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Martha Jungwirth Albert Oehlen Opening
Galerie Mezzanin Karin Handlbauer 63, rue des Maraîchers CH -∂205 Geneva T + 4∂ 22 328 38 02 [email protected] www.galeriemezzanin.com Martha Jungwirth Albert Oehlen Opening: 23.03.2017 Exhibition: 24.03.-13.05.2017 -- This exhibition is a project between Martha Jungwirth and Albert Oehlen. As I know Albert now quite for a long time, I asked him if he wants to do an exhibition with Martha Jungwirth. Aware that he honours Martha’s work a lot. Albert Oehlen was choosing the works of Martha what you see in the exhibition. Karin Handlbauer Martha Jungwirth was born in 1940 in Vienna, Austria, she lives and works in Vienna. She had solo exhibitions at Secession, Vienna, Austria (with Franz Ringel, 1972) ; Museum des 20. Jahrhunderts, Vienna, Austria (1976) ; documenta 6, Fridericianum, Kassel, Germany, (1977) ; Künstlerhaus Klagenfurt, Austria (1982) ; Museum der Moderne – Rupertinum, Salzburg, Austria (1991) ; Kulturhaus der Stadt Graz, Austria (1999) ; Malfluchten, Museum Moderner Kunst – Stiftung Wörlen, Passau, Germany (1999) ; Künstlerhaus Klagenfurt, Austria (2000) ; Kunsthaus Mürz, Mürzzuschlag, Austria (2008) ; Stadtmuseum Bruneck, Italy (2011) and Kunsthalle Krems, Austria (2014). Jungwirth’s work belongs to known private and institutional collections in US and Europe such as Rubell Family Collection (USA) ; The Barnes Foundation (Philadelphia, USA) ; Albertina (Vienna, Austria) ; Mumok (Vienna, Austria) ; Joanneum (Graz, Austria) ; Lentos (Linz, Austria) ; Rupertinum (Salzburg, Austria) ; Collection City of Vienna (Austria) ; Essl Collection (Klosterneuburg, Austria) ; Museum Angerlehner (Wels, Austria) ; Sammlung Liaunig (Vienna / Neuhaus) ; Sammlung Wemhöner (Berlin / Herfort) ; Sammlung Dichand (Vienna). Albert Oehlen was born in 1954 in Krefeld, Germany and currently lives and works in Switzerland. -
New Work: Christopher Wool
[HRl�TOPHf R WOOl NEW WORK SAN FRANCISCO MUSEUM OF MODERN ART NEW WORK: CHRISTOPHER WOOL JULY 6 - SEPTEMBER 3, 1989 Although he has explored other art forms, including film,what Christopher Wool considers his mature work began with paintings he made in 1984. At that time, he was dissatisfied with the work he was producing (for example, a painting called Bigger Questions, which was simply a question mark on its side). Like many artists before him, he began to investigate the basic processes of painting itself, "strug gling to find some kind of meaningful imagery."1 A work he called Zen Exercise con sisted of three large, violent pours of paint. Looking back today he considers this work crucial because the pours were random, and he was "looking for location:• In the following year, with an enamel on plywood painting entitled Houdini, Wool continued his arbitrary paint application by dripping and spattering white paint onto a black surface. At first glance, Houdini looks like a Jackson Pollock achieved by recourse to the methods of John Cage: the evidently random drops of paint occasionally coalesce into larger, driplike patterns. One suspects that this adventitious painterliness was both too lush and too ambiguous for the artist, because for the next two years he produced paintings in which the application of paint was rigorously even. The result was paintings with allover compositions that although random were everywhere uniform, with no runs and only occasional larger dots of paint where one drop collided with another: Standing before such paintings for the first time is a curious experience. -
Artistic Subversions: Setting the Conditions of Display (Amsterdam, 2-4 Feb 17)
Artistic Subversions: Setting the Conditions of Display (Amsterdam, 2-4 Feb 17) Amsterdam, Feb 2–04, 2017 Deadline: Aug 30, 2016 Katja Kwastek Preceding the Stedelijk Museum Amsterdam’s ‘Lose Yourself! – A Symposium on Labyrinthine Exhibitions as Curatorial Model’(03.-04.02.2017) this young researchers’ colloquium (02.02.2017) at the Vrije Universiteit Amsterdam will consider the strategies and methods by which artists take control over the space of installation. Without the artist’s permission Triple Candie, an exhibition space in New York, featured a retro- spective of Maurizio Cattelan. Entitled Maurizio Cattelan is Dead: Life & Work, 1960-2009 (2009), the show did not include a single work by the artist. Instead, it brought together a selection of pho- tocopied images from previous exhibitions with (vaguely recognizable) replicas of works by the artist. Cattelan, still very much alive, urged the Deste Foundation – established by Dakis Joannou, a prodigious collector of Cattelan’s work – to acquire the entirety of the show. In the foundation in Athens it was later installed in a room expressly selected by the artist. By repositioning the show in a new space of his own devise, Cattelan altered the conditions of its setting thereby incorporat- ing the complete exhibition into his oeuvre. This anecdote demonstrates a blurring of authorship between the artist and the curator, but it is also indicative of the significance of the setting of art, or its context, to its interpretation. This shift in emphasis to the conditions of display can be traced at least as far back as the Exposition Internationale du Surréalisme (1938). -
For Immediate Release 14 October 2011
For Immediate Release 14 October 2011 Contacts: Cristiano de Lorenzo +44 (0) 20 7389 2283 [email protected] Matthew Paton +44 (0) 20 7389 2965 [email protected] CHRISTIE’S EVENING AUCTIONS OF POST-WAR & CONTEMPORARY ART AND THE ITALIAN SALE TOTAL £55.6 MILLION / $87.6 MILLION / €63.4 MILLION London - The evening auctions of Post-War & Contemporary Art Auction and The Italian Sale realised a combined total of £55,630,000 / $87,672,880 / €63,473,83, the second highest total for an October sale in London. The top price of the evening was paid for Gerhard Richter‟s seminal Kerze (Candle) painted in 1982, which after a fierce bidding battle was sold for £10,457,250 / $16,480,626 / €11,931,722, a world record price for the artist at auction. In total 10 lots for over £1 million and 20 lots for over $1 million. 9 artist records were set. The corresponding auctions in October 2010 realised a combined total of £38.2 million / $61.2 million / €43.4 million, with 6 lots selling for over £1 million and 18 for over $1 million. POST-WAR & CONTEMPORARY ART This evening‟s Post-War and Contemporary Art Evening Auction realized a total of £38,070,350 / $59,998,872 / €43,438,269 against a pre-sale estimate in the region of £30 million, selling 92% by value and 89% by lot. Buyer breakdown (by lot) was 49% Europe including the UK, 38% Americas and 13% Asia. 7 lots sold for over £1 million / 12 for over $1 million. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
Download Press Release Here
! For Immediate Release 1 May 2019 Artists Announced for New Contemporaries 70th Anniversary Constantly evolving and developing along with the changing face of visual art in the UK, to mark its 70th anniversary, New Contemporaries is pleased to announce this year's selected artists with support from Bloomberg Philanthropies. The panel of guest selectors comprising Rana Begum, Sonia Boyce and Ben Rivers has chosen 45 artists for the annual open submission exhibition. Since 1949 New Contemporaries has played a vital part in the story of contemporary British art. Throughout the exhibition's history, a wealth of established artists have participated in New Contemporaries exhibitions including post-war figures Frank Auerbach and Paula Rego; pop artists Patrick Caulfield and David Hockney; YBAs Damien Hirst and Gillian Wearing; alongside contemporary figures such as Tacita Dean, Mark Lecky, Mona Hatoum, Mike Nelson and Chris Ofili; whilst more recently a new generation of artists including Ed Atkins, Marvin Gaye Chetwynd, Rachel Maclean and Laure Prouvost have also taken part. Selected artists for Bloomberg New Contemporaries 2019 are: Jan Agha, Eleonora Agostini, Justin Apperley, Ismay Bright, Roland Carline, Liam Ashley Clark, Becca May Collins, Rafael Pérez Evans, Katharina Fitz, Samuel Fordham, Chris Gilvan- Cartwright, Gabriela Giroletti, Roei Greenberg, Elena Helfrecht, Mary Herbert, Laura Hindmarsh, Cyrus Hung, Yulia Iosilzon, Umi Ishihara, Alexei Alexander Izmaylov, Paul Jex, Eliot Lord, Annie Mackinnon, Renie Masters, Simone Mudde, Isobel Napier, Louis Blue Newby, Louiza Ntourou, Ryan Orme, Marijn Ottenhof, Jonas Pequeno, Emma Prempeh, Zoe Radford, Taylor Jack Smith, George Stamenov, Emily Stollery, Wilma Stone, Jack Sutherland, Xiuching Tsay, Alaena Turner, Klara Vith, Ben Walker, Ben Yau, Camille Yvert and Stefania Zocco. -
Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to -
Albert Oehlen
Galerie Max Hetzler Berlin | Paris | London ALBERT OEHLEN Spiegelbilder (1982 – 1990) London: 41 Dover Street, 26 September – 16 November 2019 Galerie Max Hetzler, London is delighted to announce the exhibition Albert Oehlen: Spiegelbilder. Bringing together singular paintings from a significant early series in Albert Oehlen’s oeuvre, this will be the first exhibition dedicated to the Spiegelbilder (‘Mirror Paintings’) in the UK. The exhibition coincides with a major solo show of the artist’s work at the Serpentine Gallery, London, which opens on 2 October 2019. Spanning eight years, from 1982 – 1990, the Spiegelbilder series straddles a decisive period for the artist, during which he moved from the crude figuration and “bad painting” of the late 1970s and early 80s, towards non- objective painting in the late 1980s. Through the Spiegelbilder, Oehlen cemented his reputation for subverting painting conventions. “This mirror idea allowed me to make an ‘original’ invention, but one that is bearable because it is so hackneyed.” –– Albert Oehlen One of Oehlen’s earliest bodies of work, the Spiegelbilder are distinguished by actual pieces of mirror collaged onto the surface of the canvas, highlighting the artist’s unconventional approach to painting from the outset. Although visually distinct, there is an attitude and approach in these paintings towards colour, light, scale and line that carries through later series. Belonging to the Spiegelbilder are some of Oehlen’s first self-portraits, a primary example of which will also be exhibited. Many of the works in the series depict domestic interiors and politically-charged exteriors in a palette of muted colours. -
TERENCE KOH Born 1980, China
TERENCE KOH Born 1980, China. Lives and works in NY. SELECTED GROUP EXHIBITIONS 2003 Attack – The Kult 48 Klubhouse, K48 and Deitch Projects, NYC, NY. Today’s Man, Hiromi Yoshii, Tokyo, Japan. Game Over, Grimm/Rosenfeld, Munich, Germany. Mixer 03, Monique Meloche Gallery, Chicago, Illinois. Now Playing, D’Amelio Terras, NYC, NY. Today’s Man, John Connely Presents, NYC, NY. DL: The Down Low in Contemporary Art, Longwood Art Gallery, Bronx, New York. Retreat, Peres Projects, Los Angeles, California. Hovering, Peres Projects, Los Angeles, California. 2004 Such things I do just to make myself more attractive to you, Peres Projects, Los Angeles, California. Biennial Exhibition, Whitney Museum of American Art, NYC, NY. Get Off! Exploring the Pleasure Principle, Museum of Sex, NYC, NY. Do a Book: Asian Artists Summer Project 2004, Plum Blossoms, NYC, NY. The Black Album, Maureen Paley/Interim Art, London, England. The Temple of Golden Piss, Extra City - Center for Contemporary Art, Antwerp, Belgium. Harlem Postcards Fall 2004, The Studio Museum in Harlem, NYC, NY. Phiiliip: Divided By Lightening, Deitch Projects, NYC, NY. 2006 Log Cabin, Artists Space, NYC, NY. No Ordinary Sanctity, Kunstraum Deutsche Bank, Salzburg, Austria. (curated by Shamim Momin) The Zine UnBound: Kults, Werewolves and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, California. Blankness Is Not a Void, Standard, Oslo, Norway. (curated by Gardar Eide Einarsson) SELECTED SOLO EXHIBITIONS 2011 Mary Boon Gallery, NYC, NY. 2009 Flowers for Baudor Baudelaire, Vito Schnabel Gallery, NYC, NY. ansonias, Galerie Thaddaeus Ropac, Paris, France. Auta no Tama Raku, Domanus Gallery, Port-au-Prince, Haiti 2008 Captain Buddha, Schirn Kunsthalle, Frankfurt, Germany Love for Eternity, MUSAC, Museo de Arte Contemporáneo de Castilla y León, Leon, Spain. -
Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene -
Robert Gober the Heart Is Not a Metaphor
How in the fuck are you supposed to hit that shit? —Mickey Mantle ROBERT GOBER THE HEART IS NOT A METAPHOR Edited by Ann Temkin Essay by Hilton Als With a Chronology by Claudia Carson, Robert Gober, and Paulina Pobocha And an Afterword by Christian Scheidemann The Museum of Modern Art, New York CONTENTS 9 Foreword Glenn D. Lowry 10 Published by The Museum of Robert Gober: An Invitation Modern Art, Ann Temkin 11 West 53 Street New York, NY 10019-5497 Published on the occasion of www.moma.org 20 the exhibition Robert Gober: The I Don’t Remember Heart Is Not a Metaphor, at The Distributed in the United States Hilton Als Museum of Modern Art, New York, and Canada by ARTBOOK | October 4, 2014–January 18, D.A.P., New York 2015, organized by Ann Temkin, 155 Sixth Avenue, 2nd floor 92 The Marie-Josée and Henry Kravis New York, NY 10013 Chronology Chief Curator of Painting and www.artbook.com Claudia Carson and Paulina Pobocha with Robert Gober Sculpture, and Paulina Pobocha, © 2014 The Museum of Modern Art Assistant Curator, Department of Distributed outside the United Painting and Sculpture Hilton Als’s essay “I Don’t States and Canada by Thames & 246 Remember” is © 2014 Hilton Als. Hudson ltd Robert Gober’s Painted Sculpture 181A High Holborn Christian Scheidemann Thom Gunn’s poem “Still Life,” London WC1V 7QX The exhibition is made possible by from his Collected Poems, is www.thamesandhudson.com Hyundai Card. © 1994 Thom Gunn. Reprinted by permission of Faber and Faber Front cover: Robert Gober 256 List of Works Illustrated Major support is provided by the Ltd and Farrar, Straus and Giroux, working on Untitled, 1995–97, in 262 Exhibition History Henry Luce Foundation, Maja Oeri LLC. -
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and Works in Upstate New York, USA
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and works in upstate New York, USA Solo Exhibitions 2019 'Richard Prince: Portrait', Museum of Contemporary Art Detroit, Detroit, USA 2018 'Richard Prince - Works from the Astrup Fearnley Collection', Astrup Museet, Olso, Norway 'Untitled (Cowboy)', LACMA, Los Angeles, USA 2017 'Super Group Richard Prince', Galerie Max Hetzler, Berlin, Germany 'Max Hetzler', Berlin, Germany 2016 The Douglas Blair Turnbaugh Collection (1977-1988)’, Edward Cella Art & Architecture, Los Angeles, USA Sadie Coles, London, UK 2015 'Original', Gagosian Gallery, New York, USA 'New Portraits', Blum & Poe, Tokyo, Japan 2014 'New Figures', Almine Rech Gallery, Paris, France 'It's a Free Concert', Kunsthaus Bregenz, Austria 'Canal Zone', Gagosian Gallery, New York, USA 2013 Sadie Coles, London, UK 'Monochromatic Jokes', Nahmad Contemporary, New York, USA 'Protest Paintings', Skarstedt Gallery, London, UK 'Untitled (band', Le Case d'Arte, Milan, Italy 'New Work', Jürgen Becker, Hamburg, Germany 'Cowboys', Gagosian, Beverly Hills, USA 2012 ‘Prince / Picasso’, Museo Picasso Malaga, Spain 'White Paintings', Skarstedt Gallery, New York, USA 'Four Saturdays', gagosian Gallery, New York, USA '14 Paintings', 303 Gallery, New York, USA 64 rue de Turenne, 75003 Paris 18 avenue de Matignon, 75008 Paris [email protected] 2011 - ‘The Fug’, Almine Rech Gallery, Brussels, Belgium Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles ‘Covering Pollock’, The Guild Hall Museum, East Hampton, USA [email protected]