Franz West Artist Biography
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Press Release: 12 June 2014 FRANZ WEST: WHERE IS MY EIGHT?
Press Release: 12 June 2014 FRANZ WEST: WHERE IS MY EIGHT? THIS SUMMER THE HEPWORTH WAKEFIELD PRESENTS ITS LARGEST EXHIBITION A MAJOR UK SURVEY EXHIBITION OF WORKS BY FRANZ WEST, INITIATED AND CO-DEVELOPED WITH THE ARTIST BEFORE HIS DEATH 13 JUNE – 14 SEPTEMBER 2014 Free Admission Press Preview: Thursday 12 June, 11am – 3pm Evening Preview: Thursday 12 June, 6.30 – 8.30pm Opens to the public: Friday 13 June, 10am – 5pm This summer The Hepworth Wakefield will present its largest exhibition to date, a major UK survey exhibition of the multi-layered work of Franz West Where is my Eight? was initiated and co-developed with mumok (Museum moderner Kunst Stiftung Ludwig, Vienna) and Franz West with great enthusiasm before his death in July 2012 The exhibition provides a survey of West’s artistic output with a focus on his combination pieces, in which the artist combined and re-combined various individual works in different configurations Visitors can interact with and use several of the works on display, following West’s conviction that his art should be experienced on a physical as well as an intellectual level Parallels between the work of Barbara Hepworth and Franz West will be revealed in a unique intervention in the Hepworth Family Gift gallery Viennese-born Franz West was Austria’s most successful contemporary artist and received the ‘Golden Lion for Lifetime Achievement’ at the Venice Biennale in 2011 West collaborated with many contemporary artists, among them YBA artist Sarah Lucas, Turner Prize winner Douglas Gordon and Austrian artist Heimo Zobernig From 13 June until 14 September 2014, The Hepworth Wakefield opens the highly anticipated first UK presentation of the major survey exhibition, Franz West: Where is my Eight? This will be The Hepworth Wakefield’s largest exhibition since the gallery opened three years ago, with seven out of the ten David Chipperfield-designed gallery spaces showing Wests’ work. -
Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
Jury of the 57Th International Art Exhibition Has Been Appointed
La Biennale di Venezia 57th International Art Exhibition VIVA ARTE VIVA The International Jury of the 57th International Art Exhibition has been appointed Venice, May 3rd, 2017 – The Board of Directors of La Biennale di Venezia chaired by Paolo Baratta has appointed, upon recommendation by the Artistic Director Christine Macel, the International Jury of the 57th International Art Exhibition (13 May > 26 November 2017) composed of the following members: Francesca Alfano Miglietti (Italy), Milan-based curator of exhibitions, shows, and conferences. FAM’s research focuses on the issues connected with contemporary changes, as well as an art theorist and lecturer. Manuel J. Borja-Villel (Spain), director of the Museo Nacional Centro de Arte Reina Sofía (MNCARS), and former director of the Fundació Antoni Tàpies in Barcelona and the Museu d'Art Contemporani de Barcelona (MACBA). Amy Cheng (Taiwan), Taipei-based curator and writer, co-founder of TheCube Project Space, which serves as an independent art space devoted to the research, production and presentation of contemporary art. Ntone Edjabe (Cameroon), journalist and DJ, founder of Chimurenga (a pan-African publication of art, culture, and politics based in Cape Town) and the Pan African Space Station (PASS), and winner of the Principal Award of the Prince Claus Awards in 2011. Mark Godfrey (Great Britain), Senior Curator, International Art at Tate Modern. He has organised several exhibitions on Sigmar Polke, Francis Alys, Richard Hamilton, and Abraham Cruzvillegas’s Turbine Hall commission. -
Marian Goodman Gallery John Baldessari
MARIAN GOODMAN GALLERY JOHN BALDESSARI Born: National City, California, 17 June 1931 Died: Venice, Los Angeles, California, 2020 Education: 1949-53 B.A., San Diego State College, California 1954-55 University of California at Berkeley 1955 University of California at Los Angeles 1955-57 M.A., San Diego State College, California 1957-59 Otis Art Institute, Los Angeles Chouinard Art Institute, Los Angeles Awards: School of the Museum of Fine Arts Boston Medal Award, 2015 Kaiserringträger der Stadt Goslar, Goslar, Germany, 2012 Golden Lion Award for Lifetime Achievement, La Biennale di Venezia, Venice, Italy, 2009 B.A.C.A. International 2008 (Biennial Award for Contemporary Art), Bonnefantenmuseum Maastricht. Maastricht, The Netherlands, 2008 American Academy of Arts and Letters, New York, NY, 2008 Archives of American Art Medal, the Archives of American Art. Washington DC, 2007 Certificate of Recognition, the Los Angeles Convention and Visitors Bureau. Los Angeles, CA, 2006 Rolex Mentor and Protégé' Arts Initiative, 2006-2007 Lifetime Achievement Award, Americans for the Arts. New York, NY, 2005 Rolex Mentor and Protégé' Arts Initiative, Honoring, New York, 2005 American Academy of Arts & Sciences 2004 Fellow. Cambridge, MA, 2004 Best Show In a Commercial Gallery Nationally: Second Place, AICA USA Best Show Awards, 2002-2003 Season, for exhibit at Margo Leavin Gallery, 2003 Best Web-Based Original Art, AICA USA Best Show Awards, 2001-2002 Season. New York, NY, 2002 Los Angeles Institute for the Humanities Fellow, sponsored by the University of Southern California. Los Angeles, CA, 2002 SPECTRUM International Award for Photography, Stiftung Niedersachsen. Hannover, Germany, 1999 Distinguished Artist Award for Lifetime Achievement, The College Art Association. -
Art School in France, 28 Questions and Answers
Ministry of Culture and Communication - Art schools in France - 28 Questions & Answers “For this cover, I focused on the very concrete aspect of the courses in the art schools. Students are given a chance to express their creativity through the use of many different materials, from the roughest to the most sensitive. These have their own way to exist all along the creative process, whether they are used, transformed or destroyed. For instance, the offset plaque shows a mark, that from paper goes back to paper. In the same way, serigraphy is a manual and subtle way to print, at the hour of mass printing.” This cover was realised by Jérémy Barrault, 2nd year student in graphic design at the École nationale des beaux-arts de Lyon. He won the 2011 contest organised by the Ministry of Culture and Communication. www.jeremybarrault.com Art schools and art degrees in France In France, 45 art schools deliver undergraduate, graduate and postgraduate diplomas after 3, 5 or 7 years, in art, design and communication, across 58 campuses, for a total of 11,000 students. To enrol in a French art school 1▪ What are the French art schools ? At the same time, 4 national schools prepare students for their own diploma : l’École Higher Art Education in France is dispensed nationale supérieure des arts décoratifs by 45 schools under the academic (ENSAD), l’École nationale supérieure de supervision of the Ministry of Culture (of création industrielle (ENSCI/Les Ateliers), which 35 are run by local authorities, 7 are l’École nationale supérieure des beaux arts national schools outside Paris, and 3 are (ENSBA) et l’École nationale de la national schools in Paris awarding their own photographie d’Arles (ENSP). -
'Eric Troncy', Interview by Olivier Zahm and Portrait by Pierre Even, Issue
Purple Magazine: 'Eric Troncy', interview by Olivier Zahm and portrait by Pierre Even, Issue 24, F/W 2015 Curating has become a serious discipline: it can be studied at art schools and universities. At the beginning of the ’90s, being a young curator meant nothing more than championing the new kind of artists that you believed in, according to your ability to detect and orchestrate ongoing changes in the chaotic postmodern world. ÉriC TronCy was the first curator of this changing ’90s art scene in France. More than two decades later, I consider him to be the best of my generation — a reference for what could be labeled a “curator-artist.” His curatorial concepts and choices are pushing the limits of how artworks can be presented, juxtaposed and connected — transforming a predictable group show into an artistic statement as well as a photogenic experience. He is also a strongly opinionated art critic and the editor of Frog, my favorite art magazine in France. interview by OLIVIER ZAHM portrait by PIERRE EVEN “The Shell (Landscapes, Portraits & Shapes),” a show curated olivier zahm — The first time I heard the name Éric Troncy was on by ric troncy at Almine Rech Gallery, Paris, January - February, 2014, the occasion of an exhibition in Geneva, “French Kiss.” People all around me in photo Olivier Zahm the milieu of young artists and critics in Paris were talking about it. ric troncy — It was really the first group exhibition to bear julian schnabel, The Day I Missed, 1990, oil and gesso on tarpaulin, my name. copyright Julian Schnabel richard phillips, Adriana II, 2012, oil on canvas, copyright Richard olivier zahm — How did your engagement with contemporary art begin? Phillips. -
Download Ghada Amer CV
GHADA AMER Born in Cairo, Egypt Lives and works in New York, NY EDUCATION 1991 Institut des Hautes Etudes en Arts Plastiques, Paris, France 1989 MFA in Painting, Villa Arson EPIAR, Nice, France SELECTED SOLO EXHIBITIONS 2015 Love.Earth.Fire. Leila Heller Gallery, Dubai, UAE 2014 Ghada Amer: Rainbow Girls, Cheim and Read, New York, NY, USA 2013 Ghada Amer: Référence à Elle, Kukje Gallery, Seoul, Korea 2012 The Other I, Tina Kim Gallery, New York, NY, USA Ghada Amer, Musee d’Art Contemporain de Montreal, Montreal 2011 100 Words of Love, Cheim and Read, New York, NY, USA No Romance, Goodman Gallery, Johannesburg, South Africa 2010 Color Misbehavior, Cheim and Read, New York, NY, USA 2009 Ghada Amer and Reza Farkhondeh: Roses Off Limits, Pace Prints, New York, NY, USA 2008 Ghada Amer and Reza Farkhondeh: Collaborative Drawings, Tina Kim Fine Arts, New York, NY, USA Ghada Amer and Reza Farkhondeh: A New Collaboration on Paper, Singapore Tyler Print Institute, Singapore Love Has No End, Elisabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York, NY, USA 2007 Ghada Amer & Reza Farkhondeh, Collaborative Drawings, Kukje Gallery, Seoul, Korea Another Spring, Kukje Gallery, Seoul, Korea Le Salon Courbé, Francesca Minini Gallery, Milan, Italy 568 West 25th Street New York, NY 10001 | Tel: +1 212 249 7695 Fax: +1 212 249 7693 www.LeilaHellerGallery.com Ghada Amer, Museo d’Arte Contemporanea Roma, MACRO, Rome, Italy 2006 Breathe Into Me, Gagosian Gallery, New York (Chelsea), NY, USA 2004 Ghada Amer, Gagosian Gallery, Beverly Hills, CA, USA Ghada Amer, Institut Valencià d’Art Modern, Valencia, Spain 2003 Ghada Amer, Forefront 45, Indianapolis Museum of Art, Indianapolis, IN, USA Ghada Amer, Galleria Massimo Minini, Brescia, Italy 2002 Ghada Amer, Gagosian Gallery, London, UK Ghada Amer, De Appel Foundation, Amsterdam, Netherlands 2001 Encyclopedia of Pleasure, Deitch Projects, New York, NY, USA Reading Between the Threads, Henie---Onstad Kunstsenter, Oslo, Norway Traveled to: Kunst Palast, Düsseldorf, Germany & Bildmuseet, Umea, Sweden. -
Presskitsq1 Eng2
Sequence 1 Painting and Sculpture in the François Pinault Collection Saturday 5 May – Sunday 11 November 2007 1 Index I/ Sequence 1. Painting and Sculpture in the François Pinault Collection Palazzo Grassi to initiate new exhibition series Painting Sculpture New commissions and special projects Sequence 1 works list Catalogue of the exhibition II/ Historical Milestones of Palazzo Grassi Palazzo Grassi: a Venetian story From Gianni Agnelli to François Pinault The Board of Directors The Advisory of Board Tadao Ando’s renovation The Palazzo Grassi’s cultural direction Punta della Dogana III/ Biographies François Pinault Jean-Jacques Aillagon Alison M. Gingeras The artists of Sequence 1 Tadao Ando IV/ General information V/ Press office contacts VI/ Captions of the images available in the press kit 2 I / Sequence 1. Painting and Sculpture in the François Pinault Collection Palazzo Grassi to initiate new exhibition series On May 5, 2007,Palazzo Grassi presented Sequence 1:Painting and Sculpture in the François Pinault Collection, the first exhibition in a succession of shows highlighting the particularities and strengths of the contemporary art holdings of the François Pinault Collection. Curated by Alison M. Gingeras, the newly-appointed chief curator at Palazzo Grassi, Sequence 1 features a diverse range of work by six- teen artists from the Collection, as well as new commissions and special projects. The exhibition will be on view until November 11th, 2007. International and multi-generational, the artists in Sequence 1 all engage in the practice of painting or sculpture to varying degrees. Eschewing theme or narrative, Sequence 1 reminds us that contempo- rary artists have never abandoned these supposedly “traditional” disciplines—choosing instead to modify them with constant conceptual revisions and ever-evolving techniques. -
Press Release
True Stories A Show Related to an Era - The Eighties curated by Peter Pakesch Goethestraße 2/3, 10623 Berlin Kurfürstendamm 213, 10719 Berlin 14 September – 27 October 2018 Opening: 14 September, 6-9 pm Goethestraße 2/3, 10623 Berlin 9 November – 22 December 2018 Opening: 9 November, 6-8 pm Galerie Max Hetzler is pleased to announce the group show True Stories. A Show Related to an Era – The Eighties, curated by Peter Pakesch. The show includes works by Mirosław Bałka, Herbert Brandl, Werner Büttner, Clegg & Guttmann, Mathis Esterhazy, Günther Förg, Isa Genzken, Robert Gober, Félix González-Torres, Georg Herold, Axel Hütte, Cristina Iglesias, Mike Kelley, Martin Kippenberger, Jef Koons, Liz Larner, Zoe Leonard, Inge Mahn, Meuser, Reinhard Mucha, Cady Noland, Albert Oehlen, Markus Oehlen, Richard Prince, Didi Sattmann, Julian Schnabel, Wilhelm Schürmann, Cindy Sherman, Mariella Simoni, Thomas Struth, Rosemarie Trockel, Franz West, Terry Winters, Christopher Wool, Otto Zitko, Heimo Zobernig and will take place both at Goethestraße 2/3 and our temporary space at Kurfürstendamm 213. Seen from today’s perspective, during this decade, the way art would function in society has changed largely. Within the history of the late 20th Century, the very two years 1968 and 1989 are truly signifcant for politics as well as for culture. One signifes the height of the Cold War and the departure to new freedoms, the other one the end of this Cold War and the dawn of a new world order (that still is not in place yet). Christopher Wool & Richard Prince, My Act, 1988 © Christopher Wool In a certain reading of Western culture, visual art, as well as other Courtesy of the artists, Luhring Augustine, New York felds of the cultural domain, have come to a certain end by the 1960s and Galerie Max Hetzler, Berlin | Paris | London - the end of the Modern. -
PAUL Mccarthy
PAUL McCARTHY Born in 1945 in Salt Lake City (Utah, USA) Lives and works in Los Angeles (California, USA) SELECTED SOLO EXHIBITIONS 2012 Propo, Hauser & Wirth, Zurich, Switzerland White Snow, Peder Lund, Oslo, Norway Paul McCarthy. The Box, Neue Nationalgalerie, Berlin, Germany Rebel Dabble Babble, Los Angeles CA, USA Paul McCarth, Nine Dwarves, Kukje Gallery, Seoul, South Korea 2010! Fondazione Trussardi, Milan, Italy 2009! White Snow, Hauser & Wirth New York, New York, NY, USA Paul McCarthy – Air Pressure, De Uithof, City of Utrecht, The Netherlands! Paul McCarthy, Hauser & Wirth, Zurich, Switzerland! Paul McCarthy & Benjamin Weissman – Quilting Sessions, KUMU Eesti Kunstimuuseum, Tallinn, Estonia (Travelling Exhibition)! Contemporary trends in video art – Paul McCarthy, Salt Lake Art Center, Salt Lake City UT, USA Paul McCarthy & Benjamin Weissman – Quilting Sessions, Zacheta National Gallery of Art, Warsaw, Poland (Travelling Exhibition) 2008! Three Installations, Two Films, Whitney Museum of American Art, Central Symmetrical Rotation Movement, New York, NY, USA! Paul McCarthy & Benjamin Weissman – Quilting Sessions, Galleria Civica di Arte Contemporanea, Trento, Italy (Travelling Exhibition) ! 2007 Paul McCarthy’s Chocolate Factory, Maccarone Gallery, New York, NY, USA Head Shop/Shop Head, S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium; Paul McCarthy – Head Shop / Shop Head, Moderna Museet, Stockholm, Sweden; ARoS – Aarhus Museum of Art, Denmark (Travelling Exhibition) Paul McCarthy: Tokyo Santa, The Essl Collection, -
THE LIVES of the ARTISTS Beyond the Cult of Personality: the Emergence of Public Persona As an Artistic Medium
THE Idea: Fischer, West 2007 Published by Schlebrügge.Editor 1Euro TESA DELLA NUOVISSIMAAMSTERWHEEL 105 / ARSENALE DI VENEZIA, JUNE 8TH - AUGUST 26TH OPENING JUNE 7TH 4PM H& LE PRINTEMPS DE SEPTEMBRE – à TOULOUSE, SEPTEMBER 21ST - OCTOBER 14TH 2007 THE LIVES OF THE ARTISTS Beyond the Cult of Personality: The Emergence of Public Persona as an Artistic Medium Alison M. Gingeras fiction. Five hundred years have, and look. From the image after Vasari’s death, art histo- of the young struggling artist Flamboyant. Extravagant. Extro- ry has become a much more in an unheated Williamsburg verted. Eccentric. Meglomaniac. stringent practice. By dismiss- loft to the dj-cum-painter spin- Alcoholic. Sexually obsessed. ing Vasari’s factual errors and ning in an Electroclash club in Manic-depressive. Bohemian— exaggerations, the current former East Berlin, the bohemi- there are as many stereotypes academic consensus contin- an imaginary persists in shap- as there are anecdotes about ues to discredit one of his ing the contemporary expec- famous artists. The inevitable main contributions to the field tations of what role artists entwinement of an artist’s - the idea that legend and should play in society. colourful biography and aes- myth, as generated by the thetic genius has provided artists themselves, are insep- Not all artists continue to take fodder for scholarly specula- arable from understanding refuge in bohemian or coun- tion, populist fascination as their art. tercultural ideals. Western well as plain, old-fashioned society has changed this, entertainment. Beyond the It is not only art historians that epitomized by the obsession mere sensationalism, how are to blame. -
Enjoy – the Changing Mumok Collection
Enjoy – the Changing mumok Collection Press conference: Ten years after joining the museum, Karola Kraus is organizing with her team a col- Friday, June 18, 2021, 10 am lection presentation that includes central gifts and acquisitions from the past decade. Opening: The selected works range from classical modernism to the present day, following the Opening weekend: June 19 / 20, 2021 path of the collection’s development. Twenty years after mumok opened in Vienna’s Exhibition duration: MuseumsQuartier, and forty years after the founding of the Austrian Ludwig Founda- June 19, 2021 through March 13, 2022 tion, this exhibition is both a survey of the past and a glimpse ahead to the future. As the past years are reviewed, new perspectives are proposed as basis for the muse- um’s future collection and exhibition activities. The collection exhibition Enjoy sets out to convey the intertwining of past and present as a living process of continual reassessment and revaluation that reflects ever-chan- ging socio-political, socio-cultural, and philosophical developments and discourses. The main themes cut across time and media: the depiction of life in society, the human body, and nature, as well as migration and the drawing of boundaries. Field of Reference: Classical Modernism The exhibition reviews mumok’s historical holdings from the vantage point of con- temporary artists who are reactivating modernist formal vocabulary in their work, revealing the contradictions as well as the unfulfilled potential of the utopian project Corita Kent (Sister Corita) of modernism. The show opens with a look at how Western modernism has drawn the sea queen, 1973 mumok – Museum moderner Kunst its lifeblood from other cultures.