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G a G O S I a N Urs Fischer Bibliography

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G A G O S I A N Urs Fischer Bibliography Books and Catalogues: 2017 Fischer, Urs. Phantom Paintings. New York: Kiito-San. Pissarro, Joachim. Urs Fischer: Bruno & Yoyo. New York: Kitto-San and Vito Schnabel Gallery. 2016 Fischer, Urs. YES. New York: DESTE Foundation, Kiito-San. Fischer, Urs and Curiger, Brice. Mon cher... Arles: Fondation Vincent van Gogh Arles. 2013 Curiger, Bice. Barroco exuberante: De Cattelan a Zurbarán—Manifiestos de la precariedad vital. Bilbao: Museo Guggenheim Bilbao. de Seta, Cesare. Biennali souvenir. Milan: Mondadori Electa: 112–5. Fischer, Urs. The Making of Yes. New York: Kiito-San. Morgan, Jessica, Ulrich Lehmann and Jeffrey Deitch. Urs Fischer. New York: Kiito- San. Fischer, Urs, Jessica Morgan, and Karen Marta. Urs Fischer: 2000 words. Friedman, Samantha. Van Gogh, Dalí, and Beyond: The World Reimagined. New York: The Museum of Modern Art; Perth, Art Gallery of Western Australia: 95. Gnyp, Marta. Made in Mind: Myths and Realities of the Contemporary Artist. Stockholm: Art and Theory: 95–101. Holzwarth, Hans Werner. Art Now, Volume 4.Cologne: Taschen: 134–7. Lehmann-Reupert, Susanne. Von New York lernen: Mit Stuhl, Tisch und Sonnenschirm. Ostfildern, Germany: Hatje Cantz. 2012 Blancsubé, Michel. Poule! Ecatepec, Mexico: Fundación/Colección Jumex. Chaillou, Timothée. Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only parts of us will ever touch parts of others). Paris/Salzburg: Galerie Thaddaeus Ropac. Curiger, Bice. Deftig Barock. Von Cattelan bis Zurbarán—Manifeste des prekär Vitalen. Zurich: Kunsthaus Zürich. Deitch, Jeffrey. The Painting Factory: Abstraction after Warhol. New York: Skira Rizzoli. Driessen, Chris, and Heidi van Mierlo, eds. Raw Stardust—Excursions in Contemporary Sculpture II. Tilburg, Netherlands: Fundament Foundation. Fischer, Urs and Adam McEwen. Beds & Problem Paintings. Beverly Hills, California: Gagosian Gallery. Falguiéres, Patricia and Michele Robecchi and Caroline Bourgeois. Madame Fisscher. New York: Kiito-San. ———. Oscar the Grouch. Greenwich, Connecticut: The Brant Foundation; New York: Kiito-San. ———. Skinny Sunrise. New York: Kiito-San. Interview by Gerald Matt. Fischer, Urs, and Georg Herold. Necrophonia. New York: Kiito-San. Grant, Simon. In My View: Personal Reflections on Art by Today’s Leading Artists. London: Thames & Hudson. Grenier, Catherine. Salvador Dalí: The Making of an Artist. Paris: Flammarion. Sympathy for the Devil: Vanhaerents Art Collection. Tielt, Belgium: Lannoo. Birnbaum, Daniel, et al. Defining Contemporary Art. London: Phaidon Press. W W W . G A G O S I A N . C O M G A G O S I A N Bourgeois, Caroline. The World Belongs to You. Milan: Electa. Curiger, Bice, and Giovanni Carmine. ILLUMInazioni / ILLUMInations: Biennale Arte 2011. Venice: La Biennale di Venezia. Fischer, Urs. dngszjkdufiy bgxfjkglijkhtr kydjkhgdghjkd. Self-published artist’s book in three parts. Hapgood, Susan, and Cornelia Lauf, eds. In Deed: Certificates of Authenticity in Art. Amsterdam: Roma Publications. L’invention de l’oeuvre: Rodin & les ambassadeurs. Paris: Musée Rodin / Actes Sud. Taylor, Víctor Zamudio. Now: obras de La Colección Jumex. Barcelona: SYL. Tunnicliffe, Wayne, ed. John Kaldor Family Collection: Art Gallery of New South Wales. Sydney: Art Gallery of New South Wales. Urs Fischer: Untitled (Lamp / Bear). New York: Christie’s. 2010 Alpha Omega: Works from the Dakis Joannou Collection. Athens: Deste Foundation. Cavallucci, Favio. Post Monument: XIV Biennale Internazionale di Scultura di Carrara. Milan: Silvana Editoriale. Curtis, Penelope, and Keith Wilson, eds. Modern British Sculpture. London: Royal Academy of Arts. Fischer, Urs, and Darren Bader. The Bearded Island / The Artist’s Lament. Self- published artist’s book. Gioni, Massimiliano, ed. What Good Is the Moon?: The Exhibitions of the Trussardi Foundation. Ostfildern, Germany: Hatje Cantz. Interview by Massimiliano Gioni. Hack, Jefferson, ed. AnOther Art Book. Paris: Edition 7L. Julliard, Julie Enckell. Voici un dessin suisse: 1990–2010. Zurich: JRP|Ringier Kunstverlag. Koller, Gabriel, Edek Bartz, and Gerald Bast. Secret Passion: Artists and their musical desires. Vienna: Springer. The New Décor. London: Hayward Publishing. Remembering Henry’s Show: Selected Works 1978–2008. Greenwich, CT: The Brant Foundation. Rosenberg, David. Art of Flying: The New Horizons of Art. New York: Assouline Publishing. Skin Fruit: Selections from the Dakis Joannou Collection. New York: New Museum. Vanhaerents, Walter, ed. Disorder in the House: Vanhaerents Art Collection. Tielt, Belgium: Lannoo. 2009 200 Artworks—25 Years: Artists’ Editions for Parkett. Zurich: Parkett Publishers. Fischer, Urs, Bice Curiger, Jessica Morgan and Massimilian Gioni. Shovel in a Hole. New York: New Museum. Forbat, Sophie. 40 Years: Kaldor Public Art Projects. Sydney: Kaldor Public Art Projects. Gingeras, Alison M., and Francesco Bonami. Mapping the Studio: Artists from the Francois Pinault Collection. Venice: Palazzo Grassi. Kurjakovic, Daniel. Conflicting Tales: Subjectivity (Quadrilogy, Part 1). Zurich: JRP|Ringier Kunstverlag. Munder, Heike, and Adam Budak. Bewitched, Bothered, and Bewildered: Spatial Emotion in Contemporary Art and Architecture. Zurich: Migros Museum für Gegenwartskunst. Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection Catalogue Raisonné. New York: The Museum of Modern Art. W W W . G A G O S I A N . C O M G A G O S I A N Roselione-Valadez, Juan, ed. Beg Borrow and Steal. Miami: Rubell Family Collection. Smith, Josh, and Todd Amicon. A Guest + A Host = A Ghost. Athens: Deste Foundation for Contemporary Art. Vitamin 3-D: new perspectives in sculpture and installation. London: Phaidon Press. 2008 Bidner, Stefan, ed. Franz West—Soufflé, eine Massenausstellung. Innsbruck, Austria: Kunstraum. Fischer, Urs. Helmar Lerski. Self-published artist’s book. Who’s Afraid of Jasper Johns? Self-published artist’s book. Fischer, Urs, and Scipio Schneider, eds. Fractured Figure: Works from the Dakis Joannou Collection. Athens: Deste Foundation for Contemporary Art. Four Friends. New York: Tony Shafrazi Gallery. Heiser, Jörg. All of a Sudden: Things that Matter in Contemporary Art. New York: Sternberg Press. Migros Museum für Gegenwartskunst: Sammlung / Collection 1978–2008. Zurich: JRP|Ringier Kunstverlag. Rehberg, Vivian, and Hans Werner Holzwarth, ed. Art Now, Volume 3. Cologne: Taschen. Ruf, Beatrix, ed. Blasted Allegories: Works from the Ringier Collection. Zurich: JRP|Ringier Kunstverlag. 2007 Becher, Jörg. Die 50 wichtigsten Künstler der Schweiz. Basel: Echtzeit Verlag. Berard, Emmanuel, and Emanuela Mazzonis, eds. Sequence 1: Painting and Sculpture from the Francois Pinault Collection. Venice: Palazzo Grassi. Bundesamt für Kultur, ed. Swiss Art Award 2007. Bern, Switzerland: Bundesamt für Kultur BAK. Fischer, Urs, and Cassandra MacLeod, eds. Fractured Figure: Works from the Dakis Joannou Collection. Athens: Deste Foundation for Contemporary Art. Fischer, Urs, and Rudolf Stingel. Urs Fischer / Rudolf Stingel. Milan: Galleria Massimo de Carlo. Flood, Richard, Massimiliano Gioni, and Laura Hoptman, eds. Unmonumental: The Object in the 21st Century. New York: New Museum. Hoffmann, Jens, and Christina Kennedy, eds. The Studio. Dublin: Dublin City Gallery The Hugh Lane. Ironia Domestica / Ironie der Objekte. Bolzano, Italy: Museion. Kaiser, Firma Renate, ed. The Hamsterwheel / Wheeeeel. Toulouse, France: Le Printemps de septembre. Kurjakovic, Daniel. Album—on and around Urs Fischer, Yves Netzhammer, Ugo Rondinone, and Christine Streuli, participating at the 52nd Venice Biennale. Zurich: JRP|Ringier Kunstverlag. Matt, Gerald, Eedelbert Köb, and Angela Stief, eds. Traum & Trauma: Werke aus der Sammlung Dakis Joannou, Athen. Ostfildern, Germany: Hatje Cantz. Moisdon, Stéphanie, and Hans Ulrich Obrist, eds. Lyon Biennial 2007: The 00s: The History of a Decade that Has Not Yet Been Named. Zurich: JRP|Ringier Kunstverlag. Urs Fischer: Cockatoo Island, Sydney. Sydney: Kaldor Public Art Projects. 2006 Bonami, Francesco. Infinite Painting. Codroipo, Italy: Villa Manin Centro d’Arte Contemporanea. Fischer, Urs. Paris 1919. Zurich: JRP|Ringier Kunstverlag. Essay by Rein Wolfs. Gingeras, Alison M., and Jack Bankowsky. Where Are We Going? Selections from the Francois Pinault Collection. Venice: Palazzo Grassi. W W W . G A G O S I A N . C O M G A G O S I A N Iles, Chrissie, and Philippe Vergne. Whitney Biennial 2006: Day for Night. New York: Whitney Museum of American Art. Lindemann, Adam. Collecting Contemporary. Cologne: Taschen. Schmuckli, Claudia. Mary Poppins. Houston: Blaffer Gallery. Schmidt, Jason. The Artists. Paris: Edition 7L. The Vincent van Gogh biennial award for contemporary art in Europe. Amsterdam: Stedelijk Museum. Webster, Toby. Strange I’ve seen that face before: Objekt, Gestalt, Phantom. Cologne: DuMont. 2005 Fischer, Urs. Mr. Watson—Come Here—I Want to See You. Hydra, Greece: Hydra Workshop. Fischer, Urs, and Eugen Blume. Urs Fischer: Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. Berlin: Hamburger Bahnhof. Essays by Eugen Blume and Catherine Nichols. Lacagnina, Salvatore. Ma non al sud: Paolo Chiasera, Enzo Cucchi, Urs Fischer, Peter Fischli & David Weiss. Milan: Silvana Editoriale. Morgan, Jessica, and Björn Roth. Material Time, Work Time, Life Time. Revolver: Frankfurt. Swiss made (the art of falling apart): Works from the Hauser & Wirth Collection. Zwolle, Netherlands: Waanders. Universal Experience: Art, Life, and the Tourist’s
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  • Post Magazine April 2017

    Post Magazine April 2017

    Galerie Max Hetzler Berlin | Paris | London Post Magazine McHugh, Fionnuala: Swiss artist Urs Fischer: is he serious? 23 April 2017 ` Urs Fischer, with Foamcore (2017), at the Gagosian Gallery, in Central.(/) Swiss artist Urs Fischer: is he serious? The weird and questionably wonderful work of the New York-based artist, who was in Hong Kong for his first solo exhibition in Asia, raises an obvious question: is he for real? BY FIONNUALA MCHUGH 23 APR 2017 In 2004, Swiss artist Urs Fischer created an alpine chalet made out of bread (sourdough, to be exact). It was life-size and, in succeeding years, as it did MO THI the artistic rounds, it took on a life of its own. Oriental rugs appeared; so did parakeets that hadn’t yet learned to fly and pecked at their crumby surroundings. After a while, the original sweet-smelling edifice became less fragrant as its structure, sourly, rotted. In 2007, Fischer had an exhibition at Gavin Brown’s Enterprise, in New York. The gallery floor was dug up, leaving a crater that measured roughly 11 Bac metres by nine metres and was two-and-a-half metres deep. Visitors could walk around it on a narrow ledge but there was a thrillingly stern warning Kon at the entrance: THE INSTALLATION IS PHYSICALLY DANGEROUS AND INHERENTLY INVOLVES THE RISK OF SERIOUS INJURY OR DEATH. The work was Gat who called You. /m mag rea By 2012, Fischer was showing at the Palazzo Grassi, in Venice, Italy. The 18th-century palace is owned by French businessman François Pinault, whose company is the major shareholder of Christie’s auction house and who has one of the world’s largest collections of contemporary art.
  • Urs Fischer – False Friends MUSÉE D’ART ET D’HISTOIRE, GENEVA

    Urs Fischer – False Friends MUSÉE D’ART ET D’HISTOIRE, GENEVA

    Urs Fischer – False Friends MUSÉE D’ART ET D’HISTOIRE, GENEVA APRIL 28 – JULY 17, 2016 PRESS RELEASE A selection of the Dakis Joannou Collection in Geneva for the first time March 2016 - Beginning on April 28, 2016, the Museum of Art and History of Geneva welcomes the DESTE Foundation, introducing the exhibition Urs Fischer – False Friends, in collaboration with of ART for The World. Urs Fischer – False Friends brings together a selection of works from the Dakis Joannou Collection. Conceived as an unusual synthesis between a solo show and a group exhibition, False Friends pairs works by a range of highly recognized artists with an ensemble of 20 works by Swiss artist Urs Fischer (b. 1973). In False Friends, Urs Fischer's work is seen alongside sculptures and paintings by artists such as Pawel Althamer, Maurizio Cattelan, Fischli and Weiss, Robert Gober, Martin Kippenberger, Jeff Koons, Paul McCarthy, Cindy Sherman and Kiki Smith, all of whom engage with fundamental themes in the history of art – the representation of the human body, the transformative power of materials, and the virtues of subtle observations. Establishing unexpected connections between artworks and aesthetics, methods and materials, False Friends traces similarities and differences among a group of artists whose work has animated and sustained critical debates in contemporary art throughout the past thirty years. The work of Urs Fischer, one of the most innovative Swiss artists of his generation, is central to False Friends. Fischer celebrates metamorphosis and change through works that reveal a particular attention to process and time. Coupling the legacy of Pop art with a neo-baroque taste for the absurd, Fischer’s creative universe trembles under the forces of entropy, decay and failure.