Werdenberg/CH TVE, ‚Metropolis‘, Madrid/ES
2001 Centre choréogrphique national de Montpellier Languedoc-Roussillon, ‚Perceptions/Situations‘, Montpellier/F Tate Modern, London/GB* Kunsthalle Wien, Eröffnung des Museumquartier-Areals, Vienna/AT CS Frankfurt, ‚Ein Abend der modernen Kunst‘, J.-Ch. Ammann, Frankfurt/DE Bayerischer Rundfunk, ‚Bildersturm. Die Kunst erobert den Cyberspace‘, Munich/DE Jeunesse & Arts Plastiques, Une Sélection des Editions BDV, Brussels/B Arte, ‚La Revue‘, Paris/F Stedelijk Museum of Amsterdam, ‚Faces of Laughter. Female Strategies in Art‘, Amsterdam/NL* Arte, ‚Heiliges Blut. Blutige Begierde‘, Cologne/DE Kulturhallen Dampfzentrale, ‚V.I.D.‘, Berne/CH BDV, Programme Vidéo by BDV, Paris/FR Filmmmuseum Potsdam, ‚Filmland Schweiz. Frauen-Kurzfilmprogramm‘, Potsdam/DE
2000 Bundesministerium für Land- und Forstwirtschaft, Umwelt und Wasserwirtschaft, ‚Fest der Flüsse‘, Vienna/A Accademia di architettura di Mendrisio, Mendrisio*/IT CCA Kitakyushu, Kitakyushu*/J Netherlands Media Art Institute, Lowlands Festival, Amsterdam/NL ICA, ‚Physical Vehicle‘ Performance Festival, London/GB Eda, UCLA Dickson Hall, ‚Tenses: present‘, Los Angeles CA/US* Kino im alten Wiehrebahnhof, ‚Körper-Sichten‘, Freiburg/DE
Pipilotti Rist 17
FRI –Art Kunsthalle Fribourg, ‚Message salon videoclub‘, Fribourg/CH Centre Paqu’Art, ‚Au centre, l‘artiste’, Biel/Bienne/CH Arte, ‚It‘s a she-thing’, Cologne/DE Shedhalle, Rote Fabrik, ‚The Color of Friendship‘, Zurich/CH VIPER, Basel/CH Centre Culturel Suisse Paris, ‚Message salon videoclub‘, Paris/F
1999 Galeria d’Arte Moderna di Torino, Turin/IT Art Gallery of Greater Victoria, ‚Performing Generations: Classic and Contemporary Performative Video‘, Victoria/CAN International Videoart Festival ‚Videoarchelogy‘, Sofia/BG Pro Helvetia, Bucarest/BG Artspace, ‚Soft and Hard-Beside Images‘, AUS Metropolitan Museum of Contemporary Art, Tokyo/JP* Public Art Fund, New York NY/US* Winterthurer Musikfestwochen, Winterthur/CH The Images Festival of Independent Film and Video, Toronto/CAN MAMCO, Geneva/CH* Kunstmuseum des Kantons Thurgau, ‚Experimentalfilm im Klostergarten. Land- und Leidenschaften‘, Warth/CH Art Gallery of Missisauga, ‚Performing Generations. Classic and Contemporary Video‘, Mississauga/CAN Medienkunst Festival, ‚Communication Front‘, Plovdiv/BG Haus des Dokumentarfilms, ‚TABU. Erotischer Blick und dokumentarischer Film‘, Stuttgart/DE Wacoal Art Center, ‚SPIRAL TV‘, Tokyo/J International Film Festival Rotterdam, Rotterdam/NL Moderna Museet, Stockholm/S
1998 Tate Gallery, London/GB* Experimental Film Festival, Tirana/AL Filmclub Xenix, ‚Auswahl Schweizerfilme in Dharamsala‘, Dharamsala/IND Frauenmuseum Meran, Meran/IT ‘Austauschprogramm Videokunst Kanada-Schweiz‘, Montreal/Québec-City/CAN, Toronto/CAN Art club berlin, ‚Grenzenlos. Berlin a Barcelona‘, Berlin/DE Kunstmuseum Bern, Berne/CH Impakt Festival, Utrecht/NL Sveriges Television, Malmö/S PODEWIL, Berlin/DE 11th Annual Dallas Video Festival, Dallas TX Visibilità Zero, Rome/IT Künstlerhauskino, ‚Identity I, Identitiy II‘, Vienna/AT Witte de With Center for Contemporary Art, ‚Lowlands‘, Rotterdam/NL ‘Frankfurt IV: Grenzübertretung (Neue Schweizer Filme)‘, Frankfurt/DE Video Art Festival Locarno, Locarno/CH
1997 A Scenic Detour through Commodity Culture Jan van Eyck Academy, Maastricht/NL HdK Berlin, ‚Never Mind the nineties‘, Berlin/DE Kunsthaus Zürich, ‚Sex und Traum‘, Zurich/CH Downtown Arts Festival, ‚Moving Star‘, New York NY
Pipilotti Rist 18
National Museum of Women in the Art, ‚Women and the Art of Multimedia‘, Washington WA/US* 1 minute scéenario, printemps de cahors Kulturkreis, Zollikon/CH* Transit Oeuvres du Fonds national d’art contemporain, Paris/F Lincoln Center, The Sixth New York Video Festival, New York Transcontinent London Film Makers Co-op, London/GB Art Club Berlin, Berlin/DESt. Gervais, ‚Collection d‘art vidéo Suisse’, Geneva/CH Experimental Kino Xenix, Zurich/CH Herzliya Museum of Art, Three Video Stations: Pipilotti Rist, Yael Feldmann, Sylvie Fleury‘, Herzliya/IL 1. Filmfestival Zürich, Zurich/CH Centre d‘art contemporain de Basse-Normandie, Hérouville-Saint-Clair France Cedex/F Progetto Giovanni, Milan/IT
1996 Ambassade du Brésil, ‚Looking Awry‘, Paris/F Fernsehen DRS, Zurich/CH The Institute of Contemporary Art, ‚Inside the Visible‘, Boston MA Museum für Gestaltung Zürich, ‚Hello World‘, Zurich/CH Centre George Pompidou Paris et Artists Space NY The winnipeg women’s international film & video festival, ‚revisions‘, Winnipeg/CAN Kunstwerk Köln, ‚Joined‘, Cologne/DE Landesgalerie Linz, Linz/AT Monstrosities 1 Hackesche Höfe Berlin, 2, Berlin/DE Förderkreis der Leipziger Galerier für Zeitgenössische Kunst, Leipzig/DE Deutsche Film- & Fernsehakademie, Berlin/DE Kino St.Gallen, Frauenfilmtage, ‚NouvELLES‘, St. Gallen/CH Champ Libre, ‚Sous la Passerelle!, Montreal/CAN ICA, ‚Fuzzy Logic‘, Boston MA Fabrikken Christiania, ‚Escape Attempts‘, Copenhagen/DK Feminale Köln (various selected shows from this), Cologne/DE Surfing Systems, Kassel/DE Auto reverse 2, Magazin, Grenoble/F elbow room, Art Chicago IL/US MCA, 3. Juli 96, Chicago IL/US* ‘Schichtwechsel über-setzen‘, Schaan Museum of Modern Art, ‚Video Viewpoints‘, New York NY/US*
1995 FrauenWoche, ‚Chaotikum‘, Zug/CH Soros Center Contemporary Arts, ‚New Media Logia‘, Moscow/RUS 8. Stuttgarter Filmwinter, Stuttgart/DE Filmfest Bremen/DE Swiss Institute, New York NY (Rhythm, Cuts and Pictures) HTL Chur/CH* Createher Productions (TV), Winnipeg/CAN Musée des Beaux Arts, Lausanne/CH Filmtage Zofingen, ‚Frauenwerkschau‘, Zofingen/CH Kadertagung Schweizerische Nationalbank, Davos/CH* ‘Fra nord e sud, compositrice italiane e svizzere‘, Rome/CH Linda Génereux Galery, ‚Art Metropol Money Talks...Art Walks‘, Toronto/CAN
Pipilotti Rist 19
Casino Knokke kine(kunst)’95, Knokke/B Buchvernissage CUT/Filmpodium Zürich, ‚Film- und Videomacherinnen Schweiz‘, Zurich/CH Cinéville Subsoil, Zurich/CH Galerie Goetz, ‚Auktion für das Arbeitslosenkowithee‘, Basel/CH Kurzfilmnacht, Uster/CH Galleri Bie&Vadstrup, ‚Stay or Go‘, Frederiksberg/DK Viper, Lucerne/CH VideOst, Bürglen/CH ZDF, Nova‘, Mainz/DE 3 sat ZDF, ‚Oh Boy it’s a Girl‘, Mainz/DE Arte Zaal de Unie & Nederland Filmmuseum, ‚Naughty Girls‘, Rotterdam/NL Kunstschule Hertsogen Bosch, ‚Vorführung‘, Hertsogen Bosch/NL* reVisions women’s film & videofestivals, ‚True visions of nature‘, Winnipeg/CAN Frauen-Film-Wochenende, Würzburg/DE KHD Hallen Köln, ‚Oined. 4B - Cosmic Orgasm - the o vision‘, Cologne/DE ETH Zürich, ‚Freestyle‘ [lecture with Jacqueline Burckhardt and Prof. Flora Ruchat ‚über meine Freunde‘], Zürich/CH* Peep Art, ‚Loveland‘, Bern/CH Kunstkanaal Amsterdam/NL Fondation Cartier pour l’art contemporain, ‚Show must go on‘, Paris/F Stichting Bellissima, Amsterdam/NL
1994 Papi Luis Café, ‚european selection‘, New York NY Filmfest, Kassel/DE Film- und Videotage, Basel/CH articule, Montreal/CAN Fernsehen DRS, Zurich/CH Videoausstellung, ‚Collège Marcel Duchamps‘, Chateauroux/F Peep Art, Bern/CH Swiss Art Institute, New York NY Festival Silence elles tournent, Montreal/CAN Palazzo delle Exposizioni, ‚No Man’s Land‘, Rome/IT Steirischer Herbst ‘94, Graz/AT Saint Gervais Gèneve, ‚Discours Amoureux‘, Geneva/CH Filmkunsthaus Babylon, ‚Eine Reise durch die schweizer Filmlandschaft, ohne Heidi‘, Berlin/DE Medienbiennale,’Minima Media’, Leipzig/DE Programm der ENSBA (National Fine Arts school), Paris/F Tram’ Video screenings, Lyon/F International Video Festival, New York NY DCA screening at confluences, Paris/F Kunstkiosk HH, Hamburg/DE Soros Center for Contemporary Arts, ‚New Media Logia‘, Moscow/RUS Blickwechsel. Frauenstadtrundgang‘, Basel/CH Schweiz. JournalistInnen Union‘, Berne/CH Immagini, Trieste/IT Feminale Köln, Cologne/DE (various selected shows from this) visual, Kadertagung Rediffusion, Trogen/CH Steirischer Herbst, ‚Club Dadada‘, Graz/AT
Pipilotti Rist 20
Institute of Contemporary Arts, Perth/ATUS Contemporary Art Center, Moscow/RUS Museum of Fine Arts, ‚Von einem Ort à l’autre, d’un lieu zum andern. Unabhängiges Video Schweiz‘ [Sampler 4], Ekatrinburg/RUS Museum of Fine Arts, Novosibirsk/RUS Kunstakademie Oslo/NO*
1993 Filmfestival Uppsala/S Femme Totale, Dortmund/DE Sinemafestival, Antwerp/NL 1er Mondial de la Video, Brussels/B New Visions, Glasgow/GB Festival int. du Jeune Cinéma, Montreal/CAN Westfälischer Kunstverein Münster, Munster/DE Westfälischer Kunstverein Herford, Herford/DE Kunstraum Aarau, ‚Videokunst‘, Aarau/CH Swiss Video in Bem Kino, Budapest/H Carte Blanche der A BAO A QOU Paris at Electronic Art Intermix‘ New York NY Carte Blanche der A BAO A QOU Paris at Musée d’Art Moderne Paris/F Lichtmess, Hamburg/DE Kunstraumschiff Stubnitz, Rostock/DE YYZ, Toronto/CAN articule gallery, Montreal/CAN Lichtmess, Hamburg/DE
1992 Medienkunstfest, Osnabrück/DE 38. Westdeutsche Kurzfilmtage, Oberhausen/DE Fernsehen DRS, Zurich/CH Int. Filmfestival, Locarno/CH 4. Int. Video-Biennale Museo d’arte Moderno, Medellin/CO Kunsthalle St.Gallen,’Tribute to...’, St. Gallen/CH IV Bienal intern. de video MAMM, Museo de arte moderno de Medellin, Medellin/CO New Visions, Glasgow/GB Videoartfestival, Montbéliards/F
1991 Festival Berlin, ‚Perlen vor die Säue‘, Berlin/DE Viper, Lucerne/CH Stedelijk Museum Amsterdam, ‚Bergen aan Zee‘, Amsterdam/NL 4. SIV St. Gervais, Geneva/CH Climage, Lausanne/CH
1990 F & F, Zurich/CH Kunstmesse, Frankfurt/DE Feminale, Köln (various selected shows from this), Cologne/DE Solothurner Film- und Videotage (inc. various selected shows), Solothurn/CH Fernsehen DRS, Zurich/CH Sommeruni, Neuchlen-Anschwilen*/CH
Pipilotti Rist 21
Festival Int. de Film et Video de Femmes, Montreal/CAN Videozart, Zurich/CH Cinevideo, Karlsruhe/DE Frauenfilmtage, Lucerne/CH Rote Küsse, Vienna/AT* WUK Wien, ‚Swiss Maid‘, Vienna/A Video Suico Contemperano, Lisbon/P Filmfest, Kassel/DE Sound Basis Visual Art Festival, Warsaw/PL Künstlerhaus, Stuttgart/DE UNI Zürich, Zurich/CH* Galerie PulsArt, Winterthur/CH Blue Box, Bremen/DE Keep it Simple!, Stadttheater Basel, Basle/CH
1989 Fernsehen 3SAT, Mainz/DE Viper, Lucerne/CH Solothurner Film- und Videotage (inc. various selected shows), Solothurn/CH Fernsehen DRS, Zurich/CH Film- und Videotage, Basel/CH Kanzlei, ‚Musikvideos aus dem Grund‘, Zurich/CH SfG, Berne/CH* Bielefelder Avantgarde-Filmtage, Bielefeld/DE Femmes Cathodiques, Paris/F Trost & Liebe, Biel/CH* Femme Totale, Dortmund/DE Filmtage Osnabrück/DE
1988 34. Westdeutsche Kurzfilmtage, Oberhausen/DE Film- und Videotage, Basel/CH Solothurner Film- und Videotage (inc. various selected shows), Solothurn/CH Fernsehen DRS, Zurich/CH Kunsthalle Basel, ‚Kunst und Katastrophe‘, Basel/CH Videa, Geneva/CH VIA, Basel/CH London Film Festival, London/GB Feminale, Köln (various selected shows from this), Cologne/DE Viper, Lucerne/CH
1987 Rote Fabrik, ‚Das andere Video und die neuen Medien‘, Zurich/CH Fernsehen DRS, Zurich/CH Film- und Videotage, Basel/CH Museum für Gestaltung Basel/CH Solothurner Film- und Videotage (incl. various selected shows), Solothurn/CH
*lecture
MONOGRAPHS
Pipilotti Rist 22
2007 Julin, Richard and Praun, Tessa (ed). Pipilotti Rist: Congratulations! Lars Muller Publishers, Wettigen.
2005 Rist, Pipilotti. Pepperminta Homo sapines sapiens – boxa ludens, Lars Muller Publishers, Wettigen.
2004 Kempker, Birgrit and Rist, Pipilotti, “Jestem swoja wlansa obca swinia
2001 Apricots Along the Street. Zurich-Berlin-New York: Museo National Centro de Arte Reina Sofia, Scalo (exhibition catalogue) Pipilotti Rist. Phaidon (texts by Hans Ulrich Obrist, Peggy Phelean, Elisabeth Bronfen, Anne Sexton, Richard Brautigan, exhibition catalog)
1998 Rist, Pipilotti. Himalaya, Pipilotti Rist, 50 kg. Oktagon, Koln
ARTIST PUBLICATIONS 2006 Rist, Pipilotti. “Encounter: Barbara Kruger – Be seen and heard,” Tate etc., London, No.7, Summer 2006, pp. 102-103
2005 Rist, Pipilotti. “Artist’s Favourites,” Spike Art Quarterly, Winter 2005, 12-13.
2003 Rist, Pipilotti. [one poem by: Pipilotti Rist, ‘……..’], Curiger, Brice, Georgia O’Keefe, Hatje Catnz Verlag, Kunsthaus Zurich, Ostfildern-Ruit, p. 180 Rist, Pipilotti. Adbusters Magazine, Vol. 11 No. 6, Vancouver, November/December. Cover.
2002 Rist, Pipilotti. Mein Helden, Lutz-Guggisberg, The Great Unkown, Verlag fur moderne Kunst, Nurnberg, pp. 62-67 Rist, Pipilotti. Umfrage Learning from “Documenta”, No. 64, Parkett, Zurich, pp. 202-203 Shiseido Foundation. The Cake Is In Flames, Tokyo (CD and booklet)
2001 Rist, Pipilotti. A Suber-subjective Pillow Case Next To A Mini Poster Organ, Kitakyush, CCA Artist’s Book Series. Rist, Pipilotti. Mein erster Freitag im 200, der 6.8, Die Wochenzeitung, Zurich, No. 1000, p. 37 Rist, Pipilotti. rumour 104>Pipilotti Rist, Rumor City. Un Project de Hans Ulrich Obrich. Mutations, Arc en reve centre d’architecture, Bordeaux, FRI-ART, Centre d’art contemporain, Fribourg
1999 Rist, Pipilotti. Ich mochte keine Pickel mehr, Sonntags Blick, Zurich, p. 2
1998
Pipilotti Rist 23
Rist, Pipilotti. Remake of the Weekend. Oktagon, Koln
1997 Rist, Pipilotti. Nackbarstuck/Neighbour Piece, Do It, Independent Curators Incorporated, p. 98 Rist, Pipilotti, I love you forever, Du, die Zeitschrift fur Kultur, No. 6. Rist, Pipilotti, Die Bildrohre ist der Flammenwerfer, der Raum ist der Wasserstrudel und Du bist die Perle darin, Herzogenrath, Wulf/Gaehtgens, Thomas W. et al, TV Kultur. Das Fernshen in der Kunst seit 1879, Verlag der Kunst, Amsterdam/Dresden. Pp. 130-133
1996 Rist, Pipilotti. (167 cm), I’m not the girl who misses much, Oktagon, Stuttgart, 1194/96 Rist, Pipilotti, Nagrannapattur, Do it, The Reykjavik Municipal Art Museum, Reykjavik
1994 Rist, Pipilotti and Doswald, Christoph. “Pipilotti Rist, Pip-Up.” Berlin: neue bildende kunst, Nr. 5, 1994, p. 38- 41 Rist, Pipilotti. “Notizen aus dem Leben und dem elekronischen Leben – Jupe.” Berlin: below papers: Girlisme, 1994, p. 342-343 Rist, Pipilotti. “Heldin des Alltags.” WoZ Nr. 32, 12.Aug. 1994, p.16 Rist, Pipilotti. “LCD-Projektoren sind wahre Prinzessinnen.” Zürich: Professional News von Sony, Nr. 4, 1994, p. 4-5
1993 Rist, Pipilotti. “Daumenkino.” (Insert) Zürich and New York: Parkett, Nr.37, 1993, p.110-126 Rist, Piplotti. “Vorwort.” Nam June Paik: Jardin Illuminé, Zürich: Galerie Hauser & Wirth, 1993
1991 Rist, Pipilotti. “Flüstern im Kissen ein bisschen Wissen.” Basel/Frankfurt a.M.: Cinema: Tonkörper, Verlag Stroemfeld/Roter Stern, Bd 37, 1991, p. 54-69 (text and pictures) Rist, Pipilotti. “(Carte Blanche).” Zürich: Fabrik Zeitung, Nr. 77, Nov. 1991, p. 6-7 (poetry and pictures) Rist, Pipilotti. “Aus der Produktion von Pickelporno.” Wie es Ihr gefällt: Künste, Wissenschaft & alles andere. Ed. Henke, Silvia, and Mohler,Sabina. Freiburg: Kore Verlag, 1991, p. 61-63
1990 Rist, Pipilotti. “Pipi im Tiwi.” Ein Wenig Meer. Basel: VIA, März 1990, p. 20 (text and pictures) Rist, Pipilotti. “(Carte Blanche).” sans blague: magazin für schund and sühne. Zürich: Dez. 1990, p. 24-25 (Text and pictures) Rist, Pipilotti. “Débrouillez-vous pour brouiller vos images” Live (Mediator AG). Nr.2, 1990, p. 4-7 (text and pictures)
1989 Pipilotti Rist (167 cm), “Titel”, in: Cinema: Film und die Künste, Bd. 35, Verlag Stroemfeld / Roter Stern, Basel/Frankfurt a.M. 1989, p. 121-127 (text and pictures)
1987 Rist, Pipilotti. “Supermarktwohnzimmer” Schräg eingespiegelt: Eine Anthologie. Vienna: Wiener Frauenverlag, 1987, p. 19 / 71
SELECTED BIBLIOGRAPHY
Pipilotti Rist 24
2007 Macdam, Barbara A. “Where the Great Women Artists Are Now,” ArtNews, Vol 106, No. 2. February 2007. p. 115-116 Schmerler, Sarah. “Tour de Force,” Time Out NY, No. 595, February 22-28, 2007. P. 20.
2006 Nemitz, Barbara (ed.) Pink – The Exposed Color in Contemporary Art and Culture. Hatje Cantz Verlag, Ostfildern. Pp. 242-245
2005 Curiger, Bice. “Pipilotti Rist – Chiesa di San Stae,” Domus, Milano, Juli/August 2005. p. 23 Falconer, Morgan. “Technical Trouble in Paradise,” The Times, London, November 8, 2005, p. 24 Greenberg, Kerryn et al. EindhovenIstanbul. Vanabbemuseum, 2005. P. 73 Grosenick, Uta (ed.) “Art Now – The new directory to 136 international contemporary artists,” Koln, Taschen. Pp. 440-443, ill. Lindemann, Adam. Collecting Contemporary.Köln: Taschen, 2006, pp. 188, 120. Lindinger, Gabriel et al. Kunstlerin des Jahres: Pipilotti Rist, Kunstjahr 2005, Verlag Lindinger + Schmid, Resenburg No. 5, pp. 66-79. ill. 148. MUSAC – Museo de Arte Contemporaneo de Castilla y Leon, Soundtracks de las video instalaciones de Pipilotti Rist, (CD and booklet) Rush, Michael (ed.) New Media in Art, new edition. London and New York: Thames & Hudson, world of art, pp. 174-5. Press Play: contemporary artists in conversation. Phaidon Press, pp.513-526 Rubio, A. Fernandez, “La subversive Pipilotti,” El Pais, Madrid, December 18, 2005. pp. 25-29, ill. Soll, Anne. Body Work. Videos and Video Insatalltion By Pipilotti Rist. Verlag Silke Schreiber 2005 (text in German) Soll, Anne. Pipilotti Rist: edited by the Friedrich Christian Flick Collection. Cologne: DuMont Literatur und Kunst Verlag.
2004 Beaud, Marie-Claude. Mudam 2000-2004 Almanach, Fondations Musée d’Art Moderne Grand-Duc Jean Luxembourg, Luxembourg, 2004, pp. 160, 166 ill. Pp. 9, 11, 12 Baker, Kenneth. “Stir Heart, Rinse Heart: Pipilotti Rist,” San Francisco Chronicle, San Francisco, March 2004. pp. E1-E2, ill. Blume, Eugen et al, Friedrich Christian Flick Collection im Hamburger Bahnhof, SMB-DuMont, Berlin/Koln, 2004. pp. 49-50, 370-381, ill. Cameron, Dan et al. PLOP, Recent Projects of the Public Art Fund, Merrell Publishers Limited, London, pp. 214-217, ill. Holm, Michael Juul et al. The Flower As Image, Louisiana Museum of Modern Art, Humlebaek, 2004, p. 81, ill. Kacunko, Slavko. Closed Circuit – Videoinstallationen, Logos Verlag, Berlin, pp. 327, 598, 709, 729, 1097, DVD, ill. Kurtz-Kretzschmar, Ilene et al. Point of View: An Anthology of the Moving Image, Bick Productions and the New Museum of Contemporary Art, New York, DVD Obrist, Hans Ulrich. Do It, Volume 1, Revolver Books, Frankfurt am Main, 2004, pp. 294-295 Soll, Anne, Arbeit am Korper. Videos und Videoinstallationen von Pipilotti Rist, Verlag Silke Schreiber, Munich, ill.
2003 Okabe, Naomi. Women & Art, Can Art exceed Gender, Interviews with 17 women Artists, Saiki-Sha, Tokyo, pp. 146-165.
Pipilotti Rist 25
2002 Archer, Michael. Art Since 1960, New Edition, Thames & Hudson, World of Art, London. Pp. 221-222, ill. Curiger, Bice. Die Videokunst ist ein Zimmer mit erhohter Raumtemperatur, Kunst Expansiv, Lindinger + Schmid, Regensburg. Pp. 58-65, ill. Grosenick, Uta et al. (ed) Art Now. 137 Artists at the Rise of the New Millenium, Taschen, Koln. Pp. 436-439, 600-601, ill.
2001 Casino Luxembourg (ed.) Confidences. “Parce que c’etait lui, parce que c’etait moi,” Luxembourgh. Pp. 137- 138, 151-152, ill.
2000 Haus, Andreas et al. “50 kg (nicht durchtrainiert)”. Korper und Materialitat in Pipilotti Rists Blauem und Rotem Leibesbrief,” Material im Prozess. Strategien asthetischer Produktivitat, Reimer Verlag, Berlin. Pp. 189-201, ill.
1999 “Himalaya Pipilotti Rist Oktagon”, Kunsthalle Zurich & Musee d’Art Moderne de la Ville de Paris Benezra, Neal et al. Regarding Beauty. A view of the late twentieth century, Hirschorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. pp. 64-65, 200, ill. Bilstein, Johannes et al. (ed) Macht und Fursorge. Das Bild der Mutter in der zeitgenossischen Kunst und Wissenschaft, Oktagon, Koln. Pp. 40-42, ill. Blase, Cristoph, Art in the Turn of the Millenium, Ausblick auf das Jahrtausend, Benedikt Taschen Verlag Gmbh, Koln. Pp. 426-429, ill.
1998 Basualdo, Carlos et al. Cream. 10 Curators, 10 Writers, 100 artists – contemporary art in culture, Phaidon Press Limited, London. Pp. 344-347, ill.
1997 Fulleman, Verena and Markus et al. Faites vos pommes! Eine Art Kulturgeschichte des Apfels, Bern p. 77
1995 Blochinger, Brigitte et al. (ed) Cut, Film- und Videomacherinnen Schweiz, von den Anfangen bis 1994: Eine Bestandesaufnahme, Basel/Frankfurt am Main. Pp. 128, 247-249, ill. “Pipilotti Rist.” Picture Postmedia, Nr. 2, 1995 “Pipilotti Rist.” Picture- text- page. Max, 9/95, Hamburg: 1995, p.132-133 “Pipilotti Rist.” Text and pictures. Wild Walls, Stedelijk Museum Amsterdam, Catalogue nr. 792
1994 Dramendamen: Dramatikerinnen der Schweiz. Zürich: 1994 (pictures)
1992 Entwürfe für Literatur and Gesellschaft, Nr. 5, Zürich: Dez. 1992 (pictures)
1991 Freisager, Katrin, and Kalt,Jörg, and Rist,Piplotti. “...”,Zürich: AHA!, Nr.1,
PRESS & EXHIBITION CATALOGUES
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2007 Camnitzer, Luis. “An Eyefull of Art,” ArtNexus, Vol. 6, No. 63. pp. 112-117 Powell, Lisa L. “Reviews Pipilotti Rist: Wishing for Synchronicity,” Artkrush, issue #49 / Art and Comics.
2006 Art Abstrait et Contemporain. Piasa, Paris.pp. 168 Ban, Sandra. “Voyeur Discretion Advised,” ARTnews, Volume 105/Number 8, September 2006, page 41. Biesenbach, Klaus. “Into Me/Out of Me,” Flash Art, Vol. 39, No.249, July-Sept. 2006, pp. 80-81. Berwick, Carly. “Rist’s Picks on Disc,” ARTnews, March 2006, page 38. Boubnova, Iara et al. “Joy,” Casino Luxembourg – Forum d’art contemporain, Luxembourg. P. 12; 65-66, ill, exhibition catalogue Dambrot, Shana Nys. “The Art of the Nude,” Artkrush.com, issue #38, Feature. Eccles, Tom. “Acknowledgments,” Wrestle, Marieluise Hessel Collection, p.23 Eccles, Tom. “Wrestle,” Wrestle, Marieluise Hessel Collection, p.135 Falconer, Morgan. “Wish you were here?,” Modern Painters, June 2006, pp. 94-99. Margolis, Janet. “Is It Real or Is It Ecstasy,” Art and Living, Issue 01, 2006, pp. 20-21. McCormack, Christopher. “Previews: Pipilotti Rist, Houston, Contemporary Arts Museum,” contemporary, no. 84, 2006, page 24. Myers, Julian. Review of “Ecstasy” exhibition at LA MoCA, Los Angeles, frieze, Issue 96, January-February 2006. pp. 145-146. “Pipilotti Rist: Contemporary Arts Museum, Houston, 14 October-14 January, 2007,” The Art Newspaper, The Year Ahead 2006/ page 110. pressPLAY: contemporary artists in conversation, London & New York: Phaidon Press Limited, pp. 258, 382, 392, 449-61, 688. Rubio, Fernandez A. “The Pippi Longstocking of video Art,” El Pais, Madrid. P. 8 Rush, Michael. New Media in Art (new edition), New York & London: Thames & Hudson world of art, pp. 78, 115, 169, 176, images 169, 174, 175. Sanders, Mark. “Pipilotti Rist,” Another Magazine, 11th Issue, pp. 426-439 Schjeldahl, Peter. “New and Old: Moma’s latest contemporary-art instatllation,” The New Yorker, September 11, pp.86-87 Schwabsky, Barry. Review “London: Pipilotti Rist, Hauser & Wirth,” ARTFORUM, February 2006, No. 6, pp.225-226. Sondergaard, Helle, “A Sea of the Senses,” Sip my ocean, Louisiana Museum of Modern Art, Humblebaeck. P. 24-33, ill. Exhibition catalogue.
2005 ART IN AMERICA, September 2005, cover. Bruls, Willem. “Past Biennial Works To Come Together In The Netherlands,” Wall Street Journal Europe, September 18, 2005. 20. Criqui. Jean-Pierre. “Hight Art. Jean-Pierre Criqui on Psychedelic Posters.” ARTFORUM, January 2005, No. 5, pp. 53-54 Gingeras, Allison M., “Stealing the Show.” ARTFORUM, Spetember 2005, pp. 256-268. Grant, Daniel. “Rist Watch.” ARTNEWS, September 2005, p. 84 Grant, Daniel. “Prices Climb for Rist’s Intricate Video Installations.” ARTNEWSLETTER Vol. XXX, No. 24, July 19, 2005, pp.5-6. Guardami- percezione del video. Siena: Palazzo delle Papesse centro arte contemporanea, 2005, page 138- 139 Hurwitz, Laurie. “The mesmerizing, sensual videos of Swiss artist Pipilotti Rist.” Art + Auction, December 2005, pp. 44-48. “In the frame.” The Art Newspaper, International Edition. p 2 Museo de Arte Contemporáneo de Castilla y León. Colección Vol. I. León: MUSAC, pp. 50, 122, 157, 159-
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160, 560-563, 683. Spagnesi, Lucia. “Nel Paradio snza Adamo di Pipilotti Rist.” ARTE, July 2005, pp. 68 – 73, cover. Smallenburg, Sandra. “Zonder Idealisme,” NRC Handelsblad, August 19, 2005. 3-4. Steiner, Juri et al. “Yama Swiss Pavilion Expo 2005,” Aichi Japan, JRP, Ringier, Zurich. Pp. 62-63, exhibition catalogue. Steiner, Rochelle, “La Biennale di Venezia. 51. International Art Exhibition,” Marsilio, Fondazione La Biennale di Venezia, Venice, pp. 124-125, ill. Exhibition catalogue. Robertson, Jessica. “Art Reviews.” VELVETPARK, Winter Issue 2005, No. 8, pp. 44-45 (exhibition review) Visser, Bianca. “EindhovenEstambul,” Exit Express, No 15. November 2005.Pp. 24-25. “What’s up.” The Art Newspaper, International Edition. p 13 Zinman, Greg. “Moving Images (feature article).” Artkrush.com, December, 2005.
2004 Bourriaud, Nicolas et al. “20 Years of Parkett, Part II – (Im)material?,” Parkett No. 71, Zurich, pp. 3-24, 198, ill. Decter, Joshua. "TV Crazy; Notes from an Unreformed Television Junkie." FLASH ART, March-April, 2003, p. 57-60. Goetz, Ingrid, and Urbaschek, Stephan. “Fast Forward.” Media Art Sammlung Goetz.” pp.326-329 (exhibition catalogue) “Goings on About Town.” art section, THE NEW YORKER, October 4, 2004 (exhbition review) Kawahara, Hideki. “Pipilloti Rist. Shiseido Gallery. Tokyo.” TEMA CELESTE, Reviews section, February 2003, p. 95 Kazanjian, Dodie. "Caught on Tape." Vogue, January, pp. 160-63, 184 Kempker, Birgit. “I am my own Foreign Pig.” Jestem Sweja Wtasna Obca Swinia, 2004 (exhibition catalogue) Landi, Ann. “Who Are the Great Women Artists?” ARTnews, March 2003, pp. 94-97. Monument To Now. The Dakis Joannou Collection, DESTE Foundation for Contemporary Art 2004, pp. 337- 339 (exhibition catalogue) “Pass The Buck Continued.” ISSUE, No. 8, pp. 120-133 “Pipilotti Rist Herbstzeitlose.” FLAVORPILL, Issue # 222 Princenthal, Nancy. “Pipilotti Rist at Luhring Augustine.” ART IN AMERICA, November 2004, pp. 179-180 (exhibition review) Richard, Frances. “Pipilotti Rist. Luhring Augustine.” ARTFORUM, December 2004, pp. 192-193 (exhibition review) Rosenberg, Karen. “Art.” NEW YORK, September 30, 2004, p. 89 Smith, Roberta. “Pipilotti Rist.” THE NEW YORK TIMES, Art in Review section, Friday October 1, 2004, p. E31, (exhibition review) Speers Mears, Emily. “Pipilotti Rist Luhring Augustine.” TIME OUT NEW YORK, September 23-30, 2004, p.64 (exhibition review) Steiner, Rochelle, “State of Play,” Serpentine Gallery, London, February 2004, pp. 44-47, ill., Exhibition catalogue. Stecher, Thorsten et al. “DasGeheimnis des Lebens habe ich noch nicht geluftet,” Weltwoche No. 5, January 29, 2004. Zurich. Pp. 74-79, ill. Wei, Lilly. “Pipilotti Rist Luhring Augustine.” ARTNEWS, November 2004, pp. 151-152 (exhibition review)
2003 Aquin, Stephanie, “Pipilotti Rist,” The Montreal Museum of Fine Arts Guide, Contemporary Art, Montreal, p. 266, ill. Biesenbach, Klaus et al. (ed) “Video Acts. Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust,” P.S.1 Contemporary Art Center, Long Island City, New York. Pp. 263- 269, ill. Exhibition catalogue.
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Dennison, Lisa et al. “Moving Pictures,” Guggenheim Publications, New York, p. 162, ill. Exhibition catalogue. Dunne, Aidan. “Summoning up other-worldly substances.” IRISH TIMES, July 11, 2003. Eklof, Nina et al. (ed) “Spiritus,” Stockholm, pp. 14-15, 22, 24-25, 54-55, ill. Exhibition catalogue. Goetz, Ingvild et al. (ed) “Fast Forward: Media Works from the Goetz Collection,” Munich, Kunstverlag Ingvild Goetz G.m.b.H., pp. 326-329, 426, ill. Exhibition catalogue Lux, Harm. “… lautloses irren, ways of worldmaking, too…,” Postbahnhof, Berlin, p. 68-69, ill. Exhibition catalogue. Poschardt, Ulf, “Video – 25 Jahre Videoasthetik,” NRW-Forum Kultur and Wirstchaft Dusseldorf, Hatje Cantz Verlag, Ostfildern-Ruit, p. 187, ill. Exhibition catalogue Schumacher, Rainald et al. (ed) “Pipilotti Rist,” Just Love Me, Feminist Positions of the 1990’s from the Goetz Collection, Verlag der Buchhandlung Walther Konig, Koln, 136-143, ill. Exhibition catalogue. Solomon Guggenheim Foundation New York, FMGB Guggenheim Bilbao Museoa (ed), “Images en Movimento,” Bilbao. P. 81. exhibition catalogue.
2002 “9e Biennale de L’image en Mouvement.” Art Press, January 2002 Art Unlimited. Basel, Switzerland: Art 33 Basel (exhibition catalogue) Beatrice, Luca. “Form Follows Fiction.” FLASH ART, January-February 2002, p. 91 Biesenbach, Klaus, and London, Barbara, and Eamon Christopher. Video Acts. Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust. Published by P.S.1 Contemporary Art Center, pp. 264-269 (exhibition catalogue) Center for Contemporary Art, “Pipilotti Rist,” Let’s Talk About Art. Kitakyushu, pp. 128-129, ill. (exhibition catalogue) Clausen, Barbara et al. Thin Skin, The Fickle Nature of Bubbles, Spheres, and Inflatable Structure, Independent Curators International, New York, pp. 48-49, ill. (exhibition catalogue) Durand, Regis et al. “Profusion et condensation,” Art Press No. 278, Paris, April 2002. pp. 19-24, ill. Fischer, Peter et al. (ed) Another World. Zwolf Bettgeschichten / Twelve Bedroom Stories, Kunstmuseum Luzern, Luzern, pp. 96-1001, ill. (exhibition catalogoue) Fleury, Jean-Damien. “Le Son, Quinze Manieres de L’Utiliser. Image en Mouvement.” LA LIBERTE, November 10 2002 Fundacio “la Caixa,” “Pipilotti Rist,” Pantalles Sensibles, Videoart dels anys 90, Barcelona, pp. 53-57, ill. (exhibition catalogue) Gioni, Massimiliano. “I know What you did last Summer. 2001 in retrospect. The show, the artists and the events that kept us talking and thinking, about art in 2001: a portable chronology.” FLASH ART, January-February 2002, No. 222, pp. 65-67 Griffin, Tim. “Time Warp Again .MoMa Queens locations makes the past seem futuristic.” TIME OUT NEW YORK, No. 355, July 18-25, 2002, p. 77 (mentioned) Grosenick, Uta, and Riemschneider, Burkhard. Art Now. 137 Artists at the Rise of the New Millennium. Taschen, pp. 436-439 Herkenhoff, Paulo et al. Tempo. New York: The Museum of Modern Art, NY, Distributed Art Publishers Inc.(D.A.P.), p. 37 & cover. (exhibition catalogue) Laubard, Charlotte. “Retour sur Image.” culture section, INNER Eau/Transparence, p. 51, August-September 2002 Life Death Love Hate Pleasure Pain. Selected Works from the Museum of Contemporary Art, Chicago, Collection. The Museum of Contemporary Art, Chicago, pp. 267-268 (exhibition catalogue) Makabe, Kaori et al. (ed) “Pipilotti Rist,” International Triennale of Contemporary Art, Yokohama, pp. 42, 298- 299, ill. (exhibition catalogue) Parkett, No. 64, 2002, pp. 202-203 Ravenal, John B. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the History of Video Art. Virginia Museum of Fine Arts (exhibition catalogue)
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Princethal, Nancy. “Artist’s Book Beat”, Books in Review, ART ON PAPER, March-April 2002, pp. 98-99 Schulz-Hoffmann, Carla. “Pipilotti Rist,” Pinakothek der Moderne. Malerei, Skulptur, Neue Medien, Dumont, Koln. Pp. 308-309, ill. Smith, Elizabeth et al. “Pipilotti Rist,” Life Death Love Hate Pleasure Pain, Museum of Contemporary Art, Chicago, pp. 268-269, ill. (exhibition catalogue) Soll, Anne et al. (ed) “Gewalt als naturliche chemische Reaktion von Ostrogenuberschwemmung der Synapsen,” Gewalt und Geschlecth, Bilder, Literatur und Diskurse im 20. Jarhundert, Bohlau Verlag, Koln. Pp. 85-105, 121, ill. Soll, Anne. “Pipilotti Rist,” Parkett No. 64, Zurich. Pp. 179-180. Soll, Anne. “Pipilotti Rist: Text zur Kunst-Edition Heft Nr. 46,” Texte Zur Kunst No. 46, June 2002, Berlin. Pp. 130-131, ill.
2002-2001 Form Follows Fiction, Castelo di Rivoli. Museo d’Arte Contemporanea, Fondatione CRT Cassa di Risparmio di Torino, (illustrations), (exhibition catalogue) “Television.” Kunst Sieht Fern. Kunsthalle, Vienna, Germany (exhibition catalogue)
2001 9e Biennale de l’Image en Mouvement 2001, MAMCO. Geneva, Switzerland: Centre pour l’image contemporaine Saint-Geneve (exhibition catalogue) A Super Subjective Pillow Case Next to A Mini Poster Organ. CCA Kitakyushu, Japan Anton, Saul, “Media_City.” Frieze, March 2001, p. 101 Art Magazine (Korea), September Basting, Barbara. “Traumen find ich nicht negative,” Tages Anzeiger, December 12, 2001. Zurich. P. 53 Bishop, Claire, “Interview with Pipilotti Rist.” Make Magazine, March-May 200, pp. 14-17 Blasé, Cristoph. “Pipilotti Rist,” Art now. Benedikt Taschen Verlag, GmbH Koln. Pp. 142-143, ill. Bovier, Lionel (ed.) “Pipilotti Rist,” Across.Art.Suisee. 1975-2000. Skira Editore, Milano. Pp. 5, 14, 17, 26, 27, 62-64, 67-70, 79, 141, ill. Burckhardt, Jacqueline. “Pipilotti Rist,” Aus der Sammlung Eckhard, Doppelung der Bilder im Raum, Bildersturmerin, Kunstmuseum Stadt Bayreuth, Bayreuth. Pp. 54-55, ill. Catherine Hug, “Pipilotti Rist.” Reviews, Tema Celeste, Summer, p. 101 Diers, Michael. “Lies mich auf, lies mich ab, ich bin dein Laub,” Frankfurter Allgemeine Zeitung No. 99, Frankfurt, Berliner Seiten, April 28, 2001. Frehner, Matthias et al. “Man muss spuren, dass der Schmerz in der Ecke hangt,” Neue Zurcher Zeitung, November 28, 2001. Zurich. P. 44, ill. Grosenick, Uta. Art Now. Icons series, Taschen, pp. 142,143 Grosenick, Uta. Women Artists in the 20th and 21st Century. Tachen, pp. 456-461 Kurjakovic, Daniel. “Installations, or art as theatre. Even and Experience,” Passages No. 30. Passagen, Pro Helvetia, Zurich. Pp. 27-29, ill. Kyandur, Pontus. “Pipilotti Rist,” Sur Face, Lunds Konsthall / Aura, Lunds, Switzerland. 14-15, 40-41, ill. (exhibition catalogue) Mahoney, Elisabeth, “Profile.” ArtReview, June 2001, P. 46 Marguerat, Florence. “Mise en Evidence d’un Systeme Sonore.” Le Courrier, November 3 2001 Magni, Elisabeth. Pipilloti’s Pickle Making Meaning From the Feminine Position. PAJ (A Journal of Performance & Art). The John Hopkins Press, 1976-2001- Celebrating 25 Years, May 2001, No. 68, pp. 1-9 Meyer-Hermann, Eva. “The Oldest Possible Memory; Sammlung 1,“ Cologne: Oktagon “Nieuw Werk Van Pipilotti Rist in het Centraal Museum De Ondeugende Dochter Van Nam June Paik.” Kunstbeeld, No.7/8, pp. 24-27 Obrist, Hans Ulrich et al. (ed) “Bridge the gap?” Kitakyushu CCA, Walther Konig, Koln. Pipilotti Rist Show a Leg. Tramway (exhibition catalogue)
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Pistolesi, Donald et al. (ed) “Pipilotti Rist,” The Museum of Fine Arts, Montreal. Pp. 113, 115. ill. (exhibition catalogue) Puhringer, Alexander. “Supermarkt im Wohnzimmer oder Kochen in der Kirche. Pipilotti Rist im Gesprach,” Frame No. 7, May/June 2001. pp. 48-59, ill. “Profile: Pipilotti Rist.“ ArtReview, June 2001, p. 44 Raczka, Robert. Pipilotti Rist: Luhring Augustine Gallery. Sculpture, January/February 2001 Wechsel-Strom. Sammlung Hauser Und Wirth / Teil 2 in the Locomotive St. Gallen, pp. 82-83 (exhibition catalogue) Wohlgemuth, Matthias (ed) “Pipilotti Rist,” Unser Kopf is run, damit das Denken die Richtung wechseln kann. Festschrift fur Franz Zelger, Verlag Neue Zurcher Zeitung, Zurich. Pp. 33-47, 443-440, ill.
2000 Allen, Jennifer, “Dans la peau de l’image”, Parachute, April, May, June, pp. 4-17 “Ask Dr. Hip.” U.S. News, May 22, 2000 “Art Afoot in Chelsea.” Where New York: May 2000, p. 22 “Blick auf der Hintern.” Der Spiegel, 2000 Bronfen, Elisabeth. “Times Square oder Hat die Pilizei die Nacht besiegt?” Basler Zeitung, April 28, 2000. Basel. P. 47, ill. Conley, Kevin, “At the Galleries: Lady Video”, May 8, 2000, pp. 82-3 Conley, Kevin, “At the Galleries: Lady Video”, May 8, pp. 82-3 Dimova, Dessislava, “Locally Interested”, Flash Art, Vol. 33, No. 211, p. 61 Elms, Anthony, “Shelved”, New Art Examiner, April, pp. 6-13, 2000 Fisher, Jennifer, “Pipilotti Rist: Swept Away.” Canadian Art: Summer 2000, pp. 76-7 Gardner, James, “If You Like Cutting-Edge Work, It’s All in the Rist.” New York Post, Monday May 15, 2000 G., T., “Pipilotti @ Luhring Augustine.” Flash Art, Summer 2000, pg. 49 Gioni, Massimiliano, “The Beach: Utopia 2000”, Flash Art, Summer, Vol. XXXIII, pp. 65-66 Halle, Howard, “Rist Factor”, Time Out New York, p. 76, 2000 Halle, Howard, “Beautiful Dreamer,” Time Out New York, April 20-2, 2000, p. 61 Istanbul Foundation for Culture and Art (ed) 6th Istanbul Biennal, Istanbul. Pp. 104-105, ill. (exhibition catalogue) Jane Harris, “Psychedelic, Baby: An Interview with Pipilotti Rist”, Art Journal, winter, pp. 68-79 Kimmelman, Michael, “Art/Architecture: The Year in Review; As the Tahe Towered, a Giant Guggenheim Got a Lift,” New York Times December 31, 2000. New York. Kimmelman, Michael, “Open My Glade”, The New York Times, April 2, p. E40 Kunsthaus Zurich, Hamburger Kunsthalle (Hrsg.) Hypermental. Wahnhafte Wirklichkeit 1950-2000. Von Salvador Dali bis Jeff Koons, Kunshaus Zurich, Hamburger Kunsthalle, Ostfildern-Ruit. Pp. 58, 102, ill. (exhibition catalogue) Museum Boijmans Van Beuningen Rotterdam. Exorcism Aesthetic Terrorism, Rotterdam, pp. 100-103, ill. (exhibition catalogue) Myer-Hermann, Eva (ed) The Oldest Possible Memory, Sammlung Hauser und Wirth, St. Gallen, Oktagon, Koln. P. 67, ill. (exhibition catalogue) Lambrecht, Luk, “Over The Edges”, Flash Art, Summer, Vol. XXXIII, pp.109“Talk Show”, Von der Heydt Museum, Wuppertal, and Haus der Kunst, Munich,exhibition catalogue Lajer-Burcharth, Ewa, Artforum, September 2000, p. 172 Latimer, Joanne, “She’s not the Girl Who Misses Much,” The Globe and Mail, March 6. Lubelski, Abraham, and Ricatto, Cosimo, “Pipilotti Rist, Sylvie Fleury, Sophie Calle and Shirin Neshat”, NY ARTS Magazine, July/ August, Vol. 5, No. 7, pp. 28-229 Papa, Sania, “Biennale di Istanbul,” Tema Celeste, Vol. 17, No. 77, p. 106 Phillips, Christopher, “Report from Istanbul. Band of Outsiders”, Art in America, April, pp.70-75 Pedersen, Victoria, “Gallery Go ‘Round: Rebels with a Cause”, Paper Magazine, April, p. 169 Pedersen, Victoria, “Datebook: Pipilotti Rist,” Art & Auction, April 15, p. 74
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“Pipilotti Rist in Times Square.” Art in America: June 2000, pp. 27-8 “Pipilotti Rist,” Bust, Winter 2000, p. 112 “Pipilotti Rist in Times Square”, inprocess, Volume 8, #3, Spring 2000, p.1 Politi, Giancarlo, ”Journey to the Center of the Periphery”, Flash Art, Vol. 33, No. 211, pp. 66-69 “Presumed Innocent, Contemporary Art and Childhood,” Musee d’Art Contemporain, Bordeaux (exhibition catalogue). Quinones, Paul, New Art Examiner, September 2000, pp. 59-60 Rollig, Stella (ed)
1999 Attias, Laurie, “Pipilotti Rist,” Frieze, Issue 49, November/December, pp. 110-111 Antemen, Ahu and Vasif Kortun, “The Istanbul Fall: A Journey Through a Sensitive Megapolis,” pp. 84-87 Attias, Laurie, “Pipilotti Rist,” Frieze, Issue 49, November/December, pp. 110-111 Antemen, Ahu and Vasif Kortun, “The Istanbul Fall: A Journey Through a Sensitive Megapolis,” pp. 84-87 Becker, Ilka. “Spurlos vorhanden zum Verhaltnis von Raum und Betrachter in einigen Videoprojectionen,” Texte zur Kunst Vol. 9 No. 36. December 1999. pp. 114-127. Bonami, Francesco et al. (ed.) “Rist, Pipilotti,” Dreams, Foundazione Sandretto Rebaudengo per l’arte, Torino, 1999, pp. 96-97, exhibition catalogue Bothe, Rolf (ed) Neues Museum Weimar, mit Sammlung Paul Maenz. International Avantgarde sei 1960. Ein Fuhrer durch das Gebaude und die Sammlung. Pp. 10, 48, ill. (exhibition catalogue) Collings, Matthew. “Loopy Pipi Back”, Modern Painters, Summer 1999, pp. 63-4 Curiger, Brice. “Ein Zimmer mit erhoter Korpertemperatur,” Tages-Anzeiger December 28, 1999, Zurich. Pp. 59, ill. De Brugerolle, Marie. “Pipilotti Rist Le Bonheur Est Un Canon Brulant,” Beaux Arts Magazine No. 179, April 1999, Paris. Pp. 48-53. Frohne, Ursula (ed) Video cult/ures: multimediale Installationen der 90er Jahren, Museum fur Neue Kunst- ZKM Karlsruhe, Du Mont, Koln. Pp. 49-61, 230-233, ill. (exhibition catalogue) Gellatly, Andrew, and Heiser, Jorg, “Just Add Water”, Frieze, Issue 48, September/ October, pp. 66-71 “Global Art - Rheinland 2000”, Kunstmuseum Bonn, Zeitwenden-Rückblick und Ausblick, Bonn, exhibition catalogue “Global Art - Rheinland 2000”, Kunstmuseum Bonn, Zeitwenden-Rückblick und Ausblick, Bonn, exhibition catalogue
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Hillstrom, Laurie Collier and Hillstrom, Kevin, ed., “Contemporary Women Artists”, St. James Press, page 563-566 Hackett, Regina, “Artists Bloom in Bellevue”, Seattle Post-Intelligencer, February 6, p. C1 Im, Soyon, “Bittersweet blooms”, Seattle Weekly, February 18, p. 32 Janus, Elizabeth, Artforum, April, pp. 130-131 La Biennale di Venezia, 48 Esposizione Internazionale d’Arte, dapertutto, pp. 178-181, exhibition catalogue Lebovici, Elisabeth. “Pipilotti Rist par nature pop,” Liberation, April 4, 1999, Paris. Ill. Levin, Kim, “Rebirth in Venice,” Village Voice, June 23-29 Lux, Harm. “L’Ospitalita di Pipilotti Rist,” Flash Art No. 215, April/May 1999. pp. 86-88, ill. Lux, Harm. “Pipilotti Rist. A Cosmos in Her Own Right,” Flash Art International Vol. 32 No. 207, Summer 1999, Milano. Pp. 106- 109, ill. Lux, Harm. “Remake of the Weekend”, Flash Art, pp. 106-9 National Museum of Modern Art Kyoto (ed), Visions of the Body: Fashoin or Invisible Corset, Kyoto. Pp. 14-9, 58-59, 186-188, 212-213, ill. (exhibition catalogue) “Pipilotti Rist,” Arte Contemporary, Fall, Vol. 1, p. 32 “Pipilotti Rist,” Art Das Kunstmagazin, No. 12, December, pp. 60-61 “Pipilotti Rist,” Arte Contemporary, Fall, Vol. 1, p. 32 Puhringer, Alexander. “Ich bin nichts Aussergewohnliches,” Noema Art Journal No. 51, May/June 1999, Wien. Reginer, Phillipe. “Pipilotti Rist a Paris, du muse a l’appartement,” Le Journal des Arts No. 82, May 1999, Paris. P. 7, ill. Riemschneider, Burkhard, and Grosenick, Uta (Ed.), “Art At The Turn Of The Millennium”, Taschen, pp. 426-429 Schjedahl, Peter. “The Art World Beauty Contest,” The New Yorker November 1, 1999, New York. Pp. 108-110, ill. Seabrook, John, “Nobrow Culture: Why It’s Become So Hard To Know What You Like”, The New Yorker, September 20, pp. 104-111
Shiffler, Meg, “Pretty Flowers”, The Stranger, January 28-February 3 “Regarding Beauty: A View of the Late Twentieth Century”, Hirshhorn Museum and Sculpture Garden, Haus der Kunst, Munich, exhibition catalogue “Site Santa Fe,” Flash Art, May/June 1999, p. 52 “The Passion and the Waves” 6th International Istanbul Biennial, Istanbul, Turkey, exhibition catalogue Thorson, Alice, “Chip off the New Block,” The Kansas City Star, November 28, pp. J-1, J-4 Vetrocq, Marcia, “The Venice Biennale Reformed, renewed, redeemed, “ Art in America, September Walz, Cara, “Video at the Block,” Pitch Weekly, November 24-December 1, p. 28
1998 Amadasi, Giovanna. “Pipilotti Rist. Fantastica Seducente,” Arte No. 297, May 1998, Milano. Pp. 102-107, ill. Attias, Laurie. “619KBB75”, Frieze, May, pp. 94-95 Alvarez, Adriana. “Most Peculiar, Mama”, revolver, June 22, p. 49 Babias, Marius. “Interview mit Pipilotti Rist: Ich freue mich, dass ich eine Frau bin,” Jungle World No. 16, April 15, 1998, Berlin. Pp. 28-29. Buchmann, Sabeth. “Produktivitatssysteme. Zu den Arbeiten von Pipilotti Rist,” Texte zur Kunst No. 32, December 1998, Koln. Pp. 46-57, ill. C International Contemporary Art, Issue #57, February- April, pp. 10-11 Cameron, Dan, “The New Melting Pot”, Flash Art, October, pp. 90-92 “Change of Scene XIV”, Flash Art, October, p.72 Cunningham, Daniel Mudie. Sydney Star Observer, June 11, p. 20 Dault, Gary Michael. “Chasing truth through the looking glass”, The Globe and Mail, June 6, C14 Dumreicher-Ivanceanu, Alexander. “ever is Over All: Pipilotti Rist und ihre Wochenendkathedrale zu Wien,” (Blimp) Film Magazine No. 39, Graz. Pp. 5-10, ill. Erdmann Ziegler, Ulf. “Rist Factor, ART IN AMERICA, June 1998, pp. 80-83
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“Fascination”, Summer 1998, Hugo Boss “Global Vision Part III at Deste Foundation”, Flash Art, October, p. 63 Glueck, Grace. “Contemporary Work Intended to Provoke”, The New York Times, July 17, p. E33 Guggenheim Museum SoHo (ed) Douglas Gordon, Huang Yong Ping, William Kentridge, Lee Bul, Pipilotti Rist, Lorna Simpson. Award Giving in the Visual Arts: The Hugo Boss Prize 1998. Guggenheim Museum SoHo, New York. pp. 74-83, ill. (exhibition catalogue) Haye, Christian. “The Girl Who Fell To Earth”, Frieze, March/April, pp. 62-65 Herbstreuth, Peter, “Pipilotti Rist”, Flash Art, October, pp. 114-115 Herbstreuth, Peter,“Pipilotti Rist,” Flash Art, October 1998, p. 114 Hofleitner, Johanna. “Die Chaospilotin,” Die Presse June 26, 1998, Wien. Pp. 4-5. Lux, Harm. “Pipilotti Rist”, Flash Art, Summer 1998, p.91 Lux, Harm, “Pipilotti Rist - [Flash Art XXXI Years Inside Art]”, Flash Art, Summer, p. 90, ill. Myers, Terry R. “Grist for the Mill”, Art/Text, pp. 32-35 Mendelssohn, Joanna. “Nobody told me there’d be days like these”, The Australian, June 5, p. 16 Obrist, Hans-Ulrich, “Rist for the Mill”, Artforum, April 1998, p. 45 Pinto, Roberto, TemaCeleste, January-March, N 66 Page 72. “Pipilotti Rist,” Flash Art, Summer 1998, p. 90 Plagens, Peter, “SOHO Hum”, Artforum, May, p. 50 “Quest for Significance”, The Weekend Austrailian, July 4-5, p. 23 Schenk-Sorge, Jutta. “Pipilotti Rist. Remake of the Weekend,” Kunstforum July/September, 1998, Ruppichteroth. Pp. 344-345, ill. Schjeldahl, Peter. “Bonjour Ristesse”, The Village Voice, August 11, p. 154 “Short-List for Hugo Boss Prize”, Flash Art, May-June 1998, p. 53 Smee, Sebastian. “The Whole World is Wild at Heart”, The Sydney Morning Herald, May 22-28, Metro section pp. 4-5 Solomon, Deborah, “Visual Poetry in the Spirit of a Rock Video”, The New York Times, 17, May 1998, p. 12 Sonna, Birgit. “Die Kunst im Taka-Tuka-Land,” Suddeutsche Zeitung March 3, 1998, Munich. P. 19, ill. “Strange Days” The Art Gallery of New South Wales, Sydney, Austrailia, exhibition catalogue “Summer Preview”, Artforum, January 1998, pg. 46 Tietenberg, Annette. “Der Videoclip als Seelenstrip,” Frankfurter Allgemeine Zeitung April 28, 2004, Frankfurt. P. 43, ill. Tunnicliffe, Wayne. “Strange Days, The Guiness Contemporary Art Project”, Look, May, pp. 22-23 Von Radziewsky, Elke. “Pipilotti Rist. Jawohl, sie kann’s,” Architektur & Wohnen No. 2, Hamburg. Pp. 186- 190, ill. Wakefield, Neville, “Lets Go to the Videotape”, Art and Auction, October 19 - November 1, pp. 48-53 Weingarten, Susanne. “Ein Luftgeist Fallt Vom Stuhl”, DER SPIEGEL, No. 11, Nov., pp.204-206 Wiesel, Mirriam et al. (ed) Berlin/Berlin, Berlin Biennale, Ostfildern-Ruit, Stuttgard. Pp. 63, 251-252, ill. (exhibition catalogue)
1997 4e Biennale d”art contemporain de Lyon, exhibition catalogue. Ahtila, Eija-Liisa, “Screen Surface & Narrative Space,” Muu Magazine No. 1, Fall 1997, Helsinki. Pp. 14-15. Celant, Germano (ed) “La Biennale di Venezia. XLVII Esposizione Internzionale d’Arte. Passato, Presente, Futuro. Martellago. Pp. 534-541, ill. (exhibition catalogue) Coles, Sadie. “Fragen an Pipilotti Rist von Pipilotti Rist,” Kunstalle Nurnberg “Ein Stuck Vom Himmel,” katalog (engl./dt.), Nurnberg 1997, p. 90-95 Curiger, Bice (ed) Freie Sicht aufs Mittelmeer. Junge Schweizer Kunst mit Gasten, Kunsthaus Zurich and Schirn Kunsthalle Frankfurt, Zurich. Pp. 26-32, ill. (exhibition catalogue) Hannula, Mika. “Sweet and tender hooligan”, Siksi, No.1, Spring 1997, pp. 60-62 Istanbul Foundation for Culture and Arts (ed), 5th International Istanbul Biennial. On Life, Beauty, Translations and other Difficulties, Istandbul. Pp. 182-183, ill. (exhibition catalogue)
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Kontova, Helena, “From Istanbul with Love and Beauty,” FLASH ART, Nov / Dec 1997, Vol. XXX, No. 197, pp. 47-55 Kwangju Biennale (ed) Kwangju Biennale 1997: Unmapping the Earth, Speed/Water, Kwangju, (exhibition catalogue) “Kunst..Arbeit”, Aus der Sammlung Sudwest LB Catalogue, Herausgeber, Cantz Verlag und Autoren Martinez, Rosa, “Istanbul Biennial,” FLASH ART, Nov / Dec 1997, Vol. XXX, No. 197, p.100 Rist, Pipilotti, “Jardin Illumine” (exerpt). Lacanian Ink, #12, Fall, pp. 78 -81, Cover. Rian, Jeff. “Biennale De Lyon: The Other”, FLASH ART, October pp. 94-95 Saltz, Jerry, “Merry-Go-Round”, FLASH ART, October 1997, pp. 84-87 Sirmans, Franklin. “The Unbearable Lightness of Whiteness”, FLASH ART, Oct 1997, pp. 91-92 Smith, Roberta, “Another Venice Biennale Shuffles to Life”, The New York Times, June 16, B1,B4 Smith, Roberta. “A Channel-Surfing Experience with Beanbag Chairs and Gym,” The New York Times April 25, 1997, New York. Sonna, Birgit. “Aschenbrodel als Videoprinzessin,” Suddeutsche Zeitung, Munich, April 24, 1997. p. 14. Thea, Carolea, “ Venice Biennale 47th International Art Exhibition,” SCULPTURE, Vol. 16, No. 9, pp.77-79 Vetrocq, Marcia E., “The 1997 Venice Biennale: A Space Odyssey”, Art in America, September, pp. 66-77, 121 Vetrocq, Marcia E., “The 1997 Venice Biennale: A Space Odyssey”, Art in America, September 1997, pp. 66- 77, 121 Zwez, Anneliese. “Leben und Tid im Tanz der Liebe; The Social Life of Roses,” Neue Mitterland Zeitung, 22 - 1-97, p.7 Zwez, Anneliese. “Grossmut Begatte Mich; The Social Life of Roses,” Artis, No.2, p.65
1996 Anderson, Laurie. “Laurie Anderson and Pipilotti Rist Meet Up in the Lobby of a Hotel in Berlin on September 9”, Parkett No. 48, 1996, pp. 114-119 (engl./dt.) Babias, Marius. “Pipilotti Rist”, Freeze, Heft 27, März/Aprl 1996 Babias, Marius. ‘Risikofaktor Rist; Wenn Träume wie sterbende Fische zucken’. In: Parkett, No. 48, 1996, pp. 100-107 (dt./engl.) Binzegger, Lilli, Christan Käzig (photo), “Pipilottis Terrarium”, NZZ Folio, No. 1, Zürich 1996, S.62-63 Colombo, Paolo. “Shooting Divas”, Parkett No. 48, 1996, pp. 109-113 (dt./engl.) Curiger, Bice. “Pipilotti Rist, Yoghurt on Skin - Velvet on TV”, Jahresbericht des Kunsthauses, Zürich, 1996 De Brugerolle, Marie. “Pipilotti Rist”, in: Documents sur l’art, No 8, 1996, S.23-25 Doswald, Christoph. “Als Mädchen habe ich geträumt die Reinkarnation von John Lennon zu sein “ Kunstforum International No. 135, Okt. 96 - Jan 97. Ruppichteroth. pp.206-212. Gerstner, Ulrich. ‘”...or Why I’m Never Sad”, Pipilotti Rist and Samir in Baden Baden. Neue Züricher Zeitung, 29.11.1996, p. 45 Janus, Elisabeth. “Pipilotti Rist”, in: Artforum International, No.10, Summer 1996, pp. 100-101 Karcher, Eva. “Im Kopf war alles schon zu sehen”, Art, No. 2, Hamburg 1996, pp. 38-43 “Kunst..Arbeit”, Aus der Sammlung Sudwest LB Catalogue, Herausgeber, Cantz Verlag und Autoren Louisiana Museum of Modern Art (ed) NowHere (3 Vol.), Louisiana Museum for Modern Art, Humblebaek, Kopenhagen. P. 70, ill (exhibition catalogue) Molon, Dominic. “Last Splash”, Pipilotti Rist, Sip My Ocean, Museum of Contemporary Art, Chicago, 1996 Pantellini, Claudia. “Pipilotti Rist: hautnah und porentief”, in Quergängerin, Frauenrundgang Basel, Basel 1996, pp. 36-43 Perucchi-Petri, Ursula (ed) Kunstler-Videos: Entwicklung and Bedeutung Die Sammlung der Videobander des Kunsthauses Zurich, Ostfildern-Ruit. Pp. 158-160, 211, 268, ill. (exhibition catalogue) Rautenberg, Hanno. “Rosenkrieg im Flimmerreich”, DIE ZEIT No. 49, 29.11.96 Spinelli, Claudia. “Shooting Divas. Ein Projekt von Pipilotti Rist”, Kunst-Bulletin, No. 9, Zürich 1996, pp. 24-27 Sprecher, Margrit. “Pipilotti Rist”, in: Geo Special, Nr. 2, April 1996, pp. 43-44 Spector, Nancy. ‘The Mechanics of Fluids’. In: Parkett, No. 48, 1996, pp. 83-91 (engl./dt.)
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Tietenberg, Annette. “Ein typisches Fernsehkind; Video-Queen: Pipilotti Rist in der Kunsthalle Baden-Baden. Frankfurter Allgemeine Zeitung, 19.12.1996 Ursprung, Philip, Pipilotti Rists Fliegendes Zimmer. In: Parkett Nr. 48, 1996, pp. 94-98 (dt./engl.) Vetrocq, Marcia E., “The 1997 Venice Biennale: A Space Odyssey”, Art in America, September, pp. 66-77, 121 Volkart, Yvonne. “Ich fühle total normal” / photos by Stefan Inlekofer, Annabelle, No. 2, Zürich 1996, pp. 56- 61
1995 Babias, Marius. “Pipilotti Langstrumpf, Angewandte Frauenkultur”, Zitti, No. 22, Berlin 1995, pp. 88-89 Cantieni, Benita, Katrin Freisager, Pipilotti Rist, “As the rose so is life”, Bolero, No. 6, Zürich 1995, pp. 87-92 (photo essay) Cunéo, Anne. “Pipilotti Rist is not the girl who misses much”, Voir, No. 113, Montreux 1995, pp. 14-16 Curiger, Bice (ed) Zeichen und Wunder. Niko Pirosmani (1862-1918) und die Kunst der Gegenwart, Kunsthaus Zurich and Centro Galego de Arte Contempeoranea, Santiago de Compostela, Ostfildern- Ruit. Pp. 7,138-139, ill. (exhibition catalogue) Hays, K. Michael. “Het ontstaan van ideologische gladheid”, in: de Architect, Amsterdam, December 1995, pp. 24-27 (Bilder) Künstler-Videos, Entwicklung and Bedeutung. Die Sammlung der Videobänder des Kunsthauses Zürich, Hrsg. Ursula Pucchi-Petri, Zürich, pp. 158 ff., 211, 268 Karcher, Eva. “Narziss und Fegefeuer”, Art, No. 6, Hamburg 1995, S.72-80 “Interview mit Pipilotti Rist”, Monokel, Schüler-Magazin der Kantonsschule Sargans, No. 95, Sommer 1995, pp. 25-26 Jaunin, Françoise. “Pipilotti Rist: contes et légendes de la vie postmoderne”, 24 Heures, 4.5.1995 Lösel, Anja. “Verwirrspiel mit den Sinnen”, in: Stern, nr 50, Hamburg 1995, pp. 154-159 Mack, Gerhard. “Sankt Gallen und Graz: Pipilotti Rist im Kunstmuseum und im Johanneum,Kunst-Bulletin, No. 1-2, Zürich 1995, pp. 42-43 Puntigam, Reinhard. “Pipilotti Rist, Not the girl who misses much”, (Blimp), Zeitschrift für Film,No 32, Graz, Fall 1995, pp. 38-43 Stiftung Kunst Heute (ed) Ohne Titel. Eine Sammlung zeitgenossischer Schweizer Kunst, Kunshaus Aarau, Verlag Lars Muller, Baden. Pp. 131-134, ill. (exhibition/collection catalogue)
1994 Augustin, Sonja et al. (ed), Dramendamen: Dramatikerinnen der Schweiz, FIT Frauen im Theater, Zurich, ill. Cantieni, Benita. “Gute Frauen: Pipilotti Rist”, Bolero, Zürich 1994 D’Ajeta, Ester De Miro. “Dalla deformazione all’emozione, il mondo vivido e sonoro di Pipilotti Rist”, “No Man’s Land: Nomadismo tra le Culture in Svizzera”, Palazzo delle Esposizioni, 11.3. - 20.4.1994, Roma, 1994, p. 32 Doswald, Christoph. “Ich halbiere bewusst die Welt, Pipilotti Rist im Gespräch mit Christoph Doswald”, Be Magazin, No. 1, Künstlerhaus Bethanien, Berlin, pp. 91-96 (dt./engl.) Doswald, Christoph. “Pipilotti Rist, Pip-Up”, in: neue bildende kunst, No. 5, Berlin 1994, pp. 3 Geerling, Let. “Uit het handtasje: Over de metamorfose van de videokunst”, Metropolis M, No. 1, Amsterdam Feb.1994, pp. 30-31 Graber, Hedy. “Sinnliche Welten/Die Videos von Pipilotti Rist”, Eva Hohenberger, Karin Jurschick (Hg.), Blaue Wunder-Neue Filme & Videos von Frauen 84-94, Hamburg 1994, S.210-226 “Interview with Pipilotti Rist” (Bootleg), Gwarrrt, No. 5, Stuttgart 1994 Isler, Vera. “Face to Face: Portraits of artists”, Basel 1994 (S. 33: photo) Lovgreen, Helle Nohrmann. “Soster af teknikken”, Kultur uden graenser, HostRapport, Kopenhagen 1994, pp. 97-106
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Lux, Harm. “Pipilotti Rist: Nirwana im Rosengarten”, in: Metropolis M, No. 1, Amsterdam Feb. 1994, pp. 36- 37 Wechsler, Max (ed) Hannah Villiger/Pipilotti Rist, International Biennale Sao Paolo 1994, Baden. ill. (exhibition catalogue) Zwez, Annelise. “Pipilotti Rist: Das Wissen am Gefühl Abzwacken”, Artis, Dez. 1993 / Jan. 1994, Bern 1993, pp. 22-25
1993 Bollinger, Peter et al. Uberlebenskunst, Dokumentation zur Kunstausstellung in der Zivilschutzanlage Antoniusschacht Zurich, Kunsthaus Oerlikon, Adag, Zurich. P. 40, 61, ill. (exhibition catalogue) Frei, Karin, Betty Stocker, “Pipilotti Rist”, “A la recherche du temps présent”, Kunsthaus Glarus, 24.4. - 13.6.1993, Basel 1993, S.56-60 Jolles, Claudia. “Pipilotti Rist: Galerie Stampa, Basel”, in: Artforum, Nr. 3, New York 1993 Kempker, Birgit. “Blut ist im Schuh”, BAZ-Magazin, No. 24, April Lux, Harm. “Pipilotti Rist”, in: Flash Art, Nr. 171, Summer 1993, p. 92 Lux, Harm. “Pipilotti Rist”, M. Shirai, J. Bollande, p. Gertsch, M. Huber, P. Rist, Shedhalle Zürich, 29.11.1992 - 17.1.1993, Zürich 1993 Macrì, Teresa. “video di Frontiera: Pipilotti Rist”, Virus, Nr. 481, Milano 1993, p. 45 Morkowska, Marysia. “Pipilotti Rist: Die Frau and die videomenschmaschine”, Cimal Arte International, Bd. 39-40, Valencia 1993, S. 52-53 (sp./ dt.) Mack, Gerhard. “Die Bilder im Kopf beim Schmusen”, in: Turicum, August/September 1993, pp. 47-56 (pictures censored!) Schawalder, Nicki. “Zauberleuchten der Schwester des Stroms”, Werdenberger & Obertoggenburger, 5.5.1993 Tobler, Konrad. “Augenzwinkern des genauen Anarchismus”, Der Bund, 21.7.1993
1992 Conti, Viana. “Per quattro mesi all’anno la Svizzera è un paese in bianco e nero”, Frammenti Interfacce Intervalli: Paradigmi della Frammentazione nell’Arte Svizzera, a cura di Viana Conti, Museo d’arte contemporanea di Villa Croce, 8.4 - 28.6 1992, Genova 1992, S.85- 101 Graber, Hedy. “Leibesbrief von Pipilotti Rist”, “Simone Berger, Pipilotti Rist, Francis Traunig”, Kunsthalle Palazzo Liestal, 18.9 - 30.10.1992, Liestal 1992, pp. 19-28 (dt./ franz.) Kalt, Jörg. “Schwester des Stroms” / photos Katrin Freisager, Das Magazin, Nr. 7, February, pp. 12-15 Maurer, Simon. “Ich will sehen wie Du siehst: Zu Weihnachten ein Interview mit Pipilotti Rist”, Züri-Tip, No. 53, 24.12.1992, pp. 30-33 Reich, Anne. “Pipilotti Rist: Der Reiz des Unsauberen - Ein Interview”, Kunst-Bulletin, No.12, Dez. 1992, pp. 16-25 Zydek, Franziska. “Sie verzaubert die Flimmerkiste”, Freundin, No.7, 4.1992 (freundin, Schweiz)
1991 Blickensdorfer, Christian. “Pipilotti Rist”, Hangar 21, Nr.3, Winterthur 1991, p. 10 Freisager, Kathrin, et al. “Macht Kaputt, was Euch Kaputtmacht,” AHA! No. 1, Zurich, pp. 28-33 “Gespräch zwischen Anna Winteler und Pipilotti Rist”, Chamer Räume Kunst an Ort: Gespräche, Interviews, Texte, Forum Junge Kunst, Cham 1991, pp. 128-136 Thomas Lehmann, “Pickel, Porno und Zitronen”, Proz, Basel März. 91 Winteler, Anna. (ed) “Gesprach zwischen Anna Winteler und Pipilotti Rist,” Forum Junge Kunst Zug, Chamer Raume Kunst an Ort, Gesprache, Interviews, Texte, Cham. Pp. 128-136, ill. (exhibition catalogue)
1990 Lerch, Liliane. “Rist & Mathis: Künstlerfrauenpaare“, Kunstforum. International, Bd 107, pp.193-197
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1989 Arn, Danielle. “Pipilotti Rist, 21.6.1962, Basel“, in: Du, Nr. 2, Zürich, p. 31 Baker, Kenneth. “Some say Pipilotti Rist’s video works are too close to MTV. That won’t stop her from crossing boundaries,” SAN FRANCISCO CHRONICLE, Datebook section, Thursay March, 4, 2004, pp. E1- E2 Burton, Johanna. “Public Display of Affection,” V MAGAZINE, No. 29, Summer 2004 “FLOP Recent Projects of the Public Art Fund,”, MERREL, p.21, pp. 214-217 Hug, Catherine. “Swiss Focus. Discourse Unrestricted,” FLASH ART, May/June 2004, pp. 119-120 Helfand, Glen. Pipilotti Rist. San Francisco Museum of Modern Art,” ARTFORUM, Summer 2004, No. 10, pp. 253-254 (exhibition review) Pollack, Barbara. “Art Basel. Roland Augustine,” ART & AUCTION, June 2004, p. 72 Saltz, Jerry. “Blotto, Meet Buzzed,” VILLAGE VOICE, May 19-May 25, 2004, p. C. 89 Schwabsky, Barry. “Plastic Surgery,” ARTREVIEW, July/August 2004, pp. 76-79 “State of Play,” published by Serpentine Gallery, London, pp. 44-47 (exhibition catalogue)
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