Franz West Born 1947 in Vienna
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Press Release: 12 June 2014 FRANZ WEST: WHERE IS MY EIGHT?
Press Release: 12 June 2014 FRANZ WEST: WHERE IS MY EIGHT? THIS SUMMER THE HEPWORTH WAKEFIELD PRESENTS ITS LARGEST EXHIBITION A MAJOR UK SURVEY EXHIBITION OF WORKS BY FRANZ WEST, INITIATED AND CO-DEVELOPED WITH THE ARTIST BEFORE HIS DEATH 13 JUNE – 14 SEPTEMBER 2014 Free Admission Press Preview: Thursday 12 June, 11am – 3pm Evening Preview: Thursday 12 June, 6.30 – 8.30pm Opens to the public: Friday 13 June, 10am – 5pm This summer The Hepworth Wakefield will present its largest exhibition to date, a major UK survey exhibition of the multi-layered work of Franz West Where is my Eight? was initiated and co-developed with mumok (Museum moderner Kunst Stiftung Ludwig, Vienna) and Franz West with great enthusiasm before his death in July 2012 The exhibition provides a survey of West’s artistic output with a focus on his combination pieces, in which the artist combined and re-combined various individual works in different configurations Visitors can interact with and use several of the works on display, following West’s conviction that his art should be experienced on a physical as well as an intellectual level Parallels between the work of Barbara Hepworth and Franz West will be revealed in a unique intervention in the Hepworth Family Gift gallery Viennese-born Franz West was Austria’s most successful contemporary artist and received the ‘Golden Lion for Lifetime Achievement’ at the Venice Biennale in 2011 West collaborated with many contemporary artists, among them YBA artist Sarah Lucas, Turner Prize winner Douglas Gordon and Austrian artist Heimo Zobernig From 13 June until 14 September 2014, The Hepworth Wakefield opens the highly anticipated first UK presentation of the major survey exhibition, Franz West: Where is my Eight? This will be The Hepworth Wakefield’s largest exhibition since the gallery opened three years ago, with seven out of the ten David Chipperfield-designed gallery spaces showing Wests’ work. -
Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
Jury of the 57Th International Art Exhibition Has Been Appointed
La Biennale di Venezia 57th International Art Exhibition VIVA ARTE VIVA The International Jury of the 57th International Art Exhibition has been appointed Venice, May 3rd, 2017 – The Board of Directors of La Biennale di Venezia chaired by Paolo Baratta has appointed, upon recommendation by the Artistic Director Christine Macel, the International Jury of the 57th International Art Exhibition (13 May > 26 November 2017) composed of the following members: Francesca Alfano Miglietti (Italy), Milan-based curator of exhibitions, shows, and conferences. FAM’s research focuses on the issues connected with contemporary changes, as well as an art theorist and lecturer. Manuel J. Borja-Villel (Spain), director of the Museo Nacional Centro de Arte Reina Sofía (MNCARS), and former director of the Fundació Antoni Tàpies in Barcelona and the Museu d'Art Contemporani de Barcelona (MACBA). Amy Cheng (Taiwan), Taipei-based curator and writer, co-founder of TheCube Project Space, which serves as an independent art space devoted to the research, production and presentation of contemporary art. Ntone Edjabe (Cameroon), journalist and DJ, founder of Chimurenga (a pan-African publication of art, culture, and politics based in Cape Town) and the Pan African Space Station (PASS), and winner of the Principal Award of the Prince Claus Awards in 2011. Mark Godfrey (Great Britain), Senior Curator, International Art at Tate Modern. He has organised several exhibitions on Sigmar Polke, Francis Alys, Richard Hamilton, and Abraham Cruzvillegas’s Turbine Hall commission. -
Art School in France, 28 Questions and Answers
Ministry of Culture and Communication - Art schools in France - 28 Questions & Answers “For this cover, I focused on the very concrete aspect of the courses in the art schools. Students are given a chance to express their creativity through the use of many different materials, from the roughest to the most sensitive. These have their own way to exist all along the creative process, whether they are used, transformed or destroyed. For instance, the offset plaque shows a mark, that from paper goes back to paper. In the same way, serigraphy is a manual and subtle way to print, at the hour of mass printing.” This cover was realised by Jérémy Barrault, 2nd year student in graphic design at the École nationale des beaux-arts de Lyon. He won the 2011 contest organised by the Ministry of Culture and Communication. www.jeremybarrault.com Art schools and art degrees in France In France, 45 art schools deliver undergraduate, graduate and postgraduate diplomas after 3, 5 or 7 years, in art, design and communication, across 58 campuses, for a total of 11,000 students. To enrol in a French art school 1▪ What are the French art schools ? At the same time, 4 national schools prepare students for their own diploma : l’École Higher Art Education in France is dispensed nationale supérieure des arts décoratifs by 45 schools under the academic (ENSAD), l’École nationale supérieure de supervision of the Ministry of Culture (of création industrielle (ENSCI/Les Ateliers), which 35 are run by local authorities, 7 are l’École nationale supérieure des beaux arts national schools outside Paris, and 3 are (ENSBA) et l’École nationale de la national schools in Paris awarding their own photographie d’Arles (ENSP). -
'Eric Troncy', Interview by Olivier Zahm and Portrait by Pierre Even, Issue
Purple Magazine: 'Eric Troncy', interview by Olivier Zahm and portrait by Pierre Even, Issue 24, F/W 2015 Curating has become a serious discipline: it can be studied at art schools and universities. At the beginning of the ’90s, being a young curator meant nothing more than championing the new kind of artists that you believed in, according to your ability to detect and orchestrate ongoing changes in the chaotic postmodern world. ÉriC TronCy was the first curator of this changing ’90s art scene in France. More than two decades later, I consider him to be the best of my generation — a reference for what could be labeled a “curator-artist.” His curatorial concepts and choices are pushing the limits of how artworks can be presented, juxtaposed and connected — transforming a predictable group show into an artistic statement as well as a photogenic experience. He is also a strongly opinionated art critic and the editor of Frog, my favorite art magazine in France. interview by OLIVIER ZAHM portrait by PIERRE EVEN “The Shell (Landscapes, Portraits & Shapes),” a show curated olivier zahm — The first time I heard the name Éric Troncy was on by ric troncy at Almine Rech Gallery, Paris, January - February, 2014, the occasion of an exhibition in Geneva, “French Kiss.” People all around me in photo Olivier Zahm the milieu of young artists and critics in Paris were talking about it. ric troncy — It was really the first group exhibition to bear julian schnabel, The Day I Missed, 1990, oil and gesso on tarpaulin, my name. copyright Julian Schnabel richard phillips, Adriana II, 2012, oil on canvas, copyright Richard olivier zahm — How did your engagement with contemporary art begin? Phillips. -
Download Ghada Amer CV
GHADA AMER Born in Cairo, Egypt Lives and works in New York, NY EDUCATION 1991 Institut des Hautes Etudes en Arts Plastiques, Paris, France 1989 MFA in Painting, Villa Arson EPIAR, Nice, France SELECTED SOLO EXHIBITIONS 2015 Love.Earth.Fire. Leila Heller Gallery, Dubai, UAE 2014 Ghada Amer: Rainbow Girls, Cheim and Read, New York, NY, USA 2013 Ghada Amer: Référence à Elle, Kukje Gallery, Seoul, Korea 2012 The Other I, Tina Kim Gallery, New York, NY, USA Ghada Amer, Musee d’Art Contemporain de Montreal, Montreal 2011 100 Words of Love, Cheim and Read, New York, NY, USA No Romance, Goodman Gallery, Johannesburg, South Africa 2010 Color Misbehavior, Cheim and Read, New York, NY, USA 2009 Ghada Amer and Reza Farkhondeh: Roses Off Limits, Pace Prints, New York, NY, USA 2008 Ghada Amer and Reza Farkhondeh: Collaborative Drawings, Tina Kim Fine Arts, New York, NY, USA Ghada Amer and Reza Farkhondeh: A New Collaboration on Paper, Singapore Tyler Print Institute, Singapore Love Has No End, Elisabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York, NY, USA 2007 Ghada Amer & Reza Farkhondeh, Collaborative Drawings, Kukje Gallery, Seoul, Korea Another Spring, Kukje Gallery, Seoul, Korea Le Salon Courbé, Francesca Minini Gallery, Milan, Italy 568 West 25th Street New York, NY 10001 | Tel: +1 212 249 7695 Fax: +1 212 249 7693 www.LeilaHellerGallery.com Ghada Amer, Museo d’Arte Contemporanea Roma, MACRO, Rome, Italy 2006 Breathe Into Me, Gagosian Gallery, New York (Chelsea), NY, USA 2004 Ghada Amer, Gagosian Gallery, Beverly Hills, CA, USA Ghada Amer, Institut Valencià d’Art Modern, Valencia, Spain 2003 Ghada Amer, Forefront 45, Indianapolis Museum of Art, Indianapolis, IN, USA Ghada Amer, Galleria Massimo Minini, Brescia, Italy 2002 Ghada Amer, Gagosian Gallery, London, UK Ghada Amer, De Appel Foundation, Amsterdam, Netherlands 2001 Encyclopedia of Pleasure, Deitch Projects, New York, NY, USA Reading Between the Threads, Henie---Onstad Kunstsenter, Oslo, Norway Traveled to: Kunst Palast, Düsseldorf, Germany & Bildmuseet, Umea, Sweden. -
Presskitsq1 Eng2
Sequence 1 Painting and Sculpture in the François Pinault Collection Saturday 5 May – Sunday 11 November 2007 1 Index I/ Sequence 1. Painting and Sculpture in the François Pinault Collection Palazzo Grassi to initiate new exhibition series Painting Sculpture New commissions and special projects Sequence 1 works list Catalogue of the exhibition II/ Historical Milestones of Palazzo Grassi Palazzo Grassi: a Venetian story From Gianni Agnelli to François Pinault The Board of Directors The Advisory of Board Tadao Ando’s renovation The Palazzo Grassi’s cultural direction Punta della Dogana III/ Biographies François Pinault Jean-Jacques Aillagon Alison M. Gingeras The artists of Sequence 1 Tadao Ando IV/ General information V/ Press office contacts VI/ Captions of the images available in the press kit 2 I / Sequence 1. Painting and Sculpture in the François Pinault Collection Palazzo Grassi to initiate new exhibition series On May 5, 2007,Palazzo Grassi presented Sequence 1:Painting and Sculpture in the François Pinault Collection, the first exhibition in a succession of shows highlighting the particularities and strengths of the contemporary art holdings of the François Pinault Collection. Curated by Alison M. Gingeras, the newly-appointed chief curator at Palazzo Grassi, Sequence 1 features a diverse range of work by six- teen artists from the Collection, as well as new commissions and special projects. The exhibition will be on view until November 11th, 2007. International and multi-generational, the artists in Sequence 1 all engage in the practice of painting or sculpture to varying degrees. Eschewing theme or narrative, Sequence 1 reminds us that contempo- rary artists have never abandoned these supposedly “traditional” disciplines—choosing instead to modify them with constant conceptual revisions and ever-evolving techniques. -
THE LIVES of the ARTISTS Beyond the Cult of Personality: the Emergence of Public Persona As an Artistic Medium
THE Idea: Fischer, West 2007 Published by Schlebrügge.Editor 1Euro TESA DELLA NUOVISSIMAAMSTERWHEEL 105 / ARSENALE DI VENEZIA, JUNE 8TH - AUGUST 26TH OPENING JUNE 7TH 4PM H& LE PRINTEMPS DE SEPTEMBRE – à TOULOUSE, SEPTEMBER 21ST - OCTOBER 14TH 2007 THE LIVES OF THE ARTISTS Beyond the Cult of Personality: The Emergence of Public Persona as an Artistic Medium Alison M. Gingeras fiction. Five hundred years have, and look. From the image after Vasari’s death, art histo- of the young struggling artist Flamboyant. Extravagant. Extro- ry has become a much more in an unheated Williamsburg verted. Eccentric. Meglomaniac. stringent practice. By dismiss- loft to the dj-cum-painter spin- Alcoholic. Sexually obsessed. ing Vasari’s factual errors and ning in an Electroclash club in Manic-depressive. Bohemian— exaggerations, the current former East Berlin, the bohemi- there are as many stereotypes academic consensus contin- an imaginary persists in shap- as there are anecdotes about ues to discredit one of his ing the contemporary expec- famous artists. The inevitable main contributions to the field tations of what role artists entwinement of an artist’s - the idea that legend and should play in society. colourful biography and aes- myth, as generated by the thetic genius has provided artists themselves, are insep- Not all artists continue to take fodder for scholarly specula- arable from understanding refuge in bohemian or coun- tion, populist fascination as their art. tercultural ideals. Western well as plain, old-fashioned society has changed this, entertainment. Beyond the It is not only art historians that epitomized by the obsession mere sensationalism, how are to blame. -
Franz West Artist Biography
FRANZ WEST | ARTIST BIOGRAPHY FRANZ WEST ARTIST BIOGRAPHY Franz West was born in Austria in 1947 and died in his native country in 2012. He studied at the Akademie der Bildenden Künste in Vienna and became a sculptor and installation artist, part of the Actionist and Performance Art Mouvement in the sixties and seventies. BEAKING THE RULES The sculptures known as ‘Adaptives’, began in the seventies and are considered his first significant works as humorously indeterminate objects. They are both artful sculptures and tactile gadgets, with their artistic function considered completed only once viewers have interacted with it. It is to say they needed to be touched, hold, worn or played with. With this unique approach he is one of the first artists to break the established codes between the artworks and the spectator. West, whose Art was influenced by his interest in psychoanalytic texts, describes his ‘Adaptives’ as prostheses, a term that alludes to their incomplete status as well as their connection to the body. Since then, he deeply explored sculpture in all its aspects, but mostly the communication created, all the actions and the reactions they can provoke to its audience members. FROM INTERACTION TO FURNITURE West garnered attention from the larger public in the mid-eighties, when he began producing furniture. He often crafted chairs and couches by welding together pieces of scrap metal, a technique that reflects his interest in collage. Additionally, West creates colorful, upholstered furniture. West’s works have been exhibited throughout the world for more than 30 years and at a variety of venues, including the Museum of Modern Art in New York, the Whitechapel Gallery in London, the Kunsthalle Wien in Vienna, the Gagosian Gallery in New York, the Los Angeles County Museum of Art, and the Museo Tamayo in Mexico. -
List of Institutions with Exchange Collaborations
Argentina Universidad Nacional de las Artes Australia Sydney College of the Arts, University of Sydney University of New South Wales Austria Academy of Fine Arts Vienna Salzburg University of Applied Sciences University of Applied Arts Vienna University of Art and Design Linz University of Music and Performing Arts Vienna Belgium Ecole Nationale Superieur des Arts Visuels de La Cambre LUCA School of the Arts Brussels Free University Brazil Fundacao Armando Alvares Penteado Canada Concordia University Emily Carr University of Art and Design Ontario College of Art and Design Chile Universidad del Desarrollo University of the Arts Science and Communication China East China Normal University Hong Kong Design Institute Hong Kong Polytechnic University Shenzhen University Xihua University, Chengdu Columbia Universidad de los andes Czech Republic Academy of Arts, Architecture, and Design Prague Academy of Fine Arts in Prague Brno University of Technology Jan Evangelista Purkyne University in Usti Nad Labem Masaryk University Tomas Bata University in Zlin University of West Bohemia Denmark Aarhus University Royal Danish Academy of Architecture, Design, and Conservation Kolding School of Design Estonia Estonian Academy of Arts Estonian Business School Finland Aalto University University of the Arts Helsinki LAB University France Ecole Superieure de Beaux-arts de Nantes Metropole Ecole National Superieure des Beaux-arts de Paris Audencia Group Nantes Ecole Supeieure des arts Appliques Duperre Ecole Nationale Superieure d'Architecture de Versailles -
Press Kit Sigmar Polke 17/04/2016
PRESS KIT SIGMAR POLKE 17/04/2016 – 06/11/2016 CURATED BY ELENA GEUNA AND GUY TOSATTO 1 About the “Sigmar Polke” exhibition 2 Excerpts from the catalogue 3 Sigmar Polke’s films at the Teatrino di Palazzo Grassi 4 List of works 5 Chronology of Sigmar Polke 6 Exhibition catalogue 7 Biography of the curators PRESS CONTACTS France and international Italy Claudine Colin Communication PCM Studio Thomas Lozinski Via Goldoni 38 28 rue de Sévigné 20129 Milan 75004 Paris Tel : +39 02 8728 6582 Tel : +33 (0) 1 42 72 60 01 [email protected] Fax : +33 (0) 1 42 72 50 23 Paola C. Manfredi [email protected] Cell : +39 335 545 5539 www.claudinecolin.com [email protected] SIGMAR POLKE 1 ABOUT THE “SIGMAR POLKE” EXHIBITION AT PALAZZO GRASSI From April 17 to November 6 2016, Palazzo Grassi will be presenting the first retrospective show in Italy dedicated to Sigmar Polke (1941-2010). Conceived by Elena Geuna and Guy Tosatto, direc- tor of the Musée de Grenoble, in close collaboration with The Estate of Sigmar Polke, the exhibi- tion spans the artist’s entire career from the 1960s to the 2000s and underlines the variety of his artistic practice. It brings together nearly ninety works from the Pinault Collection and numerous other public and private collections. This retrospective is part of Palazzo Grassi’s exhibition programme that alternates thematic exhi- bitions based on the Pinault Collection and personal shows dedicated to major contemporary ar- tists. It marks a double celebration in 2016: the 10th anniversary of the reopening of Palazzo Gras- si by François Pinault and the 30th anniversary of Sigmar Polke’s participation to the 1986 Venice Biennale, when he was awarded the Golden Lion. -
Franz West Born in 1947, in Vienna Biography Died in 2012, Vienna
Franz West Born in 1947, in Vienna Biography Died in 2012, Vienna Education 1970 Commenced artistic activities 1977-82 Studied with Bruno Gironcoli at the Academy of Fine Arts, Vienna 1992/93 Teaching assignment at the Städelschule, Frankfurt, DE Solo Exhibitions 2019 Tate Modern, London, UK Centre Pompidou, Paris, France Travelling to Tate Modern, London, UK 2018 ‘Franz West’, Centre Pompidou, Paris, France. The show will travel to the Tate Modern, London in 2019. 2017 'Artistclub', curated by Harald Krejci, 21er Haus, Vienna Maison des Arts Georges Pompidou, Cajarc, France ‘Les Pommes d’Adam’, Hall Art Foundation, New York Galerie Mezzanin, Geneva, Switzerland ‘Works 1970–2010’, Gagosian Gallery, Geneva, Switzerland 2015 'Franz West: Les Pommes d'Adam', Hall Art Foundation at MASS MoCA, North Adams, US 2014 'Franz West: Where is my eight?', The Hepworth Wakefield, Wakefield, UK 2013 Retrospective, Mumok, Vienna 'Franz West: Where is my eight?', Museum fur Moderne Kunst, Frankfurt, DE 2012 64 rue de Turenne, 75003 Paris 20/21er Haus, Vienna 18 avenue de Matignon, 75008 Paris Museo Picasso, Malaga, ES [email protected] 'Man with a Ball', Gagosian Gallery, London - 'Zwei Epiphanien', mit Gelatin, Schloss Damtschach, AT Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles [email protected] 2011 - 'Room in London', ICA, Londres Grosvenor Hill, Broadbent House W1K 3JH London ‘Furniture’, Gagosian Gallery, Athens [email protected] Juana de Aizpuru, Madrid - ‘Der definierte Raum’, Galerie Eva Presenhuber,